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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #482D87 it is the complementary color #B7D278. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #482D87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #482D87 shade: #4D2D82, #5E3F95, #6F51A8, #8063BB and #9175CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #482D87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #482D87 shade: #482D87, #371B74, #260961, #15004E and #04003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #482D87 shade: #472D86, #5F2D86, #782D86, #862D7C and #862D64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #482D87 shade: #472D86, #2F2D86 and #2D2D86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #482D87 shade matches the following richer shades: #472D86, #421E94, #3C10A3 and #3601B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #482D87 shade: #472D86, #4D3B77, #534A69, #59585B and #5F664C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #482D87 shade: #2D4186, #302D86, #472D86, #5F2D86 and #772D86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #482D87 shade: #261848, #372267, #472D86, #5837A5 and #6A44C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #482D87 shade: #482D87, #862D59 and #36862D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #482D87 shade: #482D87, #86472D and #2D8647

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #482D87 shade: #482D87, #862D59, #6B862D and #2D8659

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #482D87 shade: #482D87, #862D3E, #6B862D and #2D8674

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 67 / 0 / 47

HEX #482D87

RGB 72 45 135

HSL 258, 0.5%, 0.35%

LAB 26.75, 34.73, -46.21

 

Complementary color

CMYK 13 / 0 / 43 / 18

HEX #B7D278

RGB 183 210 120

HSL 78, 0.5%, 0.65%

LAB 80.47, -23.35, 41.54

 

CMYK 41 / 65 / 0 / 49

HEX #4D2D82

RGB 77 45 130

HSL 262.59, 0.49%, 0.34%

LAB 26.92, 34.37, -42.77

 

CMYK 37 / 58 / 0 / 42

HEX #5E3F95

RGB 94 63 149

HSL 261.63, 0.41%, 0.42%

LAB 34.2, 33.18, -42.68

 

CMYK 34 / 52 / 0 / 34

HEX #6F51A8

RGB 111 81 168

HSL 260.69, 0.35%, 0.49%

LAB 41.36, 32.05, -42.54

 

CMYK 32 / 47 / 0 / 27

HEX #8063BB

RGB 128 99 187

HSL 259.77, 0.39%, 0.56%

LAB 48.39, 31.01, -42.4

 

CMYK 30 / 43 / 0 / 19

HEX #9175CE

RGB 145 117 206

HSL 258.88, 0.48%, 0.63%

LAB 55.28, 30.07, -42.28

 

CMYK 47 / 67 / 0 / 47

HEX #482D87

RGB 72 45 135

HSL 258, 0.5%, 0.35%

LAB 26.75, 34.73, -46.21

 

CMYK 53 / 77 / 0 / 55

HEX #371B74

RGB 55 27 116

HSL 258.88, 0.62%, 0.28%

LAB 19.46, 35.98, -46.14

 

CMYK 61 / 91 / 0 / 62

HEX #260961

RGB 38 9 97

HSL 259.77, 0.83%, 0.21%

LAB 12.42, 36.47, -45.35

 

CMYK 73 / 100 / 0 / 69

HEX #15004E

RGB 21 0 78

HSL 256.15, 1%, 0.15%

LAB 6.41, 33.77, -42.45

 

CMYK 93 / 100 / 0 / 77

HEX #04003B

RGB 4 0 59

HSL 244.07, 1%, 0.12%

LAB 3.09, 21.09, -34.45

 

CMYK 47 / 66 / 0 / 47

HEX #472D86

RGB 71 45 134

HSL 257.53, 0.5%, 0.35%

LAB 26.56, 34.22, -45.9

 

CMYK 29 / 66 / 0 / 47

HEX #5F2D86

RGB 95 45 134

HSL 273.71, 0.5%, 0.35%

LAB 29.49, 39.65, -41.01

 

CMYK 10 / 66 / 0 / 47

HEX #782D86

RGB 120 45 134

HSL 290.56, 0.5%, 0.35%

LAB 33.12, 45.82, -35

 

CMYK 0 / 66 / 7 / 47

HEX #862D7C

RGB 134 45 124

HSL 306.74, 0.5%, 0.35%

LAB 34.8, 47.62, -25.97

 

CMYK 0 / 66 / 25 / 47

HEX #862D64

RGB 134 45 100

HSL 322.92, 0.5%, 0.35%

LAB 33.7, 43.85, -12.5

 

CMYK 47 / 66 / 0 / 47

HEX #472D86

RGB 71 45 134

HSL 257.53, 0.5%, 0.35%

LAB 26.56, 34.22, -45.9

 

CMYK 65 / 66 / 0 / 47

HEX #2F2D86

RGB 47 45 134

HSL 241.35, 0.5%, 0.35%

LAB 24.33, 29.73, -49.62

 

CMYK 66 / 66 / 0 / 47

HEX #2D2D86

RGB 45 45 134

HSL 240, 0.5%, 0.35%

LAB 24.18, 29.41, -49.87

 

CMYK 47 / 66 / 0 / 47

HEX #472D86

RGB 71 45 134

HSL 257.53, 0.5%, 0.35%

LAB 26.56, 34.22, -45.9

 

CMYK 55 / 80 / 0 / 42

HEX #421E94

RGB 66 30 148

HSL 258.31, 0.66%, 0.35%

LAB 24.4, 45.49, -58.14

 

CMYK 63 / 90 / 0 / 36

HEX #3C10A3

RGB 60 16 163

HSL 257.96, 0.82%, 0.35%

LAB 23.59, 54.34, -68.69

 

CMYK 69 / 99 / 0 / 31

HEX #3601B1

RGB 54 1 177

HSL 258.07, 0.99%, 0.35%

LAB 23.61, 61.06, -77.14

 

