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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47F373 it is the complementary color #B80C8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47F373. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47F373 shade: #4CF36E, #5DFF81, #6EFF94, #7FFFA7 and #90FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47F373. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47F373 shade: #47F373, #36E160, #25CF4D, #14BD3A and #03AB27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47F373 shade: #49F374, #4BF349, #79F349, #A7F349 and #D5F349

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47F373 shade: #49F374, #49F3A2, #49F3D0, #49E8F3 and #49BAF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47F373 shade matches the following richer shades: #49F374

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47F373 shade: #49F374, #59E47C, #68D484, #78C48B and #88B593

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47F373 shade: #79F349, #4CF349, #49F373, #49F3A1 and #49F3CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47F373 shade: #0EDC43, #22F157, #49F374, #70F692 and #96F8AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47F373 shade: #47F373, #49A7F3 and #F34962

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47F373 shade: #47F373, #7349F3 and #F37349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47F373 shade: #47F373, #49A7F3, #F349C9 and #F39649

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47F373 shade: #47F373, #4973F3, #F349C9 and #F3C949

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 53 / 5

HEX #47F373

RGB 71 243 115

HSL 135.35, 0.88%, 0.62%

LAB 85.34, -69.3, 48.92

 

Complementary color

CMYK 0 / 93 / 24 / 28

HEX #B80C8C

RGB 184 12 140

HSL 315.35, 0.88%, 0.38%

LAB 41.76, 69.81, -24.32

 

CMYK 69 / 0 / 55 / 5

HEX #4CF36E

RGB 76 243 110

HSL 132.22, 0.87%, 0.63%

LAB 85.38, -69.16, 51.29

 

CMYK 64 / 0 / 49 / 0

HEX #5DFF81

RGB 93 255 129

HSL 133.33, 1%, 0.68%

LAB 89.6, -67.67, 47.72

 

CMYK 57 / 0 / 42 / 0

HEX #6EFF94

RGB 110 255 148

HSL 135.72, 1%, 0.72%

LAB 90.31, -61.35, 39.61

 

CMYK 50 / 0 / 35 / 0

HEX #7FFFA7

RGB 127 255 167

HSL 138.75, 1%, 0.75%

LAB 91.15, -54.28, 31.42

 

CMYK 44 / 0 / 27 / 0

HEX #90FFBA

RGB 144 255 186

HSL 142.7, 1%, 0.78%

LAB 92.13, -46.6, 23.26

 

CMYK 71 / 0 / 53 / 5

HEX #47F373

RGB 71 243 115

HSL 135.35, 0.88%, 0.62%

LAB 85.34, -69.3, 48.92

 

CMYK 76 / 0 / 57 / 12

HEX #36E160

RGB 54 225 96

HSL 134.74, 0.74%, 0.55%

LAB 79.32, -68.32, 50.34

 

CMYK 82 / 0 / 63 / 19

HEX #25CF4D

RGB 37 207 77

HSL 134.12, 0.7%, 0.48%

LAB 73.26, -66.88, 51.69

 

CMYK 89 / 0 / 69 / 26

HEX #14BD3A

RGB 20 189 58

HSL 133.49, 0.81%, 0.41%

LAB 67.16, -64.84, 52.85

 

CMYK 98 / 0 / 77 / 33

HEX #03AB27

RGB 3 171 39

HSL 132.86, 0.97%, 0.34%

LAB 61.04, -62.06, 53.53

 

CMYK 70 / 0 / 52 / 5

HEX #49F374

RGB 73 243 116

HSL 135.18, 0.88%, 0.62%

LAB 85.39, -68.85, 48.53

 

CMYK 69 / 0 / 70 / 5

HEX #4BF349

RGB 75 243 73

HSL 119.29, 0.88%, 0.62%

LAB 85.04, -73.22, 66.19

 

CMYK 50 / 0 / 70 / 5

HEX #79F349

RGB 121 243 73

HSL 103.06, 0.88%, 0.62%

LAB 86.33, -62.86, 67.93

 

CMYK 31 / 0 / 70 / 5

HEX #A7F349

RGB 167 243 73

HSL 86.82, 0.88%, 0.62%

LAB 88.35, -48.35, 70.64

 

CMYK 12 / 0 / 70 / 5

HEX #D5F349

RGB 213 243 73

HSL 70.59, 0.88%, 0.62%

LAB 91.11, -31.12, 74.3

 

CMYK 70 / 0 / 52 / 5

HEX #49F374

RGB 73 243 116

HSL 135.18, 0.88%, 0.62%

LAB 85.39, -68.85, 48.53

 

CMYK 70 / 0 / 33 / 5

HEX #49F3A2

RGB 73 243 162

HSL 151.41, 0.88%, 0.62%

LAB 86.07, -61.18, 26.84

 

CMYK 70 / 0 / 14 / 5

HEX #49F3D0

RGB 73 243 208

HSL 167.65, 0.88%, 0.62%

LAB 87.03, -51.02, 4.4

 

CMYK 70 / 5 / 0 / 5

HEX #49E8F3

RGB 73 232 243

HSL 183.88, 0.88%, 0.62%

LAB 84.79, -36.88, -17.29

 

CMYK 70 / 23 / 0 / 5

HEX #49BAF3

RGB 73 186 243

HSL 200.12, 0.88%, 0.62%

LAB 71.56, -14.03, -37.55

 

CMYK 70 / 0 / 52 / 5

HEX #49F374

RGB 73 243 116

HSL 135.18, 0.88%, 0.62%

LAB 85.39, -68.85, 48.53

 

CMYK 70 / 0 / 52 / 5

HEX #49F374

RGB 73 243 116

HSL 135.18, 0.88%, 0.62%

LAB 85.39, -68.85, 48.53

 

