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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47DF99 it is the complementary color #B82066. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47DF99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47DF99 shade: #4CDF94, #5DF1A7, #6EFFBA, #7FFFCD and #90FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47DF99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47DF99 shade: #47DF99, #36CD86, #25BB73, #14A960 and #03974D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47DF99 shade: #49DF9A, #49DF71, #49DF49, #71DF49 and #9ADF49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47DF99 shade: #49DF9A, #49DFC2, #49D3DF, #49ABDF and #4982DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47DF99 shade matches the following richer shades: #49DF9A and #38F09B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47DF99 shade: #49DF9A, #5ACE98, #6CBC97, #7DAB96 and #8E9A94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47DF99 shade: #49DF49, #49DF71, #49DF99, #49DFC1 and #49D5DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47DF99 shade: #20B571, #26D886, #49DF9A, #6CE5AD and #8FEBC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47DF99 shade: #47DF99, #4971DF and #DF5D49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47DF99 shade: #47DF99, #9949DF and #DF9949

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47DF99 shade: #47DF99, #4971DF, #DF498F and #DFB749

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47DF99 shade: #47DF99, #4E49DF, #DF498F and #DADF49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 31 / 13

HEX #47DF99

RGB 71 223 153

HSL 152.37, 0.7%, 0.58%

LAB 79.85, -55.66, 22.98

 

Complementary color

CMYK 0 / 83 / 45 / 28

HEX #B82066

RGB 184 32 102

HSL 332.37, 0.7%, 0.42%

LAB 41.5, 62.27, -1.14

 

CMYK 66 / 0 / 34 / 13

HEX #4CDF94

RGB 76 223 148

HSL 149.39, 0.7%, 0.59%

LAB 79.87, -55.83, 25.62

 

CMYK 61 / 0 / 31 / 5

HEX #5DF1A7

RGB 93 241 167

HSL 150, 0.84%, 0.65%

LAB 86.02, -56.07, 24.29

 

CMYK 57 / 0 / 27 / 0

HEX #6EFFBA

RGB 110 255 186

HSL 151.45, 1%, 0.72%

LAB 90.95, -54.56, 21.45

 

CMYK 50 / 0 / 20 / 0

HEX #7FFFCD

RGB 127 255 205

HSL 156.56, 1%, 0.75%

LAB 91.88, -47.01, 13.1

 

CMYK 44 / 0 / 12 / 0

HEX #90FFE0

RGB 144 255 224

HSL 163.24, 1%, 0.78%

LAB 92.94, -38.95, 4.9

 

CMYK 68 / 0 / 31 / 13

HEX #47DF99

RGB 71 223 153

HSL 152.37, 0.7%, 0.58%

LAB 79.85, -55.66, 22.98

 

CMYK 74 / 0 / 35 / 20

HEX #36CD86

RGB 54 205 134

HSL 151.79, 0.6%, 0.51%

LAB 73.65, -55.12, 24.42

 

CMYK 80 / 0 / 39 / 27

HEX #25BB73

RGB 37 187 115

HSL 151.2, 0.67%, 0.44%

LAB 67.41, -54.25, 25.99

 

CMYK 88 / 0 / 43 / 34

HEX #14A960

RGB 20 169 96

HSL 150.6, 0.79%, 0.37%

LAB 61.11, -52.94, 27.71

 

CMYK 98 / 0 / 49 / 41

HEX #03974D

RGB 3 151 77

HSL 150, 0.96%, 0.3%

LAB 54.75, -51.07, 29.56

 

CMYK 67 / 0 / 31 / 13

HEX #49DF9A

RGB 73 223 154

HSL 152.4, 0.7%, 0.58%

LAB 79.91, -55.14, 22.56

 

CMYK 67 / 0 / 49 / 13

HEX #49DF71

RGB 73 223 113

HSL 136, 0.7%, 0.58%

LAB 79.26, -62.36, 42.4

 

