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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47E78C it is the complementary color #B81873. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47E78C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47E78C shade: #4CE787, #5DF99A, #6EFFAD, #7FFFC0 and #90FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47E78C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47E78C shade: #47E78C, #36D579, #25C366, #14B153 and #039F40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47E78C shade: #46E78B, #46E760, #57E746, #83E746 and #AEE746

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47E78C shade: #46E78B, #46E7B7, #46E7E2, #46C0E7 and #4695E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47E78C shade matches the following richer shades: #46E78B and #35F889

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47E78C shade: #46E78B, #57D68E, #68C590, #79B492 and #8AA395

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47E78C shade: #59E746, #46E75E, #46E789, #46E7B4 and #46E7DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47E78C shade: #19C162, #21E275, #46E78B, #6AECA2 and #8FF0B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47E78C shade: #47E78C, #4684E7 and #E74946

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47E78C shade: #47E78C, #8946E7 and #E78946

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47E78C shade: #47E78C, #4684E7, #E746A4 and #E7A946

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47E78C shade: #47E78C, #4653E7, #E746A4 and #E7DA46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 39 / 9

HEX #47E78C

RGB 71 231 140

HSL 145.88, 0.77%, 0.59%

LAB 82.05, -61.16, 32.6

 

Complementary color

CMYK 0 / 87 / 38 / 28

HEX #B81873

RGB 184 24 115

HSL 325.88, 0.77%, 0.41%

LAB 41.35, 65.25, -9.51

 

CMYK 67 / 0 / 42 / 9

HEX #4CE787

RGB 76 231 135

HSL 142.84, 0.76%, 0.6%

LAB 82.08, -61.21, 35.17

 

CMYK 63 / 0 / 38 / 2

HEX #5DF99A

RGB 93 249 154

HSL 143.46, 0.93%, 0.67%

LAB 88.17, -61.55, 33.76

 

CMYK 57 / 0 / 32 / 0

HEX #6EFFAD

RGB 110 255 173

HSL 146.07, 1%, 0.72%

LAB 90.71, -57.06, 27.72

 

CMYK 50 / 0 / 25 / 0

HEX #7FFFC0

RGB 127 255 192

HSL 150.47, 1%, 0.75%

LAB 91.61, -49.66, 19.38

 

CMYK 44 / 0 / 17 / 0

HEX #90FFD3

RGB 144 255 211

HSL 156.22, 1%, 0.78%

LAB 92.64, -41.72, 11.18

 

CMYK 69 / 0 / 39 / 9

HEX #47E78C

RGB 71 231 140

HSL 145.88, 0.77%, 0.59%

LAB 82.05, -61.16, 32.6

 

CMYK 75 / 0 / 43 / 16

HEX #36D579

RGB 54 213 121

HSL 145.28, 0.65%, 0.52%

LAB 75.92, -60.49, 34.12

 

CMYK 81 / 0 / 48 / 24

HEX #25C366

RGB 37 195 102

HSL 144.68, 0.68%, 0.45%

LAB 69.74, -59.47, 35.74

 

CMYK 89 / 0 / 53 / 31

HEX #14B153

RGB 20 177 83

HSL 144.08, 0.8%, 0.39%

LAB 63.52, -57.93, 37.44

 

CMYK 98 / 0 / 60 / 38

HEX #039F40

RGB 3 159 64

HSL 143.46, 0.96%, 0.32%

LAB 57.26, -55.78, 39.16

 

CMYK 70 / 0 / 40 / 9

HEX #46E78B

RGB 70 231 139

HSL 145.71, 0.77%, 0.59%

LAB 82.01, -61.5, 33.05

 

CMYK 70 / 0 / 58 / 9

HEX #46E760

RGB 70 231 96

HSL 129.69, 0.77%, 0.59%

LAB 81.46, -67.89, 52.91

 

CMYK 62 / 0 / 70 / 9

HEX #57E746

RGB 87 231 70

HSL 113.66, 0.77%, 0.59%

LAB 81.63, -67.24, 63.83

 

CMYK 43 / 0 / 70 / 9

HEX #83E746

RGB 131 231 70

HSL 97.27, 0.77%, 0.59%

LAB 83.14, -55.63, 65.86

 

CMYK 25 / 0 / 70 / 9

HEX #AEE746

RGB 174 231 70

HSL 81.24, 0.77%, 0.59%

LAB 85.3, -40.86, 68.75

 

CMYK 70 / 0 / 40 / 9

HEX #46E78B

RGB 70 231 139

HSL 145.71, 0.77%, 0.59%

LAB 82.01, -61.5, 33.05

 

CMYK 70 / 0 / 21 / 9

HEX #46E7B7

RGB 70 231 183

HSL 162.11, 0.77%, 0.59%

LAB 82.85, -52.46, 11.48

 

CMYK 70 / 0 / 2 / 9

HEX #46E7E2

RGB 70 231 226

HSL 178.14, 0.77%, 0.59%

LAB 83.94, -41.56, -9.61

 

CMYK 70 / 17 / 0 / 9

HEX #46C0E7

RGB 70 192 231

HSL 194.53, 0.77%, 0.59%

LAB 72.74, -21.41, -29.22

 

CMYK 70 / 35 / 0 / 9

HEX #4695E7

RGB 70 149 231

HSL 210.56, 0.77%, 0.59%

LAB 60.4, 2.19, -48.49

 

CMYK 70 / 0 / 40 / 9

HEX #46E78B

RGB 70 231 139

HSL 145.71, 0.77%, 0.59%

LAB 82.01, -61.5, 33.05

 

CMYK 79 / 0 / 45 / 3

HEX #35F889

RGB 53 248 137

HSL 145.85, 0.93%, 0.59%

LAB 86.85, -70.03, 40.27

 

