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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47DCA7 it is the complementary color #B82358. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47DCA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47DCA7 shade: #4CDCA2, #5DEEB5, #6EFFC8, #7FFFDB and #90FFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47DCA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47DCA7 shade: #47DCA7, #36CA94, #25B881, #14A66E and #03945B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47DCA7 shade: #47DCA7, #47DC7F, #47DC56, #5FDC47 and #88DC47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47DCA7 shade: #47DCA7, #47DCCF, #47C1DC, #4798DC and #4770DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47DCA7 shade matches the following richer shades: #47DCA7 and #35EEAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47DCA7 shade: #47DCA7, #59CAA2, #6AB89D, #7CA798 and #8E9592

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47DCA7 shade: #47DC56, #47DC7D, #47DCA5, #47DCCD and #47C3DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47DCA7 shade: #21AF7D, #28D295, #47DCA7, #69E3B7 and #8CE9C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47DCA7 shade: #47DCA7, #4760DC and #DC6A47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47DCA7 shade: #47DCA7, #A547DC and #DCA547

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47DCA7 shade: #47DCA7, #4760DC, #DC477D and #DCC347

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47DCA7 shade: #47DCA7, #5B47DC, #DC477D and #C8DC47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 24 / 14

HEX #47DCA7

RGB 71 220 167

HSL 158.66, 0.68%, 0.57%

LAB 79.22, -51.49, 14.78

 

Complementary color

CMYK 0 / 81 / 52 / 28

HEX #B82358

RGB 184 35 88

HSL 338.66, 0.68%, 0.43%

LAB 41.37, 60.31, 7.49

 

CMYK 65 / 0 / 26 / 14

HEX #4CDCA2

RGB 76 220 162

HSL 155.83, 0.67%, 0.58%

LAB 79.23, -51.77, 17.44

 

CMYK 61 / 0 / 24 / 7

HEX #5DEEB5

RGB 93 238 181

HSL 156.41, 0.81%, 0.65%

LAB 85.41, -52, 16.22

 

CMYK 57 / 0 / 22 / 0

HEX #6EFFC8

RGB 110 255 200

HSL 157.24, 1%, 0.72%

LAB 91.24, -51.68, 14.68

 

CMYK 50 / 0 / 14 / 0

HEX #7FFFDB

RGB 127 255 219

HSL 163.13, 1%, 0.75%

LAB 92.2, -43.98, 6.33

 

CMYK 44 / 0 / 7 / 0

HEX #90FFEE

RGB 144 255 238

HSL 170.81, 1%, 0.78%

LAB 93.29, -35.82, -1.83

 

CMYK 68 / 0 / 24 / 14

HEX #47DCA7

RGB 71 220 167

HSL 158.66, 0.68%, 0.57%

LAB 79.22, -51.49, 14.78

 

CMYK 73 / 0 / 27 / 21

HEX #36CA94

RGB 54 202 148

HSL 158.11, 0.58%, 0.5%

LAB 73, -50.98, 16.11

 

CMYK 80 / 0 / 30 / 28

HEX #25B881

RGB 37 184 129

HSL 157.55, 0.67%, 0.43%

LAB 66.72, -50.17, 17.57

 

CMYK 88 / 0 / 34 / 35

HEX #14A66E

RGB 20 166 110

HSL 156.99, 0.78%, 0.36%

LAB 60.38, -48.96, 19.19

 

CMYK 98 / 0 / 39 / 42

HEX #03945B

RGB 3 148 91

HSL 156.41, 0.96%, 0.3%

LAB 53.98, -47.26, 20.98

 

CMYK 68 / 0 / 24 / 14

HEX #47DCA7

RGB 71 220 167

HSL 158.66, 0.68%, 0.57%

LAB 79.22, -51.49, 14.78

 

CMYK 68 / 0 / 42 / 14

HEX #47DC7F

RGB 71 220 127

HSL 142.55, 0.68%, 0.57%

LAB 78.5, -59.39, 34.5

 

