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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #481CDA it is the complementary color #B7E325. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #481CDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #481CDA shade: #4D1CD5, #5E2EE8, #6F40FB, #8052FF and #9164FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #481CDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #481CDA shade: #481CDA, #370AC7, #2600B4, #1500A1 and #04008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #481CDA shade: #481CD9, #7B1CD9, #AD1CD9, #D91CD1 and #D91C9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #481CDA shade: #481CD9 and #1C1CD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #481CDA shade matches the following richer shades: #481CD9 and #3D08EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #481CDA shade: #481CD9, #5230C5, #5D44B1, #68589D and #726B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #481CDA shade: #1C58D9, #1C26D9, #451CD9, #771CD9 and #AA1CD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #481CDA shade: #301390, #3C17B4, #481CD9, #6139E5 and #7E5DEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #481CDA shade: #481CDA, #D91C8A and #3FD91C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #481CDA shade: #481CDA, #D9451C and #1CD945

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #481CDA shade: #481CDA, #D91C8A, #B0D91C and #1CD96B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #481CDA shade: #481CDA, #D91C52, #B0D91C and #1CD9A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 87 / 0 / 15

HEX #481CDA

RGB 72 28 218

HSL 253.89, 0.77%, 0.48%

LAB 32.41, 65.91, -86.56

 

Complementary color

CMYK 19 / 0 / 84 / 11

HEX #B7E325

RGB 183 227 37

HSL 73.89, 0.77%, 0.52%

LAB 84.56, -37.11, 77.94

 

CMYK 64 / 87 / 0 / 16

HEX #4D1CD5

RGB 77 28 213

HSL 255.89, 0.77%, 0.47%

LAB 32.29, 64.96, -83.87

 

CMYK 59 / 80 / 0 / 9

HEX #5E2EE8

RGB 94 46 232

HSL 255.48, 0.8%, 0.55%

LAB 38.13, 64.87, -85.05

 

CMYK 56 / 75 / 0 / 2

HEX #6F40FB

RGB 111 64 251

HSL 255.08, 0.96%, 0.62%

LAB 44.25, 64.05, -85.62

 

CMYK 50 / 68 / 0 / 0

HEX #8052FF

RGB 128 82 255

HSL 255.95, 1%, 0.66%

LAB 49.31, 58.82, -79.5

 

CMYK 43 / 61 / 0 / 0

HEX #9164FF

RGB 145 100 255

HSL 257.42, 1%, 0.7%

LAB 54.4, 52.47, -71.14

 

CMYK 67 / 87 / 0 / 15

HEX #481CDA

RGB 72 28 218

HSL 253.89, 0.77%, 0.48%

LAB 32.41, 65.91, -86.56

 

CMYK 72 / 95 / 0 / 22

HEX #370AC7

RGB 55 10 199

HSL 254.29, 0.9%, 0.41%

LAB 27.17, 64.72, -84.27

 

CMYK 79 / 100 / 0 / 29

HEX #2600B4

RGB 38 0 180

HSL 252.67, 1%, 0.35%

LAB 22.68, 61.49, -80.52

 

CMYK 87 / 100 / 0 / 37

HEX #1500A1

RGB 21 0 161

HSL 247.83, 1%, 0.32%

LAB 18.94, 56.38, -75.3

 

CMYK 97 / 100 / 0 / 44

HEX #04008E

RGB 4 0 142

HSL 241.69, 1%, 0.28%

LAB 15.38, 51.26, -69.53

 

CMYK 67 / 87 / 0 / 15

HEX #481CD9

RGB 72 28 217

HSL 253.97, 0.77%, 0.48%

LAB 32.3, 65.65, -86.17

 

CMYK 43 / 87 / 0 / 15

HEX #7B1CD9

RGB 123 28 217

HSL 270.16, 0.77%, 0.48%

LAB 37.93, 70.31, -76.67

 

CMYK 20 / 87 / 0 / 15

HEX #AD1CD9

RGB 173 28 217

HSL 286.03, 0.77%, 0.48%

LAB 45.25, 77.06, -64.41

 

CMYK 0 / 87 / 4 / 15

HEX #D91CD1

RGB 217 28 209

HSL 302.54, 0.77%, 0.48%

LAB 52.05, 83.07, -48.52

 

CMYK 0 / 87 / 27 / 15

HEX #D91C9E

RGB 217 28 158

HSL 318.73, 0.77%, 0.48%

LAB 49.56, 76.49, -22.62

 

CMYK 67 / 87 / 0 / 15

HEX #481CD9

RGB 72 28 217

HSL 253.97, 0.77%, 0.48%

LAB 32.3, 65.65, -86.17

 

CMYK 87 / 87 / 0 / 15

HEX #1C1CD9

RGB 28 28 217

HSL 240, 0.77%, 0.48%

LAB 29.63, 63.66, -90.68

 

CMYK 67 / 87 / 0 / 15

HEX #481CD9

RGB 72 28 217

HSL 253.97, 0.77%, 0.48%

LAB 32.3, 65.65, -86.17

 

CMYK 74 / 97 / 0 / 7

HEX #3D08EC

RGB 61 8 236

HSL 253.95, 0.93%, 0.48%

LAB 32.31, 74.33, -97.07

 

CMYK 67 / 87 / 0 / 15

HEX #481CD9

RGB 72 28 217

HSL 253.97, 0.77%, 0.48%

LAB 32.3, 65.65, -86.17

 

CMYK 58 / 76 / 0 / 23

HEX #5230C5

RGB 82 48 197

HSL 253.69, 0.61%, 0.48%

LAB 33.86, 52.97, -71.95

 

