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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47E435 it is the complementary color #B81BCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47E435. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47E435 shade: #4CE430, #5DF643, #6EFF56, #7FFF69 and #90FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47E435. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47E435 shade: #47E435, #36D222, #25C00F, #14AE00 and #039C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47E435 shade: #47E335, #76E335, #A5E335, #D4E335 and #E3C435

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47E435 shade: #47E335, #35E352, #35E381, #35E3B0 and #35E3DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47E435 shade matches the following richer shades: #47E335 and #38F622

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47E435 shade: #47E335, #56D148, #64BE5A, #73AC6D and #82997F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47E435 shade: #A6E335, #78E335, #49E335, #35E34F and #35E37E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47E435 shade: #27AE18, #2FD31D, #47E335, #68E859 and #89ED7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47E435 shade: #47E435, #35D5E3 and #E3358F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47E435 shade: #47E435, #3549E3 and #E33549

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47E435 shade: #47E435, #35D5E3, #CF35E3 and #E34435

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47E435 shade: #47E435, #35A1E3, #CF35E3 and #E37835

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 77 / 11

HEX #47E435

RGB 71 228 53

HSL 113.83, 0.76%, 0.55%

LAB 80.23, -70.65, 68.05

 

Complementary color

CMYK 9 / 87 / 0 / 21

HEX #B81BCA

RGB 184 27 202

HSL 293.83, 0.76%, 0.45%

LAB 45.96, 76.44, -54.55

 

CMYK 67 / 0 / 79 / 11

HEX #4CE430

RGB 76 228 48

HSL 110.67, 0.77%, 0.54%

LAB 80.31, -70.02, 69.65

 

CMYK 62 / 0 / 73 / 4

HEX #5DF643

RGB 93 246 67

HSL 111.28, 0.91%, 0.61%

LAB 86.33, -71.17, 69.73

 

CMYK 57 / 0 / 66 / 0

HEX #6EFF56

RGB 110 255 86

HSL 111.48, 1%, 0.67%

LAB 89.63, -68.89, 66.45

 

CMYK 50 / 0 / 59 / 0

HEX #7FFF69

RGB 127 255 105

HSL 111.2, 1%, 0.71%

LAB 90.35, -62.82, 59.66

 

CMYK 44 / 0 / 51 / 0

HEX #90FF7C

RGB 144 255 124

HSL 110.84, 1%, 0.74%

LAB 91.19, -56, 52.37

 

CMYK 69 / 0 / 77 / 11

HEX #47E435

RGB 71 228 53

HSL 113.83, 0.76%, 0.55%

LAB 80.23, -70.65, 68.05

 

CMYK 74 / 0 / 84 / 18

HEX #36D222

RGB 54 210 34

HSL 113.18, 0.72%, 0.48%

LAB 74.19, -68.98, 67.5

 

CMYK 81 / 0 / 92 / 25

HEX #25C00F

RGB 37 192 15

HSL 112.54, 0.86%, 0.41%

LAB 68.11, -66.67, 65.78

 

CMYK 89 / 0 / 100 / 32

HEX #14AE00

RGB 20 174 0

HSL 113.1, 1%, 0.34%

LAB 62.02, -63.55, 62.61

 

CMYK 98 / 0 / 100 / 39

HEX #039C00

RGB 3 156 0

HSL 118.85, 1%, 0.31%

LAB 55.88, -59.53, 57.65

 

CMYK 69 / 0 / 77 / 11

HEX #47E335

RGB 71 227 53

HSL 113.79, 0.76%, 0.55%

LAB 79.92, -70.34, 67.75

 

CMYK 48 / 0 / 77 / 11

HEX #76E335

RGB 118 227 53

HSL 97.59, 0.76%, 0.55%

LAB 81.32, -59.11, 69.59

 

CMYK 27 / 0 / 77 / 11

HEX #A5E335

RGB 165 227 53

HSL 81.38, 0.76%, 0.55%

LAB 83.54, -43.37, 72.48

 

CMYK 7 / 0 / 77 / 11

HEX #D4E335

RGB 212 227 53

HSL 65.17, 0.76%, 0.55%

LAB 86.6, -24.92, 76.41

 

CMYK 0 / 14 / 77 / 11

HEX #E3C435

RGB 227 196 53

HSL 49.31, 0.76%, 0.55%

LAB 79.65, -3.2, 70.53

 

CMYK 69 / 0 / 77 / 11

HEX #47E335

RGB 71 227 53

HSL 113.79, 0.76%, 0.55%

LAB 79.92, -70.34, 67.75

 

CMYK 77 / 0 / 64 / 11

HEX #35E352

RGB 53 227 82

HSL 130, 0.76%, 0.55%

LAB 79.79, -70.71, 56.94

 

CMYK 77 / 0 / 43 / 11

HEX #35E381

RGB 53 227 129

HSL 146.21, 0.76%, 0.55%

LAB 80.34, -64.18, 35.82

 

CMYK 77 / 0 / 22 / 11

HEX #35E3B0

RGB 53 227 176

HSL 162.41, 0.76%, 0.55%

LAB 81.2, -54.62, 12.78

 

CMYK 77 / 0 / 2 / 11

HEX #35E3DF

RGB 53 227 223

HSL 178.62, 0.76%, 0.55%

LAB 82.39, -42.49, -10.35

 

CMYK 69 / 0 / 77 / 11

HEX #47E335

RGB 71 227 53

HSL 113.79, 0.76%, 0.55%

LAB 79.92, -70.34, 67.75

 

CMYK 77 / 0 / 86 / 4

HEX #38F622

RGB 56 246 34

HSL 113.77, 0.92%, 0.55%

LAB 85.44, -79.27, 77.48

 

