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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4812904C it is the complementary color #B7ED6F4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4812904C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4812904C shade: #4D128B4C, #5E249E4C, #6F36B14C, #8048C44C and #915AD74C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4812904C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4812904C shade: #4812904C, #37007D4C, #26006A4C, #1500574C and #0400444C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4812904C shade: #481291, #6B1291, #8D1291, #911273 and #911251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4812904C shade: #481291, #261291 and #121291

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4812904C shade matches the following richer shades: #481291 and #47059E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4812904C shade: #481291, #4A1F84, #4C2C77, #4E3A6A and #50475C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4812904C shade: #122191, #251291, #471291, #691291 and #8B1291

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4812904C shade: #240948, #360D6D, #481291, #5B16B6 and #6D1BDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4812904C shade: #481290, #911243 and #129114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4812904C shade: #481290, #914712 and #129147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4812904C shade: #481290, #911243, #5C9112 and #129160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4812904C shade: #481290, #91121D, #5C9112 and #129187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 26 / 0 / 13

HEX #4812904C

RGBA 72 18 144 0.3

HSLA 265.71, 0.78%, 0.32%, 0.3

LABA 23.08, 49.96, -57.81, 0.3

 

Complementary color

CMYK 7 / 0 / 16 / 2

HEX #B7ED6F4C

RGBA 183 237 111 0.3

HSLA 85.71, 0.78%, 0.68%, 0.3

LABA 87.86, -36.97, 54.81, 0.3

 

CMYK 13 / 26 / 0 / 14

HEX #4D128B4C

RGBA 77 18 139 0.3

HSLA 269.26, 0.77%, 0.31%, 0.3

LABA 23.25, 49.36, -54.39, 0.3

 

CMYK 12 / 23 / 0 / 11

HEX #5E249E4C

RGBA 94 36 158 0.3

HSLA 268.52, 0.63%, 0.38%, 0.3

LABA 29.69, 49.78, -55.47, 0.3

 

CMYK 11 / 21 / 0 / 9

HEX #6F36B14C

RGBA 111 54 177 0.3

HSLA 267.8, 0.53%, 0.45%, 0.3

LABA 36.35, 49.33, -55.94, 0.3

 

CMYK 10 / 19 / 0 / 7

HEX #8048C44C

RGBA 128 72 196 0.3

HSLA 267.1, 0.51%, 0.53%, 0.3

LABA 43.08, 48.51, -56.12, 0.3

 

CMYK 10 / 17 / 0 / 5

HEX #915AD74C

RGBA 145 90 215 0.3

HSLA 266.4, 0.61%, 0.6%, 0.3

LABA 49.78, 47.55, -56.14, 0.3

 

CMYK 15 / 26 / 0 / 13

HEX #4812904C

RGBA 72 18 144 0.3

HSLA 265.71, 0.78%, 0.32%, 0.3

LABA 23.08, 49.96, -57.81, 0.3

 

CMYK 17 / 30 / 0 / 15

HEX #37007D4C

RGBA 55 0 125 0.3

HSLA 266.4, 1%, 0.25%, 0.3

LABA 16.95, 48.7, -56.04, 0.3

 

CMYK 19 / 30 / 0 / 18

HEX #26006A4C

RGBA 38 0 106 0.3

HSLA 261.51, 1%, 0.21%, 0.3

LABA 12.3, 42.76, -51.51, 0.3

 

CMYK 23 / 30 / 0 / 20

HEX #1500574C

RGBA 21 0 87 0.3

HSLA 254.48, 1%, 0.17%, 0.3

LABA 7.66, 36.75, -46.57, 0.3

 

CMYK 28 / 30 / 0 / 22

HEX #0400444C

RGBA 4 0 68 0.3

HSLA 243.53, 1%, 0.13%, 0.3

LABA 4, 26.65, -39.43, 0.3

 

CMYK 50 / 88 / 0 / 43

HEX #481291

RGB 72 18 145

HSL 265.51, 0.78%, 0.32%

LAB 23.19, 50.22, -58.26

 

CMYK 26 / 88 / 0 / 43

HEX #6B1291

RGB 107 18 145

HSL 282.05, 0.78%, 0.32%

LAB 28.39, 55.19, -49.54

 

CMYK 3 / 88 / 0 / 43

HEX #8D1291

RGB 141 18 145

HSL 298.11, 0.78%, 0.32%

LAB 34.27, 61.17, -39.74

 

CMYK 0 / 88 / 21 / 43

HEX #911273

RGB 145 18 115

HSL 314.17, 0.78%, 0.32%

LAB 33.33, 57.5, -22.46

 

CMYK 0 / 88 / 44 / 43

HEX #911251

RGB 145 18 81

HSL 330.24, 0.78%, 0.32%

LAB 31.91, 53.57, -2.67

 

CMYK 50 / 88 / 0 / 43

HEX #481291

RGB 72 18 145

HSL 265.51, 0.78%, 0.32%

LAB 23.19, 50.22, -58.26

 

CMYK 74 / 88 / 0 / 43

HEX #261291

RGB 38 18 145

HSL 249.45, 0.78%, 0.32%

LAB 19.59, 47.05, -64.32

 

CMYK 88 / 88 / 0 / 43

HEX #121291

RGB 18 18 145

HSL 240, 0.78%, 0.32%

LAB 18.39, 46.06, -66.35

 

CMYK 50 / 88 / 0 / 43

HEX #481291

RGB 72 18 145

HSL 265.51, 0.78%, 0.32%

LAB 23.19, 50.22, -58.26

 

CMYK 55 / 97 / 0 / 38

HEX #47059E

RGB 71 5 158

HSL 265.88, 0.94%, 0.32%

LAB 23.39, 56.6, -65.93

 