CMYK 68 / 0 / 61 / 14

HEX #47DC56

RGB 71 220 86

HSL 126.04, 0.68%, 0.57%

LAB 77.99, -65.19, 53.32

 

CMYK 57 / 0 / 68 / 14

HEX #5FDC47

RGB 95 220 71

HSL 110.34, 0.68%, 0.57%

LAB 78.5, -61.52, 60.24

 

CMYK 38 / 0 / 68 / 14

HEX #88DC47

RGB 136 220 71

HSL 93.83, 0.68%, 0.57%

LAB 80.11, -49.57, 62.42

 

CMYK 68 / 0 / 24 / 14

HEX #47DCA7

RGB 71 220 167

HSL 158.66, 0.68%, 0.57%

LAB 79.22, -51.49, 14.78

 

CMYK 68 / 0 / 6 / 14

HEX #47DCCF

RGB 71 220 207

HSL 174.77, 0.68%, 0.57%

LAB 80.2, -41.66, -5.06

 

CMYK 68 / 12 / 0 / 14

HEX #47C1DC

RGB 71 193 220

HSL 190.87, 0.68%, 0.57%

LAB 72.66, -25.18, -23.38

 

CMYK 68 / 31 / 0 / 14

HEX #4798DC

RGB 71 152 220

HSL 207.38, 0.68%, 0.57%

LAB 60.75, -3.17, -41.83

 

CMYK 68 / 49 / 0 / 14

HEX #4770DC

RGB 71 112 220

HSL 223.49, 0.68%, 0.57%

LAB 49.61, 20.95, -59.56

 

CMYK 68 / 0 / 24 / 14

HEX #47DCA7

RGB 71 220 167

HSL 158.66, 0.68%, 0.57%

LAB 79.22, -51.49, 14.78

 

CMYK 78 / 0 / 28 / 7

HEX #35EEAC

RGB 53 238 172

HSL 158.59, 0.84%, 0.57%

LAB 84.42, -59.77, 19.39

 

CMYK 68 / 0 / 24 / 14

HEX #47DCA7

RGB 71 220 167

HSL 158.66, 0.68%, 0.57%

LAB 79.22, -51.49, 14.78

 

CMYK 56 / 0 / 20 / 21

HEX #59CAA2

RGB 89 202 162

HSL 158.76, 0.52%, 0.57%

LAB 74.17, -41.71, 10.37

 

CMYK 42 / 0 / 15 / 28

HEX #6AB89D

RGB 106 184 157

HSL 159.23, 0.35%, 0.57%

LAB 69.31, -30.46, 6.23

 

CMYK 26 / 0 / 9 / 35

HEX #7CA798

RGB 124 167 152

HSL 159.07, 0.2%, 0.57%

LAB 65.11, -17.73, 3.05

 

CMYK 5 / 0 / 2 / 42

HEX #8E9592

RGB 142 149 146

HSL 154.29, 0.03%, 0.57%

LAB 61.06, -3.12, 0.7

 

CMYK 68 / 0 / 61 / 14

HEX #47DC56

RGB 71 220 86

HSL 126.04, 0.68%, 0.57%

LAB 77.99, -65.19, 53.32

 

CMYK 68 / 0 / 43 / 14

HEX #47DC7D

RGB 71 220 125

HSL 141.74, 0.68%, 0.57%

LAB 78.47, -59.73, 35.47

 

CMYK 68 / 0 / 25 / 14

HEX #47DCA5

RGB 71 220 165

HSL 157.85, 0.68%, 0.57%

LAB 79.18, -51.94, 15.78

 

CMYK 68 / 0 / 7 / 14

HEX #47DCCD

RGB 71 220 205

HSL 173.96, 0.68%, 0.57%

LAB 80.14, -42.19, -4.08

 

CMYK 68 / 11 / 0 / 14

HEX #47C3DC

RGB 71 195 220

HSL 190.07, 0.68%, 0.57%

LAB 73.24, -26.18, -22.49

 

