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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47D896 it is the complementary color #B82769. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47D896. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47D896 shade: #4CD891, #5DEAA4, #6EFCB7, #7FFFCA and #90FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47D896. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47D896 shade: #47D896, #36C683, #25B470, #14A25D and #03904A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47D896 shade: #46D895, #46D86E, #46D847, #6CD846 and #94D846

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47D896 shade: #46D895, #46D8BD, #46CBD8, #46A4D8 and #467DD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47D896 shade matches the following richer shades: #46D895, #34EA97 and #22FC99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47D896 shade: #46D895, #58C694, #6AB392, #7CA190 and #8E8F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47D896 shade: #46D846, #46D86D, #46D894, #46D8BB and #46CED8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47D896 shade: #24A86B, #2BCA81, #46D895, #68DFA9 and #8AE6BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47D896 shade: #47D896, #466DD8 and #D85946

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47D896 shade: #47D896, #9446D8 and #D89446

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47D896 shade: #47D896, #466DD8, #D8468A and #D8B146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47D896 shade: #47D896, #4B46D8, #D8468A and #D3D846

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 31 / 15

HEX #47D896

RGB 71 216 150

HSL 152.69, 0.65%, 0.56%

LAB 77.67, -53.54, 21.56

 

Complementary color

CMYK 0 / 79 / 43 / 28

HEX #B82769

RGB 184 39 105

HSL 332.69, 0.65%, 0.44%

LAB 42.25, 60.7, -1.92

 

CMYK 65 / 0 / 33 / 15

HEX #4CD891

RGB 76 216 145

HSL 149.57, 0.64%, 0.57%

LAB 77.69, -53.68, 24.23

 

CMYK 60 / 0 / 30 / 8

HEX #5DEAA4

RGB 93 234 164

HSL 150.21, 0.77%, 0.64%

LAB 83.89, -53.88, 22.91

 

CMYK 56 / 0 / 27 / 1

HEX #6EFCB7

RGB 110 252 183

HSL 150.85, 0.96%, 0.71%

LAB 90.02, -53.94, 21.69

 

CMYK 50 / 0 / 21 / 0

HEX #7FFFCA

RGB 127 255 202

HSL 155.16, 1%, 0.75%

LAB 91.82, -47.64, 14.55

 

CMYK 44 / 0 / 13 / 0

HEX #90FFDD

RGB 144 255 221

HSL 161.62, 1%, 0.78%

LAB 92.87, -39.6, 6.35

 

CMYK 67 / 0 / 31 / 15

HEX #47D896

RGB 71 216 150

HSL 152.69, 0.65%, 0.56%

LAB 77.67, -53.54, 21.56

 

CMYK 73 / 0 / 34 / 22

HEX #36C683

RGB 54 198 131

HSL 152.08, 0.57%, 0.49%

LAB 71.43, -53.05, 22.99

 

CMYK 79 / 0 / 38 / 29

HEX #25B470

RGB 37 180 112

HSL 151.47, 0.66%, 0.43%

LAB 65.13, -52.24, 24.54

 

CMYK 88 / 0 / 43 / 36

HEX #14A25D

RGB 20 162 93

HSL 150.85, 0.78%, 0.36%

LAB 58.77, -50.98, 26.26

 

CMYK 98 / 0 / 49 / 44

HEX #03904A

RGB 3 144 74

HSL 150.21, 0.96%, 0.29%

LAB 52.35, -49.16, 28.11

 

CMYK 68 / 0 / 31 / 15

HEX #46D895

RGB 70 216 149

HSL 152.47, 0.65%, 0.56%

LAB 77.63, -53.91, 22.03

 

CMYK 68 / 0 / 49 / 15

HEX #46D86E

RGB 70 216 110

HSL 136.44, 0.65%, 0.56%

LAB 77, -60.84, 41.03

 

CMYK 68 / 0 / 67 / 15

HEX #46D847

RGB 70 216 71

HSL 120.41, 0.65%, 0.56%

LAB 76.6, -65.58, 58.01

 

