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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47E284 it is the complementary color #B81D7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47E284. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47E284 shade: #4CE27F, #5DF492, #6EFFA5, #7FFFB8 and #90FFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47E284. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47E284 shade: #47E284, #36D071, #25BE5E, #14AC4B and #039A38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47E284 shade: #46E283, #46E259, #5DE246, #87E246 and #B1E246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47E284 shade: #46E283, #46E2AD, #46E2D8, #46C2E2 and #4698E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47E284 shade matches the following richer shades: #46E283 and #34F380

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47E284 shade: #46E283, #57D187, #68BF8B, #7AAE8E and #8B9D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47E284 shade: #5DE246, #46E258, #46E282, #46E2AB and #46E2D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47E284 shade: #1DB85A, #22DC6B, #46E283, #69E89B and #8DEDB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47E284 shade: #47E284, #4687E2 and #E24648

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47E284 shade: #47E284, #8246E2 and #E28246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47E284 shade: #47E284, #4687E2, #E246A6 and #E2A146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47E284 shade: #47E284, #4658E2, #E246A6 and #E2D046

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 42 / 11

HEX #47E284

RGB 71 226 132

HSL 143.61, 0.73%, 0.58%

LAB 80.4, -60.73, 34.47

 

Complementary color

CMYK 0 / 84 / 33 / 28

HEX #B81D7B

RGB 184 29 123

HSL 323.61, 0.73%, 0.42%

LAB 42, 65.07, -13.5

 

CMYK 66 / 0 / 44 / 11

HEX #4CE27F

RGB 76 226 127

HSL 140.4, 0.72%, 0.59%

LAB 80.44, -60.72, 37.04

 

CMYK 62 / 0 / 40 / 4

HEX #5DF492

RGB 93 244 146

HSL 141.06, 0.87%, 0.66%

LAB 86.56, -61.05, 35.62

 

CMYK 57 / 0 / 35 / 0

HEX #6EFFA5

RGB 110 255 165

HSL 142.76, 1%, 0.72%

LAB 90.57, -58.51, 31.55

 

CMYK 50 / 0 / 28 / 0

HEX #7FFFB8

RGB 127 255 184

HSL 146.72, 1%, 0.75%

LAB 91.46, -51.21, 23.25

 

CMYK 44 / 0 / 20 / 0

HEX #90FFCB

RGB 144 255 203

HSL 151.89, 1%, 0.78%

LAB 92.47, -43.34, 15.04

 

CMYK 69 / 0 / 42 / 11

HEX #47E284

RGB 71 226 132

HSL 143.61, 0.73%, 0.58%

LAB 80.4, -60.73, 34.47

 

CMYK 74 / 0 / 46 / 18

HEX #36D071

RGB 54 208 113

HSL 142.99, 0.62%, 0.51%

LAB 74.25, -60.07, 35.99

 

CMYK 81 / 0 / 51 / 25

HEX #25BE5E

RGB 37 190 94

HSL 142.35, 0.67%, 0.45%

LAB 68.04, -59.04, 37.6

 

CMYK 88 / 0 / 56 / 33

HEX #14AC4B

RGB 20 172 75

HSL 141.71, 0.79%, 0.38%

LAB 61.79, -57.46, 39.26

 

CMYK 98 / 0 / 64 / 40

HEX #039A38

RGB 3 154 56

HSL 141.06, 0.96%, 0.31%

LAB 55.5, -55.23, 40.88

 

CMYK 69 / 0 / 42 / 11

HEX #46E283

RGB 70 226 131

HSL 143.46, 0.73%, 0.58%

LAB 80.37, -61.07, 34.92

 

CMYK 69 / 0 / 61 / 11

HEX #46E259

RGB 70 226 89

HSL 127.31, 0.73%, 0.58%

LAB 79.85, -67.04, 54.13

 

CMYK 59 / 0 / 69 / 11

HEX #5DE246

RGB 93 226 70

HSL 111.15, 0.73%, 0.58%

LAB 80.27, -64.19, 62.47

 

CMYK 40 / 0 / 69 / 11

HEX #87E246

RGB 135 226 70

HSL 95, 0.73%, 0.58%

LAB 81.83, -52.39, 64.57

 

CMYK 22 / 0 / 69 / 11

HEX #B1E246

RGB 177 226 70

HSL 78.85, 0.73%, 0.58%

LAB 84.06, -37.5, 67.56

 

CMYK 69 / 0 / 42 / 11

HEX #46E283

RGB 70 226 131

HSL 143.46, 0.73%, 0.58%

LAB 80.37, -61.07, 34.92

 

CMYK 69 / 0 / 23 / 11

HEX #46E2AD

RGB 70 226 173

HSL 159.62, 0.73%, 0.58%

LAB 81.13, -52.72, 14.31

 

CMYK 69 / 0 / 4 / 11

HEX #46E2D8

RGB 70 226 216

HSL 176.15, 0.73%, 0.58%

LAB 82.19, -42.05, -6.9

 

CMYK 69 / 14 / 0 / 11

HEX #46C2E2

RGB 70 194 226

HSL 192.31, 0.73%, 0.58%

LAB 73.14, -23.99, -25.9

 

CMYK 69 / 33 / 0 / 11

HEX #4698E2

RGB 70 152 226

HSL 208.46, 0.73%, 0.58%

LAB 61, -1.28, -44.77

 

CMYK 69 / 0 / 42 / 11

HEX #46E283

RGB 70 226 131

HSL 143.46, 0.73%, 0.58%

LAB 80.37, -61.07, 34.92

 

CMYK 79 / 0 / 47 / 5

HEX #34F380

RGB 52 243 128

HSL 143.87, 0.89%, 0.58%

LAB 85.19, -69.91, 42.52

 

