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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47DFB5 it is the complementary color #B8204A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47DFB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47DFB5 shade: #4CDFB0, #5DF1C3, #6EFFD6, #7FFFE9 and #90FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47DFB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47DFB5 shade: #47DFB5, #36CDA2, #25BB8F, #14A97C and #039769

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47DFB5 shade: #49DFB5, #49DF8D, #49DF65, #56DF49 and #7EDF49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47DFB5 shade: #49DFB5, #49DFDE, #49B7DF, #498FDF and #4967DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47DFB5 shade matches the following richer shades: #49DFB5 and #38F0BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47DFB5 shade: #49DFB5, #5ACEAE, #6CBCA6, #7DAB9E and #8E9A96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47DFB5 shade: #49DF64, #49DF8C, #49DFB4, #49DFDC and #49B9DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47DFB5 shade: #20B58C, #26D8A7, #49DFB5, #6CE5C4 and #8FEBD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47DFB5 shade: #47DFB5, #4955DF and #DF7849

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47DFB5 shade: #47DFB5, #B449DF and #DFB449

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47DFB5 shade: #47DFB5, #4955DF, #DF4973 and #DFD249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47DFB5 shade: #47DFB5, #6949DF, #DF4973 and #BEDF49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 19 / 13

HEX #47DFB5

RGB 71 223 181

HSL 163.42, 0.7%, 0.58%

LAB 80.43, -49.5, 9.1

 

Complementary color

CMYK 0 / 83 / 60 / 28

HEX #B8204A

RGB 184 32 74

HSL 343.42, 0.7%, 0.42%

LAB 40.76, 60.07, 15.5

 

CMYK 66 / 0 / 21 / 13

HEX #4CDFB0

RGB 76 223 176

HSL 160.82, 0.7%, 0.59%

LAB 80.43, -49.89, 11.75

 

CMYK 61 / 0 / 19 / 5

HEX #5DF1C3

RGB 93 241 195

HSL 161.35, 0.84%, 0.65%

LAB 86.59, -50.16, 10.61

 

CMYK 57 / 0 / 16 / 0

HEX #6EFFD6

RGB 110 255 214

HSL 163.03, 1%, 0.72%

LAB 91.55, -48.61, 7.91

 

CMYK 50 / 0 / 9 / 0

HEX #7FFFE9

RGB 127 255 233

HSL 169.69, 1%, 0.75%

LAB 92.54, -40.78, -0.41

 

CMYK 44 / 0 / 1 / 0

HEX #90FFFC

RGB 144 255 252

HSL 178.38, 1%, 0.78%

LAB 93.66, -32.52, -8.52

 

CMYK 68 / 0 / 19 / 13

HEX #47DFB5

RGB 71 223 181

HSL 163.42, 0.7%, 0.58%

LAB 80.43, -49.5, 9.1

 

CMYK 74 / 0 / 21 / 20

HEX #36CDA2

RGB 54 205 162

HSL 162.91, 0.6%, 0.51%

LAB 74.23, -48.95, 10.33

 

CMYK 80 / 0 / 24 / 27

HEX #25BB8F

RGB 37 187 143

HSL 162.4, 0.67%, 0.44%

LAB 67.96, -48.11, 11.69

 

CMYK 88 / 0 / 27 / 34

HEX #14A97C

RGB 20 169 124

HSL 161.88, 0.79%, 0.37%

LAB 61.64, -46.9, 13.21

 

CMYK 98 / 0 / 30 / 41

HEX #039769

RGB 3 151 105

HSL 161.35, 0.96%, 0.3%

LAB 55.25, -45.25, 14.9

 

CMYK 67 / 0 / 19 / 13

HEX #49DFB5

RGB 73 223 181

HSL 163.2, 0.7%, 0.58%

LAB 80.48, -49.2, 9.16

 

CMYK 67 / 0 / 37 / 13

HEX #49DF8D

RGB 73 223 141

HSL 147.2, 0.7%, 0.58%

LAB 79.68, -57.67, 28.96

 

