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Color name
HEX #47EB2C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47EB2C it is the complementary color #B814D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47EB2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47EB2C shade: #4CEB27, #5DFD3A, #6EFF4D, #7FFF60 and #90FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47EB2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47EB2C shade: #47EB2C, #36D919, #25C706, #14B500 and #03A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47EB2C shade: #48EB2D, #7BEB2D, #AFEB2D, #E2EB2D and #EBC22D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47EB2C shade: #48EB2D, #2DEB45, #2DEB79, #2DEBAC and #2DEBE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47EB2C shade matches the following richer shades: #48EB2D and #3BFE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47EB2C shade: #48EB2D, #55D940, #63C652, #70B465 and #7DA177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47EB2C shade: #AFEB2D, #7CEB2D, #4AEB2D, #2DEB43 and #2DEB76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47EB2C shade: #28B511, #30DB14, #48EB2D, #69EF53 and #8AF379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47EB2C shade: #47EB2C, #2DE2EB and #EB2D96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47EB2C shade: #47EB2C, #2D4AEB and #EB2D4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47EB2C shade: #47EB2C, #2DE2EB, #CF2DEB and #EB372D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47EB2C shade: #47EB2C, #2DA9EB, #CF2DEB and #EB702D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 81 / 8

HEX #47EB2C

RGB 71 235 44

HSL 111.52, 0.83%, 0.55%

LAB 82.35, -73.33, 72.57

 

Complementary color

CMYK 13 / 91 / 0 / 17

HEX #B814D3

RGB 184 20 211

HSL 291.52, 0.83%, 0.45%

LAB 46.17, 79.05, -59.4

 

CMYK 68 / 0 / 83 / 8

HEX #4CEB27

RGB 76 235 39

HSL 108.67, 0.83%, 0.54%

LAB 82.43, -72.66, 73.9

 

CMYK 63 / 0 / 77 / 1

HEX #5DFD3A

RGB 93 253 58

HSL 109.23, 0.98%, 0.61%

LAB 88.39, -74.02, 74.58

 

CMYK 57 / 0 / 70 / 0

HEX #6EFF4D

RGB 110 255 77

HSL 108.88, 1%, 0.65%

LAB 89.57, -69.62, 69.71

 

CMYK 50 / 0 / 62 / 0

HEX #7FFF60

RGB 127 255 96

HSL 108.3, 1%, 0.69%

LAB 90.26, -63.71, 63.34

 

CMYK 44 / 0 / 55 / 0

HEX #90FF73

RGB 144 255 115

HSL 107.57, 1%, 0.73%

LAB 91.09, -57.02, 56.33

 

CMYK 70 / 0 / 81 / 8

HEX #47EB2C

RGB 71 235 44

HSL 111.52, 0.83%, 0.55%

LAB 82.35, -73.33, 72.57

 

CMYK 75 / 0 / 88 / 15

HEX #36D919

RGB 54 217 25

HSL 110.94, 0.79%, 0.47%

LAB 76.36, -71.43, 71.27

 

CMYK 81 / 0 / 97 / 22

HEX #25C706

RGB 37 199 6

HSL 110.36, 0.94%, 0.4%

LAB 70.35, -68.89, 68.7

 

CMYK 89 / 0 / 100 / 29

HEX #14B500

RGB 20 181 0

HSL 113.37, 1%, 0.35%

LAB 64.32, -65.53, 64.45

 

CMYK 98 / 0 / 100 / 36

HEX #03A300

RGB 3 163 0

HSL 118.9, 1%, 0.32%

LAB 58.24, -61.5, 59.54

 

CMYK 69 / 0 / 81 / 8

HEX #48EB2D

RGB 72 235 45

HSL 111.47, 0.83%, 0.55%

LAB 82.37, -73.1, 72.34

 

CMYK 48 / 0 / 81 / 8

HEX #7BEB2D

RGB 123 235 45

HSL 95.37, 0.83%, 0.55%

LAB 83.87, -61.01, 74.27

 

