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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47FB0E it is the complementary color #B804F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47FB0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47FB0E shade: #4CFB09, #5DFF1C, #6EFF2F, #7FFF42 and #90FF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47FB0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47FB0E shade: #47FB0E, #36E900, #25D700, #14C500 and #03B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47FB0E shade: #47FB0E, #87FB0E, #C7FB0E, #FBF00E and #FBB00E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47FB0E shade: #47FB0E, #0EFB15, #0EFB55, #0EFB95 and #0EFBD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47FB0E shade matches the following richer shades: #47FB0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47FB0E shade: #47FB0E, #51E822, #5CD435, #66C049 and #70AC5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47FB0E shade: #C8FB0E, #89FB0E, #49FB0E, #0EFB12 and #0EFB51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47FB0E shade: #2DB403, #38DD03, #47FB0E, #66FC37 and #85FD5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47FB0E shade: #47FB0E, #0EFBEF and #FB0EA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47FB0E shade: #47FB0E, #0E49FB and #FB0E49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47FB0E shade: #47FB0E, #0EFBEF, #C00EFB and #FB0E1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47FB0E shade: #47FB0E, #0EC0FB, #C00EFB and #FB490E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 94 / 2

HEX #47FB0E

RGB 71 251 14

HSL 105.57, 0.97%, 0.52%

LAB 87.18, -79.07, 81.9

 

Complementary color

CMYK 24 / 98 / 0 / 5

HEX #B804F1

RGB 184 4 241

HSL 285.57, 0.97%, 0.48%

LAB 47.79, 85.77, -73.85

 

CMYK 70 / 0 / 96 / 2

HEX #4CFB09

RGB 76 251 9

HSL 103.39, 0.97%, 0.51%

LAB 87.27, -78.31, 82.43

 

CMYK 64 / 0 / 89 / 0

HEX #5DFF1C

RGB 93 255 28

HSL 102.82, 1%, 0.55%

LAB 88.89, -75.91, 81.77

 

CMYK 57 / 0 / 82 / 0

HEX #6EFF2F

RGB 110 255 47

HSL 101.83, 1%, 0.59%

LAB 89.41, -71.41, 78.63

 

CMYK 50 / 0 / 74 / 0

HEX #7FFF42

RGB 127 255 66

HSL 100.63, 1%, 0.63%

LAB 90.06, -66.02, 74.1

 

CMYK 44 / 0 / 67 / 0

HEX #90FF55

RGB 144 255 85

HSL 99.18, 1%, 0.67%

LAB 90.83, -59.82, 68.46

 

CMYK 72 / 0 / 94 / 2

HEX #47FB0E

RGB 71 251 14

HSL 105.57, 0.97%, 0.52%

LAB 87.18, -79.07, 81.9

 

CMYK 77 / 0 / 100 / 9

HEX #36E900

RGB 54 233 0

HSL 106.09, 1%, 0.46%

LAB 81.33, -76.6, 78.22

 

CMYK 83 / 0 / 100 / 16

HEX #25D700

RGB 37 215 0

HSL 109.67, 1%, 0.42%

LAB 75.45, -73.54, 73.43

 

CMYK 90 / 0 / 100 / 23

HEX #14C500

RGB 20 197 0

HSL 113.91, 1%, 0.39%

LAB 69.53, -70, 68.62

 

CMYK 98 / 0 / 100 / 30

HEX #03B300

RGB 3 179 0

HSL 118.99, 1%, 0.35%

LAB 63.56, -65.94, 63.8

 

CMYK 72 / 0 / 94 / 2

HEX #47FB0E

RGB 71 251 14

HSL 105.57, 0.97%, 0.52%

LAB 87.18, -79.07, 81.9

 

CMYK 46 / 0 / 94 / 2

HEX #87FB0E

RGB 135 251 14

HSL 89.37, 0.97%, 0.52%

LAB 89.01, -64.17, 84.14

 

CMYK 21 / 0 / 94 / 2

HEX #C7FB0E

RGB 199 251 14

HSL 73.16, 0.97%, 0.52%

LAB 92.21, -41.99, 88.03

 

CMYK 0 / 4 / 94 / 2

HEX #FBF00E

RGB 251 240 14

HSL 57.22, 0.97%, 0.52%

LAB 92.95, -15.91, 90.22

 

CMYK 0 / 30 / 94 / 2

HEX #FBB00E

RGB 251 176 14

HSL 41.01, 0.97%, 0.52%

LAB 77.04, 16.62, 78.59

 

CMYK 72 / 0 / 94 / 2

HEX #47FB0E

RGB 71 251 14

HSL 105.57, 0.97%, 0.52%

LAB 87.18, -79.07, 81.9

 

CMYK 94 / 0 / 92 / 2

HEX #0EFB15

RGB 14 251 21

HSL 121.77, 0.97%, 0.52%

LAB 86.57, -84.39, 80.38

 

CMYK 94 / 0 / 66 / 2

HEX #0EFB55

RGB 14 251 85

HSL 137.97, 0.97%, 0.52%

LAB 86.87, -80.58, 63.41

 

CMYK 94 / 0 / 41 / 2

HEX #0EFB95

RGB 14 251 149

HSL 154.18, 0.97%, 0.52%

LAB 87.61, -71.58, 35.31

 

CMYK 94 / 0 / 15 / 2

HEX #0EFBD5

RGB 14 251 213

HSL 170.38, 0.97%, 0.52%

LAB 88.87, -57.52, 4.38

 

CMYK 72 / 0 / 94 / 2

HEX #47FB0E

RGB 71 251 14

HSL 105.57, 0.97%, 0.52%

LAB 87.18, -79.07, 81.9

 

CMYK 72 / 0 / 94 / 2

HEX #47FB0E

RGB 71 251 14

HSL 105.57, 0.97%, 0.52%

LAB 87.18, -79.07, 81.9

 