CMYK 67 / 0 / 67 / 13

HEX #49DF49

RGB 73 223 73

HSL 120, 0.7%, 0.58%

LAB 78.85, -67.14, 59.66

 

CMYK 49 / 0 / 67 / 13

HEX #71DF49

RGB 113 223 73

HSL 104, 0.7%, 0.58%

LAB 80.05, -57.68, 61.29

 

CMYK 31 / 0 / 67 / 13

HEX #9ADF49

RGB 154 223 73

HSL 87.6, 0.7%, 0.58%

LAB 81.91, -44.48, 63.81

 

CMYK 67 / 0 / 31 / 13

HEX #49DF9A

RGB 73 223 154

HSL 152.4, 0.7%, 0.58%

LAB 79.91, -55.14, 22.56

 

CMYK 67 / 0 / 13 / 13

HEX #49DFC2

RGB 73 223 194

HSL 168.4, 0.7%, 0.58%

LAB 80.79, -46.04, 2.72

 

CMYK 67 / 5 / 0 / 13

HEX #49D3DF

RGB 73 211 223

HSL 184.8, 0.7%, 0.58%

LAB 78.07, -32.79, -16.79

 

CMYK 67 / 23 / 0 / 13

HEX #49ABDF

RGB 73 171 223

HSL 200.8, 0.7%, 0.58%

LAB 66.42, -12.46, -34.62

 

CMYK 67 / 42 / 0 / 13

HEX #4982DF

RGB 73 130 223

HSL 217.2, 0.7%, 0.58%

LAB 54.77, 11.2, -52.97

 

CMYK 67 / 0 / 31 / 13

HEX #49DF9A

RGB 73 223 154

HSL 152.4, 0.7%, 0.58%

LAB 79.91, -55.14, 22.56

 

CMYK 77 / 0 / 35 / 6

HEX #38F09B

RGB 56 240 155

HSL 152.28, 0.86%, 0.58%

LAB 84.75, -63.67, 28.57

 

CMYK 67 / 0 / 31 / 13

HEX #49DF9A

RGB 73 223 154

HSL 152.4, 0.7%, 0.58%

LAB 79.91, -55.14, 22.56

 

CMYK 56 / 0 / 26 / 19

HEX #5ACE98

RGB 90 206 152

HSL 152.07, 0.54%, 0.58%

LAB 75.19, -45.39, 17.16

 

CMYK 43 / 0 / 20 / 26

HEX #6CBC97

RGB 108 188 151

HSL 152.25, 0.37%, 0.58%

LAB 70.45, -33.12, 11.14

 

CMYK 27 / 0 / 12 / 33

HEX #7DAB96

RGB 125 171 150

HSL 152.61, 0.21%, 0.58%

LAB 66.28, -19.9, 5.86

 

CMYK 8 / 0 / 4 / 40

HEX #8E9A94

RGB 142 154 148

HSL 150, 0.06%, 0.58%

LAB 62.51, -5.48, 1.67

 

CMYK 67 / 0 / 67 / 13

HEX #49DF49

RGB 73 223 73

HSL 120, 0.7%, 0.58%

LAB 78.85, -67.14, 59.66

 

CMYK 67 / 0 / 49 / 13

HEX #49DF71

RGB 73 223 113

HSL 136, 0.7%, 0.58%

LAB 79.26, -62.36, 42.4

 

CMYK 67 / 0 / 31 / 13

HEX #49DF99

RGB 73 223 153

HSL 152, 0.7%, 0.58%

LAB 79.89, -55.34, 23.05

 

CMYK 67 / 0 / 13 / 13

HEX #49DFC1

RGB 73 223 193

HSL 168, 0.7%, 0.58%

LAB 80.76, -46.29, 3.22

 

CMYK 67 / 4 / 0 / 13

HEX #49D5DF

RGB 73 213 223

HSL 184, 0.7%, 0.58%

LAB 78.66, -33.74, -15.91

 