CMYK 81 / 0 / 29 / 31

HEX #21AF7D

RGB 33 175 125

HSL 158.87, 0.68%, 0.41%

LAB 63.72, -47.95, 15.59

 

CMYK 81 / 0 / 29 / 18

HEX #28D295

RGB 40 210 149

HSL 158.47, 0.68%, 0.49%

LAB 75.27, -55.48, 18.7

 

CMYK 68 / 0 / 24 / 14

HEX #47DCA7

RGB 71 220 167

HSL 158.66, 0.68%, 0.57%

LAB 79.22, -51.49, 14.78

 

CMYK 54 / 0 / 19 / 11

HEX #69E3B7

RGB 105 227 183

HSL 158.36, 0.69%, 0.65%

LAB 82.57, -44.52, 11.21

 

CMYK 40 / 0 / 14 / 9

HEX #8CE9C8

RGB 140 233 200

HSL 158.71, 0.68%, 0.73%

LAB 86.02, -35.09, 7.39

 

CMYK 68 / 0 / 24 / 14

HEX #47DCA7

RGB 71 220 167

HSL 158.66, 0.68%, 0.57%

LAB 79.22, -51.49, 14.78

 

CMYK 68 / 56 / 0 / 14

HEX #4760DC

RGB 71 96 220

HSL 229.93, 0.68%, 0.57%

LAB 45.46, 30.99, -66.27

 

CMYK 0 / 52 / 68 / 14

HEX #DC6A47

RGB 220 106 71

HSL 14.09, 0.68%, 0.57%

LAB 58.02, 42.08, 40.21

 

CMYK 68 / 0 / 24 / 14

HEX #47DCA7

RGB 71 220 167

HSL 158.66, 0.68%, 0.57%

LAB 79.22, -51.49, 14.78

 

CMYK 25 / 68 / 0 / 14

HEX #A547DC

RGB 165 71 220

HSL 277.85, 0.68%, 0.57%

LAB 49.1, 62.43, -59.97

 

CMYK 0 / 25 / 68 / 14

HEX #DCA547

RGB 220 165 71

HSL 37.85, 0.68%, 0.57%

LAB 71.27, 10.94, 54.96

 

CMYK 68 / 0 / 24 / 14

HEX #47DCA7

RGB 71 220 167

HSL 158.66, 0.68%, 0.57%

LAB 79.22, -51.49, 14.78

 

CMYK 68 / 56 / 0 / 14

HEX #4760DC

RGB 71 96 220

HSL 229.93, 0.68%, 0.57%

LAB 45.46, 30.99, -66.27

 

CMYK 0 / 68 / 43 / 14

HEX #DC477D

RGB 220 71 125

HSL 338.26, 0.68%, 0.57%

LAB 53.17, 61.83, 2.57

 

CMYK 0 / 11 / 68 / 14

HEX #DCC347

RGB 220 195 71

HSL 49.93, 0.68%, 0.57%

LAB 78.87, -4.84, 62.92

 

CMYK 68 / 0 / 24 / 14

HEX #47DCA7

RGB 71 220 167

HSL 158.66, 0.68%, 0.57%

LAB 79.22, -51.49, 14.78

 

CMYK 59 / 68 / 0 / 14

HEX #5B47DC

RGB 91 71 220

HSL 248.05, 0.68%, 0.57%

LAB 41.05, 48.9, -73.4

 

CMYK 0 / 68 / 43 / 14

HEX #DC477D

RGB 220 71 125

HSL 338.26, 0.68%, 0.57%

LAB 53.17, 61.83, 2.57

 

CMYK 9 / 0 / 68 / 14

HEX #C8DC47

RGB 200 220 71

HSL 68.05, 0.68%, 0.57%

LAB 83.92, -25.61, 67.55

 

Description

Color code: HEX #47DCA7 | qconv.com Color code: HEX #47DCA7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 220 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 220 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 24 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 24% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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