CMYK 50 / 0 / 68 / 15

HEX #6CD846

RGB 108 216 70

HSL 104.38, 0.65%, 0.56%

LAB 77.72, -56.7, 59.94

 

CMYK 31 / 0 / 68 / 15

HEX #94D846

RGB 148 216 70

HSL 87.95, 0.65%, 0.56%

LAB 79.53, -43.82, 62.39

 

CMYK 68 / 0 / 31 / 15

HEX #46D895

RGB 70 216 149

HSL 152.47, 0.65%, 0.56%

LAB 77.63, -53.91, 22.03

 

CMYK 68 / 0 / 13 / 15

HEX #46D8BD

RGB 70 216 189

HSL 168.9, 0.65%, 0.56%

LAB 78.51, -44.73, 2.07

 

CMYK 68 / 6 / 0 / 15

HEX #46CBD8

RGB 70 203 216

HSL 185.34, 0.65%, 0.56%

LAB 75.43, -31.42, -17.01

 

CMYK 68 / 24 / 0 / 15

HEX #46A4D8

RGB 70 164 216

HSL 201.37, 0.65%, 0.56%

LAB 64.01, -11.39, -34.52

 

CMYK 68 / 42 / 0 / 15

HEX #467DD8

RGB 70 125 216

HSL 217.4, 0.65%, 0.56%

LAB 52.87, 11.32, -52.07

 

CMYK 68 / 0 / 31 / 15

HEX #46D895

RGB 70 216 149

HSL 152.47, 0.65%, 0.56%

LAB 77.63, -53.91, 22.03

 

CMYK 78 / 0 / 35 / 8

HEX #34EA97

RGB 52 234 151

HSL 152.64, 0.81%, 0.56%

LAB 82.81, -62.73, 27.98

 

CMYK 87 / 0 / 39 / 1

HEX #22FC99

RGB 34 252 153

HSL 152.75, 0.97%, 0.56%

LAB 88.09, -70.22, 33.99

 

CMYK 68 / 0 / 31 / 15

HEX #46D895

RGB 70 216 149

HSL 152.47, 0.65%, 0.56%

LAB 77.63, -53.91, 22.03

 

CMYK 56 / 0 / 25 / 22

HEX #58C694

RGB 88 198 148

HSL 152.73, 0.49%, 0.56%

LAB 72.63, -43.24, 15.72

 

CMYK 41 / 0 / 18 / 30

HEX #6AB392

RGB 106 179 146

HSL 152.88, 0.32%, 0.56%

LAB 67.56, -30.47, 9.76

 

CMYK 23 / 0 / 11 / 37

HEX #7CA190

RGB 124 161 144

HSL 152.43, 0.16%, 0.56%

LAB 63.17, -16.29, 4.72

 

CMYK 1 / 0 / 0 / 44

HEX #8E8F8F

RGB 142 143 143

HSL 180, 0%, 0.56%

LAB 59.32, -0.36, -0.14

 

CMYK 68 / 0 / 68 / 15

HEX #46D846

RGB 70 216 70

HSL 120, 0.65%, 0.56%

LAB 76.59, -65.67, 58.4

 

CMYK 68 / 0 / 50 / 15

HEX #46D86D

RGB 70 216 109

HSL 136.03, 0.65%, 0.56%

LAB 76.99, -60.99, 41.5

 

CMYK 68 / 0 / 31 / 15

HEX #46D894

RGB 70 216 148

HSL 152.05, 0.65%, 0.56%

LAB 77.61, -54.11, 22.52

 

CMYK 68 / 0 / 13 / 15

HEX #46D8BB

RGB 70 216 187

HSL 168.08, 0.65%, 0.56%

LAB 78.46, -45.23, 3.07

 

CMYK 68 / 5 / 0 / 15

HEX #46CED8

RGB 70 206 216

HSL 184.11, 0.65%, 0.56%

LAB 76.32, -32.86, -15.68

 

