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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #482566 it is the complementary color #B7DA99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #482566. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #482566 shade: #4D2561, #5E3774, #6F4987, #805B9A and #916DAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #482566. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #482566 shade: #482566, #371353, #260140, #15002D and #04001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #482566 shade: #472465, #592465, #652460, #65244F and #65243D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #482566 shade: #472465, #362465 and #242465

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #482566 shade matches the following richer shades: #472465, #481970, #490E7B and #4A0387

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #482566 shade: #472465, #46305A, #463B4F, #454644 and #445139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #482566 shade: #242465, #362465, #472465, #582465 and #652461

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #482566 shade: #1D0F29, #321A47, #472465, #5D2F84 and #723AA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #482566 shade: #482566, #652436 and #24652D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #482566 shade: #482566, #654724 and #246547

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #482566 shade: #482566, #652436, #436524 and #246554

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #482566 shade: #482566, #652724, #436524 and #246365

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 64 / 0 / 60

HEX #482566

RGB 72 37 102

HSL 272.31, 0.47%, 0.27%

LAB 22.51, 30.07, -32.01

 

Complementary color

CMYK 16 / 0 / 30 / 15

HEX #B7DA99

RGB 183 218 153

HSL 92.31, 0.47%, 0.73%

LAB 83.18, -22.95, 28.31

 

CMYK 21 / 62 / 0 / 62

HEX #4D2561

RGB 77 37 97

HSL 280, 0.45%, 0.26%

LAB 22.88, 30.18, -28.13

 

CMYK 19 / 53 / 0 / 55

HEX #5E3774

RGB 94 55 116

HSL 278.36, 0.36%, 0.34%

LAB 30.33, 29.31, -28.38

 

CMYK 18 / 46 / 0 / 47

HEX #6F4987

RGB 111 73 135

HSL 276.77, 0.3%, 0.41%

LAB 37.65, 28.4, -28.53

 

CMYK 17 / 41 / 0 / 40

HEX #805B9A

RGB 128 91 154

HSL 275.24, 0.26%, 0.48%

LAB 44.81, 27.54, -28.65

 

CMYK 16 / 37 / 0 / 32

HEX #916DAD

RGB 145 109 173

HSL 273.75, 0.28%, 0.55%

LAB 51.81, 26.75, -28.78

 

CMYK 29 / 64 / 0 / 60

HEX #482566

RGB 72 37 102

HSL 272.31, 0.47%, 0.27%

LAB 22.51, 30.07, -32.01

 

CMYK 34 / 77 / 0 / 67

HEX #371353

RGB 55 19 83

HSL 273.75, 0.63%, 0.2%

LAB 14.97, 30.78, -31.66

 

CMYK 41 / 98 / 0 / 75

HEX #260140

RGB 38 1 64

HSL 275.24, 0.97%, 0.13%

LAB 7.26, 31.4, -31.1

 

CMYK 53 / 100 / 0 / 82

HEX #15002D

RGB 21 0 45

HSL 268, 1%, 0.09%

LAB 3.15, 18.49, -23.89

 

CMYK 85 / 100 / 0 / 90

HEX #04001A

RGB 4 0 26

HSL 249.23, 1%, 0.05%

LAB 0.91, 5.78, -12.51

 

CMYK 30 / 64 / 0 / 60

HEX #472465

RGB 71 36 101

HSL 272.31, 0.47%, 0.27%

LAB 22.09, 30.12, -32.05

 

CMYK 12 / 64 / 0 / 60

HEX #592465

RGB 89 36 101

HSL 288.92, 0.47%, 0.27%

LAB 24.72, 35.06, -27.7

 

CMYK 0 / 64 / 5 / 60

HEX #652460

RGB 101 36 96

HSL 304.62, 0.47%, 0.27%

LAB 26.37, 37.49, -21.7

 

CMYK 0 / 64 / 22 / 60

HEX #65244F

RGB 101 36 79

HSL 320.31, 0.47%, 0.27%

LAB 25.54, 34.53, -11.77

 

CMYK 0 / 64 / 40 / 60

HEX #65243D

RGB 101 36 61

HSL 336.92, 0.47%, 0.27%

LAB 24.84, 31.92, -0.7

 

CMYK 30 / 64 / 0 / 60

HEX #472465

RGB 71 36 101

HSL 272.31, 0.47%, 0.27%

LAB 22.09, 30.12, -32.05

 

CMYK 47 / 64 / 0 / 60

HEX #362465

RGB 54 36 101

HSL 256.62, 0.47%, 0.27%

LAB 19.99, 25.78, -35.55

 

CMYK 64 / 64 / 0 / 60

HEX #242465

RGB 36 36 101

HSL 240, 0.47%, 0.27%

LAB 18.26, 21.89, -38.43

 

CMYK 30 / 64 / 0 / 60

HEX #472465

RGB 71 36 101

HSL 272.31, 0.47%, 0.27%

LAB 22.09, 30.12, -32.05

 

CMYK 36 / 78 / 0 / 56

HEX #481970

RGB 72 25 112

HSL 272.41, 0.64%, 0.27%

LAB 20.99, 39.03, -40.97

 

CMYK 41 / 89 / 0 / 52

HEX #490E7B

RGB 73 14 123

HSL 272.48, 0.8%, 0.27%

LAB 20.68, 46.17, -48.54

 

CMYK 45 / 98 / 0 / 47

HEX #4A0387

RGB 74 3 135

HSL 272.27, 0.96%, 0.27%

LAB 21.1, 51.96, -55.45

 

