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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4815BACE it is the complementary color #B7EA45CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4815BACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4815BACE shade: #4D15B5CE, #5E27C8CE, #6F39DBCE, #804BEECE and #915DFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4815BACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4815BACE shade: #4815BACE, #3703A7CE, #260094CE, #150081CE and #04006ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4815BACE shade: #4915BC, #7615BC, #A315BC, #BC15A8 and #BC157B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4815BACE shade: #4915BC, #1C15BC and #1515BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4815BACE shade matches the following richer shades: #4915BC and #4204CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4815BACE shade: #4915BC, #4F26AB, #56379A, #5C4889 and #625979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4815BACE shade: #153CBC, #1A15BC, #4715BC, #7415BC and #A015BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4815BACE shade: #2C0D72, #3A1197, #4915BC, #5719E1 and #703AE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4815BACE shade: #4815BA, #BC1569 and #26BC15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4815BACE shade: #4815BA, #BC4715 and #15BC47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4815BACE shade: #4815BA, #BC1569, #8ABC15 and #15BC69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4815BACE shade: #4815BA, #BC1536, #8ABC15 and #15BC9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 72 / 0 / 22

HEX #4815BACE

RGBA 72 21 186 0.81

HSLA 258.55, 0.8%, 0.41%, 0.81

LABA 28, 59.78, -75.16, 0.81

 

Complementary color

CMYK 18 / 0 / 57 / 7

HEX #B7EA45CE

RGBA 183 234 69 0.81

HSLA 78.55, 0.8%, 0.59%, 0.81

LABA 86.67, -38.86, 70.66, 0.81

 

CMYK 47 / 72 / 0 / 24

HEX #4D15B5CE

RGBA 77 21 181 0.81

HSLA 261, 0.79%, 0.4%, 0.81

LABA 27.98, 58.93, -72.21, 0.81

 

CMYK 43 / 65 / 0 / 17

HEX #5E27C8CE

RGBA 94 39 200 0.81

HSLA 260.5, 0.67%, 0.47%, 0.81

LABA 33.98, 59.28, -73.44, 0.81

 

CMYK 40 / 60 / 0 / 11

HEX #6F39DBCE

RGBA 111 57 219 0.81

HSLA 260, 0.69%, 0.54%, 0.81

LABA 40.28, 58.75, -74.03, 0.81

 

CMYK 37 / 55 / 0 / 5

HEX #804BEECE

RGBA 128 75 238 0.81

HSLA 259.51, 0.83%, 0.61%, 0.81

LABA 46.7, 57.8, -74.24, 0.81

 

CMYK 35 / 51 / 0 / 0

HEX #915DFFCE

RGBA 145 93 255 0.81

HSLA 259.26, 1%, 0.68%, 0.81

LABA 53.02, 56.17, -73.37, 0.81

 

CMYK 50 / 72 / 0 / 22

HEX #4815BACE

RGBA 72 21 186 0.81

HSLA 258.55, 0.8%, 0.41%, 0.81

LABA 28, 59.78, -75.16, 0.81

 

CMYK 54 / 80 / 0 / 28

HEX #3703A7CE

RGBA 55 3 167 0.81

HSLA 259.02, 0.96%, 0.33%, 0.81

LABA 22.54, 58.2, -72.88, 0.81

 

CMYK 60 / 81 / 0 / 34

HEX #260094CE

RGBA 38 0 148 0.81

HSLA 255.41, 1%, 0.29%, 0.81

LABA 18.14, 53.5, -68.59, 0.81

 

CMYK 68 / 81 / 0 / 40

HEX #150081CE

RGBA 21 0 129 0.81

HSLA 249.77, 1%, 0.25%, 0.81

LABA 14.08, 48.1, -63.46, 0.81

 

CMYK 78 / 81 / 0 / 46

HEX #04006ECE

RGBA 4 0 110 0.81

HSLA 242.18, 1%, 0.22%, 0.81

LABA 10.2, 42.69, -57.72, 0.81

 

