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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47E487 it is the complementary color #B81B78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47E487. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47E487 shade: #4CE482, #5DF695, #6EFFA8, #7FFFBB and #90FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47E487. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47E487 shade: #47E487, #36D274, #25C061, #14AE4E and #039C3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47E487 shade: #49E488, #49E45E, #5DE449, #87E449 and #B1E449

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47E487 shade: #49E488, #49E4B2, #49E4DC, #49C2E4 and #4999E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47E487 shade matches the following richer shades: #49E488 and #38F585

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47E487 shade: #49E488, #5AD38B, #6BC28E, #7CB192 and #8DA095

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47E487 shade: #5EE449, #49E45E, #49E487, #49E4B0 and #49E4DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47E487 shade: #1CBE5E, #25DE71, #49E488, #6DE9A0 and #91EFB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47E487 shade: #47E487, #4987E4 and #E44949

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47E487 shade: #47E487, #8749E4 and #E48749

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47E487 shade: #47E487, #4987E4, #E449A6 and #E4A649

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47E487 shade: #47E487, #4959E4, #E449A6 and #E4D449

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 41 / 11

HEX #47E487

RGB 71 228 135

HSL 144.46, 0.74%, 0.59%

LAB 81.06, -60.95, 33.82

 

Complementary color

CMYK 0 / 85 / 35 / 28

HEX #B81B78

RGB 184 27 120

HSL 324.46, 0.74%, 0.41%

LAB 41.74, 65.18, -12.04

 

CMYK 67 / 0 / 43 / 11

HEX #4CE482

RGB 76 228 130

HSL 141.32, 0.74%, 0.6%

LAB 81.09, -60.96, 36.39

 

CMYK 62 / 0 / 39 / 4

HEX #5DF695

RGB 93 246 149

HSL 141.96, 0.89%, 0.66%

LAB 87.2, -61.29, 34.97

 

CMYK 57 / 0 / 34 / 0

HEX #6EFFA8

RGB 110 255 168

HSL 144, 1%, 0.72%

LAB 90.63, -57.97, 30.12

 

CMYK 50 / 0 / 27 / 0

HEX #7FFFBB

RGB 127 255 187

HSL 148.13, 1%, 0.75%

LAB 91.51, -50.64, 21.8

 

CMYK 44 / 0 / 19 / 0

HEX #90FFCE

RGB 144 255 206

HSL 153.51, 1%, 0.78%

LAB 92.53, -42.74, 13.59

 

CMYK 69 / 0 / 41 / 11

HEX #47E487

RGB 71 228 135

HSL 144.46, 0.74%, 0.59%

LAB 81.06, -60.95, 33.82

 

CMYK 74 / 0 / 45 / 18

HEX #36D274

RGB 54 210 116

HSL 143.85, 0.63%, 0.52%

LAB 74.91, -60.28, 35.34

 

CMYK 81 / 0 / 49 / 25

HEX #25C061

RGB 37 192 97

HSL 143.23, 0.68%, 0.45%

LAB 68.72, -59.25, 36.95

 

CMYK 89 / 0 / 55 / 32

HEX #14AE4E

RGB 20 174 78

HSL 142.6, 0.79%, 0.38%

LAB 62.48, -57.69, 38.63

 

CMYK 98 / 0 / 62 / 39

HEX #039C3B

RGB 3 156 59

HSL 141.96, 0.96%, 0.31%

LAB 56.2, -55.48, 40.29

 

CMYK 68 / 0 / 40 / 11

HEX #49E488

RGB 73 228 136

HSL 144.39, 0.74%, 0.59%

LAB 81.12, -60.44, 33.4

 

CMYK 68 / 0 / 59 / 11

HEX #49E45E

RGB 73 228 94

HSL 128.13, 0.74%, 0.59%

LAB 80.58, -66.61, 52.8

 

CMYK 59 / 0 / 68 / 11

HEX #5DE449

RGB 93 228 73

HSL 112.26, 0.74%, 0.59%

LAB 80.9, -64.64, 61.99

 

CMYK 41 / 0 / 68 / 11

HEX #87E449

RGB 135 228 73

HSL 96, 0.74%, 0.59%

LAB 82.44, -52.97, 64.08

 

CMYK 22 / 0 / 68 / 11

HEX #B1E449

RGB 177 228 73

HSL 79.74, 0.74%, 0.59%

LAB 84.65, -38.21, 67.05

 

CMYK 68 / 0 / 40 / 11

HEX #49E488

RGB 73 228 136

HSL 144.39, 0.74%, 0.59%

LAB 81.12, -60.44, 33.4

 

CMYK 68 / 0 / 22 / 11

HEX #49E4B2

RGB 73 228 178

HSL 160.65, 0.74%, 0.59%

LAB 81.9, -51.95, 12.77

 

CMYK 68 / 0 / 4 / 11

HEX #49E4DC

RGB 73 228 220

HSL 176.9, 0.74%, 0.59%

LAB 82.95, -41.46, -7.89

 

CMYK 68 / 15 / 0 / 11

HEX #49C2E4

RGB 73 194 228

HSL 193.16, 0.74%, 0.59%

LAB 73.29, -22.95, -26.76

 

CMYK 68 / 33 / 0 / 11

HEX #4999E4

RGB 73 153 228

HSL 209.03, 0.74%, 0.59%

LAB 61.48, -0.72, -45.11

 

CMYK 68 / 0 / 40 / 11

HEX #49E488

RGB 73 228 136

HSL 144.39, 0.74%, 0.59%

LAB 81.12, -60.44, 33.4

 

CMYK 77 / 0 / 46 / 4

HEX #38F585

RGB 56 245 133

HSL 144.44, 0.9%, 0.59%

LAB 85.93, -69.33, 41.05

 