CMYK 30 / 64 / 0 / 60

HEX #472465

RGB 71 36 101

HSL 272.31, 0.47%, 0.27%

LAB 22.09, 30.12, -32.05

 

CMYK 22 / 47 / 0 / 65

HEX #46305A

RGB 70 48 90

HSL 271.43, 0.3%, 0.27%

LAB 24.17, 19.38, -21.53

 

CMYK 11 / 25 / 0 / 69

HEX #463B4F

RGB 70 59 79

HSL 273, 0.14%, 0.27%

LAB 26.72, 9.27, -10.36

 

CMYK 1 / 0 / 3 / 73

HEX #454644

RGB 69 70 68

HSL 90, 0.01%, 0.27%

LAB 29.57, -0.85, 1.05

 

CMYK 16 / 0 / 30 / 68

HEX #445139

RGB 68 81 57

HSL 92.5, 0.17%, 0.27%

LAB 32.72, -10.2, 12.47

 

CMYK 64 / 64 / 0 / 60

HEX #242465

RGB 36 36 101

HSL 240, 0.47%, 0.27%

LAB 18.26, 21.89, -38.43

 

CMYK 47 / 64 / 0 / 60

HEX #362465

RGB 54 36 101

HSL 256.62, 0.47%, 0.27%

LAB 19.99, 25.78, -35.55

 

CMYK 30 / 64 / 0 / 60

HEX #472465

RGB 71 36 101

HSL 272.31, 0.47%, 0.27%

LAB 22.09, 30.12, -32.05

 

CMYK 13 / 64 / 0 / 60

HEX #582465

RGB 88 36 101

HSL 288, 0.47%, 0.27%

LAB 24.56, 34.78, -27.96

 

CMYK 0 / 64 / 4 / 60

HEX #652461

RGB 101 36 97

HSL 303.69, 0.47%, 0.27%

LAB 26.42, 37.67, -22.27

 

CMYK 29 / 63 / 0 / 84

HEX #1D0F29

RGB 29 15 41

HSL 272.31, 0.46%, 0.11%

LAB 6.89, 13.66, -14.91

 

CMYK 30 / 63 / 0 / 72

HEX #321A47

RGB 50 26 71

HSL 272, 0.46%, 0.19%

LAB 14.8, 22.07, -23.73

 

CMYK 30 / 64 / 0 / 60

HEX #472465

RGB 71 36 101

HSL 272.31, 0.47%, 0.27%

LAB 22.09, 30.12, -32.05

 

CMYK 30 / 64 / 0 / 48

HEX #5D2F84

RGB 93 47 132

HSL 272.47, 0.47%, 0.35%

LAB 29.48, 37.6, -39.8

 

CMYK 30 / 64 / 0 / 36

HEX #723AA2

RGB 114 58 162

HSL 272.31, 0.47%, 0.43%

LAB 36.39, 44.23, -46.9

 

CMYK 29 / 64 / 0 / 60

HEX #482566

RGB 72 37 102

HSL 272.31, 0.47%, 0.27%

LAB 22.51, 30.07, -32.01

 

CMYK 0 / 64 / 47 / 60

HEX #652436

RGB 101 36 54

HSL 343.38, 0.47%, 0.27%

LAB 24.62, 31.07, 3.73

 

CMYK 64 / 0 / 55 / 60

HEX #24652D

RGB 36 101 45

HSL 128.31, 0.47%, 0.27%

LAB 37.61, -33.62, 25.51

 

CMYK 29 / 64 / 0 / 60

HEX #482566

RGB 72 37 102

HSL 272.31, 0.47%, 0.27%

LAB 22.51, 30.07, -32.01

 

CMYK 0 / 30 / 64 / 60

HEX #654724

RGB 101 71 36

HSL 32.31, 0.47%, 0.27%

LAB 32.7, 8.64, 25.8

 

CMYK 64 / 0 / 30 / 60

HEX #246547

RGB 36 101 71

HSL 152.31, 0.47%, 0.27%

LAB 38.09, -28.47, 11

 

CMYK 29 / 64 / 0 / 60

HEX #482566

RGB 72 37 102

HSL 272.31, 0.47%, 0.27%

LAB 22.51, 30.07, -32.01

 

CMYK 0 / 64 / 47 / 60

HEX #652436

RGB 101 36 54

HSL 343.38, 0.47%, 0.27%

LAB 24.62, 31.07, 3.73

 

CMYK 34 / 0 / 64 / 60

HEX #436524

RGB 67 101 36

HSL 91.38, 0.47%, 0.27%

LAB 38.95, -24.43, 32.15

 

CMYK 64 / 0 / 17 / 60

HEX #246554

RGB 36 101 84

HSL 164.31, 0.47%, 0.27%

LAB 38.42, -25.15, 3.55

 

CMYK 29 / 64 / 0 / 60

HEX #482566

RGB 72 37 102

HSL 272.31, 0.47%, 0.27%

LAB 22.51, 30.07, -32.01

 

CMYK 0 / 61 / 64 / 60

HEX #652724

RGB 101 39 36

HSL 2.77, 0.47%, 0.27%

LAB 24.78, 27.75, 16.09

 

CMYK 34 / 0 / 64 / 60

HEX #436524

RGB 67 101 36

HSL 91.38, 0.47%, 0.27%

LAB 38.95, -24.43, 32.15

 

CMYK 64 / 2 / 0 / 60

HEX #246365

RGB 36 99 101

HSL 181.85, 0.47%, 0.27%

LAB 38.27, -19.08, -7.12

 

Description

Color code: HEX #482566 | qconv.com Color code: HEX #482566 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 37 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 37 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 64 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 64% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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