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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47DB48 it is the complementary color #B824B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47DB48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47DB48 shade: #4CDB43, #5DED56, #6EFF69, #7FFF7C and #90FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47DB48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47DB48 shade: #47DB48, #36C935, #25B722, #14A50F and #039300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47DB48 shade: #48DB49, #6FDB48, #96DB48, #BEDB48 and #DBD048

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47DB48 shade: #48DB49, #48DB71, #48DB98, #48DBC0 and #48CEDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47DB48 shade matches the following richer shades: #48DB49, #36ED37 and #24FE26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47DB48 shade: #48DB49, #5AC95A, #6BB76C, #7DA67D and #8F948F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47DB48 shade: #96DB48, #6FDB48, #48DB48, #48DB6F and #48DB96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47DB48 shade: #22AE23, #29D02A, #48DB49, #6AE26B and #8DE88D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47DB48 shade: #47DB48, #48BDDB and #DB4883

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47DB48 shade: #47DB48, #4848DB and #DB4848

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47DB48 shade: #47DB48, #48BDDB, #DB48DB and #DB6548

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47DB48 shade: #47DB48, #4891DB, #DB48DB and #DB9148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 67 / 14

HEX #47DB48

RGB 71 219 72

HSL 120.41, 0.67%, 0.57%

LAB 77.56, -66.29, 58.65

 

Complementary color

CMYK 0 / 80 / 1 / 28

HEX #B824B7

RGB 184 36 183

HSL 300.41, 0.67%, 0.43%

LAB 45.46, 71.49, -44.27

 

CMYK 65 / 0 / 69 / 14

HEX #4CDB43

RGB 76 219 67

HSL 116.45, 0.68%, 0.56%

LAB 77.64, -65.77, 60.7

 

CMYK 61 / 0 / 64 / 7

HEX #5DED56

RGB 93 237 86

HSL 117.22, 0.81%, 0.63%

LAB 83.74, -66.56, 59.91

 

CMYK 57 / 0 / 59 / 0

HEX #6EFF69

RGB 110 255 105

HSL 118, 1%, 0.71%

LAB 89.79, -67.05, 58.88

 

CMYK 50 / 0 / 51 / 0

HEX #7FFF7C

RGB 127 255 124

HSL 118.63, 1%, 0.74%

LAB 90.55, -60.66, 51.44

 

CMYK 44 / 0 / 44 / 0

HEX #90FF8F

RGB 144 255 143

HSL 119.46, 1%, 0.78%

LAB 91.43, -53.55, 43.72

 

CMYK 68 / 0 / 67 / 14

HEX #47DB48

RGB 71 219 72

HSL 120.41, 0.67%, 0.57%

LAB 77.56, -66.29, 58.65

 

CMYK 73 / 0 / 74 / 21

HEX #36C935

RGB 54 201 53

HSL 119.59, 0.58%, 0.5%

LAB 71.43, -65.04, 59.27

 

CMYK 80 / 0 / 81 / 28

HEX #25B722

RGB 37 183 34

HSL 118.79, 0.69%, 0.43%

LAB 65.26, -63.2, 59.22

 

CMYK 88 / 0 / 91 / 35

HEX #14A50F

RGB 20 165 15

HSL 118, 0.83%, 0.35%

LAB 59.06, -60.55, 58.02

 

CMYK 98 / 0 / 100 / 42

HEX #039300

RGB 3 147 0

HSL 118.78, 1%, 0.29%

LAB 52.83, -56.97, 55.2

 

CMYK 67 / 0 / 67 / 14

HEX #48DB49

RGB 72 219 73

HSL 120.41, 0.67%, 0.57%

LAB 77.59, -66.01, 58.3

 

CMYK 49 / 0 / 67 / 14

HEX #6FDB48

RGB 111 219 72

HSL 104.08, 0.67%, 0.57%

LAB 78.76, -56.82, 60.29

 

