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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #480EEE it is the complementary color #B7F111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #480EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #480EEE shade: #4D0EE9, #5E20FC, #6F32FF, #8044FF and #9156FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #480EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #480EEE shade: #480EEE, #3700DB, #2600C8, #1500B5 and #0400A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #480EEE shade: #470EEC, #830EEC, #BF0EEC, #EC0EDD and #EC0EA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #480EEE shade: #470EEC and #0E0EEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #480EEE shade matches the following richer shades: #470EEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #480EEE shade: #470EEC, #5122D8, #5B36C4, #654AB0 and #6E5F9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #480EEE shade: #0E4DEC, #0E11EC, #450EEC, #810EEC and #BC0EEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #480EEE shade: #30099E, #3C0BC5, #470EEC, #6330F3 and #8057F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #480EEE shade: #480EEE, #EC0E88 and #2FEC0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #480EEE shade: #480EEE, #EC450E and #0EEC45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #480EEE shade: #480EEE, #EC0E88, #B5EC0E and #0EEC72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #480EEE shade: #480EEE, #EC0E45, #B5EC0E and #0EECB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 94 / 0 / 7

HEX #480EEE

RGB 72 14 238

HSL 255.54, 0.89%, 0.49%

LAB 33.7, 74.3, -95.86

 

Complementary color

CMYK 24 / 0 / 93 / 5

HEX #B7F111

RGB 183 241 17

HSL 75.54, 0.89%, 0.51%

LAB 88.46, -43.72, 84.39

 

CMYK 67 / 94 / 0 / 9

HEX #4D0EE9

RGB 77 14 233

HSL 257.26, 0.89%, 0.48%

LAB 33.51, 73.33, -93.32

 

CMYK 63 / 87 / 0 / 1

HEX #5E20FC

RGB 94 32 252

HSL 256.91, 0.97%, 0.56%

LAB 38.62, 74.79, -95.52

 

CMYK 56 / 80 / 0 / 0

HEX #6F32FF

RGB 111 50 255

HSL 257.85, 1%, 0.6%

LAB 42.58, 71, -90.6

 

CMYK 50 / 73 / 0 / 0

HEX #8044FF

RGB 128 68 255

HSL 259.25, 1%, 0.63%

LAB 46.9, 65.56, -83.43

 

CMYK 43 / 66 / 0 / 0

HEX #9156FF

RGB 145 86 255

HSL 260.95, 1%, 0.67%

LAB 51.72, 59.73, -75.49

 

CMYK 70 / 94 / 0 / 7

HEX #480EEE

RGB 72 14 238

HSL 255.54, 0.89%, 0.49%

LAB 33.7, 74.3, -95.86

 

CMYK 75 / 100 / 0 / 14

HEX #3700DB

RGB 55 0 219

HSL 255.07, 1%, 0.43%

LAB 29.23, 71.37, -92.48

 

CMYK 81 / 100 / 0 / 22

HEX #2600C8

RGB 38 0 200

HSL 251.4, 1%, 0.39%

LAB 25.51, 66.39, -87.65

 

CMYK 88 / 100 / 0 / 29

HEX #1500B5

RGB 21 0 181

HSL 246.96, 1%, 0.35%

LAB 21.93, 61.42, -82.4

 

CMYK 98 / 100 / 0 / 36

HEX #0400A2

RGB 4 0 162

HSL 241.48, 1%, 0.32%

LAB 18.52, 56.44, -76.63

 

CMYK 70 / 94 / 0 / 7

HEX #470EEC

RGB 71 14 236

HSL 255.41, 0.89%, 0.49%

LAB 33.37, 73.77, -95.27

 

CMYK 44 / 94 / 0 / 7

HEX #830EEC

RGB 131 14 236

HSL 271.62, 0.89%, 0.49%

LAB 39.91, 77.91, -84.24

 

CMYK 19 / 94 / 0 / 7

HEX #BF0EEC

RGB 191 14 236

HSL 287.84, 0.89%, 0.49%

LAB 48.82, 84.98, -69.3

 

CMYK 0 / 94 / 6 / 7

HEX #EC0EDD

RGB 236 14 221

HSL 304.05, 0.89%, 0.49%

LAB 55.45, 89.65, -49.75

 

CMYK 0 / 94 / 32 / 7

HEX #EC0EA1

RGB 236 14 161

HSL 320.27, 0.89%, 0.49%

LAB 52.64, 82.48, -19.37

 

CMYK 70 / 94 / 0 / 7

HEX #470EEC

RGB 71 14 236

HSL 255.41, 0.89%, 0.49%

LAB 33.37, 73.77, -95.27

 

CMYK 94 / 94 / 0 / 7

HEX #0E0EEC

RGB 14 14 236

HSL 240, 0.89%, 0.49%

LAB 30.55, 72.38, -100.05

 

CMYK 70 / 94 / 0 / 7

HEX #470EEC

RGB 71 14 236

HSL 255.41, 0.89%, 0.49%

LAB 33.37, 73.77, -95.27

 

CMYK 70 / 94 / 0 / 7

HEX #470EEC

RGB 71 14 236

HSL 255.41, 0.89%, 0.49%

LAB 33.37, 73.77, -95.27

 

CMYK 63 / 84 / 0 / 15

HEX #5122D8

RGB 81 34 216

HSL 255.49, 0.73%, 0.49%

LAB 33.67, 64.03, -83.3

 

