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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #480454 it is the complementary color #B7FBAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #480454. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #480454 shade: #4D044F, #5E1662, #6F2875, #803A88 and #914C9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #480454. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #480454 shade: #480454, #370041, #26002E, #15001B and #040008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #480454 shade: #470453, #530449, #530434, #53041F and #53040A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #480454 shade: #470453, #320453, #1C0453, #070453 and #040453

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #480454 shade matches the following richer shades: #470453

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #480454 shade: #470453, #420B4C, #3D1245, #38193E and #332037

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #480454 shade: #1D0453, #320453, #470453, #53044A and #530435

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #480454 shade: #030004, #25022B, #470453, #69067A and #8B08A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #480454 shade: #480454, #530804 and #045327

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #480454 shade: #480454, #534704 and #045347

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #480454 shade: #480454, #530804, #105304 and #044F53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #480454 shade: #480454, #532004, #105304 and #043753

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 95 / 0 / 67

HEX #480454

RGB 72 4 84

HSL 291, 0.91%, 0.17%

LAB 16.03, 40.34, -30.48

 

Complementary color

CMYK 27 / 0 / 32 / 2

HEX #B7FBAB

RGB 183 251 171

HSL 111, 0.91%, 0.83%

LAB 92.58, -35.83, 31.75

 

CMYK 3 / 95 / 0 / 69

HEX #4D044F

RGB 77 4 79

HSL 298.4, 0.9%, 0.16%

LAB 16.65, 40.37, -26.02

 

CMYK 4 / 78 / 0 / 62

HEX #5E1662

RGB 94 22 98

HSL 296.84, 0.63%, 0.24%

LAB 23.12, 42.03, -28.23

 

CMYK 5 / 66 / 0 / 54

HEX #6F2875

RGB 111 40 117

HSL 295.32, 0.49%, 0.31%

LAB 29.87, 42.41, -29.59

 

CMYK 6 / 57 / 0 / 47

HEX #803A88

RGB 128 58 136

HSL 293.85, 0.4%, 0.38%

LAB 36.73, 42.07, -30.44

 

CMYK 6 / 51 / 0 / 39

HEX #914C9B

RGB 145 76 155

HSL 292.41, 0.34%, 0.45%

LAB 43.59, 41.43, -31.01

 

CMYK 14 / 95 / 0 / 67

HEX #480454

RGB 72 4 84

HSL 291, 0.91%, 0.17%

LAB 16.03, 40.34, -30.48

 

CMYK 15 / 100 / 0 / 75

HEX #370041

RGB 55 0 65

HSL 290.77, 1%, 0.13%

LAB 10.51, 35.01, -26.37

 

CMYK 17 / 100 / 0 / 82

HEX #26002E

RGB 38 0 46

HSL 289.57, 1%, 0.09%

LAB 5.5, 26.65, -20.77

 

CMYK 22 / 100 / 0 / 89

HEX #15001B

RGB 21 0 27

HSL 286.67, 1%, 0.05%

LAB 2.15, 11.48, -11.35

 

CMYK 50 / 100 / 0 / 97

HEX #040008

RGB 4 0 8

HSL 270, 1%, 0.02%

LAB 0.39, 2.16, -2.66

 

CMYK 14 / 95 / 0 / 67

HEX #470453

RGB 71 4 83

HSL 290.89, 0.91%, 0.17%

LAB 15.75, 39.95, -30.25

 

CMYK 0 / 95 / 12 / 67

HEX #530449

RGB 83 4 73

HSL 307.59, 0.91%, 0.17%

LAB 17.49, 40.62, -20.48

 

CMYK 0 / 95 / 37 / 67

HEX #530434

RGB 83 4 52

HSL 323.54, 0.91%, 0.17%

LAB 16.37, 37.65, -7.44

 

CMYK 0 / 95 / 63 / 67

HEX #53041F

RGB 83 4 31

HSL 339.49, 0.91%, 0.17%

LAB 15.62, 35.56, 6.74

 

CMYK 0 / 95 / 88 / 67

HEX #53040A

RGB 83 4 10

HSL 355.44, 0.91%, 0.17%

LAB 15.21, 34.4, 19.5

 

CMYK 14 / 95 / 0 / 67

HEX #470453

RGB 71 4 83

HSL 290.89, 0.91%, 0.17%

LAB 15.75, 39.95, -30.25

 

CMYK 40 / 95 / 0 / 67

HEX #320453

RGB 50 4 83

HSL 274.94, 0.91%, 0.17%

LAB 11.89, 36.4, -36.71

 

CMYK 66 / 95 / 0 / 67

HEX #1C0453

RGB 28 4 83

HSL 258.23, 0.91%, 0.17%

LAB 8.64, 33.74, -42.18

 

CMYK 92 / 95 / 0 / 67

HEX #070453

RGB 7 4 83

HSL 242.28, 0.91%, 0.17%

LAB 6.83, 32.14, -45.23

 

CMYK 95 / 95 / 0 / 67

HEX #040453

RGB 4 4 83

HSL 240, 0.91%, 0.17%

LAB 6.66, 31.92, -45.52

 

CMYK 14 / 95 / 0 / 67

HEX #470453

RGB 71 4 83

HSL 290.89, 0.91%, 0.17%

LAB 15.75, 39.95, -30.25

 

CMYK 14 / 95 / 0 / 67

HEX #470453

RGB 71 4 83

HSL 290.89, 0.91%, 0.17%

LAB 15.75, 39.95, -30.25

 