CMYK 61 / 0 / 46 / 11

HEX #59E47C

RGB 89 228 124

HSL 135.11, 0.72%, 0.62%

LAB 81.33, -59.43, 39.72

 

CMYK 51 / 0 / 38 / 17

HEX #68D484

RGB 104 212 132

HSL 135.56, 0.56%, 0.62%

LAB 77.1, -48.39, 30.31

 

CMYK 39 / 0 / 29 / 23

HEX #78C48B

RGB 120 196 139

HSL 135, 0.39%, 0.62%

LAB 73.11, -35.75, 21.39

 

CMYK 25 / 0 / 19 / 29

HEX #88B593

RGB 136 181 147

HSL 134.67, 0.23%, 0.62%

LAB 69.75, -21.96, 12.53

 

CMYK 50 / 0 / 70 / 5

HEX #79F349

RGB 121 243 73

HSL 103.06, 0.88%, 0.62%

LAB 86.33, -62.86, 67.93

 

CMYK 69 / 0 / 70 / 5

HEX #4CF349

RGB 76 243 73

HSL 118.94, 0.88%, 0.62%

LAB 85.06, -73.05, 66.21

 

CMYK 70 / 0 / 53 / 5

HEX #49F373

RGB 73 243 115

HSL 134.82, 0.88%, 0.62%

LAB 85.38, -68.99, 48.98

 

CMYK 70 / 0 / 34 / 5

HEX #49F3A1

RGB 73 243 161

HSL 151.06, 0.88%, 0.62%

LAB 86.05, -61.38, 27.32

 

CMYK 70 / 0 / 15 / 5

HEX #49F3CE

RGB 73 243 206

HSL 166.94, 0.88%, 0.62%

LAB 86.98, -51.51, 5.38

 

CMYK 94 / 0 / 70 / 14

HEX #0EDC43

RGB 14 220 67

HSL 135.44, 0.88%, 0.46%

LAB 77.09, -73.44, 59.86

 

CMYK 86 / 0 / 64 / 5

HEX #22F157

RGB 34 241 87

HSL 135.36, 0.88%, 0.54%

LAB 83.93, -76.39, 59.42

 

CMYK 70 / 0 / 52 / 5

HEX #49F374

RGB 73 243 116

HSL 135.18, 0.88%, 0.62%

LAB 85.39, -68.85, 48.53

 

CMYK 54 / 0 / 41 / 4

HEX #70F692

RGB 112 246 146

HSL 135.22, 0.88%, 0.7%

LAB 87.69, -57.76, 37.21

 

CMYK 40 / 0 / 29 / 3

HEX #96F8AF

RGB 150 248 175

HSL 135.31, 0.88%, 0.78%

LAB 90.19, -43.9, 26.23

 

CMYK 71 / 0 / 53 / 5

HEX #47F373

RGB 71 243 115

HSL 135.35, 0.88%, 0.62%

LAB 85.34, -69.3, 48.92

 

CMYK 70 / 31 / 0 / 5

HEX #49A7F3

RGB 73 167 243

HSL 206.82, 0.88%, 0.62%

LAB 66.16, -3.61, -46

 

CMYK 0 / 70 / 60 / 5

HEX #F34962

RGB 243 73 98

HSL 351.18, 0.88%, 0.62%

LAB 56.78, 65.75, 24.22

 

CMYK 71 / 0 / 53 / 5

HEX #47F373

RGB 71 243 115

HSL 135.35, 0.88%, 0.62%

LAB 85.34, -69.3, 48.92

 

CMYK 53 / 70 / 0 / 5

HEX #7349F3

RGB 115 73 243

HSL 254.82, 0.88%, 0.62%

LAB 45.47, 58.07, -79.12

 

CMYK 0 / 53 / 70 / 5

HEX #F37349

RGB 243 115 73

HSL 14.82, 0.88%, 0.62%

LAB 63.17, 46.38, 45.95

 

CMYK 71 / 0 / 53 / 5

HEX #47F373

RGB 71 243 115

HSL 135.35, 0.88%, 0.62%

LAB 85.34, -69.3, 48.92

 

CMYK 70 / 31 / 0 / 5

HEX #49A7F3

RGB 73 167 243

HSL 206.82, 0.88%, 0.62%

LAB 66.16, -3.61, -46

 

CMYK 0 / 70 / 17 / 5

HEX #F349C9

RGB 243 73 201

HSL 314.82, 0.88%, 0.62%

LAB 59.92, 76.07, -31.26

 

CMYK 0 / 38 / 70 / 5

HEX #F39649

RGB 243 150 73

HSL 27.18, 0.88%, 0.62%

LAB 70.42, 28.61, 53.92

 

CMYK 71 / 0 / 53 / 5

HEX #47F373

RGB 71 243 115

HSL 135.35, 0.88%, 0.62%

LAB 85.34, -69.3, 48.92

 

CMYK 70 / 53 / 0 / 5

HEX #4973F3

RGB 73 115 243

HSL 225.18, 0.88%, 0.62%

LAB 52.01, 27.47, -68.59

 

CMYK 0 / 70 / 17 / 5

HEX #F349C9

RGB 243 73 201

HSL 314.82, 0.88%, 0.62%

LAB 59.92, 76.07, -31.26

 

CMYK 0 / 17 / 70 / 5

HEX #F3C949

RGB 243 201 73

HSL 45.18, 0.88%, 0.62%

LAB 82.54, 1.88, 66.55

 

Description

Color code: HEX #47F373 | qconv.com Color code: HEX #47F373 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 243 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 243 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 53 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 53% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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