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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47E27F it is the complementary color #B81D80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47E27F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47E27F shade: #4CE27A, #5DF48D, #6EFFA0, #7FFFB3 and #90FFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47E27F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47E27F shade: #47E27F, #36D06C, #25BE59, #14AC46 and #039A33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47E27F shade: #46E27E, #46E254, #62E246, #8CE246 and #B6E246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47E27F shade: #46E27E, #46E2A8, #46E2D3, #46C7E2 and #469DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47E27F shade matches the following richer shades: #46E27E and #34F379

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47E27F shade: #46E27E, #57D183, #68BF88, #7AAE8D and #8B9D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47E27F shade: #62E246, #46E253, #46E27C, #46E2A6 and #46E2D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47E27F shade: #1DB855, #22DC66, #46E27E, #69E897 and #8DEDB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47E27F shade: #47E27F, #468CE2 and #E2464E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47E27F shade: #47E27F, #7C46E2 and #E27C46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47E27F shade: #47E27F, #468CE2, #E246AB and #E29C46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47E27F shade: #47E27F, #465DE2, #E246AB and #E2CB46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 44 / 11

HEX #47E27F

RGB 71 226 127

HSL 141.68, 0.73%, 0.58%

LAB 80.33, -61.58, 36.87

 

Complementary color

CMYK 0 / 84 / 30 / 28

HEX #B81D80

RGB 184 29 128

HSL 321.68, 0.73%, 0.42%

LAB 42.2, 65.63, -16.28

 

CMYK 66 / 0 / 46 / 11

HEX #4CE27A

RGB 76 226 122

HSL 138.4, 0.72%, 0.59%

LAB 80.37, -61.52, 39.42

 

CMYK 62 / 0 / 42 / 4

HEX #5DF48D

RGB 93 244 141

HSL 139.07, 0.87%, 0.66%

LAB 86.48, -61.88, 38

 

CMYK 57 / 0 / 37 / 0

HEX #6EFFA0

RGB 110 255 160

HSL 140.69, 1%, 0.72%

LAB 90.49, -59.37, 33.94

 

CMYK 50 / 0 / 30 / 0

HEX #7FFFB3

RGB 127 255 179

HSL 144.38, 1%, 0.75%

LAB 91.36, -52.14, 25.66

 

CMYK 44 / 0 / 22 / 0

HEX #90FFC6

RGB 144 255 198

HSL 149.19, 1%, 0.78%

LAB 92.37, -44.33, 17.46

 

CMYK 69 / 0 / 44 / 11

HEX #47E27F

RGB 71 226 127

HSL 141.68, 0.73%, 0.58%

LAB 80.33, -61.58, 36.87

 

CMYK 74 / 0 / 48 / 18

HEX #36D06C

RGB 54 208 108

HSL 141.04, 0.62%, 0.51%

LAB 74.18, -60.89, 38.4

 

CMYK 81 / 0 / 53 / 25

HEX #25BE59

RGB 37 190 89

HSL 140.39, 0.67%, 0.45%

LAB 67.98, -59.8, 39.98

 

CMYK 88 / 0 / 59 / 33

HEX #14AC46

RGB 20 172 70

HSL 139.74, 0.79%, 0.38%

LAB 61.74, -58.16, 41.59

 

CMYK 98 / 0 / 67 / 40

HEX #039A33

RGB 3 154 51

HSL 139.07, 0.96%, 0.31%

LAB 55.45, -55.82, 43.07

 

CMYK 69 / 0 / 44 / 11

HEX #46E27E

RGB 70 226 126

HSL 141.54, 0.73%, 0.58%

LAB 80.29, -61.91, 37.32

 

CMYK 69 / 0 / 63 / 11

HEX #46E254

RGB 70 226 84

HSL 125.38, 0.73%, 0.58%

LAB 79.8, -67.59, 56.21

 

CMYK 57 / 0 / 69 / 11

HEX #62E246

RGB 98 226 70

HSL 109.23, 0.73%, 0.58%

LAB 80.42, -62.99, 62.67

 

CMYK 38 / 0 / 69 / 11

HEX #8CE246

RGB 140 226 70

HSL 93.08, 0.73%, 0.58%

LAB 82.06, -50.76, 64.88

 

CMYK 19 / 0 / 69 / 11

HEX #B6E246

RGB 182 226 70

HSL 76.92, 0.73%, 0.58%

LAB 84.37, -35.59, 67.98

 

CMYK 69 / 0 / 44 / 11

HEX #46E27E

RGB 70 226 126

HSL 141.54, 0.73%, 0.58%

LAB 80.29, -61.91, 37.32

 

CMYK 69 / 0 / 26 / 11

HEX #46E2A8

RGB 70 226 168

HSL 157.69, 0.73%, 0.58%

LAB 81.03, -53.83, 16.78

 

CMYK 69 / 0 / 7 / 11

HEX #46E2D3

RGB 70 226 211

HSL 174.23, 0.73%, 0.58%

LAB 82.05, -43.39, -4.45

 

CMYK 69 / 12 / 0 / 11

HEX #46C7E2

RGB 70 199 226

HSL 190.38, 0.73%, 0.58%

LAB 74.6, -26.49, -23.68

 

CMYK 69 / 31 / 0 / 11

HEX #469DE2

RGB 70 157 226

HSL 206.54, 0.73%, 0.58%

LAB 62.43, -4.14, -42.52

 

CMYK 69 / 0 / 44 / 11

HEX #46E27E

RGB 70 226 126

HSL 141.54, 0.73%, 0.58%

LAB 80.29, -61.91, 37.32

 

CMYK 79 / 0 / 50 / 5

HEX #34F379

RGB 52 243 121

HSL 141.68, 0.89%, 0.58%

LAB 85.1, -70.98, 45.75

 

