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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47E74D it is the complementary color #B818B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47E74D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47E74D shade: #4CE748, #5DF95B, #6EFF6E, #7FFF81 and #90FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47E74D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47E74D shade: #47E74D, #36D53A, #25C327, #14B114 and #039F01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47E74D shade: #46E74C, #6BE746, #97E746, #C2E746 and #E7E046

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47E74D shade: #46E74C, #46E777, #46E7A3, #46E7CE and #46D4E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47E74D shade matches the following richer shades: #46E74C and #35F83C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47E74D shade: #46E74C, #57D65C, #68C56B, #79B47B and #8AA38B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47E74D shade: #96E746, #6CE746, #46E74B, #46E776 and #46E7A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47E74D shade: #19C11F, #21E229, #46E74C, #6AEC6F and #8FF093

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47E74D shade: #47E74D, #46C1E7 and #E74681

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47E74D shade: #47E74D, #4B46E7 and #E74B46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47E74D shade: #47E74D, #46C1E7, #E746E2 and #E76C46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47E74D shade: #47E74D, #4691E7, #E746E2 and #E79C46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 67 / 9

HEX #47E74D

RGB 71 231 77

HSL 122.25, 0.77%, 0.59%

LAB 81.31, -69.74, 60.71

 

Complementary color

CMYK 0 / 87 / 3 / 28

HEX #B818B2

RGB 184 24 178

HSL 302.25, 0.77%, 0.41%

LAB 44.32, 73.22, -43.14

 

CMYK 67 / 0 / 69 / 9

HEX #4CE748

RGB 76 231 72

HSL 118.49, 0.77%, 0.59%

LAB 81.38, -69.28, 62.74

 

CMYK 63 / 0 / 63 / 2

HEX #5DF95B

RGB 93 249 91

HSL 119.24, 0.93%, 0.67%

LAB 87.4, -70.15, 61.92

 

CMYK 57 / 0 / 57 / 0

HEX #6EFF6E

RGB 110 255 110

HSL 120, 1%, 0.72%

LAB 89.84, -66.5, 56.77

 

CMYK 50 / 0 / 49 / 0

HEX #7FFF81

RGB 127 255 129

HSL 120.94, 1%, 0.75%

LAB 90.6, -60.02, 49.19

 

CMYK 44 / 0 / 42 / 0

HEX #90FF94

RGB 144 255 148

HSL 122.16, 1%, 0.78%

LAB 91.5, -52.84, 41.38

 

CMYK 69 / 0 / 67 / 9

HEX #47E74D

RGB 71 231 77

HSL 122.25, 0.77%, 0.59%

LAB 81.31, -69.74, 60.71

 

CMYK 75 / 0 / 73 / 16

HEX #36D53A

RGB 54 213 58

HSL 121.51, 0.65%, 0.52%

LAB 75.25, -68.42, 61.37

 

CMYK 81 / 0 / 80 / 24

HEX #25C327

RGB 37 195 39

HSL 120.76, 0.68%, 0.45%

LAB 69.16, -66.52, 61.46

 

CMYK 89 / 0 / 89 / 31

HEX #14B114

RGB 20 177 20

HSL 120, 0.8%, 0.39%

LAB 63.05, -63.86, 60.52

 

CMYK 98 / 0 / 99 / 38

HEX #039F01

RGB 3 159 1

HSL 119.24, 0.99%, 0.31%

LAB 56.9, -60.34, 58.31

 

CMYK 70 / 0 / 67 / 9

HEX #46E74C

RGB 70 231 76

HSL 122.24, 0.77%, 0.59%

LAB 81.28, -70, 61.07

 

CMYK 54 / 0 / 70 / 9

HEX #6BE746

RGB 107 231 70

HSL 106.21, 0.77%, 0.59%

LAB 82.23, -62.49, 64.64

 

CMYK 35 / 0 / 70 / 9

HEX #97E746

RGB 151 231 70

HSL 89.81, 0.77%, 0.59%

LAB 84.06, -49.1, 67.09

 

CMYK 16 / 0 / 70 / 9

HEX #C2E746

RGB 194 231 70

HSL 73.79, 0.77%, 0.59%

LAB 86.54, -33.21, 70.4

 

CMYK 0 / 3 / 70 / 9

HEX #E7E046

RGB 231 224 70

HSL 57.39, 0.77%, 0.59%

LAB 87.36, -14.9, 72.12

 

CMYK 70 / 0 / 67 / 9

HEX #46E74C

RGB 70 231 76

HSL 122.24, 0.77%, 0.59%

LAB 81.28, -70, 61.07

 

CMYK 70 / 0 / 48 / 9

HEX #46E777

RGB 70 231 119

HSL 138.26, 0.77%, 0.59%

LAB 81.72, -64.78, 42.56

 

CMYK 70 / 0 / 29 / 9

HEX #46E7A3

RGB 70 231 163

HSL 154.66, 0.77%, 0.59%

LAB 82.43, -56.86, 21.34

 

CMYK 70 / 0 / 11 / 9

HEX #46E7CE

RGB 70 231 206

HSL 170.68, 0.77%, 0.59%

LAB 83.4, -46.86, 0.16

 

CMYK 70 / 8 / 0 / 9

HEX #46D4E7

RGB 70 212 231

HSL 187.08, 0.77%, 0.59%

LAB 78.55, -31.33, -20.35

 

CMYK 70 / 0 / 67 / 9

HEX #46E74C

RGB 70 231 76

HSL 122.24, 0.77%, 0.59%

LAB 81.28, -70, 61.07

 

CMYK 79 / 0 / 76 / 3

HEX #35F83C

RGB 53 248 60

HSL 122.15, 0.93%, 0.59%

LAB 86.12, -78.89, 71.51

 