CMYK 65 / 0 / 85 / 9

HEX #51E822

RGB 81 232 34

HSL 105.76, 0.81%, 0.52%

LAB 81.61, -70.95, 74.31

 

CMYK 57 / 0 / 75 / 17

HEX #5CD435

RGB 92 212 53

HSL 105.28, 0.65%, 0.52%

LAB 75.84, -60.79, 63.97

 

CMYK 47 / 0 / 62 / 25

HEX #66C049

RGB 102 192 73

HSL 105.38, 0.49%, 0.52%

LAB 70.18, -48.85, 50.43

 

CMYK 35 / 0 / 46 / 33

HEX #70AC5D

RGB 112 172 93

HSL 105.57, 0.32%, 0.52%

LAB 64.76, -34.67, 34.5

 

CMYK 20 / 0 / 94 / 2

HEX #C8FB0E

RGB 200 251 14

HSL 72.91, 0.97%, 0.52%

LAB 92.27, -41.61, 88.11

 

CMYK 45 / 0 / 94 / 2

HEX #89FB0E

RGB 137 251 14

HSL 88.86, 0.97%, 0.52%

LAB 89.09, -63.56, 84.24

 

CMYK 71 / 0 / 94 / 2

HEX #49FB0E

RGB 73 251 14

HSL 105.06, 0.97%, 0.52%

LAB 87.21, -78.74, 81.95

 

CMYK 94 / 0 / 93 / 2

HEX #0EFB12

RGB 14 251 18

HSL 121.01, 0.97%, 0.52%

LAB 86.57, -84.45, 80.73

 

CMYK 94 / 0 / 68 / 2

HEX #0EFB51

RGB 14 251 81

HSL 136.96, 0.97%, 0.52%

LAB 86.84, -80.97, 64.91

 

CMYK 75 / 0 / 98 / 29

HEX #2DB403

RGB 45 180 3

HSL 105.76, 0.97%, 0.36%

LAB 64.33, -62.23, 64.22

 

CMYK 75 / 0 / 99 / 13

HEX #38DD03

RGB 56 221 3

HSL 105.41, 0.97%, 0.44%

LAB 77.61, -72.8, 74.99

 

CMYK 72 / 0 / 94 / 2

HEX #47FB0E

RGB 71 251 14

HSL 105.57, 0.97%, 0.52%

LAB 87.18, -79.07, 81.9

 

CMYK 60 / 0 / 78 / 1

HEX #66FC37

RGB 102 252 55

HSL 105.69, 0.97%, 0.6%

LAB 88.31, -71.9, 75.44

 

CMYK 47 / 0 / 62 / 1

HEX #85FD5F

RGB 133 253 95

HSL 105.57, 0.98%, 0.68%

LAB 89.89, -61.41, 63.39

 

CMYK 72 / 0 / 94 / 2

HEX #47FB0E

RGB 71 251 14

HSL 105.57, 0.97%, 0.52%

LAB 87.18, -79.07, 81.9

 

CMYK 94 / 0 / 5 / 2

HEX #0EFBEF

RGB 14 251 239

HSL 176.96, 0.97%, 0.52%

LAB 89.54, -50.6, -8.16

 

CMYK 0 / 94 / 33 / 2

HEX #FB0EA8

RGB 251 14 168

HSL 321.01, 0.97%, 0.52%

LAB 55.74, 86.2, -18.51

 

CMYK 72 / 0 / 94 / 2

HEX #47FB0E

RGB 71 251 14

HSL 105.57, 0.97%, 0.52%

LAB 87.18, -79.07, 81.9

 

CMYK 94 / 71 / 0 / 2

HEX #0E49FB

RGB 14 73 251

HSL 225.06, 0.97%, 0.52%

LAB 40.93, 51.87, -91.25

 

CMYK 0 / 94 / 71 / 2

HEX #FB0E49

RGB 251 14 73

HSL 345.06, 0.97%, 0.52%

LAB 53.28, 79.61, 34.83

 

CMYK 72 / 0 / 94 / 2

HEX #47FB0E

RGB 71 251 14

HSL 105.57, 0.97%, 0.52%

LAB 87.18, -79.07, 81.9

 

CMYK 94 / 0 / 5 / 2

HEX #0EFBEF

RGB 14 251 239

HSL 176.96, 0.97%, 0.52%

LAB 89.54, -50.6, -8.16

 

CMYK 24 / 94 / 0 / 2

HEX #C00EFB

RGB 192 14 251

HSL 285.06, 0.97%, 0.52%

LAB 50.08, 87.69, -75.67

 

CMYK 0 / 94 / 90 / 2

HEX #FB0E1A

RGB 251 14 26

HSL 356.96, 0.97%, 0.52%

LAB 52.84, 78.38, 58.98

 

CMYK 72 / 0 / 94 / 2

HEX #47FB0E

RGB 71 251 14

HSL 105.57, 0.97%, 0.52%

LAB 87.18, -79.07, 81.9

 

CMYK 94 / 24 / 0 / 2

HEX #0EC0FB

RGB 14 192 251

HSL 194.94, 0.97%, 0.52%

LAB 72.73, -19.22, -40.11

 

CMYK 24 / 94 / 0 / 2

HEX #C00EFB

RGB 192 14 251

HSL 285.06, 0.97%, 0.52%

LAB 50.08, 87.69, -75.67

 

CMYK 0 / 71 / 94 / 2

HEX #FB490E

RGB 251 73 14

HSL 14.94, 0.97%, 0.52%

LAB 57.37, 65.32, 65.61

 

Description

Color code: HEX #47FB0E | qconv.com Color code: HEX #47FB0E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 251 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 251 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 94 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 94% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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