CMYK 68 / 0 / 40 / 11

HEX #49E488

RGB 73 228 136

HSL 144.39, 0.74%, 0.59%

LAB 81.12, -60.44, 33.4

 

CMYK 57 / 0 / 34 / 17

HEX #5AD38B

RGB 90 211 139

HSL 144.3, 0.58%, 0.59%

LAB 76.45, -50.05, 25.74

 

CMYK 45 / 0 / 27 / 24

HEX #6BC28E

RGB 107 194 142

HSL 144.14, 0.42%, 0.59%

LAB 72, -37.99, 18.17

 

CMYK 30 / 0 / 18 / 31

HEX #7CB192

RGB 124 177 146

HSL 144.91, 0.25%, 0.59%

LAB 67.88, -24.07, 10.34

 

CMYK 12 / 0 / 7 / 37

HEX #8DA095

RGB 141 160 149

HSL 145.26, 0.09%, 0.59%

LAB 64.14, -8.9, 3.46

 

CMYK 59 / 0 / 68 / 11

HEX #5EE449

RGB 94 228 73

HSL 111.87, 0.74%, 0.59%

LAB 80.93, -64.4, 62.03

 

CMYK 68 / 0 / 59 / 11

HEX #49E45E

RGB 73 228 94

HSL 128.13, 0.74%, 0.59%

LAB 80.58, -66.61, 52.8

 

CMYK 68 / 0 / 41 / 11

HEX #49E487

RGB 73 228 135

HSL 144, 0.74%, 0.59%

LAB 81.1, -60.62, 33.88

 

CMYK 68 / 0 / 23 / 11

HEX #49E4B0

RGB 73 228 176

HSL 159.87, 0.74%, 0.59%

LAB 81.86, -52.41, 13.76

 

CMYK 68 / 0 / 4 / 11

HEX #49E4DA

RGB 73 228 218

HSL 176.13, 0.74%, 0.59%

LAB 82.89, -42, -6.92

 

CMYK 85 / 0 / 51 / 25

HEX #1CBE5E

RGB 28 190 94

HSL 144.44, 0.74%, 0.43%

LAB 67.93, -59.93, 37.44

 

CMYK 83 / 0 / 49 / 13

HEX #25DE71

RGB 37 222 113

HSL 144.65, 0.74%, 0.51%

LAB 78.36, -66.81, 41.15

 

CMYK 68 / 0 / 40 / 11

HEX #49E488

RGB 73 228 136

HSL 144.39, 0.74%, 0.59%

LAB 81.12, -60.44, 33.4

 

CMYK 53 / 0 / 31 / 9

HEX #6DE9A0

RGB 109 233 160

HSL 144.68, 0.74%, 0.67%

LAB 84, -50.83, 25.2

 

CMYK 39 / 0 / 23 / 6

HEX #91EFB7

RGB 145 239 183

HSL 144.26, 0.75%, 0.75%

LAB 87.57, -39.87, 18.47

 

CMYK 69 / 0 / 41 / 11

HEX #47E487

RGB 71 228 135

HSL 144.46, 0.74%, 0.59%

LAB 81.06, -60.95, 33.82

 

CMYK 68 / 41 / 0 / 11

HEX #4987E4

RGB 73 135 228

HSL 216, 0.74%, 0.59%

LAB 56.43, 9.91, -53.12

 

CMYK 0 / 68 / 68 / 11

HEX #E44949

RGB 228 73 73

HSL 0, 0.74%, 0.59%

LAB 53.75, 59.7, 34.37

 

CMYK 69 / 0 / 41 / 11

HEX #47E487

RGB 71 228 135

HSL 144.46, 0.74%, 0.59%

LAB 81.06, -60.95, 33.82

 

CMYK 41 / 68 / 0 / 11

HEX #8749E4

RGB 135 73 228

HSL 264, 0.74%, 0.59%

LAB 46.33, 57.45, -69.16

 

CMYK 0 / 41 / 68 / 11

HEX #E48749

RGB 228 135 73

HSL 24, 0.74%, 0.59%

LAB 65.2, 30.41, 47.66

 

CMYK 69 / 0 / 41 / 11

HEX #47E487

RGB 71 228 135

HSL 144.46, 0.74%, 0.59%

LAB 81.06, -60.95, 33.82

 

CMYK 68 / 41 / 0 / 11

HEX #4987E4

RGB 73 135 228

HSL 216, 0.74%, 0.59%

LAB 56.43, 9.91, -53.12

 

CMYK 0 / 68 / 27 / 11

HEX #E449A6

RGB 228 73 166

HSL 324, 0.74%, 0.59%

LAB 56.1, 67.81, -17.16

 

CMYK 0 / 27 / 68 / 11

HEX #E4A649

RGB 228 166 73

HSL 36, 0.74%, 0.59%

LAB 72.39, 13.91, 55.52

 

CMYK 69 / 0 / 41 / 11

HEX #47E487

RGB 71 228 135

HSL 144.46, 0.74%, 0.59%

LAB 81.06, -60.95, 33.82

 

CMYK 68 / 61 / 0 / 11

HEX #4959E4

RGB 73 89 228

HSL 233.81, 0.74%, 0.59%

LAB 44.47, 38.36, -72.43

 

CMYK 0 / 68 / 27 / 11

HEX #E449A6

RGB 228 73 166

HSL 324, 0.74%, 0.59%

LAB 56.1, 67.81, -17.16

 

CMYK 0 / 7 / 68 / 11

HEX #E4D449

RGB 228 212 73

HSL 53.81, 0.74%, 0.59%

LAB 84, -10.02, 67.58

 

Description

Color code: HEX #47E487 | qconv.com Color code: HEX #47E487 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 228 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 228 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 41 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 41% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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