CMYK 13 / 86 / 0 / 70

HEX #420B4C

RGB 66 11 76

HSL 290.77, 0.75%, 0.17%

LAB 15.06, 35.14, -26.63

 

CMYK 12 / 74 / 0 / 73

HEX #3D1245

RGB 61 18 69

HSL 290.59, 0.59%, 0.17%

LAB 14.7, 29.36, -22.4

 

CMYK 10 / 60 / 0 / 76

HEX #38193E

RGB 56 25 62

HSL 290.27, 0.43%, 0.17%

LAB 14.87, 22.26, -17.29

 

CMYK 7 / 42 / 0 / 78

HEX #332037

RGB 51 32 55

HSL 289.57, 0.26%, 0.17%

LAB 15.55, 14.09, -11.34

 

CMYK 65 / 95 / 0 / 67

HEX #1D0453

RGB 29 4 83

HSL 258.99, 0.91%, 0.17%

LAB 8.76, 33.83, -41.97

 

CMYK 40 / 95 / 0 / 67

HEX #320453

RGB 50 4 83

HSL 274.94, 0.91%, 0.17%

LAB 11.89, 36.4, -36.71

 

CMYK 14 / 95 / 0 / 67

HEX #470453

RGB 71 4 83

HSL 290.89, 0.91%, 0.17%

LAB 15.75, 39.95, -30.25

 

CMYK 0 / 95 / 11 / 67

HEX #53044A

RGB 83 4 74

HSL 306.84, 0.91%, 0.17%

LAB 17.55, 40.78, -21.07

 

CMYK 0 / 95 / 36 / 67

HEX #530435

RGB 83 4 53

HSL 322.78, 0.91%, 0.17%

LAB 16.42, 37.78, -8.09

 

CMYK 25 / 100 / 0 / 98

HEX #030004

RGB 3 0 4

HSL 285, 1%, 0.01%

LAB 0.25, 1.34, -1.24

 

CMYK 14 / 95 / 0 / 83

HEX #25022B

RGB 37 2 43

HSL 291.22, 0.91%, 0.09%

LAB 5.52, 24.33, -18.49

 

CMYK 14 / 95 / 0 / 67

HEX #470453

RGB 71 4 83

HSL 290.89, 0.91%, 0.17%

LAB 15.75, 39.95, -30.25

 

CMYK 14 / 95 / 0 / 52

HEX #69067A

RGB 105 6 122

HSL 291.21, 0.91%, 0.25%

LAB 25.38, 52.9, -40.01

 

CMYK 14 / 95 / 0 / 36

HEX #8B08A2

RGB 139 8 162

HSL 291.04, 0.91%, 0.33%

LAB 34.54, 65.27, -49.69

 

CMYK 14 / 95 / 0 / 67

HEX #480454

RGB 72 4 84

HSL 291, 0.91%, 0.17%

LAB 16.03, 40.34, -30.48

 

CMYK 0 / 90 / 95 / 67

HEX #530804

RGB 83 8 4

HSL 3.04, 0.91%, 0.17%

LAB 15.6, 32.89, 22.44

 

CMYK 95 / 0 / 53 / 67

HEX #045327

RGB 4 83 39

HSL 146.58, 0.91%, 0.17%

LAB 30.3, -33.07, 19.68

 

CMYK 14 / 95 / 0 / 67

HEX #480454

RGB 72 4 84

HSL 291, 0.91%, 0.17%

LAB 16.03, 40.34, -30.48

 

CMYK 0 / 14 / 95 / 67

HEX #534704

RGB 83 71 4

HSL 50.89, 0.91%, 0.17%

LAB 30.29, -2.19, 37.46

 

CMYK 95 / 0 / 14 / 67

HEX #045347

RGB 4 83 71

HSL 170.89, 0.91%, 0.17%

LAB 31.04, -24.85, 0.89

 

CMYK 14 / 95 / 0 / 67

HEX #480454

RGB 72 4 84

HSL 291, 0.91%, 0.17%

LAB 16.03, 40.34, -30.48

 

CMYK 0 / 90 / 95 / 67

HEX #530804

RGB 83 8 4

HSL 3.04, 0.91%, 0.17%

LAB 15.6, 32.89, 22.44

 

CMYK 81 / 0 / 95 / 67

HEX #105304

RGB 16 83 4

HSL 110.89, 0.91%, 0.17%

LAB 30.17, -35.42, 35.64

 

CMYK 95 / 5 / 0 / 67

HEX #044F53

RGB 4 79 83

HSL 183.04, 0.91%, 0.17%

LAB 30.02, -18.71, -8.28

 

CMYK 14 / 95 / 0 / 67

HEX #480454

RGB 72 4 84

HSL 291, 0.91%, 0.17%

LAB 16.03, 40.34, -30.48

 

CMYK 0 / 61 / 95 / 67

HEX #532004

RGB 83 32 4

HSL 21.27, 0.91%, 0.17%

LAB 19.56, 22.16, 27.22

 

CMYK 81 / 0 / 95 / 67

HEX #105304

RGB 16 83 4

HSL 110.89, 0.91%, 0.17%

LAB 30.17, -35.42, 35.64

 

CMYK 95 / 34 / 0 / 67

HEX #043753

RGB 4 55 83

HSL 201.27, 0.91%, 0.17%

LAB 21.52, -4.09, -21.39

 

Description

Color code: HEX #480454 | qconv.com Color code: HEX #480454 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 4 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 4 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 95 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 95% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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