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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #482165 it is the complementary color #B7DE9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #482165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #482165 shade: #4D2160, #5E3373, #6F4586, #805799 and #9169AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #482165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #482165 shade: #482165, #370F52, #26003F, #15002C and #040019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #482165 shade: #472064, #5A2064, #64205C, #64204A and #642038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #482165 shade: #472064, #352064, #232064 and #202064

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #482165 shade matches the following richer shades: #472064, #49166F, #4A0B7A and #4C0084

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #482165 shade: #472064, #462B59, #44364F, #434144 and #414B39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #482165 shade: #232064, #352064, #472064, #592064 and #64205D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #482165 shade: #1B0C26, #311645, #472064, #5D2B83 and #7435A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #482165 shade: #482165, #642030 and #20642C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #482165 shade: #482165, #644720 and #206447

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #482165 shade: #482165, #642030, #3E6420 and #206454

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #482165 shade: #482165, #642520, #3E6420 and #206064

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 67 / 0 / 60

HEX #482165

RGB 72 33 101

HSL 274.41, 0.51%, 0.26%

LAB 21.6, 32.1, -32.83

 

Complementary color

CMYK 18 / 0 / 31 / 13

HEX #B7DE9A

RGB 183 222 154

HSL 94.41, 0.51%, 0.74%

LAB 84.3, -24.75, 29.29

 

CMYK 20 / 66 / 0 / 62

HEX #4D2160

RGB 77 33 96

HSL 281.9, 0.49%, 0.25%

LAB 21.98, 32.18, -28.9

 

CMYK 18 / 56 / 0 / 55

HEX #5E3373

RGB 94 51 115

HSL 280.31, 0.39%, 0.33%

LAB 29.37, 31.42, -29.26

 

CMYK 17 / 49 / 0 / 47

HEX #6F4586

RGB 111 69 134

HSL 278.77, 0.32%, 0.4%

LAB 36.66, 30.53, -29.47

 

CMYK 16 / 43 / 0 / 40

HEX #805799

RGB 128 87 153

HSL 277.27, 0.28%, 0.47%

LAB 43.81, 29.66, -29.62

 

CMYK 16 / 39 / 0 / 33

HEX #9169AC

RGB 145 105 172

HSL 275.82, 0.29%, 0.54%

LAB 50.81, 28.84, -29.76

 

CMYK 29 / 67 / 0 / 60

HEX #482165

RGB 72 33 101

HSL 274.41, 0.51%, 0.26%

LAB 21.6, 32.1, -32.83

 

CMYK 33 / 82 / 0 / 68

HEX #370F52

RGB 55 15 82

HSL 275.82, 0.69%, 0.19%

LAB 14.19, 32.47, -32.24

 

CMYK 40 / 100 / 0 / 75

HEX #26003F

RGB 38 0 63

HSL 276.19, 1%, 0.12%

LAB 6.96, 31.69, -30.87

 

CMYK 52 / 100 / 0 / 83

HEX #15002C

RGB 21 0 44

HSL 268.64, 1%, 0.09%

LAB 3.08, 18, -23.24

 

CMYK 84 / 100 / 0 / 90

HEX #040019

RGB 4 0 25

HSL 249.6, 1%, 0.05%

LAB 0.87, 5.5, -11.75

 

CMYK 29 / 68 / 0 / 61

HEX #472064

RGB 71 32 100

HSL 274.41, 0.52%, 0.26%

LAB 21.18, 32.14, -32.86

 

CMYK 10 / 68 / 0 / 61

HEX #5A2064

RGB 90 32 100

HSL 291.18, 0.52%, 0.26%

LAB 24.09, 37.13, -28.04

 

CMYK 0 / 68 / 8 / 61

HEX #64205C

RGB 100 32 92

HSL 307.06, 0.52%, 0.26%

LAB 25.31, 38.34, -20.76

 

CMYK 0 / 68 / 26 / 61

HEX #64204A

RGB 100 32 74

HSL 322.94, 0.52%, 0.26%

LAB 24.44, 35.36, -10.12

 

CMYK 0 / 68 / 44 / 61

HEX #642038

RGB 100 32 56

HSL 338.82, 0.52%, 0.26%

LAB 23.76, 32.93, 1.11

 

CMYK 29 / 68 / 0 / 61

HEX #472064

RGB 71 32 100

HSL 274.41, 0.52%, 0.26%

LAB 21.18, 32.14, -32.86

 

CMYK 47 / 68 / 0 / 61

HEX #352064

RGB 53 32 100

HSL 258.53, 0.52%, 0.26%

LAB 18.84, 27.77, -36.75

 

CMYK 65 / 68 / 0 / 61

HEX #232064

RGB 35 32 100

HSL 242.65, 0.52%, 0.26%

LAB 17.04, 24.09, -39.76

 

CMYK 68 / 68 / 0 / 61

HEX #202064

RGB 32 32 100

HSL 240, 0.52%, 0.26%

LAB 16.8, 23.58, -40.17

 

CMYK 29 / 68 / 0 / 61

HEX #472064

RGB 71 32 100

HSL 274.41, 0.52%, 0.26%

LAB 21.18, 32.14, -32.86

 

CMYK 34 / 80 / 0 / 56

HEX #49166F

RGB 73 22 111

HSL 274.38, 0.67%, 0.26%

LAB 20.59, 40.31, -40.97

 

CMYK 39 / 91 / 0 / 52

HEX #4A0B7A

RGB 74 11 122

HSL 274.05, 0.83%, 0.26%

LAB 20.44, 46.94, -48.28

 

CMYK 42 / 100 / 0 / 48

HEX #4C0084

RGB 76 0 132

HSL 274.55, 1%, 0.26%

LAB 20.84, 52.24, -53.97

 

