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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47E415 it is the complementary color #B81BEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47E415. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47E415 shade: #4CE410, #5DF623, #6EFF36, #7FFF49 and #90FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47E415. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47E415 shade: #47E415, #36D202, #25C000, #14AE00 and #039C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47E415 shade: #47E515, #7FE515, #B7E515, #E5DA15 and #E5A215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47E415 shade: #47E515, #15E51B, #15E553, #15E58B and #15E5C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47E415 shade matches the following richer shades: #47E515 and #3DF901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47E415 shade: #47E515, #52D029, #5CBC3E, #67A852 and #719466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47E415 shade: #B8E515, #80E515, #49E515, #15E519 and #15E550

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47E415 shade: #30990E, #3CBF12, #47E515, #63EC37 and #80F05D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47E415 shade: #47E415, #15E5DA and #E5159C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47E415 shade: #47E415, #1549E5 and #E51549

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47E415 shade: #47E415, #15E5DA, #B115E5 and #E51520

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47E415 shade: #47E415, #15B1E5, #B115E5 and #E54915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 91 / 11

HEX #47E415

RGB 71 228 21

HSL 105.51, 0.83%, 0.49%

LAB 80.11, -72.05, 75.23

 

Complementary color

CMYK 21 / 88 / 0 / 8

HEX #B81BEA

RGB 184 27 234

HSL 285.51, 0.83%, 0.51%

LAB 48.15, 81.9, -69.31

 

CMYK 67 / 0 / 93 / 11

HEX #4CE410

RGB 76 228 16

HSL 103.02, 0.87%, 0.48%

LAB 80.21, -71.22, 76.01

 

CMYK 62 / 0 / 86 / 4

HEX #5DF623

RGB 93 246 35

HSL 103.51, 0.92%, 0.55%

LAB 86.19, -72.85, 78.22

 

CMYK 57 / 0 / 79 / 0

HEX #6EFF36

RGB 110 255 54

HSL 103.28, 1%, 0.61%

LAB 89.44, -71.08, 76.86

 

CMYK 50 / 0 / 71 / 0

HEX #7FFF49

RGB 127 255 73

HSL 102.2, 1%, 0.64%

LAB 90.1, -65.56, 71.83

 

CMYK 44 / 0 / 64 / 0

HEX #90FF5C

RGB 144 255 92

HSL 100.86, 1%, 0.68%

LAB 90.88, -59.25, 65.81

 

CMYK 69 / 0 / 91 / 11

HEX #47E415

RGB 71 228 21

HSL 105.51, 0.83%, 0.49%

LAB 80.11, -72.05, 75.23

 

CMYK 74 / 0 / 99 / 18

HEX #36D202

RGB 54 210 2

HSL 105, 0.98%, 0.42%

LAB 74.11, -69.87, 72.27

 

CMYK 81 / 0 / 100 / 25

HEX #25C000

RGB 37 192 0

HSL 108.44, 1%, 0.38%

LAB 68.09, -66.99, 67.55

 

CMYK 89 / 0 / 100 / 32

HEX #14AE00

RGB 20 174 0

HSL 113.1, 1%, 0.34%

LAB 62.02, -63.55, 62.61

 

CMYK 98 / 0 / 100 / 39

HEX #039C00

RGB 3 156 0

HSL 118.85, 1%, 0.31%

LAB 55.88, -59.53, 57.65

 

CMYK 69 / 0 / 91 / 10

HEX #47E515

RGB 71 229 21

HSL 105.58, 0.83%, 0.49%

LAB 80.42, -72.35, 75.49

 

CMYK 45 / 0 / 91 / 10

HEX #7FE515

RGB 127 229 21

HSL 89.42, 0.83%, 0.49%

LAB 82.17, -58.35, 77.65

 

CMYK 20 / 0 / 91 / 10

HEX #B7E515

RGB 183 229 21

HSL 73.27, 0.83%, 0.49%

LAB 85.08, -38.39, 81.22

 

CMYK 0 / 5 / 91 / 10

HEX #E5DA15

RGB 229 218 21

HSL 56.83, 0.83%, 0.49%

LAB 85.43, -14.28, 82.93

 

CMYK 0 / 29 / 91 / 10

HEX #E5A215

RGB 229 162 21

HSL 40.67, 0.83%, 0.49%

LAB 71.25, 14.68, 72.14

 

CMYK 69 / 0 / 91 / 10

HEX #47E515

RGB 71 229 21

HSL 105.58, 0.83%, 0.49%

LAB 80.42, -72.35, 75.49

 

CMYK 91 / 0 / 88 / 10

HEX #15E51B

RGB 21 229 27

HSL 121.73, 0.83%, 0.49%

LAB 79.77, -78.04, 73.71

 

CMYK 91 / 0 / 64 / 10

HEX #15E553

RGB 21 229 83

HSL 137.88, 0.83%, 0.49%

LAB 80.08, -74.12, 56.76

 

CMYK 91 / 0 / 39 / 10

HEX #15E58B

RGB 21 229 139

HSL 154.04, 0.83%, 0.49%

LAB 80.77, -65.74, 31.3

 

CMYK 91 / 0 / 15 / 10

HEX #15E5C3

RGB 21 229 195

HSL 170.19, 0.83%, 0.49%

LAB 81.91, -53.12, 3.74

 

CMYK 69 / 0 / 91 / 10

HEX #47E515

RGB 71 229 21

HSL 105.58, 0.83%, 0.49%

LAB 80.42, -72.35, 75.49

 

CMYK 76 / 0 / 100 / 2

HEX #3DF901

RGB 61 249 1

HSL 105.48, 0.99%, 0.49%

LAB 86.38, -80.17, 82.22

 