CMYK 70 / 0 / 40 / 9

HEX #46E78B

RGB 70 231 139

HSL 145.71, 0.77%, 0.59%

LAB 82.01, -61.5, 33.05

 

CMYK 59 / 0 / 34 / 16

HEX #57D68E

RGB 87 214 142

HSL 145.98, 0.61%, 0.59%

LAB 77.32, -51.34, 25.34

 

CMYK 47 / 0 / 27 / 23

HEX #68C590

RGB 104 197 144

HSL 145.81, 0.44%, 0.59%

LAB 72.82, -39.75, 18.21

 

CMYK 33 / 0 / 19 / 29

HEX #79B492

RGB 121 180 146

HSL 145.42, 0.28%, 0.59%

LAB 68.59, -26.5, 11.33

 

CMYK 15 / 0 / 9 / 36

HEX #8AA395

RGB 138 163 149

HSL 146.4, 0.12%, 0.59%

LAB 64.78, -11.56, 4.36

 

CMYK 61 / 0 / 70 / 9

HEX #59E746

RGB 89 231 70

HSL 112.92, 0.77%, 0.59%

LAB 81.68, -66.81, 63.9

 

CMYK 70 / 0 / 59 / 9

HEX #46E75E

RGB 70 231 94

HSL 128.94, 0.77%, 0.59%

LAB 81.44, -68.13, 53.77

 

CMYK 70 / 0 / 41 / 9

HEX #46E789

RGB 70 231 137

HSL 144.97, 0.77%, 0.59%

LAB 81.98, -61.85, 34.02

 

CMYK 70 / 0 / 22 / 9

HEX #46E7B4

RGB 70 231 180

HSL 160.99, 0.77%, 0.59%

LAB 82.78, -53.15, 12.96

 

CMYK 70 / 0 / 3 / 9

HEX #46E7DF

RGB 70 231 223

HSL 177.02, 0.77%, 0.59%

LAB 83.85, -42.38, -8.15

 

CMYK 87 / 0 / 49 / 24

HEX #19C162

RGB 25 193 98

HSL 146.07, 0.77%, 0.43%

LAB 68.92, -60.54, 36.67

 

CMYK 85 / 0 / 48 / 11

HEX #21E275

RGB 33 226 117

HSL 146.11, 0.77%, 0.51%

LAB 79.61, -67.83, 40.77

 

CMYK 70 / 0 / 40 / 9

HEX #46E78B

RGB 70 231 139

HSL 145.71, 0.77%, 0.59%

LAB 82.01, -61.5, 33.05

 

CMYK 55 / 0 / 31 / 7

HEX #6AECA2

RGB 106 236 162

HSL 145.85, 0.77%, 0.67%

LAB 84.82, -52.36, 25.28

 

CMYK 40 / 0 / 23 / 6

HEX #8FF0B9

RGB 143 240 185

HSL 145.98, 0.76%, 0.75%

LAB 87.81, -40.49, 17.76

 

CMYK 69 / 0 / 39 / 9

HEX #47E78C

RGB 71 231 140

HSL 145.88, 0.77%, 0.59%

LAB 82.05, -61.16, 32.6

 

CMYK 70 / 43 / 0 / 9

HEX #4684E7

RGB 70 132 231

HSL 216.89, 0.77%, 0.59%

LAB 55.66, 12.34, -56.03

 

CMYK 0 / 68 / 70 / 9

HEX #E74946

RGB 231 73 70

HSL 1.12, 0.77%, 0.59%

LAB 54.23, 60.51, 36.78

 

CMYK 69 / 0 / 39 / 9

HEX #47E78C

RGB 71 231 140

HSL 145.88, 0.77%, 0.59%

LAB 82.05, -61.16, 32.6

 

CMYK 41 / 70 / 0 / 9

HEX #8946E7

RGB 137 70 231

HSL 264.97, 0.77%, 0.59%

LAB 46.27, 60, -70.95

 

CMYK 0 / 41 / 70 / 9

HEX #E78946

RGB 231 137 70

HSL 24.97, 0.77%, 0.59%

LAB 66, 30.41, 50.11

 

CMYK 69 / 0 / 39 / 9

HEX #47E78C

RGB 71 231 140

HSL 145.88, 0.77%, 0.59%

LAB 82.05, -61.16, 32.6

 

CMYK 70 / 43 / 0 / 9

HEX #4684E7

RGB 70 132 231

HSL 216.89, 0.77%, 0.59%

LAB 55.66, 12.34, -56.03

 

CMYK 0 / 70 / 29 / 9

HEX #E746A4

RGB 231 70 164

HSL 324.97, 0.77%, 0.59%

LAB 56.14, 69.43, -15.89

 

CMYK 0 / 27 / 70 / 9

HEX #E7A946

RGB 231 169 70

HSL 36.89, 0.77%, 0.59%

LAB 73.42, 13.43, 58.04

 

CMYK 69 / 0 / 39 / 9

HEX #47E78C

RGB 71 231 140

HSL 145.88, 0.77%, 0.59%

LAB 82.05, -61.16, 32.6

 

CMYK 70 / 64 / 0 / 9

HEX #4653E7

RGB 70 83 231

HSL 235.16, 0.77%, 0.59%

LAB 43.15, 42.65, -76.28

 

CMYK 0 / 70 / 29 / 9

HEX #E746A4

RGB 231 70 164

HSL 324.97, 0.77%, 0.59%

LAB 56.14, 69.43, -15.89

 

CMYK 0 / 6 / 70 / 9

HEX #E7DA46

RGB 231 218 70

HSL 55.16, 0.77%, 0.59%

LAB 85.79, -11.92, 70.58

 

Description

Color code: HEX #47E78C | qconv.com Color code: HEX #47E78C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 231 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 231 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 39 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 39% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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