CMYK 69 / 0 / 42 / 11

HEX #46E283

RGB 70 226 131

HSL 143.46, 0.73%, 0.58%

LAB 80.37, -61.07, 34.92

 

CMYK 58 / 0 / 35 / 18

HEX #57D187

RGB 87 209 135

HSL 143.61, 0.57%, 0.58%

LAB 75.68, -50.63, 26.77

 

CMYK 46 / 0 / 27 / 25

HEX #68BF8B

RGB 104 191 139

HSL 144.14, 0.4%, 0.58%

LAB 70.92, -38.04, 18.26

 

CMYK 30 / 0 / 18 / 32

HEX #7AAE8E

RGB 122 174 142

HSL 143.08, 0.24%, 0.58%

LAB 66.8, -24.01, 10.99

 

CMYK 11 / 0 / 7 / 38

HEX #8B9D92

RGB 139 157 146

HSL 143.33, 0.08%, 0.58%

LAB 63.08, -8.58, 3.59

 

CMYK 59 / 0 / 69 / 11

HEX #5DE246

RGB 93 226 70

HSL 111.15, 0.73%, 0.58%

LAB 80.27, -64.19, 62.47

 

CMYK 69 / 0 / 61 / 11

HEX #46E258

RGB 70 226 88

HSL 126.92, 0.73%, 0.58%

LAB 79.84, -67.15, 54.55

 

CMYK 69 / 0 / 42 / 11

HEX #46E282

RGB 70 226 130

HSL 143.08, 0.73%, 0.58%

LAB 80.35, -61.24, 35.4

 

CMYK 69 / 0 / 24 / 11

HEX #46E2AB

RGB 70 226 171

HSL 158.85, 0.73%, 0.58%

LAB 81.09, -53.17, 15.3

 

CMYK 69 / 0 / 6 / 11

HEX #46E2D5

RGB 70 226 213

HSL 175, 0.73%, 0.58%

LAB 82.11, -42.85, -5.43

 

CMYK 84 / 0 / 51 / 28

HEX #1DB85A

RGB 29 184 90

HSL 143.61, 0.73%, 0.42%

LAB 65.97, -58.44, 36.99

 

CMYK 85 / 0 / 51 / 14

HEX #22DC6B

RGB 34 220 107

HSL 143.55, 0.73%, 0.5%

LAB 77.63, -67.34, 43.13

 

CMYK 69 / 0 / 42 / 11

HEX #46E283

RGB 70 226 131

HSL 143.46, 0.73%, 0.58%

LAB 80.37, -61.07, 34.92

 

CMYK 55 / 0 / 33 / 9

HEX #69E89B

RGB 105 232 155

HSL 143.62, 0.73%, 0.66%

LAB 83.49, -52.26, 27.05

 

CMYK 41 / 0 / 24 / 7

HEX #8DEDB3

RGB 141 237 179

HSL 143.75, 0.73%, 0.74%

LAB 86.74, -40.84, 19.37

 

CMYK 69 / 0 / 42 / 11

HEX #47E284

RGB 71 226 132

HSL 143.61, 0.73%, 0.58%

LAB 80.4, -60.73, 34.47

 

CMYK 69 / 40 / 0 / 11

HEX #4687E2

RGB 70 135 226

HSL 215, 0.73%, 0.58%

LAB 56.21, 8.76, -52.36

 

CMYK 0 / 69 / 68 / 11

HEX #E24648

RGB 226 70 72

HSL 359.23, 0.73%, 0.58%

LAB 52.97, 60.16, 33.91

 

CMYK 69 / 0 / 42 / 11

HEX #47E284

RGB 71 226 132

HSL 143.61, 0.73%, 0.58%

LAB 80.4, -60.73, 34.47

 

CMYK 42 / 69 / 0 / 11

HEX #8246E2

RGB 130 70 226

HSL 263.08, 0.73%, 0.58%

LAB 45.11, 57.5, -70.05

 

CMYK 0 / 42 / 69 / 11

HEX #E28246

RGB 226 130 70

HSL 23.08, 0.73%, 0.58%

LAB 63.82, 32.07, 47.53

 

CMYK 69 / 0 / 42 / 11

HEX #47E284

RGB 71 226 132

HSL 143.61, 0.73%, 0.58%

LAB 80.4, -60.73, 34.47

 

CMYK 69 / 40 / 0 / 11

HEX #4687E2

RGB 70 135 226

HSL 215, 0.73%, 0.58%

LAB 56.21, 8.76, -52.36

 

CMYK 0 / 69 / 27 / 11

HEX #E246A6

RGB 226 70 166

HSL 323.08, 0.73%, 0.58%

LAB 55.38, 68.37, -18.28

 

CMYK 0 / 29 / 69 / 11

HEX #E2A146

RGB 226 161 70

HSL 35, 0.73%, 0.58%

LAB 70.94, 15.57, 55.26

 

CMYK 69 / 0 / 42 / 11

HEX #47E284

RGB 71 226 132

HSL 143.61, 0.73%, 0.58%

LAB 80.4, -60.73, 34.47

 

CMYK 69 / 61 / 0 / 11

HEX #4658E2

RGB 70 88 226

HSL 233.08, 0.73%, 0.58%

LAB 43.9, 37.9, -72.21

 

CMYK 0 / 69 / 27 / 11

HEX #E246A6

RGB 226 70 166

HSL 323.08, 0.73%, 0.58%

LAB 55.38, 68.37, -18.28

 

CMYK 0 / 8 / 69 / 11

HEX #E2D046

RGB 226 208 70

HSL 53.08, 0.73%, 0.58%

LAB 82.77, -8.99, 67.43

 

Description

Color code: HEX #47E284 | qconv.com Color code: HEX #47E284 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 226 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 226 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 42 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 42% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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