CMYK 26 / 0 / 81 / 8

HEX #AFEB2D

RGB 175 235 45

HSL 78.95, 0.83%, 0.55%

LAB 86.37, -43.44, 77.45

 

CMYK 4 / 0 / 81 / 8

HEX #E2EB2D

RGB 226 235 45

HSL 62.84, 0.83%, 0.55%

LAB 89.75, -23.27, 81.72

 

CMYK 0 / 17 / 81 / 8

HEX #EBC22D

RGB 235 194 45

HSL 47.05, 0.83%, 0.55%

LAB 79.86, 0.99, 73.48

 

CMYK 69 / 0 / 81 / 8

HEX #48EB2D

RGB 72 235 45

HSL 111.47, 0.83%, 0.55%

LAB 82.37, -73.1, 72.34

 

CMYK 81 / 0 / 71 / 8

HEX #2DEB45

RGB 45 235 69

HSL 127.58, 0.83%, 0.55%

LAB 82.06, -75.32, 64.39

 

CMYK 81 / 0 / 49 / 8

HEX #2DEB79

RGB 45 235 121

HSL 144, 0.83%, 0.55%

LAB 82.57, -69.09, 42.57

 

CMYK 81 / 0 / 27 / 8

HEX #2DEBAC

RGB 45 235 172

HSL 160.11, 0.83%, 0.55%

LAB 83.42, -59.42, 17.97

 

CMYK 81 / 0 / 5 / 8

HEX #2DEBE0

RGB 45 235 224

HSL 176.53, 0.83%, 0.55%

LAB 84.67, -46.4, -7.51

 

CMYK 69 / 0 / 81 / 8

HEX #48EB2D

RGB 72 235 45

HSL 111.47, 0.83%, 0.55%

LAB 82.37, -73.1, 72.34

 

CMYK 77 / 0 / 90 / 0

HEX #3BFE1A

RGB 59 254 26

HSL 111.32, 0.99%, 0.55%

LAB 87.91, -81.41, 80.98

 

CMYK 69 / 0 / 81 / 8

HEX #48EB2D

RGB 72 235 45

HSL 111.47, 0.83%, 0.55%

LAB 82.37, -73.1, 72.34

 

CMYK 61 / 0 / 71 / 15

HEX #55D940

RGB 85 217 64

HSL 111.76, 0.67%, 0.55%

LAB 77.24, -63.41, 61.47

 

CMYK 50 / 0 / 59 / 22

HEX #63C652

RGB 99 198 82

HSL 111.21, 0.5%, 0.55%

LAB 71.99, -51.16, 48.44

 

CMYK 38 / 0 / 44 / 29

HEX #70B465

RGB 112 180 101

HSL 111.65, 0.34%, 0.55%

LAB 67.3, -37.18, 33.6

 

CMYK 22 / 0 / 26 / 37

HEX #7DA177

RGB 125 161 119

HSL 111.43, 0.18%, 0.55%

LAB 62.66, -20.71, 17.95

 

CMYK 26 / 0 / 81 / 8

HEX #AFEB2D

RGB 175 235 45

HSL 78.95, 0.83%, 0.55%

LAB 86.37, -43.44, 77.45

 

CMYK 47 / 0 / 81 / 8

HEX #7CEB2D

RGB 124 235 45

HSL 95.05, 0.83%, 0.55%

LAB 83.91, -60.71, 74.32

 

CMYK 69 / 0 / 81 / 8

HEX #4AEB2D

RGB 74 235 45

HSL 110.84, 0.83%, 0.55%

LAB 82.41, -72.75, 72.4

 

CMYK 81 / 0 / 71 / 8

HEX #2DEB43

RGB 45 235 67

HSL 126.95, 0.83%, 0.55%

LAB 82.04, -75.48, 65.09

 

CMYK 81 / 0 / 50 / 8

HEX #2DEB76

RGB 45 235 118

HSL 143.05, 0.83%, 0.55%

LAB 82.53, -69.55, 43.96

 