CMYK 69 / 0 / 44 / 11

HEX #46E27E

RGB 70 226 126

HSL 141.54, 0.73%, 0.58%

LAB 80.29, -61.91, 37.32

 

CMYK 58 / 0 / 37 / 18

HEX #57D183

RGB 87 209 131

HSL 141.64, 0.57%, 0.58%

LAB 75.62, -51.36, 28.75

 

CMYK 46 / 0 / 29 / 25

HEX #68BF88

RGB 104 191 136

HSL 142.07, 0.4%, 0.58%

LAB 70.86, -38.62, 19.79

 

CMYK 30 / 0 / 19 / 32

HEX #7AAE8D

RGB 122 174 141

HSL 141.92, 0.24%, 0.58%

LAB 66.77, -24.21, 11.51

 

CMYK 11 / 0 / 8 / 38

HEX #8B9D91

RGB 139 157 145

HSL 140, 0.08%, 0.58%

LAB 63.05, -8.77, 4.12

 

CMYK 57 / 0 / 69 / 11

HEX #62E246

RGB 98 226 70

HSL 109.23, 0.73%, 0.58%

LAB 80.42, -62.99, 62.67

 

CMYK 69 / 0 / 63 / 11

HEX #46E253

RGB 70 226 83

HSL 125, 0.73%, 0.58%

LAB 79.8, -67.69, 56.62

 

CMYK 69 / 0 / 45 / 11

HEX #46E27C

RGB 70 226 124

HSL 140.77, 0.73%, 0.58%

LAB 80.26, -62.23, 38.27

 

CMYK 69 / 0 / 27 / 11

HEX #46E2A6

RGB 70 226 166

HSL 156.92, 0.73%, 0.58%

LAB 80.99, -54.27, 17.77

 

CMYK 69 / 0 / 8 / 11

HEX #46E2D0

RGB 70 226 208

HSL 173.08, 0.73%, 0.58%

LAB 81.97, -44.18, -2.98

 

CMYK 84 / 0 / 54 / 28

HEX #1DB855

RGB 29 184 85

HSL 141.68, 0.73%, 0.42%

LAB 65.9, -59.21, 39.38

 

CMYK 85 / 0 / 54 / 14

HEX #22DC66

RGB 34 220 102

HSL 141.94, 0.73%, 0.5%

LAB 77.57, -68.07, 45.43

 

CMYK 69 / 0 / 44 / 11

HEX #46E27E

RGB 70 226 126

HSL 141.54, 0.73%, 0.58%

LAB 80.29, -61.91, 37.32

 

CMYK 55 / 0 / 35 / 9

HEX #69E897

RGB 105 232 151

HSL 141.73, 0.73%, 0.66%

LAB 83.42, -52.99, 29

 

CMYK 41 / 0 / 26 / 7

HEX #8DEDB0

RGB 141 237 176

HSL 141.88, 0.73%, 0.74%

LAB 86.68, -41.4, 20.84

 

CMYK 69 / 0 / 44 / 11

HEX #47E27F

RGB 71 226 127

HSL 141.68, 0.73%, 0.58%

LAB 80.33, -61.58, 36.87

 

CMYK 69 / 38 / 0 / 11

HEX #468CE2

RGB 70 140 226

HSL 213.08, 0.73%, 0.58%

LAB 57.61, 5.76, -50.14

 

CMYK 0 / 69 / 65 / 11

HEX #E2464E

RGB 226 70 78

HSL 356.92, 0.73%, 0.58%

LAB 53.06, 60.48, 30.55

 

CMYK 69 / 0 / 44 / 11

HEX #47E27F

RGB 71 226 127

HSL 141.68, 0.73%, 0.58%

LAB 80.33, -61.58, 36.87

 

CMYK 45 / 69 / 0 / 11

HEX #7C46E2

RGB 124 70 226

HSL 260.77, 0.73%, 0.58%

LAB 44.46, 56.45, -71.13

 

CMYK 0 / 45 / 69 / 11

HEX #E27C46

RGB 226 124 70

HSL 20.77, 0.73%, 0.58%

LAB 62.53, 35.19, 46.1

 

CMYK 69 / 0 / 44 / 11

HEX #47E27F

RGB 71 226 127

HSL 141.68, 0.73%, 0.58%

LAB 80.33, -61.58, 36.87

 

CMYK 69 / 38 / 0 / 11

HEX #468CE2

RGB 70 140 226

HSL 213.08, 0.73%, 0.58%

LAB 57.61, 5.76, -50.14

 

CMYK 0 / 69 / 24 / 11

HEX #E246AB

RGB 226 70 171

HSL 321.15, 0.73%, 0.58%

LAB 55.57, 69, -20.91

 

CMYK 0 / 31 / 69 / 11

HEX #E29C46

RGB 226 156 70

HSL 33.08, 0.73%, 0.58%

LAB 69.74, 18.25, 53.98

 

CMYK 69 / 0 / 44 / 11

HEX #47E27F

RGB 71 226 127

HSL 141.68, 0.73%, 0.58%

LAB 80.33, -61.58, 36.87

 

CMYK 69 / 59 / 0 / 11

HEX #465DE2

RGB 70 93 226

HSL 231.15, 0.73%, 0.58%

LAB 45.11, 34.81, -70.25

 

CMYK 0 / 69 / 24 / 11

HEX #E246AB

RGB 226 70 171

HSL 321.15, 0.73%, 0.58%

LAB 55.57, 69, -20.91

 

CMYK 0 / 10 / 69 / 11

HEX #E2CB46

RGB 226 203 70

HSL 51.15, 0.73%, 0.58%

LAB 81.47, -6.45, 66.13

 

Description

Color code: HEX #47E27F | qconv.com Color code: HEX #47E27F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 226 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 226 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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