CMYK 61 / 89 / 0 / 26

HEX #4915BC

RGB 73 21 188

HSL 258.68, 0.8%, 0.41%

LAB 28.34, 60.37, -75.79

 

CMYK 37 / 89 / 0 / 26

HEX #7615BC

RGB 118 21 188

HSL 274.85, 0.8%, 0.41%

LAB 34.02, 65.08, -66.22

 

CMYK 13 / 89 / 0 / 26

HEX #A315BC

RGB 163 21 188

HSL 291.02, 0.8%, 0.41%

LAB 41.14, 71.69, -54.32

 

CMYK 0 / 89 / 11 / 26

HEX #BC15A8

RGB 188 21 168

HSL 307.19, 0.8%, 0.41%

LAB 44.31, 73.03, -37.17

 

CMYK 0 / 89 / 35 / 26

HEX #BC157B

RGB 188 21 123

HSL 323.35, 0.8%, 0.41%

LAB 42.24, 67.52, -13.05

 

CMYK 61 / 89 / 0 / 26

HEX #4915BC

RGB 73 21 188

HSL 258.68, 0.8%, 0.41%

LAB 28.34, 60.37, -75.79

 

CMYK 85 / 89 / 0 / 26

HEX #1C15BC

RGB 28 21 188

HSL 242.51, 0.8%, 0.41%

LAB 25, 57.95, -81.44

 

CMYK 89 / 89 / 0 / 26

HEX #1515BC

RGB 21 21 188

HSL 240, 0.8%, 0.41%

LAB 24.72, 57.76, -81.9

 

CMYK 61 / 89 / 0 / 26

HEX #4915BC

RGB 73 21 188

HSL 258.68, 0.8%, 0.41%

LAB 28.34, 60.37, -75.79

 

CMYK 68 / 98 / 0 / 20

HEX #4204CD

RGB 66 4 205

HSL 258.51, 0.96%, 0.41%

LAB 28.52, 67.75, -85.51

 

CMYK 61 / 89 / 0 / 26

HEX #4915BC

RGB 73 21 188

HSL 258.68, 0.8%, 0.41%

LAB 28.34, 60.37, -75.79

 

CMYK 54 / 78 / 0 / 33

HEX #4F26AB

RGB 79 38 171

HSL 258.5, 0.64%, 0.41%

LAB 29.38, 50.01, -63.9

 

CMYK 44 / 64 / 0 / 40

HEX #56379A

RGB 86 55 154

HSL 258.79, 0.47%, 0.41%

LAB 31.91, 37.44, -49.47

 

CMYK 33 / 47 / 0 / 46

HEX #5C4889

RGB 92 72 137

HSL 258.46, 0.31%, 0.41%

LAB 35.43, 23.78, -33.39

 

CMYK 19 / 26 / 0 / 53

HEX #625979

RGB 98 89 121

HSL 256.88, 0.15%, 0.41%

LAB 39.79, 10.8, -16.75

 

CMYK 89 / 68 / 0 / 26

HEX #153CBC

RGB 21 60 188

HSL 225.99, 0.8%, 0.41%

LAB 31.86, 37.4, -70.07

 

CMYK 86 / 89 / 0 / 26

HEX #1A15BC

RGB 26 21 188

HSL 241.8, 0.8%, 0.41%

LAB 24.91, 57.89, -81.58

 

CMYK 62 / 89 / 0 / 26

HEX #4715BC

RGB 71 21 188

HSL 257.96, 0.8%, 0.41%

LAB 28.13, 60.22, -76.14

 

CMYK 38 / 89 / 0 / 26

HEX #7415BC

RGB 116 21 188

HSL 274.13, 0.8%, 0.41%

LAB 33.73, 64.83, -66.71

 

CMYK 15 / 89 / 0 / 26

HEX #A015BC

RGB 160 21 188

HSL 289.94, 0.8%, 0.41%

LAB 40.64, 71.2, -55.16

 