CMYK 47 / 62 / 0 / 31

HEX #5D44B1

RGB 93 68 177

HSL 253.76, 0.44%, 0.48%

LAB 37.18, 38.04, -54.69

 

CMYK 34 / 44 / 0 / 38

HEX #68589D

RGB 104 88 157

HSL 253.91, 0.28%, 0.48%

LAB 41.78, 22.86, -35.37

 

CMYK 17 / 22 / 0 / 46

HEX #726B89

RGB 114 107 137

HSL 254, 0.12%, 0.48%

LAB 46.84, 9.25, -15.5

 

CMYK 87 / 59 / 0 / 15

HEX #1C58D9

RGB 28 88 217

HSL 220.95, 0.77%, 0.48%

LAB 41.59, 30.66, -70.94

 

CMYK 87 / 82 / 0 / 15

HEX #1C26D9

RGB 28 38 217

HSL 236.83, 0.77%, 0.48%

LAB 30.98, 59.64, -88.44

 

CMYK 68 / 87 / 0 / 15

HEX #451CD9

RGB 69 28 217

HSL 253.02, 0.77%, 0.48%

LAB 32.05, 65.45, -86.6

 

CMYK 45 / 87 / 0 / 15

HEX #771CD9

RGB 119 28 217

HSL 268.89, 0.77%, 0.48%

LAB 37.41, 69.86, -77.55

 

CMYK 22 / 87 / 0 / 15

HEX #AA1CD9

RGB 170 28 217

HSL 285.08, 0.77%, 0.48%

LAB 44.78, 76.61, -65.2

 

CMYK 67 / 87 / 0 / 44

HEX #301390

RGB 48 19 144

HSL 253.92, 0.77%, 0.32%

LAB 20.47, 47.12, -62.22

 

CMYK 67 / 87 / 0 / 29

HEX #3C17B4

RGB 60 23 180

HSL 254.14, 0.77%, 0.4%

LAB 26.36, 56.64, -74.35

 

CMYK 67 / 87 / 0 / 15

HEX #481CD9

RGB 72 28 217

HSL 253.97, 0.77%, 0.48%

LAB 32.3, 65.65, -86.17

 

CMYK 58 / 75 / 0 / 10

HEX #6139E5

RGB 97 57 229

HSL 253.95, 0.77%, 0.56%

LAB 39.79, 59.55, -80.59

 

CMYK 46 / 60 / 0 / 8

HEX #7E5DEA

RGB 126 93 234

HSL 254.04, 0.77%, 0.64%

LAB 49.74, 46.8, -67.05

 

CMYK 67 / 87 / 0 / 15

HEX #481CDA

RGB 72 28 218

HSL 253.89, 0.77%, 0.48%

LAB 32.41, 65.91, -86.56

 

CMYK 0 / 87 / 36 / 15

HEX #D91C8A

RGB 217 28 138

HSL 325.08, 0.77%, 0.48%

LAB 48.78, 74.37, -11.8

 

CMYK 71 / 0 / 87 / 15

HEX #3FD91C

RGB 63 217 28

HSL 108.89, 0.77%, 0.48%

LAB 76.54, -69.89, 70.93

 

CMYK 67 / 87 / 0 / 15

HEX #481CDA

RGB 72 28 218

HSL 253.89, 0.77%, 0.48%

LAB 32.41, 65.91, -86.56

 

CMYK 0 / 68 / 87 / 15

HEX #D9451C

RGB 217 69 28

HSL 13.02, 0.77%, 0.48%

LAB 50.79, 56.09, 53.75

 

CMYK 87 / 0 / 68 / 15

HEX #1CD945

RGB 28 217 69

HSL 133.02, 0.77%, 0.48%

LAB 76.25, -71.56, 58.23

 

CMYK 67 / 87 / 0 / 15

HEX #481CDA

RGB 72 28 218

HSL 253.89, 0.77%, 0.48%

LAB 32.41, 65.91, -86.56

 

CMYK 0 / 87 / 36 / 15

HEX #D91C8A

RGB 217 28 138

HSL 325.08, 0.77%, 0.48%

LAB 48.78, 74.37, -11.8

 

CMYK 19 / 0 / 87 / 15

HEX #B0D91C

RGB 176 217 28

HSL 73.02, 0.77%, 0.48%

LAB 81.26, -35.6, 76.82

 

CMYK 87 / 0 / 51 / 15

HEX #1CD96B

RGB 28 217 107

HSL 145.08, 0.77%, 0.48%

LAB 76.64, -66.83, 41.89

 

CMYK 67 / 87 / 0 / 15

HEX #481CDA

RGB 72 28 218

HSL 253.89, 0.77%, 0.48%

LAB 32.41, 65.91, -86.56

 

CMYK 0 / 87 / 62 / 15

HEX #D91C52

RGB 217 28 82

HSL 342.86, 0.77%, 0.48%

LAB 47.22, 69.99, 20.31

 

CMYK 19 / 0 / 87 / 15

HEX #B0D91C

RGB 176 217 28

HSL 73.02, 0.77%, 0.48%

LAB 81.26, -35.6, 76.82

 

CMYK 87 / 0 / 25 / 15

HEX #1CD9A3

RGB 28 217 163

HSL 162.86, 0.77%, 0.48%

LAB 77.59, -55.92, 14.51

 

Description

Color code: HEX #481CDA | qconv.com Color code: HEX #481CDA | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 28 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 28 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 87 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 87% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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