CMYK 32 / 0 / 67 / 14

HEX #96DB48

RGB 150 219 72

HSL 88.16, 0.67%, 0.57%

LAB 80.52, -44.26, 62.69

 

CMYK 13 / 0 / 67 / 14

HEX #BEDB48

RGB 190 219 72

HSL 71.84, 0.67%, 0.57%

LAB 82.95, -29.09, 65.97

 

CMYK 0 / 5 / 67 / 14

HEX #DBD048

RGB 219 208 72

HSL 55.51, 0.67%, 0.57%

LAB 82.18, -11.82, 65.89

 

CMYK 67 / 0 / 67 / 14

HEX #48DB49

RGB 72 219 73

HSL 120.41, 0.67%, 0.57%

LAB 77.59, -66.01, 58.3

 

CMYK 67 / 0 / 48 / 14

HEX #48DB71

RGB 72 219 113

HSL 136.73, 0.67%, 0.57%

LAB 78.01, -61.11, 40.83

 

CMYK 67 / 0 / 31 / 14

HEX #48DB98

RGB 72 219 152

HSL 152.65, 0.67%, 0.57%

LAB 78.64, -54.15, 21.85

 

CMYK 67 / 0 / 12 / 14

HEX #48DBC0

RGB 72 219 192

HSL 168.98, 0.67%, 0.57%

LAB 79.53, -44.97, 1.95

 

CMYK 67 / 6 / 0 / 14

HEX #48CEDB

RGB 72 206 219

HSL 185.31, 0.67%, 0.57%

LAB 76.46, -31.71, -17.07

 

CMYK 67 / 0 / 67 / 14

HEX #48DB49

RGB 72 219 73

HSL 120.41, 0.67%, 0.57%

LAB 77.59, -66.01, 58.3

 

CMYK 77 / 0 / 77 / 7

HEX #36ED37

RGB 54 237 55

HSL 120.33, 0.84%, 0.57%

LAB 82.72, -75.88, 69.74

 

CMYK 86 / 0 / 85 / 0

HEX #24FE26

RGB 36 254 38

HSL 120.55, 0.99%, 0.57%

LAB 87.68, -83.39, 78.56

 

CMYK 67 / 0 / 67 / 14

HEX #48DB49

RGB 72 219 73

HSL 120.41, 0.67%, 0.57%

LAB 77.59, -66.01, 58.3

 

CMYK 55 / 0 / 55 / 21

HEX #5AC95A

RGB 90 201 90

HSL 120, 0.51%, 0.57%

LAB 72.68, -53.78, 45.47

 

CMYK 42 / 0 / 41 / 28

HEX #6BB76C

RGB 107 183 108

HSL 120.79, 0.35%, 0.57%

LAB 68.08, -39.06, 30.93

 

CMYK 25 / 0 / 25 / 35

HEX #7DA67D

RGB 125 166 125

HSL 120, 0.19%, 0.57%

LAB 64.25, -22.19, 16.83

 

CMYK 3 / 0 / 3 / 42

HEX #8F948F

RGB 143 148 143

HSL 120, 0.02%, 0.57%

LAB 60.78, -2.79, 2

 

CMYK 32 / 0 / 67 / 14

HEX #96DB48

RGB 150 219 72

HSL 88.16, 0.67%, 0.57%

LAB 80.52, -44.26, 62.69

 

CMYK 49 / 0 / 67 / 14

HEX #6FDB48

RGB 111 219 72

HSL 104.08, 0.67%, 0.57%

LAB 78.76, -56.82, 60.29

 

CMYK 67 / 0 / 67 / 14

HEX #48DB48

RGB 72 219 72

HSL 120, 0.67%, 0.57%

LAB 77.58, -66.1, 58.69

 

CMYK 67 / 0 / 49 / 14

HEX #48DB6F

RGB 72 219 111

HSL 135.92, 0.67%, 0.57%

LAB 77.99, -61.41, 41.77

 

CMYK 67 / 0 / 32 / 14

HEX #48DB96

RGB 72 219 150

HSL 151.84, 0.67%, 0.57%

LAB 78.6, -54.55, 22.85

 