CMYK 79 / 0 / 36 / 34

HEX #24A86B

RGB 36 168 107

HSL 152.27, 0.65%, 0.4%

LAB 61.17, -48.81, 21.93

 

CMYK 79 / 0 / 36 / 21

HEX #2BCA81

RGB 43 202 129

HSL 152.45, 0.65%, 0.48%

LAB 72.45, -56.37, 25.4

 

CMYK 68 / 0 / 31 / 15

HEX #46D895

RGB 70 216 149

HSL 152.47, 0.65%, 0.56%

LAB 77.63, -53.91, 22.03

 

CMYK 53 / 0 / 24 / 13

HEX #68DFA9

RGB 104 223 169

HSL 152.77, 0.65%, 0.64%

LAB 81.06, -46.01, 16.44

 

CMYK 40 / 0 / 18 / 10

HEX #8AE6BC

RGB 138 230 188

HSL 152.61, 0.65%, 0.72%

LAB 84.81, -36.74, 11.94

 

CMYK 67 / 0 / 31 / 15

HEX #47D896

RGB 71 216 150

HSL 152.69, 0.65%, 0.56%

LAB 77.67, -53.54, 21.56

 

CMYK 68 / 50 / 0 / 15

HEX #466DD8

RGB 70 109 216

HSL 223.97, 0.65%, 0.56%

LAB 48.51, 21.26, -59.07

 

CMYK 0 / 59 / 68 / 15

HEX #D85946

RGB 216 89 70

HSL 7.81, 0.65%, 0.56%

LAB 54.22, 48.72, 36.15

 

CMYK 67 / 0 / 31 / 15

HEX #47D896

RGB 71 216 150

HSL 152.69, 0.65%, 0.56%

LAB 77.67, -53.54, 21.56

 

CMYK 31 / 68 / 0 / 15

HEX #9446D8

RGB 148 70 216

HSL 272.05, 0.65%, 0.56%

LAB 46.49, 58.5, -62.01

 

CMYK 0 / 31 / 68 / 15

HEX #D89446

RGB 216 148 70

HSL 32.05, 0.65%, 0.56%

LAB 66.69, 18.32, 50.34

 

CMYK 67 / 0 / 31 / 15

HEX #47D896

RGB 71 216 150

HSL 152.69, 0.65%, 0.56%

LAB 77.67, -53.54, 21.56

 

CMYK 68 / 50 / 0 / 15

HEX #466DD8

RGB 70 109 216

HSL 223.97, 0.65%, 0.56%

LAB 48.51, 21.26, -59.07

 

CMYK 0 / 68 / 36 / 15

HEX #D8468A

RGB 216 70 138

HSL 332.05, 0.65%, 0.56%

LAB 52.75, 62.39, -5.89

 

CMYK 0 / 18 / 68 / 15

HEX #D8B146

RGB 216 177 70

HSL 43.97, 0.65%, 0.56%

LAB 73.86, 2.8, 58.02

 

CMYK 67 / 0 / 31 / 15

HEX #47D896

RGB 71 216 150

HSL 152.69, 0.65%, 0.56%

LAB 77.67, -53.54, 21.56

 

CMYK 65 / 68 / 0 / 15

HEX #4B46D8

RGB 75 70 216

HSL 242.05, 0.65%, 0.56%

LAB 39.3, 46.01, -74.03

 

CMYK 0 / 68 / 36 / 15

HEX #D8468A

RGB 216 70 138

HSL 332.05, 0.65%, 0.56%

LAB 52.75, 62.39, -5.89

 

CMYK 2 / 0 / 68 / 15

HEX #D3D846

RGB 211 216 70

HSL 62.05, 0.65%, 0.56%

LAB 83.65, -19.23, 67.92

 

Description

Color code: HEX #47D896 | qconv.com Color code: HEX #47D896 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 216 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 216 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 31 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 31% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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