CMYK 54 / 72 / 0 / 23

HEX #5B36C4

RGB 91 54 196

HSL 255.63, 0.57%, 0.49%

LAB 35.69, 50.94, -68.31

 

CMYK 43 / 58 / 0 / 31

HEX #654AB0

RGB 101 74 176

HSL 255.88, 0.41%, 0.49%

LAB 39.24, 35.96, -50.73

 

CMYK 29 / 39 / 0 / 39

HEX #6E5F9B

RGB 110 95 155

HSL 255, 0.24%, 0.49%

LAB 44.04, 19.79, -30.58

 

CMYK 94 / 67 / 0 / 7

HEX #0E4DEC

RGB 14 77 236

HSL 222.97, 0.89%, 0.49%

LAB 40.34, 44.15, -83.8

 

CMYK 94 / 93 / 0 / 7

HEX #0E11EC

RGB 14 17 236

HSL 239.19, 0.89%, 0.49%

LAB 30.76, 71.74, -99.7

 

CMYK 71 / 94 / 0 / 7

HEX #450EEC

RGB 69 14 236

HSL 254.86, 0.89%, 0.49%

LAB 33.21, 73.69, -95.54

 

CMYK 45 / 94 / 0 / 7

HEX #810EEC

RGB 129 14 236

HSL 271.08, 0.89%, 0.49%

LAB 39.64, 77.72, -84.69

 

CMYK 20 / 94 / 0 / 7

HEX #BC0EEC

RGB 188 14 236

HSL 287.03, 0.89%, 0.49%

LAB 48.34, 84.57, -70.11

 

CMYK 70 / 94 / 0 / 38

HEX #30099E

RGB 48 9 158

HSL 255.7, 0.89%, 0.33%

LAB 21.18, 54.09, -69.68

 

CMYK 70 / 94 / 0 / 23

HEX #3C0BC5

RGB 60 11 197

HSL 255.81, 0.89%, 0.41%

LAB 27.38, 64.26, -82.72

 

CMYK 70 / 94 / 0 / 7

HEX #470EEC

RGB 71 14 236

HSL 255.41, 0.89%, 0.49%

LAB 33.37, 73.77, -95.27

 

CMYK 59 / 80 / 0 / 5

HEX #6330F3

RGB 99 48 243

HSL 255.69, 0.89%, 0.57%

LAB 39.98, 67.47, -88.21

 

CMYK 48 / 64 / 0 / 4

HEX #8057F5

RGB 128 87 245

HSL 255.57, 0.89%, 0.65%

LAB 49.49, 53.5, -73.62

 

CMYK 70 / 94 / 0 / 7

HEX #480EEE

RGB 72 14 238

HSL 255.54, 0.89%, 0.49%

LAB 33.7, 74.3, -95.86

 

CMYK 0 / 94 / 42 / 7

HEX #EC0E88

RGB 236 14 136

HSL 327.03, 0.89%, 0.49%

LAB 51.75, 80.12, -5.77

 

CMYK 80 / 0 / 94 / 7

HEX #2FEC0E

RGB 47 236 14

HSL 111.08, 0.89%, 0.49%

LAB 82.18, -78.09, 77.64

 

CMYK 70 / 94 / 0 / 7

HEX #480EEE

RGB 72 14 238

HSL 255.54, 0.89%, 0.49%

LAB 33.7, 74.3, -95.86

 

CMYK 0 / 71 / 94 / 7

HEX #EC450E

RGB 236 69 14

HSL 14.86, 0.89%, 0.49%

LAB 54.15, 62.03, 62.31

 

CMYK 94 / 0 / 71 / 7

HEX #0EEC45

RGB 14 236 69

HSL 134.86, 0.89%, 0.49%

LAB 82.12, -77.82, 64.37

 

CMYK 70 / 94 / 0 / 7

HEX #480EEE

RGB 72 14 238

HSL 255.54, 0.89%, 0.49%

LAB 33.7, 74.3, -95.86

 

CMYK 0 / 94 / 42 / 7

HEX #EC0E88

RGB 236 14 136

HSL 327.03, 0.89%, 0.49%

LAB 51.75, 80.12, -5.77

 

CMYK 23 / 0 / 94 / 7

HEX #B5EC0E

RGB 181 236 14

HSL 74.86, 0.89%, 0.49%

LAB 86.92, -42.35, 83.44

 

CMYK 94 / 0 / 52 / 7

HEX #0EEC72

RGB 14 236 114

HSL 147.03, 0.89%, 0.49%

LAB 82.54, -72.56, 45.81

 

CMYK 70 / 94 / 0 / 7

HEX #480EEE

RGB 72 14 238

HSL 255.54, 0.89%, 0.49%

LAB 33.7, 74.3, -95.86

 

CMYK 0 / 94 / 71 / 7

HEX #EC0E45

RGB 236 14 69

HSL 345.14, 0.89%, 0.49%

LAB 50.19, 75.88, 32.77

 

CMYK 23 / 0 / 94 / 7

HEX #B5EC0E

RGB 181 236 14

HSL 74.86, 0.89%, 0.49%

LAB 86.92, -42.35, 83.44

 

CMYK 94 / 0 / 23 / 7

HEX #0EECB5

RGB 14 236 181

HSL 165.14, 0.89%, 0.49%

LAB 83.66, -59.58, 13.59

 

Description

Color code: HEX #480EEE | qconv.com Color code: HEX #480EEE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 14 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 14 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 94 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 94% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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