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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #481CCC it is the complementary color #B7E333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #481CCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #481CCC shade: #4D1CC7, #5E2EDA, #6F40ED, #8052FF and #9164FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #481CCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #481CCC shade: #481CCC, #370AB9, #2600A6, #150093 and #040080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #481CCC shade: #471CCA, #761CCA, #A51CCA, #CA1CC0 and #CA1C91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #481CCC shade: #471CCA and #1C1CCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #481CCC shade matches the following richer shades: #471CCA and #3E09DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #481CCC shade: #471CCA, #502EB7, #5A41A5, #635392 and #6C6680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #481CCC shade: #1C4DCA, #1C1ECA, #471CCA, #761CCA and #A41CCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #481CCC shade: #2E1281, #3A17A6, #471CCA, #5A2CE2 and #7651E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #481CCC shade: #481CCC, #CA1C7B and #36CA1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #481CCC shade: #481CCC, #CA471C and #1CCA47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #481CCC shade: #481CCC, #CA1C7B, #9ECA1C and #1CCA6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #481CCC shade: #481CCC, #CA1C47, #9ECA1C and #1CCA9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 86 / 0 / 20

HEX #481CCC

RGB 72 28 204

HSL 255, 0.76%, 0.45%

LAB 30.8, 62.24, -81.11

 

Complementary color

CMYK 19 / 0 / 78 / 11

HEX #B7E333

RGB 183 227 51

HSL 75, 0.76%, 0.55%

LAB 84.61, -36.61, 74.44

 

CMYK 61 / 86 / 0 / 22

HEX #4D1CC7

RGB 77 28 199

HSL 257.19, 0.75%, 0.45%

LAB 30.72, 61.33, -78.32

 

CMYK 57 / 79 / 0 / 15

HEX #5E2EDA

RGB 94 46 218

HSL 256.74, 0.7%, 0.52%

LAB 36.74, 61.14, -79.34

 

CMYK 53 / 73 / 0 / 7

HEX #6F40ED

RGB 111 64 237

HSL 256.3, 0.83%, 0.59%

LAB 43, 60.27, -79.8

 

CMYK 50 / 68 / 0 / 0

HEX #8052FF

RGB 128 82 255

HSL 255.95, 1%, 0.66%

LAB 49.31, 58.82, -79.5

 

CMYK 43 / 61 / 0 / 0

HEX #9164FF

RGB 145 100 255

HSL 257.42, 1%, 0.7%

LAB 54.4, 52.47, -71.14

 

CMYK 65 / 86 / 0 / 20

HEX #481CCC

RGB 72 28 204

HSL 255, 0.76%, 0.45%

LAB 30.8, 62.24, -81.11

 

CMYK 70 / 95 / 0 / 27

HEX #370AB9

RGB 55 10 185

HSL 255.43, 0.9%, 0.38%

LAB 25.36, 61.2, -79.01

 

CMYK 77 / 100 / 0 / 35

HEX #2600A6

RGB 38 0 166

HSL 253.73, 1%, 0.33%

LAB 20.69, 58.02, -75.39

 

CMYK 86 / 100 / 0 / 42

HEX #150093

RGB 21 0 147

HSL 248.57, 1%, 0.29%

LAB 16.83, 52.79, -70.2

 

CMYK 97 / 100 / 0 / 50

HEX #040080

RGB 4 0 128

HSL 241.88, 1%, 0.25%

LAB 13.13, 47.56, -64.43

 

CMYK 65 / 86 / 0 / 21

HEX #471CCA

RGB 71 28 202

HSL 254.83, 0.76%, 0.45%

LAB 30.48, 61.64, -80.48

 

CMYK 42 / 86 / 0 / 21

HEX #761CCA

RGB 118 28 202

HSL 271.03, 0.76%, 0.45%

LAB 35.88, 66.39, -71.39

 

CMYK 18 / 86 / 0 / 21

HEX #A51CCA

RGB 165 28 202

HSL 287.24, 0.76%, 0.45%

LAB 42.9, 73.12, -59.63

 

CMYK 0 / 86 / 5 / 21

HEX #CA1CC0

RGB 202 28 192

HSL 303.45, 0.76%, 0.45%

LAB 48.5, 77.91, -44.5

 

CMYK 0 / 86 / 28 / 21

HEX #CA1C91

RGB 202 28 145

HSL 319.66, 0.76%, 0.45%

LAB 46.22, 71.8, -20.2

 

CMYK 65 / 86 / 0 / 21

HEX #471CCA

RGB 71 28 202

HSL 254.83, 0.76%, 0.45%

LAB 30.48, 61.64, -80.48

 

CMYK 86 / 86 / 0 / 21

HEX #1C1CCA

RGB 28 28 202

HSL 240, 0.76%, 0.45%

LAB 27.69, 59.39, -85.2

 

CMYK 65 / 86 / 0 / 21

HEX #471CCA

RGB 71 28 202

HSL 254.83, 0.76%, 0.45%

LAB 30.48, 61.64, -80.48

 

CMYK 72 / 96 / 0 / 13

HEX #3E09DD

RGB 62 9 221

HSL 255, 0.92%, 0.45%

LAB 30.5, 70.6, -91.5

 

CMYK 65 / 86 / 0 / 21

HEX #471CCA

RGB 71 28 202

HSL 254.83, 0.76%, 0.45%

LAB 30.48, 61.64, -80.48

 

CMYK 56 / 75 / 0 / 28

HEX #502EB7

RGB 80 46 183

HSL 254.89, 0.6%, 0.45%

LAB 31.98, 49.67, -66.78

 