CMYK 67 / 0 / 55 / 13

HEX #49DF65

RGB 73 223 101

HSL 131.2, 0.7%, 0.58%

LAB 79.12, -64.03, 47.9

 

CMYK 61 / 0 / 67 / 13

HEX #56DF49

RGB 86 223 73

HSL 114.8, 0.7%, 0.58%

LAB 79.18, -64.49, 60.1

 

CMYK 43 / 0 / 67 / 13

HEX #7EDF49

RGB 126 223 73

HSL 98.8, 0.7%, 0.58%

LAB 80.57, -53.82, 62

 

CMYK 67 / 0 / 19 / 13

HEX #49DFB5

RGB 73 223 181

HSL 163.2, 0.7%, 0.58%

LAB 80.48, -49.2, 9.16

 

CMYK 67 / 0 / 0 / 13

HEX #49DFDE

RGB 73 223 222

HSL 179.6, 0.7%, 0.58%

LAB 81.55, -38.66, -11.04

 

CMYK 67 / 18 / 0 / 13

HEX #49B7DF

RGB 73 183 223

HSL 196, 0.7%, 0.58%

LAB 69.9, -18.85, -29.23

 

CMYK 67 / 36 / 0 / 13

HEX #498FDF

RGB 73 143 223

HSL 212, 0.7%, 0.58%

LAB 58.4, 3.4, -47.19

 

CMYK 67 / 54 / 0 / 13

HEX #4967DF

RGB 73 103 223

HSL 228, 0.7%, 0.58%

LAB 47.55, 27.94, -64.58

 

CMYK 67 / 0 / 19 / 13

HEX #49DFB5

RGB 73 223 181

HSL 163.2, 0.7%, 0.58%

LAB 80.48, -49.2, 9.16

 

CMYK 77 / 0 / 21 / 6

HEX #38F0BD

RGB 56 240 189

HSL 163.37, 0.86%, 0.58%

LAB 85.42, -56.39, 11.97

 

CMYK 67 / 0 / 19 / 13

HEX #49DFB5

RGB 73 223 181

HSL 163.2, 0.7%, 0.58%

LAB 80.48, -49.2, 9.16

 

CMYK 56 / 0 / 16 / 19

HEX #5ACEAE

RGB 90 206 174

HSL 163.45, 0.54%, 0.58%

LAB 75.68, -40.5, 6.08

 

CMYK 43 / 0 / 12 / 26

HEX #6CBCA6

RGB 108 188 166

HSL 163.5, 0.37%, 0.58%

LAB 70.81, -29.81, 3.47

 

CMYK 27 / 0 / 8 / 33

HEX #7DAB9E

RGB 125 171 158

HSL 163.04, 0.21%, 0.58%

LAB 66.49, -18.19, 1.71

 

CMYK 8 / 0 / 3 / 40

HEX #8E9A96

RGB 142 154 150

HSL 160, 0.06%, 0.58%

LAB 62.56, -5.08, 0.62

 

CMYK 67 / 0 / 55 / 13

HEX #49DF64

RGB 73 223 100

HSL 130.8, 0.7%, 0.58%

LAB 79.11, -64.16, 48.35

 

CMYK 67 / 0 / 37 / 13

HEX #49DF8C

RGB 73 223 140

HSL 146.8, 0.7%, 0.58%

LAB 79.66, -57.86, 29.45

 

CMYK 67 / 0 / 19 / 13

HEX #49DFB4

RGB 73 223 180

HSL 162.8, 0.7%, 0.58%

LAB 80.45, -49.44, 9.66

 

CMYK 67 / 0 / 1 / 13

HEX #49DFDC

RGB 73 223 220

HSL 178.8, 0.7%, 0.58%

LAB 81.49, -39.21, -10.06

 

CMYK 67 / 17 / 0 / 13

HEX #49B9DF

RGB 73 185 223

HSL 195.2, 0.7%, 0.58%

LAB 70.48, -19.89, -28.34

 