CMYK 29 / 68 / 0 / 61

HEX #472064

RGB 71 32 100

HSL 274.41, 0.52%, 0.26%

LAB 21.18, 32.14, -32.86

 

CMYK 21 / 52 / 0 / 65

HEX #462B59

RGB 70 43 89

HSL 275.22, 0.35%, 0.26%

LAB 22.83, 22.35, -22.99

 

CMYK 14 / 32 / 0 / 69

HEX #44364F

RGB 68 54 79

HSL 273.6, 0.19%, 0.26%

LAB 25.05, 11.82, -12.93

 

CMYK 1 / 4 / 0 / 73

HEX #434144

RGB 67 65 68

HSL 280, 0.02%, 0.26%

LAB 27.82, 1.51, -1.53

 

CMYK 13 / 0 / 24 / 71

HEX #414B39

RGB 65 75 57

HSL 93.33, 0.14%, 0.26%

LAB 30.52, -7.91, 9.42

 

CMYK 65 / 68 / 0 / 61

HEX #232064

RGB 35 32 100

HSL 242.65, 0.52%, 0.26%

LAB 17.04, 24.09, -39.76

 

CMYK 47 / 68 / 0 / 61

HEX #352064

RGB 53 32 100

HSL 258.53, 0.52%, 0.26%

LAB 18.84, 27.77, -36.75

 

CMYK 29 / 68 / 0 / 61

HEX #472064

RGB 71 32 100

HSL 274.41, 0.52%, 0.26%

LAB 21.18, 32.14, -32.86

 

CMYK 11 / 68 / 0 / 61

HEX #592064

RGB 89 32 100

HSL 290.29, 0.52%, 0.26%

LAB 23.92, 36.86, -28.31

 

CMYK 0 / 68 / 7 / 61

HEX #64205D

RGB 100 32 93

HSL 306.18, 0.52%, 0.26%

LAB 25.36, 38.52, -21.33

 

CMYK 29 / 68 / 0 / 85

HEX #1B0C26

RGB 27 12 38

HSL 274.62, 0.52%, 0.1%

LAB 5.74, 13.35, -14.45

 

CMYK 29 / 68 / 0 / 73

HEX #311645

RGB 49 22 69

HSL 274.47, 0.52%, 0.18%

LAB 13.57, 23.73, -24.32

 

CMYK 29 / 68 / 0 / 61

HEX #472064

RGB 71 32 100

HSL 274.41, 0.52%, 0.26%

LAB 21.18, 32.14, -32.86

 

CMYK 29 / 67 / 0 / 49

HEX #5D2B83

RGB 93 43 131

HSL 274.09, 0.51%, 0.34%

LAB 28.63, 39.48, -40.55

 

CMYK 28 / 67 / 0 / 36

HEX #7435A2

RGB 116 53 162

HSL 274.68, 0.51%, 0.42%

LAB 35.73, 47.22, -47.95

 

CMYK 29 / 67 / 0 / 60

HEX #482165

RGB 72 33 101

HSL 274.41, 0.51%, 0.26%

LAB 21.6, 32.1, -32.83

 

CMYK 0 / 68 / 52 / 61

HEX #642030

RGB 100 32 48

HSL 345.88, 0.52%, 0.26%

LAB 23.52, 32.05, 6.25

 

CMYK 68 / 0 / 56 / 61

HEX #20642C

RGB 32 100 44

HSL 130.59, 0.52%, 0.26%

LAB 37.12, -34.32, 25.43

 

CMYK 29 / 67 / 0 / 60

HEX #482165

RGB 72 33 101

HSL 274.41, 0.51%, 0.26%

LAB 21.6, 32.1, -32.83

 

CMYK 0 / 29 / 68 / 61

HEX #644720

RGB 100 71 32

HSL 34.41, 0.52%, 0.26%

LAB 32.52, 7.84, 27.82

 

CMYK 68 / 0 / 29 / 61

HEX #206447

RGB 32 100 71

HSL 154.41, 0.52%, 0.26%

LAB 37.62, -28.87, 10.33

 

CMYK 29 / 67 / 0 / 60

HEX #482165

RGB 72 33 101

HSL 274.41, 0.51%, 0.26%

LAB 21.6, 32.1, -32.83

 

CMYK 0 / 68 / 52 / 61

HEX #642030

RGB 100 32 48

HSL 345.88, 0.52%, 0.26%

LAB 23.52, 32.05, 6.25

 

CMYK 38 / 0 / 68 / 61

HEX #3E6420

RGB 62 100 32

HSL 93.53, 0.52%, 0.26%

LAB 38.27, -26.33, 33.27

 

CMYK 68 / 0 / 16 / 61

HEX #206454

RGB 32 100 84

HSL 165.88, 0.52%, 0.26%

LAB 37.95, -25.47, 2.87

 

CMYK 29 / 67 / 0 / 60

HEX #482165

RGB 72 33 101

HSL 274.41, 0.51%, 0.26%

LAB 21.6, 32.1, -32.83

 

CMYK 0 / 63 / 68 / 61

HEX #642520

RGB 100 37 32

HSL 4.41, 0.52%, 0.26%

LAB 24.12, 28.11, 17.85

 

CMYK 38 / 0 / 68 / 61

HEX #3E6420

RGB 62 100 32

HSL 93.53, 0.52%, 0.26%

LAB 38.27, -26.33, 33.27

 

CMYK 68 / 4 / 0 / 61

HEX #206064

RGB 32 96 100

HSL 183.53, 0.52%, 0.26%

LAB 37.1, -18.52, -8.26

 

Description

Color code: HEX #482165 | qconv.com Color code: HEX #482165 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 33 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 33 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 67 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 67% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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