CMYK 70 / 0 / 67 / 9

HEX #46E74C

RGB 70 231 76

HSL 122.24, 0.77%, 0.59%

LAB 81.28, -70, 61.07

 

CMYK 59 / 0 / 57 / 16

HEX #57D65C

RGB 87 214 92

HSL 122.36, 0.61%, 0.59%

LAB 76.61, -59.11, 49.16

 

CMYK 47 / 0 / 46 / 23

HEX #68C56B

RGB 104 197 107

HSL 121.94, 0.44%, 0.59%

LAB 72.19, -46.12, 36.68

 

CMYK 33 / 0 / 32 / 29

HEX #79B47B

RGB 121 180 123

HSL 122.03, 0.28%, 0.59%

LAB 68.12, -30.77, 23.17

 

CMYK 15 / 0 / 15 / 36

HEX #8AA38B

RGB 138 163 139

HSL 122.4, 0.12%, 0.59%

LAB 64.53, -13.49, 9.59

 

CMYK 35 / 0 / 70 / 9

HEX #96E746

RGB 150 231 70

HSL 90.19, 0.77%, 0.59%

LAB 84.01, -49.44, 67.03

 

CMYK 53 / 0 / 70 / 9

HEX #6CE746

RGB 108 231 70

HSL 105.84, 0.77%, 0.59%

LAB 82.26, -62.23, 64.68

 

CMYK 70 / 0 / 68 / 9

HEX #46E74B

RGB 70 231 75

HSL 121.86, 0.77%, 0.59%

LAB 81.27, -70.09, 61.44

 

CMYK 70 / 0 / 49 / 9

HEX #46E776

RGB 70 231 118

HSL 137.89, 0.77%, 0.59%

LAB 81.71, -64.93, 43.03

 

CMYK 70 / 0 / 30 / 9

HEX #46E7A1

RGB 70 231 161

HSL 153.91, 0.77%, 0.59%

LAB 82.39, -57.28, 22.32

 

CMYK 87 / 0 / 84 / 24

HEX #19C11F

RGB 25 193 31

HSL 122.14, 0.77%, 0.43%

LAB 68.35, -67.58, 62.8

 

CMYK 85 / 0 / 82 / 11

HEX #21E229

RGB 33 226 41

HSL 122.49, 0.77%, 0.51%

LAB 78.97, -75.78, 70.03

 

CMYK 70 / 0 / 67 / 9

HEX #46E74C

RGB 70 231 76

HSL 122.24, 0.77%, 0.59%

LAB 81.28, -70, 61.07

 

CMYK 55 / 0 / 53 / 7

HEX #6AEC6F

RGB 106 236 111

HSL 122.31, 0.77%, 0.67%

LAB 84.07, -60.4, 49.44

 

CMYK 40 / 0 / 39 / 6

HEX #8FF093

RGB 143 240 147

HSL 122.47, 0.76%, 0.75%

LAB 87.13, -47.02, 36.2

 

CMYK 69 / 0 / 67 / 9

HEX #47E74D

RGB 71 231 77

HSL 122.25, 0.77%, 0.59%

LAB 81.31, -69.74, 60.71

 

CMYK 70 / 16 / 0 / 9

HEX #46C1E7

RGB 70 193 231

HSL 194.16, 0.77%, 0.59%

LAB 73.03, -21.93, -28.78

 

CMYK 0 / 70 / 44 / 9

HEX #E74681

RGB 231 70 129

HSL 338.01, 0.77%, 0.59%

LAB 55.03, 65.74, 3.11

 

CMYK 69 / 0 / 67 / 9

HEX #47E74D

RGB 71 231 77

HSL 122.25, 0.77%, 0.59%

LAB 81.31, -69.74, 60.71

 

CMYK 68 / 70 / 0 / 9

HEX #4B46E7

RGB 75 70 231

HSL 241.86, 0.77%, 0.59%

LAB 40.65, 50.8, -80.38

 

CMYK 0 / 68 / 70 / 9

HEX #E74B46

RGB 231 75 70

HSL 1.86, 0.77%, 0.59%

LAB 54.52, 59.74, 37.11

 

CMYK 69 / 0 / 67 / 9

HEX #47E74D

RGB 71 231 77

HSL 122.25, 0.77%, 0.59%

LAB 81.31, -69.74, 60.71

 

CMYK 70 / 16 / 0 / 9

HEX #46C1E7

RGB 70 193 231

HSL 194.16, 0.77%, 0.59%

LAB 73.03, -21.93, -28.78

 

CMYK 0 / 70 / 2 / 9

HEX #E746E2

RGB 231 70 226

HSL 301.86, 0.77%, 0.59%

LAB 58.84, 77.96, -47.24

 

CMYK 0 / 53 / 70 / 9

HEX #E76C46

RGB 231 108 70

HSL 14.16, 0.77%, 0.59%

LAB 60.03, 45.17, 43.48

 

CMYK 69 / 0 / 67 / 9

HEX #47E74D

RGB 71 231 77

HSL 122.25, 0.77%, 0.59%

LAB 81.31, -69.74, 60.71

 

CMYK 70 / 37 / 0 / 9

HEX #4691E7

RGB 70 145 231

HSL 212.05, 0.77%, 0.59%

LAB 59.27, 4.54, -50.28

 

CMYK 0 / 70 / 2 / 9

HEX #E746E2

RGB 231 70 226

HSL 301.86, 0.77%, 0.59%

LAB 58.84, 77.96, -47.24

 

CMYK 0 / 32 / 70 / 9

HEX #E79C46

RGB 231 156 70

HSL 32.05, 0.77%, 0.59%

LAB 70.32, 20.34, 54.77

 

Description

Color code: HEX #47E74D | qconv.com Color code: HEX #47E74D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 231 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 231 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 67 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 67% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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