CMYK 78 / 0 / 91 / 29

HEX #28B511

RGB 40 181 17

HSL 111.59, 0.83%, 0.39%

LAB 64.6, -62.94, 62.51

 

CMYK 78 / 0 / 91 / 14

HEX #30DB14

RGB 48 219 20

HSL 111.56, 0.83%, 0.47%

LAB 76.89, -73, 72.49

 

CMYK 69 / 0 / 81 / 8

HEX #48EB2D

RGB 72 235 45

HSL 111.47, 0.83%, 0.55%

LAB 82.37, -73.1, 72.34

 

CMYK 56 / 0 / 65 / 6

HEX #69EF53

RGB 105 239 83

HSL 111.54, 0.83%, 0.63%

LAB 84.67, -64.76, 62.23

 

CMYK 43 / 0 / 50 / 5

HEX #8AF379

RGB 138 243 121

HSL 111.64, 0.84%, 0.71%

LAB 87.43, -53.3, 49.13

 

CMYK 70 / 0 / 81 / 8

HEX #47EB2C

RGB 71 235 44

HSL 111.52, 0.83%, 0.55%

LAB 82.35, -73.33, 72.57

 

CMYK 81 / 4 / 0 / 8

HEX #2DE2EB

RGB 45 226 235

HSL 182.84, 0.83%, 0.55%

LAB 82.35, -39.28, -16.78

 

CMYK 0 / 81 / 36 / 8

HEX #EB2D96

RGB 235 45 150

HSL 326.84, 0.83%, 0.55%

LAB 53.75, 76.23, -11.18

 

CMYK 70 / 0 / 81 / 8

HEX #47EB2C

RGB 71 235 44

HSL 111.52, 0.83%, 0.55%

LAB 82.35, -73.33, 72.57

 

CMYK 81 / 69 / 0 / 8

HEX #2D4AEB

RGB 45 74 235

HSL 230.84, 0.83%, 0.55%

LAB 40.33, 47.08, -83.22

 

CMYK 0 / 81 / 69 / 8

HEX #EB2D4A

RGB 235 45 74

HSL 350.84, 0.83%, 0.55%

LAB 51.87, 70.65, 31.8

 

CMYK 70 / 0 / 81 / 8

HEX #47EB2C

RGB 71 235 44

HSL 111.52, 0.83%, 0.55%

LAB 82.35, -73.33, 72.57

 

CMYK 81 / 4 / 0 / 8

HEX #2DE2EB

RGB 45 226 235

HSL 182.84, 0.83%, 0.55%

LAB 82.35, -39.28, -16.78

 

CMYK 12 / 81 / 0 / 8

HEX #CF2DEB

RGB 207 45 235

HSL 291.16, 0.83%, 0.55%

LAB 53.1, 81.97, -61.69

 

CMYK 0 / 77 / 81 / 8

HEX #EB372D

RGB 235 55 45

HSL 3.16, 0.83%, 0.55%

LAB 52.49, 66.88, 48.67

 

CMYK 70 / 0 / 81 / 8

HEX #47EB2C

RGB 71 235 44

HSL 111.52, 0.83%, 0.55%

LAB 82.35, -73.33, 72.57

 

CMYK 81 / 28 / 0 / 8

HEX #2DA9EB

RGB 45 169 235

HSL 200.84, 0.83%, 0.55%

LAB 65.7, -10.7, -42.39

 

CMYK 12 / 81 / 0 / 8

HEX #CF2DEB

RGB 207 45 235

HSL 291.16, 0.83%, 0.55%

LAB 53.1, 81.97, -61.69

 

CMYK 0 / 52 / 81 / 8

HEX #EB702D

RGB 235 112 45

HSL 21.16, 0.83%, 0.55%

LAB 61.17, 43.72, 56.82

 

Description

Color code: HEX #47EB2C | qconv.com Color code: HEX #47EB2C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 235 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 235 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 81 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 81% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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