CMYK 69 / 0 / 91 / 10

HEX #47E515

RGB 71 229 21

HSL 105.58, 0.83%, 0.49%

LAB 80.42, -72.35, 75.49

 

CMYK 61 / 0 / 80 / 18

HEX #52D029

RGB 82 208 41

HSL 105.27, 0.67%, 0.49%

LAB 74.23, -62.55, 65.98

 

CMYK 51 / 0 / 67 / 26

HEX #5CBC3E

RGB 92 188 62

HSL 105.71, 0.5%, 0.49%

LAB 68.45, -51.25, 53.09

 

CMYK 39 / 0 / 51 / 34

HEX #67A852

RGB 103 168 82

HSL 105.35, 0.34%, 0.49%

LAB 62.93, -37.36, 37.73

 

CMYK 24 / 0 / 31 / 42

HEX #719466

RGB 113 148 102

HSL 105.65, 0.18%, 0.49%

LAB 57.7, -21.29, 20.49

 

CMYK 20 / 0 / 91 / 10

HEX #B8E515

RGB 184 229 21

HSL 72.98, 0.83%, 0.49%

LAB 85.14, -38, 81.3

 

CMYK 44 / 0 / 91 / 10

HEX #80E515

RGB 128 229 21

HSL 89.13, 0.83%, 0.49%

LAB 82.21, -58.04, 77.7

 

CMYK 68 / 0 / 91 / 10

HEX #49E515

RGB 73 229 21

HSL 105, 0.83%, 0.49%

LAB 80.47, -71.99, 75.54

 

CMYK 91 / 0 / 89 / 10

HEX #15E519

RGB 21 229 25

HSL 121.15, 0.83%, 0.49%

LAB 79.77, -78.11, 74.05

 

CMYK 91 / 0 / 65 / 10

HEX #15E550

RGB 21 229 80

HSL 137.02, 0.83%, 0.49%

LAB 80.05, -74.44, 57.96

 

CMYK 69 / 0 / 91 / 40

HEX #30990E

RGB 48 153 14

HSL 105.32, 0.83%, 0.33%

LAB 55.53, -52.75, 55.36

 

CMYK 69 / 0 / 91 / 25

HEX #3CBF12

RGB 60 191 18

HSL 105.43, 0.83%, 0.41%

LAB 68.22, -62.64, 65.57

 

CMYK 69 / 0 / 91 / 10

HEX #47E515

RGB 71 229 21

HSL 105.58, 0.83%, 0.49%

LAB 80.42, -72.35, 75.49

 

CMYK 58 / 0 / 77 / 7

HEX #63EC37

RGB 99 236 55

HSL 105.41, 0.83%, 0.57%

LAB 83.4, -67.25, 70.75

 

CMYK 47 / 0 / 61 / 6

HEX #80F05D

RGB 128 240 93

HSL 105.71, 0.83%, 0.65%

LAB 85.86, -58.08, 59.68

 

CMYK 69 / 0 / 91 / 11

HEX #47E415

RGB 71 228 21

HSL 105.51, 0.83%, 0.49%

LAB 80.11, -72.05, 75.23

 

CMYK 91 / 0 / 5 / 10

HEX #15E5DA

RGB 21 229 218

HSL 176.83, 0.83%, 0.49%

LAB 82.52, -46.91, -7.55

 

CMYK 0 / 91 / 32 / 10

HEX #E5159C

RGB 229 21 156

HSL 321.06, 0.83%, 0.49%

LAB 51.38, 79.8, -18.45

 

CMYK 69 / 0 / 91 / 11

HEX #47E415

RGB 71 228 21

HSL 105.51, 0.83%, 0.49%

LAB 80.11, -72.05, 75.23

 

CMYK 91 / 68 / 0 / 10

HEX #1549E5

RGB 21 73 229

HSL 225, 0.83%, 0.49%

LAB 38.87, 44.3, -82.25

 

CMYK 0 / 91 / 68 / 10

HEX #E51549

RGB 229 21 73

HSL 345, 0.83%, 0.49%

LAB 49.1, 73.58, 28.7

 

CMYK 69 / 0 / 91 / 11

HEX #47E415

RGB 71 228 21

HSL 105.51, 0.83%, 0.49%

LAB 80.11, -72.05, 75.23

 

CMYK 91 / 0 / 5 / 10

HEX #15E5DA

RGB 21 229 218

HSL 176.83, 0.83%, 0.49%

LAB 82.52, -46.91, -7.55

 

CMYK 23 / 91 / 0 / 10

HEX #B115E5

RGB 177 21 229

HSL 285, 0.83%, 0.49%

LAB 46.37, 80.97, -69.43

 

CMYK 0 / 91 / 86 / 10

HEX #E51520

RGB 229 21 32

HSL 356.83, 0.83%, 0.49%

LAB 48.63, 72.26, 51.2

 

CMYK 69 / 0 / 91 / 11

HEX #47E415

RGB 71 228 21

HSL 105.51, 0.83%, 0.49%

LAB 80.11, -72.05, 75.23

 

CMYK 91 / 23 / 0 / 10

HEX #15B1E5

RGB 21 177 229

HSL 195, 0.83%, 0.49%

LAB 67.47, -18.7, -36.35

 

CMYK 23 / 91 / 0 / 10

HEX #B115E5

RGB 177 21 229

HSL 285, 0.83%, 0.49%

LAB 46.37, 80.97, -69.43

 

CMYK 0 / 68 / 91 / 10

HEX #E54915

RGB 229 73 21

HSL 15, 0.83%, 0.49%

LAB 53.47, 58.37, 59.24

 

Description

Color code: HEX #47E415 | qconv.com Color code: HEX #47E415 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 228 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 228 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 91 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 91% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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