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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47FB7F it is the complementary color #B80480. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47FB7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47FB7F shade: #4CFB7A, #5DFF8D, #6EFFA0, #7FFFB3 and #90FFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47FB7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47FB7F shade: #47FB7F, #36E96C, #25D759, #14C546 and #03B333

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47FB7F shade: #46FB7E, #46FB4E, #6FFB46, #A0FB46 and #D1FB46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47FB7F shade: #46FB7E, #46FBAF, #46FBE0, #46E5FB and #46B5FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47FB7F shade matches the following richer shades: #46FB7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47FB7F shade: #46FB7E, #55EC84, #65DD8A, #74CD90 and #83BE96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47FB7F shade: #70FB46, #46FB4C, #46FB7C, #46FBAD and #46FBDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47FB7F shade: #05EA4C, #1EFA62, #46FB7E, #6FFC9B and #97FDB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47FB7F shade: #47FB7F, #46A1FB and #FB4658

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47FB7F shade: #47FB7F, #7C46FB and #FB7C46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47FB7F shade: #47FB7F, #46A1FB, #FB46C5 and #FBA146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47FB7F shade: #47FB7F, #466AFB, #FB46C5 and #FBD746

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 49 / 2

HEX #47FB7F

RGB 71 251 127

HSL 138.67, 0.96%, 0.63%

LAB 87.9, -70.3, 46.46

 

Complementary color

CMYK 0 / 98 / 30 / 28

HEX #B80480

RGB 184 4 128

HSL 318.67, 0.96%, 0.37%

LAB 40.95, 69.25, -18.19

 

CMYK 70 / 0 / 51 / 2

HEX #4CFB7A

RGB 76 251 122

HSL 135.77, 0.96%, 0.64%

LAB 87.94, -70.25, 48.86

 

CMYK 64 / 0 / 45 / 0

HEX #5DFF8D

RGB 93 255 141

HSL 137.78, 1%, 0.68%

LAB 89.75, -65.9, 42.21

 

CMYK 57 / 0 / 37 / 0

HEX #6EFFA0

RGB 110 255 160

HSL 140.69, 1%, 0.72%

LAB 90.49, -59.37, 33.94

 

CMYK 50 / 0 / 30 / 0

HEX #7FFFB3

RGB 127 255 179

HSL 144.38, 1%, 0.75%

LAB 91.36, -52.14, 25.66

 

CMYK 44 / 0 / 22 / 0

HEX #90FFC6

RGB 144 255 198

HSL 149.19, 1%, 0.78%

LAB 92.37, -44.33, 17.46

 

CMYK 72 / 0 / 49 / 2

HEX #47FB7F

RGB 71 251 127

HSL 138.67, 0.96%, 0.63%

LAB 87.9, -70.3, 46.46

 

CMYK 77 / 0 / 54 / 9

HEX #36E96C

RGB 54 233 108

HSL 138.1, 0.8%, 0.56%

LAB 81.92, -69.34, 47.95

 

CMYK 83 / 0 / 59 / 16

HEX #25D759

RGB 37 215 89

HSL 137.53, 0.71%, 0.49%

LAB 75.89, -67.95, 49.43

 

CMYK 90 / 0 / 64 / 23

HEX #14C546

RGB 20 197 70

HSL 136.95, 0.82%, 0.43%

LAB 69.84, -66.01, 50.82

 

CMYK 98 / 0 / 72 / 30

HEX #03B333

RGB 3 179 51

HSL 136.36, 0.97%, 0.36%

LAB 63.75, -63.41, 51.96

 

CMYK 72 / 0 / 50 / 2

HEX #46FB7E

RGB 70 251 126

HSL 138.56, 0.96%, 0.63%

LAB 87.87, -70.59, 46.89

 

CMYK 72 / 0 / 69 / 2

HEX #46FB4E

RGB 70 251 78

HSL 122.65, 0.96%, 0.63%

LAB 87.41, -76.11, 66.81

 

CMYK 56 / 0 / 72 / 2

HEX #6FFB46

RGB 111 251 70

HSL 106.41, 0.96%, 0.63%

LAB 88.36, -68.51, 70.93

 

CMYK 36 / 0 / 72 / 2

HEX #A0FB46

RGB 160 251 70

HSL 90.17, 0.96%, 0.63%

LAB 90.28, -54.21, 73.48

 

CMYK 17 / 0 / 72 / 2

HEX #D1FB46

RGB 209 251 70

HSL 73.92, 0.96%, 0.63%

LAB 93.01, -36.48, 77.07

 

CMYK 72 / 0 / 50 / 2

HEX #46FB7E

RGB 70 251 126

HSL 138.56, 0.96%, 0.63%

LAB 87.87, -70.59, 46.89

 

CMYK 72 / 0 / 30 / 2

HEX #46FBAF

RGB 70 251 175

HSL 154.81, 0.96%, 0.63%

LAB 88.63, -62, 23.71

 

CMYK 72 / 0 / 11 / 2

HEX #46FBE0

RGB 70 251 224

HSL 171.05, 0.96%, 0.63%

LAB 89.71, -50.74, -0.05

 

CMYK 72 / 9 / 0 / 2

HEX #46E5FB

RGB 70 229 251

HSL 187.29, 0.96%, 0.63%

LAB 84.12, -33.52, -22.52

 

CMYK 72 / 28 / 0 / 2

HEX #46B5FB

RGB 70 181 251

HSL 203.2, 0.96%, 0.63%

LAB 70.4, -9.09, -43.69

 

CMYK 72 / 0 / 50 / 2

HEX #46FB7E

RGB 70 251 126

HSL 138.56, 0.96%, 0.63%

LAB 87.87, -70.59, 46.89

 