CMYK 50 / 88 / 0 / 43

HEX #481291

RGB 72 18 145

HSL 265.51, 0.78%, 0.32%

LAB 23.19, 50.22, -58.26

 

CMYK 44 / 77 / 0 / 48

HEX #4A1F84

RGB 74 31 132

HSL 265.54, 0.62%, 0.32%

LAB 24.01, 41.82, -48.79

 

CMYK 36 / 63 / 0 / 53

HEX #4C2C77

RGB 76 44 119

HSL 265.6, 0.46%, 0.32%

LAB 25.77, 31.61, -37.69

 

CMYK 26 / 45 / 0 / 58

HEX #4E3A6A

RGB 78 58 106

HSL 265, 0.29%, 0.32%

LAB 28.61, 19.84, -24.87

 

CMYK 13 / 23 / 0 / 64

HEX #50475C

RGB 80 71 92

HSL 265.71, 0.13%, 0.32%

LAB 31.77, 8.48, -11

 

CMYK 88 / 77 / 0 / 43

HEX #122191

RGB 18 33 145

HSL 232.91, 0.78%, 0.32%

LAB 21.06, 38.28, -61.92

 

CMYK 74 / 88 / 0 / 43

HEX #251291

RGB 37 18 145

HSL 248.98, 0.78%, 0.32%

LAB 19.52, 46.99, -64.45

 

CMYK 51 / 88 / 0 / 43

HEX #471291

RGB 71 18 145

HSL 265.04, 0.78%, 0.32%

LAB 23.06, 50.1, -58.48

 

CMYK 28 / 88 / 0 / 43

HEX #691291

RGB 105 18 145

HSL 281.1, 0.78%, 0.32%

LAB 28.06, 54.87, -50.08

 

CMYK 4 / 88 / 0 / 43

HEX #8B1291

RGB 139 18 145

HSL 297.17, 0.78%, 0.32%

LAB 33.91, 60.79, -40.34

 

CMYK 50 / 88 / 0 / 72

HEX #240948

RGB 36 9 72

HSL 265.71, 0.78%, 0.16%

LAB 9.31, 28.84, -33.42

 

CMYK 50 / 88 / 0 / 57

HEX #360D6D

RGB 54 13 109

HSL 265.63, 0.79%, 0.24%

LAB 16.39, 40.28, -46.66

 

CMYK 50 / 88 / 0 / 43

HEX #481291

RGB 72 18 145

HSL 265.51, 0.78%, 0.32%

LAB 23.19, 50.22, -58.26

 

CMYK 50 / 88 / 0 / 29

HEX #5B16B6

RGB 91 22 182

HSL 265.88, 0.78%, 0.4%

LAB 29.85, 60.28, -69.66

 

CMYK 50 / 88 / 0 / 14

HEX #6D1BDB

RGB 109 27 219

HSL 265.63, 0.78%, 0.48%

LAB 36.27, 69.51, -80.63

 

CMYK 50 / 88 / 0 / 44

HEX #481290

RGB 72 18 144

HSL 265.71, 0.78%, 0.32%

LAB 23.08, 49.96, -57.81

 

CMYK 0 / 88 / 54 / 43

HEX #911243

RGB 145 18 67

HSL 336.85, 0.78%, 0.32%

LAB 31.48, 52.34, 5.95

 

CMYK 88 / 0 / 86 / 43

HEX #129114

RGB 18 145 20

HSL 120.94, 0.78%, 0.32%

LAB 52.32, -54.56, 51.02

 

CMYK 50 / 88 / 0 / 44

HEX #481290

RGB 72 18 144

HSL 265.71, 0.78%, 0.32%

LAB 23.08, 49.96, -57.81

 

CMYK 0 / 51 / 88 / 43

HEX #914712

RGB 145 71 18

HSL 25.04, 0.78%, 0.32%

LAB 38.85, 27.9, 42.94

 

CMYK 88 / 0 / 51 / 43

HEX #129147

RGB 18 145 71

HSL 145.04, 0.78%, 0.32%

LAB 52.77, -49.03, 30.25

 

CMYK 50 / 88 / 0 / 44

HEX #481290

RGB 72 18 144

HSL 265.71, 0.78%, 0.32%

LAB 23.08, 49.96, -57.81

 

CMYK 0 / 88 / 54 / 43

HEX #911243

RGB 145 18 67

HSL 336.85, 0.78%, 0.32%

LAB 31.48, 52.34, 5.95

 

CMYK 37 / 0 / 88 / 43

HEX #5C9112

RGB 92 145 18

HSL 85.04, 0.78%, 0.32%

LAB 54.63, -36.35, 54.43

 

CMYK 88 / 0 / 34 / 43

HEX #129160

RGB 18 145 96

HSL 156.85, 0.78%, 0.32%

LAB 53.19, -44.07, 17.16

 

CMYK 50 / 88 / 0 / 44

HEX #481290

RGB 72 18 144

HSL 265.71, 0.78%, 0.32%

LAB 23.08, 49.96, -57.81

 

CMYK 0 / 88 / 80 / 43

HEX #91121D

RGB 145 18 29

HSL 354.8, 0.78%, 0.32%

LAB 30.74, 50.17, 29.76

 

CMYK 37 / 0 / 88 / 43

HEX #5C9112

RGB 92 145 18

HSL 85.04, 0.78%, 0.32%

LAB 54.63, -36.35, 54.43

 

CMYK 88 / 0 / 7 / 43

HEX #129187

RGB 18 145 135

HSL 175.28, 0.78%, 0.32%

LAB 54.16, -33.75, -3.77

 

Description

Color code: HEX #4812904C | qconv.com Color code: HEX #4812904C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 18 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 18 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 26 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 26% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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