CMYK 80 / 0 / 80 / 32

HEX #22AE23

RGB 34 174 35

HSL 120.43, 0.67%, 0.41%

LAB 62.28, -60.78, 56.11

 

CMYK 80 / 0 / 80 / 18

HEX #29D02A

RGB 41 208 42

HSL 120.36, 0.67%, 0.49%

LAB 73.38, -69.73, 64.59

 

CMYK 67 / 0 / 67 / 14

HEX #48DB49

RGB 72 219 73

HSL 120.41, 0.67%, 0.57%

LAB 77.59, -66.01, 58.3

 

CMYK 53 / 0 / 53 / 11

HEX #6AE26B

RGB 106 226 107

HSL 120.5, 0.67%, 0.65%

LAB 81.03, -57.14, 47.63

 

CMYK 39 / 0 / 39 / 9

HEX #8DE88D

RGB 141 232 141

HSL 120, 0.66%, 0.73%

LAB 84.64, -45.1, 35.92

 

CMYK 68 / 0 / 67 / 14

HEX #47DB48

RGB 71 219 72

HSL 120.41, 0.67%, 0.57%

LAB 77.56, -66.29, 58.65

 

CMYK 67 / 14 / 0 / 14

HEX #48BDDB

RGB 72 189 219

HSL 192.24, 0.67%, 0.57%

LAB 71.48, -23.33, -24.64

 

CMYK 0 / 67 / 40 / 14

HEX #DB4883

RGB 219 72 131

HSL 335.92, 0.67%, 0.57%

LAB 53.31, 61.75, -0.82

 

CMYK 68 / 0 / 67 / 14

HEX #47DB48

RGB 71 219 72

HSL 120.41, 0.67%, 0.57%

LAB 77.56, -66.29, 58.65

 

CMYK 67 / 67 / 0 / 14

HEX #4848DB

RGB 72 72 219

HSL 240, 0.67%, 0.57%

LAB 39.79, 45.45, -74.95

 

CMYK 0 / 67 / 67 / 14

HEX #DB4848

RGB 219 72 72

HSL 0, 0.67%, 0.57%

LAB 52.02, 57.16, 32.48

 

CMYK 68 / 0 / 67 / 14

HEX #47DB48

RGB 71 219 72

HSL 120.41, 0.67%, 0.57%

LAB 77.56, -66.29, 58.65

 

CMYK 67 / 14 / 0 / 14

HEX #48BDDB

RGB 72 189 219

HSL 192.24, 0.67%, 0.57%

LAB 71.48, -23.33, -24.64

 

CMYK 0 / 67 / 0 / 14

HEX #DB48DB

RGB 219 72 219

HSL 300, 0.67%, 0.57%

LAB 56.89, 73.54, -46.51

 

CMYK 0 / 54 / 67 / 14

HEX #DB6548

RGB 219 101 72

HSL 11.84, 0.67%, 0.57%

LAB 56.91, 44.22, 38.34

 

CMYK 68 / 0 / 67 / 14

HEX #47DB48

RGB 71 219 72

HSL 120.41, 0.67%, 0.57%

LAB 77.56, -66.29, 58.65

 

CMYK 67 / 34 / 0 / 14

HEX #4891DB

RGB 72 145 219

HSL 210.2, 0.67%, 0.57%

LAB 58.74, 0.7, -44.44

 

CMYK 0 / 67 / 0 / 14

HEX #DB48DB

RGB 219 72 219

HSL 300, 0.67%, 0.57%

LAB 56.89, 73.54, -46.51

 

CMYK 0 / 34 / 67 / 14

HEX #DB9148

RGB 219 145 72

HSL 29.8, 0.67%, 0.57%

LAB 66.35, 21.32, 49.11

 

Description

Color code: HEX #47DB48 | qconv.com Color code: HEX #47DB48 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 219 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 219 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 67 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 67% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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