CMYK 45 / 61 / 0 / 35

HEX #5A41A5

RGB 90 65 165

HSL 255, 0.43%, 0.45%

LAB 35.34, 35.64, -50.53

 

CMYK 32 / 43 / 0 / 43

HEX #635392

RGB 99 83 146

HSL 255.24, 0.28%, 0.45%

LAB 39.44, 21.46, -32.5

 

CMYK 16 / 20 / 0 / 50

HEX #6C6680

RGB 108 102 128

HSL 253.85, 0.11%, 0.45%

LAB 44.59, 8.03, -13.59

 

CMYK 86 / 62 / 0 / 21

HEX #1C4DCA

RGB 28 77 202

HSL 223.1, 0.76%, 0.45%

LAB 37.52, 32.08, -68.96

 

CMYK 86 / 85 / 0 / 21

HEX #1C1ECA

RGB 28 30 202

HSL 239.31, 0.76%, 0.45%

LAB 27.95, 58.59, -84.76

 

CMYK 65 / 86 / 0 / 21

HEX #471CCA

RGB 71 28 202

HSL 254.83, 0.76%, 0.45%

LAB 30.48, 61.64, -80.48

 

CMYK 42 / 86 / 0 / 21

HEX #761CCA

RGB 118 28 202

HSL 271.03, 0.76%, 0.45%

LAB 35.88, 66.39, -71.39

 

CMYK 19 / 86 / 0 / 21

HEX #A41CCA

RGB 164 28 202

HSL 286.9, 0.76%, 0.45%

LAB 42.74, 72.97, -59.9

 

CMYK 64 / 86 / 0 / 49

HEX #2E1281

RGB 46 18 129

HSL 255.14, 0.76%, 0.29%

LAB 18.36, 42.99, -56.3

 

CMYK 65 / 86 / 0 / 35

HEX #3A17A6

RGB 58 23 166

HSL 254.69, 0.76%, 0.37%

LAB 24.53, 52.64, -68.96

 

CMYK 65 / 86 / 0 / 21

HEX #471CCA

RGB 71 28 202

HSL 254.83, 0.76%, 0.45%

LAB 30.48, 61.64, -80.48

 

CMYK 60 / 81 / 0 / 11

HEX #5A2CE2

RGB 90 44 226

HSL 255.16, 0.76%, 0.53%

LAB 36.87, 63.68, -83.72

 

CMYK 49 / 65 / 0 / 9

HEX #7651E7

RGB 118 81 231

HSL 254.8, 0.76%, 0.61%

LAB 46.32, 51.04, -70.96

 

CMYK 65 / 86 / 0 / 20

HEX #481CCC

RGB 72 28 204

HSL 255, 0.76%, 0.45%

LAB 30.8, 62.24, -81.11

 

CMYK 0 / 86 / 39 / 21

HEX #CA1C7B

RGB 202 28 123

HSL 327.24, 0.76%, 0.45%

LAB 45.38, 69.48, -8.06

 

CMYK 73 / 0 / 86 / 21

HEX #36CA1C

RGB 54 202 28

HSL 111.03, 0.76%, 0.45%

LAB 71.63, -66.81, 66.57

 

CMYK 65 / 86 / 0 / 20

HEX #481CCC

RGB 72 28 204

HSL 255, 0.76%, 0.45%

LAB 30.8, 62.24, -81.11

 

CMYK 0 / 65 / 86 / 21

HEX #CA471C

RGB 202 71 28

HSL 14.83, 0.76%, 0.45%

LAB 48.44, 50.17, 50.74

 

CMYK 86 / 0 / 65 / 21

HEX #1CCA47

RGB 28 202 71

HSL 134.83, 0.76%, 0.45%

LAB 71.52, -66.84, 52.28

 

CMYK 65 / 86 / 0 / 20

HEX #481CCC

RGB 72 28 204

HSL 255, 0.76%, 0.45%

LAB 30.8, 62.24, -81.11

 

CMYK 0 / 86 / 39 / 21

HEX #CA1C7B

RGB 202 28 123

HSL 327.24, 0.76%, 0.45%

LAB 45.38, 69.48, -8.06

 

CMYK 22 / 0 / 86 / 21

HEX #9ECA1C

RGB 158 202 28

HSL 75.17, 0.76%, 0.45%

LAB 75.82, -35.93, 71.83

 

CMYK 86 / 0 / 48 / 21

HEX #1CCA6A

RGB 28 202 106

HSL 146.9, 0.76%, 0.45%

LAB 71.91, -62.02, 36.46

 

CMYK 65 / 86 / 0 / 20

HEX #481CCC

RGB 72 28 204

HSL 255, 0.76%, 0.45%

LAB 30.8, 62.24, -81.11

 

CMYK 0 / 86 / 65 / 21

HEX #CA1C47

RGB 202 28 71

HSL 345.17, 0.76%, 0.45%

LAB 44.01, 65.55, 22.33

 

CMYK 22 / 0 / 86 / 21

HEX #9ECA1C

RGB 158 202 28

HSL 75.17, 0.76%, 0.45%

LAB 75.82, -35.93, 71.83

 

CMYK 86 / 0 / 22 / 21

HEX #1CCA9E

RGB 28 202 158

HSL 164.83, 0.76%, 0.45%

LAB 72.86, -51.25, 10.5

 

Description

Color code: HEX #481CCC | qconv.com Color code: HEX #481CCC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 28 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 28 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 86 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 86% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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