CMYK 69 / 0 / 77 / 11

HEX #47E335

RGB 71 227 53

HSL 113.79, 0.76%, 0.55%

LAB 79.92, -70.34, 67.75

 

CMYK 59 / 0 / 66 / 18

HEX #56D148

RGB 86 209 72

HSL 113.87, 0.6%, 0.55%

LAB 74.85, -59.69, 55.85

 

CMYK 47 / 0 / 53 / 25

HEX #64BE5A

RGB 100 190 90

HSL 114, 0.43%, 0.55%

LAB 69.66, -46.7, 41.93

 

CMYK 33 / 0 / 37 / 33

HEX #73AC6D

RGB 115 172 109

HSL 114.29, 0.28%, 0.55%

LAB 65.16, -31.28, 26.66

 

CMYK 15 / 0 / 17 / 40

HEX #82997F

RGB 130 153 127

HSL 113.08, 0.11%, 0.55%

LAB 60.84, -13.29, 10.99

 

CMYK 27 / 0 / 77 / 11

HEX #A6E335

RGB 166 227 53

HSL 81.03, 0.76%, 0.55%

LAB 83.6, -43, 72.55

 

CMYK 47 / 0 / 77 / 11

HEX #78E335

RGB 120 227 53

HSL 96.9, 0.76%, 0.55%

LAB 81.39, -58.52, 69.69

 

CMYK 68 / 0 / 77 / 11

HEX #49E335

RGB 73 227 53

HSL 113.1, 0.76%, 0.55%

LAB 79.96, -69.97, 67.81

 

CMYK 77 / 0 / 65 / 11

HEX #35E34F

RGB 53 227 79

HSL 128.97, 0.76%, 0.55%

LAB 79.76, -71.02, 58.14

 

CMYK 77 / 0 / 44 / 11

HEX #35E37E

RGB 53 227 126

HSL 145.17, 0.76%, 0.55%

LAB 80.29, -64.69, 37.26

 

CMYK 78 / 0 / 86 / 32

HEX #27AE18

RGB 39 174 24

HSL 114, 0.76%, 0.39%

LAB 62.31, -60.69, 59.11

 

CMYK 78 / 0 / 86 / 17

HEX #2FD31D

RGB 47 211 29

HSL 114.07, 0.76%, 0.47%

LAB 74.37, -70.5, 68.73

 

CMYK 69 / 0 / 77 / 11

HEX #47E335

RGB 71 227 53

HSL 113.79, 0.76%, 0.55%

LAB 79.92, -70.34, 67.75

 

CMYK 55 / 0 / 62 / 9

HEX #68E859

RGB 104 232 89

HSL 113.71, 0.76%, 0.63%

LAB 82.58, -61.93, 57.46

 

CMYK 42 / 0 / 47 / 7

HEX #89ED7E

RGB 137 237 126

HSL 114.05, 0.76%, 0.71%

LAB 85.7, -50.51, 44.62

 

CMYK 69 / 0 / 77 / 11

HEX #47E435

RGB 71 228 53

HSL 113.83, 0.76%, 0.55%

LAB 80.23, -70.65, 68.05

 

CMYK 77 / 6 / 0 / 11

HEX #35D5E3

RGB 53 213 227

HSL 184.83, 0.76%, 0.55%

LAB 78.4, -34.94, -18.47

 

CMYK 0 / 77 / 37 / 11

HEX #E3358F

RGB 227 53 143

HSL 328.97, 0.76%, 0.55%

LAB 52.8, 71.51, -8.59

 

CMYK 69 / 0 / 77 / 11

HEX #47E435

RGB 71 228 53

HSL 113.83, 0.76%, 0.55%

LAB 80.23, -70.65, 68.05

 

CMYK 77 / 68 / 0 / 11

HEX #3549E3

RGB 53 73 227

HSL 233.1, 0.76%, 0.55%

LAB 39.69, 45.55, -79.72

 

CMYK 0 / 77 / 68 / 11

HEX #E33549

RGB 227 53 73

HSL 353.1, 0.76%, 0.55%

LAB 51.1, 66.23, 31.1

 

CMYK 69 / 0 / 77 / 11

HEX #47E435

RGB 71 228 53

HSL 113.83, 0.76%, 0.55%

LAB 80.23, -70.65, 68.05

 

CMYK 77 / 6 / 0 / 11

HEX #35D5E3

RGB 53 213 227

HSL 184.83, 0.76%, 0.55%

LAB 78.4, -34.94, -18.47

 

CMYK 9 / 77 / 0 / 11

HEX #CF35E3

RGB 207 53 227

HSL 293.1, 0.76%, 0.55%

LAB 53.34, 78.52, -56.8

 

CMYK 0 / 70 / 77 / 11

HEX #E34435

RGB 227 68 53

HSL 5.17, 0.76%, 0.55%

LAB 52.64, 60.4, 44.17

 

CMYK 69 / 0 / 77 / 11

HEX #47E435

RGB 71 228 53

HSL 113.83, 0.76%, 0.55%

LAB 80.23, -70.65, 68.05

 

CMYK 77 / 29 / 0 / 11

HEX #35A1E3

RGB 53 161 227

HSL 202.76, 0.76%, 0.55%

LAB 63.17, -8.25, -41.94

 

CMYK 9 / 77 / 0 / 11

HEX #CF35E3

RGB 207 53 227

HSL 293.1, 0.76%, 0.55%

LAB 53.34, 78.52, -56.8

 

CMYK 0 / 47 / 77 / 11

HEX #E37835

RGB 227 120 53

HSL 23.1, 0.76%, 0.55%

LAB 61.67, 36.87, 53.4

 

Description

Color code: HEX #47E435 | qconv.com Color code: HEX #47E435 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 228 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 228 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 77 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 77% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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