CMYK 82 / 0 / 38 / 29

HEX #20B571

RGB 32 181 113

HSL 152.62, 0.7%, 0.42%

LAB 65.39, -52.95, 24.36

 

CMYK 82 / 0 / 38 / 15

HEX #26D886

RGB 38 216 134

HSL 152.36, 0.7%, 0.5%

LAB 76.83, -60.98, 28.64

 

CMYK 67 / 0 / 31 / 13

HEX #49DF9A

RGB 73 223 154

HSL 152.4, 0.7%, 0.58%

LAB 79.91, -55.14, 22.56

 

CMYK 53 / 0 / 24 / 10

HEX #6CE5AD

RGB 108 229 173

HSL 152.23, 0.7%, 0.66%

LAB 83.04, -46.84, 17.14

 

CMYK 39 / 0 / 18 / 8

HEX #8FEBC1

RGB 143 235 193

HSL 152.61, 0.7%, 0.74%

LAB 86.56, -36.66, 11.84

 

CMYK 68 / 0 / 31 / 13

HEX #47DF99

RGB 71 223 153

HSL 152.37, 0.7%, 0.58%

LAB 79.85, -55.66, 22.98

 

CMYK 67 / 49 / 0 / 13

HEX #4971DF

RGB 73 113 223

HSL 224, 0.7%, 0.58%

LAB 50.16, 21.68, -60.36

 

CMYK 0 / 58 / 67 / 13

HEX #DF5D49

RGB 223 93 73

HSL 8, 0.7%, 0.58%

LAB 56.09, 49.53, 36.97

 

CMYK 68 / 0 / 31 / 13

HEX #47DF99

RGB 71 223 153

HSL 152.37, 0.7%, 0.58%

LAB 79.85, -55.66, 22.98

 

CMYK 31 / 67 / 0 / 13

HEX #9949DF

RGB 153 73 223

HSL 272, 0.7%, 0.58%

LAB 48.09, 59.73, -63.38

 

CMYK 0 / 31 / 67 / 13

HEX #DF9949

RGB 223 153 73

HSL 32, 0.7%, 0.58%

LAB 68.72, 18.76, 51.38

 

CMYK 68 / 0 / 31 / 13

HEX #47DF99

RGB 71 223 153

HSL 152.37, 0.7%, 0.58%

LAB 79.85, -55.66, 22.98

 

CMYK 67 / 49 / 0 / 13

HEX #4971DF

RGB 73 113 223

HSL 224, 0.7%, 0.58%

LAB 50.16, 21.68, -60.36

 

CMYK 0 / 67 / 36 / 13

HEX #DF498F

RGB 223 73 143

HSL 332, 0.7%, 0.58%

LAB 54.49, 63.78, -6.15

 

CMYK 0 / 18 / 67 / 13

HEX #DFB749

RGB 223 183 73

HSL 44, 0.7%, 0.58%

LAB 76.09, 2.79, 59.29

 

CMYK 68 / 0 / 31 / 13

HEX #47DF99

RGB 71 223 153

HSL 152.37, 0.7%, 0.58%

LAB 79.85, -55.66, 22.98

 

CMYK 65 / 67 / 0 / 13

HEX #4E49DF

RGB 78 73 223

HSL 242, 0.7%, 0.58%

LAB 40.76, 46.91, -75.64

 

CMYK 0 / 67 / 36 / 13

HEX #DF498F

RGB 223 73 143

HSL 332, 0.7%, 0.58%

LAB 54.49, 63.78, -6.15

 

CMYK 2 / 0 / 67 / 13

HEX #DADF49

RGB 218 223 73

HSL 62, 0.7%, 0.58%

LAB 86.09, -19.61, 69.42

 

Description

Color code: HEX #47DF99 | qconv.com Color code: HEX #47DF99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 223 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 223 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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