CMYK 47 / 66 / 0 / 47

HEX #472D86

RGB 71 45 134

HSL 257.53, 0.5%, 0.35%

LAB 26.56, 34.22, -45.9

 

CMYK 35 / 50 / 0 / 53

HEX #4D3B77

RGB 77 59 119

HSL 258, 0.34%, 0.35%

LAB 29.51, 22.55, -31.71

 

CMYK 21 / 30 / 0 / 59

HEX #534A69

RGB 83 74 105

HSL 257.42, 0.17%, 0.35%

LAB 33.47, 10.94, -16.63

 

CMYK 2 / 3 / 0 / 64

HEX #59585B

RGB 89 88 91

HSL 260, 0.02%, 0.35%

LAB 37.59, 1.04, -1.59

 

CMYK 7 / 0 / 25 / 60

HEX #5F664C

RGB 95 102 76

HSL 76.15, 0.15%, 0.35%

LAB 41.93, -7.73, 13.83

 

CMYK 66 / 51 / 0 / 47

HEX #2D4186

RGB 45 65 134

HSL 226.52, 0.5%, 0.35%

LAB 29.56, 15.91, -41.14

 

CMYK 64 / 66 / 0 / 47

HEX #302D86

RGB 48 45 134

HSL 242.02, 0.5%, 0.35%

LAB 24.41, 29.89, -49.5

 

CMYK 47 / 66 / 0 / 47

HEX #472D86

RGB 71 45 134

HSL 257.53, 0.5%, 0.35%

LAB 26.56, 34.22, -45.9

 

CMYK 29 / 66 / 0 / 47

HEX #5F2D86

RGB 95 45 134

HSL 273.71, 0.5%, 0.35%

LAB 29.49, 39.65, -41.01

 

CMYK 11 / 66 / 0 / 47

HEX #772D86

RGB 119 45 134

HSL 289.89, 0.5%, 0.35%

LAB 32.96, 45.57, -35.26

 

CMYK 47 / 67 / 0 / 72

HEX #261848

RGB 38 24 72

HSL 257.5, 0.5%, 0.19%

LAB 12.82, 20.32, -27.69

 

CMYK 47 / 67 / 0 / 60

HEX #372267

RGB 55 34 103

HSL 258.26, 0.5%, 0.27%

LAB 19.78, 27.91, -37.18

 

CMYK 47 / 66 / 0 / 47

HEX #472D86

RGB 71 45 134

HSL 257.53, 0.5%, 0.35%

LAB 26.56, 34.22, -45.9

 

CMYK 47 / 67 / 0 / 35

HEX #5837A5

RGB 88 55 165

HSL 258, 0.5%, 0.43%

LAB 32.97, 41.02, -54.38

 

CMYK 45 / 65 / 0 / 24

HEX #6A44C1

RGB 106 68 193

HSL 258.24, 0.5%, 0.51%

LAB 39.66, 45.26, -60.01

 

CMYK 47 / 67 / 0 / 47

HEX #482D87

RGB 72 45 135

HSL 258, 0.5%, 0.35%

LAB 26.75, 34.73, -46.21

 

CMYK 0 / 66 / 34 / 47

HEX #862D59

RGB 134 45 89

HSL 330.34, 0.5%, 0.35%

LAB 33.28, 42.36, -6.07

 

CMYK 60 / 0 / 66 / 47

HEX #36862D

RGB 54 134 45

HSL 113.93, 0.5%, 0.35%

LAB 49.53, -42.37, 39.46

 

CMYK 47 / 67 / 0 / 47

HEX #482D87

RGB 72 45 135

HSL 258, 0.5%, 0.35%

LAB 26.75, 34.73, -46.21

 

CMYK 0 / 47 / 66 / 47

HEX #86472D

RGB 134 71 45

HSL 17.53, 0.5%, 0.35%

LAB 37.42, 24.42, 27.28

 

CMYK 66 / 0 / 47 / 47

HEX #2D8647

RGB 45 134 71

HSL 137.53, 0.5%, 0.35%

LAB 49.57, -40.88, 26.32

 

CMYK 47 / 67 / 0 / 47

HEX #482D87

RGB 72 45 135

HSL 258, 0.5%, 0.35%

LAB 26.75, 34.73, -46.21

 

CMYK 0 / 66 / 34 / 47

HEX #862D59

RGB 134 45 89

HSL 330.34, 0.5%, 0.35%

LAB 33.28, 42.36, -6.07

 

CMYK 20 / 0 / 66 / 47

HEX #6B862D

RGB 107 134 45

HSL 78.2, 0.5%, 0.35%

LAB 52.25, -23.6, 43.2

 

CMYK 66 / 0 / 34 / 47

HEX #2D8659

RGB 45 134 89

HSL 149.66, 0.5%, 0.35%

LAB 49.89, -37.37, 16.7

 

CMYK 47 / 67 / 0 / 47

HEX #482D87

RGB 72 45 135

HSL 258, 0.5%, 0.35%

LAB 26.75, 34.73, -46.21

 

CMYK 0 / 66 / 54 / 47

HEX #862D3E

RGB 134 45 62

HSL 348.54, 0.5%, 0.35%

LAB 32.46, 39.4, 10.3

 

CMYK 20 / 0 / 66 / 47

HEX #6B862D

RGB 107 134 45

HSL 78.2, 0.5%, 0.35%

LAB 52.25, -23.6, 43.2

 

CMYK 66 / 0 / 13 / 47

HEX #2D8674

RGB 45 134 116

HSL 167.87, 0.5%, 0.35%

LAB 50.53, -30.76, 1.99

 

Description

Color code: HEX #482D87 | qconv.com Color code: HEX #482D87 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 45 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 45 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 67 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 67% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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