CMYK 61 / 89 / 0 / 55

HEX #2C0D72

RGB 44 13 114

HSL 258.42, 0.8%, 0.25%

LAB 15.69, 40.47, -51.11

 

CMYK 62 / 89 / 0 / 41

HEX #3A1197

RGB 58 17 151

HSL 258.36, 0.8%, 0.33%

LAB 22.07, 50.66, -63.87

 

CMYK 61 / 89 / 0 / 26

HEX #4915BC

RGB 73 21 188

HSL 258.68, 0.8%, 0.41%

LAB 28.34, 60.37, -75.79

 

CMYK 61 / 89 / 0 / 12

HEX #5719E1

RGB 87 25 225

HSL 258.6, 0.8%, 0.49%

LAB 34.31, 69.58, -87.4

 

CMYK 52 / 75 / 0 / 9

HEX #703AE9

RGB 112 58 233

HSL 258.51, 0.8%, 0.57%

LAB 41.77, 62.12, -79.55

 

CMYK 61 / 89 / 0 / 27

HEX #4815BA

RGB 72 21 186

HSL 258.55, 0.8%, 0.41%

LAB 28, 59.78, -75.16

 

CMYK 0 / 89 / 44 / 26

HEX #BC1569

RGB 188 21 105

HSL 329.82, 0.8%, 0.41%

LAB 41.61, 65.77, -2.78

 

CMYK 80 / 0 / 89 / 26

HEX #26BC15

RGB 38 188 21

HSL 113.89, 0.8%, 0.41%

LAB 66.85, -65.18, 63.71

 

CMYK 61 / 89 / 0 / 27

HEX #4815BA

RGB 72 21 186

HSL 258.55, 0.8%, 0.41%

LAB 28, 59.78, -75.16

 

CMYK 0 / 62 / 89 / 26

HEX #BC4715

RGB 188 71 21

HSL 17.96, 0.8%, 0.41%

LAB 45.98, 45.01, 50.51

 

CMYK 89 / 0 / 62 / 26

HEX #15BC47

RGB 21 188 71

HSL 137.96, 0.8%, 0.41%

LAB 66.96, -63.05, 47.15

 

CMYK 61 / 89 / 0 / 27

HEX #4815BA

RGB 72 21 186

HSL 258.55, 0.8%, 0.41%

LAB 28, 59.78, -75.16

 

CMYK 0 / 89 / 44 / 26

HEX #BC1569

RGB 188 21 105

HSL 329.82, 0.8%, 0.41%

LAB 41.61, 65.77, -2.78

 

CMYK 27 / 0 / 89 / 26

HEX #8ABC15

RGB 138 188 21

HSL 77.96, 0.8%, 0.41%

LAB 70.47, -37.67, 68.22

 

CMYK 89 / 0 / 44 / 26

HEX #15BC69

RGB 21 188 105

HSL 150.18, 0.8%, 0.41%

LAB 67.39, -57.91, 31.16

 

CMYK 61 / 89 / 0 / 27

HEX #4815BA

RGB 72 21 186

HSL 258.55, 0.8%, 0.41%

LAB 28, 59.78, -75.16

 

CMYK 0 / 89 / 71 / 26

HEX #BC1536

RGB 188 21 54

HSL 348.14, 0.8%, 0.41%

LAB 40.4, 62.36, 27.76

 

CMYK 27 / 0 / 89 / 26

HEX #8ABC15

RGB 138 188 21

HSL 77.96, 0.8%, 0.41%

LAB 70.47, -37.67, 68.22

 

CMYK 89 / 0 / 18 / 26

HEX #15BC9B

RGB 21 188 155

HSL 168.14, 0.8%, 0.41%

LAB 68.38, -46.77, 5.71

 

Description

Color code: HEX #4815BACE | qconv.com Color code: HEX #4815BACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 21 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 21 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 72 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 72% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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