CMYK 82 / 0 / 23 / 29

HEX #20B58C

RGB 32 181 140

HSL 163.49, 0.7%, 0.42%

LAB 65.94, -46.89, 10.47

 

CMYK 82 / 0 / 23 / 15

HEX #26D8A7

RGB 38 216 167

HSL 163.48, 0.7%, 0.5%

LAB 77.47, -53.85, 12.23

 

CMYK 67 / 0 / 19 / 13

HEX #49DFB5

RGB 73 223 181

HSL 163.2, 0.7%, 0.58%

LAB 80.48, -49.2, 9.16

 

CMYK 53 / 0 / 14 / 10

HEX #6CE5C4

RGB 108 229 196

HSL 163.64, 0.7%, 0.66%

LAB 83.55, -41.83, 5.79

 

CMYK 39 / 0 / 11 / 8

HEX #8FEBD2

RGB 143 235 210

HSL 163.7, 0.7%, 0.74%

LAB 86.95, -33.08, 3.51

 

CMYK 68 / 0 / 19 / 13

HEX #47DFB5

RGB 71 223 181

HSL 163.42, 0.7%, 0.58%

LAB 80.43, -49.5, 9.1

 

CMYK 67 / 62 / 0 / 13

HEX #4955DF

RGB 73 85 223

HSL 235.2, 0.7%, 0.58%

LAB 43.12, 39.12, -71.78

 

CMYK 0 / 46 / 67 / 13

HEX #DF7849

RGB 223 120 73

HSL 18.8, 0.7%, 0.58%

LAB 61.31, 36.24, 43.07

 

CMYK 68 / 0 / 19 / 13

HEX #47DFB5

RGB 71 223 181

HSL 163.42, 0.7%, 0.58%

LAB 80.43, -49.5, 9.1

 

CMYK 19 / 67 / 0 / 13

HEX #B449DF

RGB 180 73 223

HSL 282.8, 0.7%, 0.58%

LAB 51.61, 65.35, -57.53

 

CMYK 0 / 19 / 67 / 13

HEX #DFB449

RGB 223 180 73

HSL 42.8, 0.7%, 0.58%

LAB 75.33, 4.37, 58.49

 

CMYK 68 / 0 / 19 / 13

HEX #47DFB5

RGB 71 223 181

HSL 163.42, 0.7%, 0.58%

LAB 80.43, -49.5, 9.1

 

CMYK 67 / 62 / 0 / 13

HEX #4955DF

RGB 73 85 223

HSL 235.2, 0.7%, 0.58%

LAB 43.12, 39.12, -71.78

 

CMYK 0 / 67 / 48 / 13

HEX #DF4973

RGB 223 73 115

HSL 343.2, 0.7%, 0.58%

LAB 53.7, 61.04, 9.37

 

CMYK 0 / 6 / 67 / 13

HEX #DFD249

RGB 223 210 73

HSL 54.8, 0.7%, 0.58%

LAB 83.05, -11.1, 66.49

 

CMYK 68 / 0 / 19 / 13

HEX #47DFB5

RGB 71 223 181

HSL 163.42, 0.7%, 0.58%

LAB 80.43, -49.5, 9.1

 

CMYK 53 / 67 / 0 / 13

HEX #6949DF

RGB 105 73 223

HSL 252.8, 0.7%, 0.58%

LAB 42.91, 50.87, -72.03

 

CMYK 0 / 67 / 48 / 13

HEX #DF4973

RGB 223 73 115

HSL 343.2, 0.7%, 0.58%

LAB 53.7, 61.04, 9.37

 

CMYK 15 / 0 / 67 / 13

HEX #BEDF49

RGB 190 223 73

HSL 73.2, 0.7%, 0.58%

LAB 84.07, -30.9, 66.73

 

Description

Color code: HEX #47DFB5 | qconv.com Color code: HEX #47DFB5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 223 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 223 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 19 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 19% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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