CMYK 72 / 0 / 50 / 2

HEX #46FB7E

RGB 70 251 126

HSL 138.56, 0.96%, 0.63%

LAB 87.87, -70.59, 46.89

 

CMYK 64 / 0 / 44 / 7

HEX #55EC84

RGB 85 236 132

HSL 138.68, 0.8%, 0.63%

LAB 83.75, -61.92, 38.87

 

CMYK 54 / 0 / 38 / 13

HEX #65DD8A

RGB 101 221 138

HSL 138.5, 0.64%, 0.63%

LAB 79.79, -51.77, 30.78

 

CMYK 43 / 0 / 30 / 20

HEX #74CD90

RGB 116 205 144

HSL 138.88, 0.47%, 0.63%

LAB 75.69, -40.06, 22.24

 

CMYK 31 / 0 / 21 / 25

HEX #83BE96

RGB 131 190 150

HSL 139.32, 0.31%, 0.63%

LAB 72.13, -27.47, 14.21

 

CMYK 55 / 0 / 72 / 2

HEX #70FB46

RGB 112 251 70

HSL 106.08, 0.96%, 0.63%

LAB 88.39, -68.26, 70.97

 

CMYK 72 / 0 / 70 / 2

HEX #46FB4C

RGB 70 251 76

HSL 121.99, 0.96%, 0.63%

LAB 87.4, -76.28, 67.52

 

CMYK 72 / 0 / 51 / 2

HEX #46FB7C

RGB 70 251 124

HSL 137.9, 0.96%, 0.63%

LAB 87.85, -70.88, 47.8

 

CMYK 72 / 0 / 31 / 2

HEX #46FBAD

RGB 70 251 173

HSL 154.14, 0.96%, 0.63%

LAB 88.6, -62.41, 24.68

 

CMYK 72 / 0 / 12 / 2

HEX #46FBDD

RGB 70 251 221

HSL 170.06, 0.96%, 0.63%

LAB 89.63, -51.49, 1.4

 

CMYK 98 / 0 / 68 / 8

HEX #05EA4C

RGB 5 234 76

HSL 138.6, 0.96%, 0.47%

LAB 81.51, -76.91, 61.11

 

CMYK 88 / 0 / 61 / 2

HEX #1EFA62

RGB 30 250 98

HSL 138.55, 0.96%, 0.55%

LAB 86.77, -78.12, 58.02

 

CMYK 72 / 0 / 50 / 2

HEX #46FB7E

RGB 70 251 126

HSL 138.56, 0.96%, 0.63%

LAB 87.87, -70.59, 46.89

 

CMYK 56 / 0 / 38 / 1

HEX #6FFC9B

RGB 111 252 155

HSL 138.72, 0.96%, 0.71%

LAB 89.56, -58.84, 35.2

 

CMYK 40 / 0 / 28 / 1

HEX #97FDB7

RGB 151 253 183

HSL 138.82, 0.96%, 0.79%

LAB 91.8, -44.39, 24.37

 

CMYK 72 / 0 / 49 / 2

HEX #47FB7F

RGB 71 251 127

HSL 138.67, 0.96%, 0.63%

LAB 87.9, -70.3, 46.46

 

CMYK 72 / 36 / 0 / 2

HEX #46A1FB

RGB 70 161 251

HSL 209.83, 0.96%, 0.63%

LAB 64.77, 2.15, -52.56

 

CMYK 0 / 72 / 65 / 2

HEX #FB4658

RGB 251 70 88

HSL 354.03, 0.96%, 0.63%

LAB 57.65, 68.56, 31.45

 

CMYK 72 / 0 / 49 / 2

HEX #47FB7F

RGB 71 251 127

HSL 138.67, 0.96%, 0.63%

LAB 87.9, -70.3, 46.46

 

CMYK 51 / 72 / 0 / 2

HEX #7C46FB

RGB 124 70 251

HSL 257.9, 0.96%, 0.63%

LAB 46.49, 63.02, -81.9

 

CMYK 0 / 51 / 72 / 2

HEX #FB7C46

RGB 251 124 70

HSL 17.9, 0.96%, 0.63%

LAB 66.03, 44.85, 50.94

 

CMYK 72 / 0 / 49 / 2

HEX #47FB7F

RGB 71 251 127

HSL 138.67, 0.96%, 0.63%

LAB 87.9, -70.3, 46.46

 

CMYK 72 / 36 / 0 / 2

HEX #46A1FB

RGB 70 161 251

HSL 209.83, 0.96%, 0.63%

LAB 64.77, 2.15, -52.56

 

CMYK 0 / 72 / 22 / 2

HEX #FB46C5

RGB 251 70 197

HSL 317.9, 0.96%, 0.63%

LAB 60.71, 78.42, -27.66

 

CMYK 0 / 36 / 72 / 2

HEX #FBA146

RGB 251 161 70

HSL 30.17, 0.96%, 0.63%

LAB 73.83, 25.98, 59.17

 

CMYK 72 / 0 / 49 / 2

HEX #47FB7F

RGB 71 251 127

HSL 138.67, 0.96%, 0.63%

LAB 87.9, -70.3, 46.46

 

CMYK 72 / 58 / 0 / 2

HEX #466AFB

RGB 70 106 251

HSL 228.07, 0.96%, 0.63%

LAB 50.19, 35.47, -76

 

CMYK 0 / 72 / 22 / 2

HEX #FB46C5

RGB 251 70 197

HSL 317.9, 0.96%, 0.63%

LAB 60.71, 78.42, -27.66

 

CMYK 0 / 14 / 72 / 2

HEX #FBD746

RGB 251 215 70

HSL 48.07, 0.96%, 0.63%

LAB 86.78, -2.06, 72.14

 

Description

Color code: HEX #47FB7F | qconv.com Color code: HEX #47FB7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 251 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 251 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 49 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 49% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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