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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47D543 it is the complementary color #B82ABC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47D543. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47D543 shade: #4CD53E, #5DE751, #6EF964, #7FFF77 and #90FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47D543. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47D543 shade: #47D543, #36C330, #25B11D, #149F0A and #038D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47D543 shade: #48D544, #6FD544, #96D544, #BDD544 and #D5C544

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47D543 shade: #48D544, #44D567, #44D58E, #44D5B5 and #44CDD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47D543 shade matches the following richer shades: #48D544, #36E731 and #25FA1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47D543 shade: #48D544, #59C257, #6BAF69, #7D9D7C and #8E8A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47D543 shade: #96D544, #6FD544, #49D544, #44D566 and #44D58C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47D543 shade: #28A125, #30C32C, #48D544, #69DC66 and #8AE487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47D543 shade: #47D543, #44BCD5 and #D54483

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47D543 shade: #47D543, #4449D5 and #D54449

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47D543 shade: #47D543, #44BCD5, #D044D5 and #D55C44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47D543 shade: #47D543, #4491D5, #D044D5 and #D58744

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 69 / 16

HEX #47D543

RGB 71 213 67

HSL 118.36, 0.63%, 0.55%

LAB 75.66, -64.76, 58.58

 

Complementary color

CMYK 2 / 78 / 0 / 26

HEX #B82ABC

RGB 184 42 188

HSL 298.36, 0.63%, 0.45%

LAB 46.28, 70.74, -45.88

 

CMYK 64 / 0 / 71 / 16

HEX #4CD53E

RGB 76 213 62

HSL 114.44, 0.64%, 0.54%

LAB 75.74, -64.17, 60.59

 

CMYK 60 / 0 / 65 / 9

HEX #5DE751

RGB 93 231 81

HSL 115.2, 0.76%, 0.61%

LAB 81.88, -64.96, 59.9

 

CMYK 56 / 0 / 60 / 2

HEX #6EF964

RGB 110 249 100

HSL 115.97, 0.93%, 0.68%

LAB 87.96, -65.45, 58.93

 

CMYK 50 / 0 / 53 / 0

HEX #7FFF77

RGB 127 255 119

HSL 116.47, 1%, 0.73%

LAB 90.49, -61.27, 53.66

 

CMYK 44 / 0 / 46 / 0

HEX #90FF8A

RGB 144 255 138

HSL 116.92, 1%, 0.77%

LAB 91.36, -54.23, 46.03

 

CMYK 67 / 0 / 69 / 16

HEX #47D543

RGB 71 213 67

HSL 118.36, 0.63%, 0.55%

LAB 75.66, -64.76, 58.58

 

CMYK 72 / 0 / 75 / 24

HEX #36C330

RGB 54 195 48

HSL 117.55, 0.6%, 0.48%

LAB 69.49, -63.51, 59.05

 

CMYK 79 / 0 / 84 / 31

HEX #25B11D

RGB 37 177 29

HSL 116.76, 0.72%, 0.4%

LAB 63.28, -61.65, 58.75

 

CMYK 87 / 0 / 94 / 38

HEX #149F0A

RGB 20 159 10

HSL 115.97, 0.88%, 0.33%

LAB 57.04, -58.95, 57.12

 

CMYK 98 / 0 / 100 / 45

HEX #038D00

RGB 3 141 0

HSL 118.72, 1%, 0.28%

LAB 50.77, -55.24, 53.55

 

CMYK 66 / 0 / 68 / 16

HEX #48D544

RGB 72 213 68

HSL 118.34, 0.63%, 0.55%

LAB 75.69, -64.47, 58.23

 

CMYK 48 / 0 / 68 / 16

HEX #6FD544

RGB 111 213 68

HSL 102.21, 0.63%, 0.55%

LAB 76.91, -54.86, 59.89

 

CMYK 30 / 0 / 68 / 16

HEX #96D544

RGB 150 213 68

HSL 86.07, 0.63%, 0.55%

LAB 78.75, -41.95, 62.38

 

CMYK 11 / 0 / 68 / 16

HEX #BDD544

RGB 189 213 68

HSL 69.93, 0.63%, 0.55%

LAB 81.2, -26.88, 65.66

 

CMYK 0 / 8 / 68 / 16

HEX #D5C544

RGB 213 197 68

HSL 53.38, 0.63%, 0.55%

LAB 78.75, -8.99, 63.8

 

CMYK 66 / 0 / 68 / 16

HEX #48D544

RGB 72 213 68

HSL 118.34, 0.63%, 0.55%

LAB 75.69, -64.47, 58.23

 

CMYK 68 / 0 / 52 / 16

HEX #44D567

RGB 68 213 103

HSL 134.48, 0.63%, 0.55%

LAB 75.94, -61.16, 43.09

 

CMYK 68 / 0 / 33 / 16

HEX #44D58E

RGB 68 213 142

HSL 150.62, 0.63%, 0.55%

LAB 76.54, -54.48, 24.19

 

CMYK 68 / 0 / 15 / 16

HEX #44D5B5

RGB 68 213 181

HSL 166.76, 0.63%, 0.55%

LAB 77.37, -45.74, 4.69

 

CMYK 68 / 4 / 0 / 16

HEX #44CDD5

RGB 68 205 213

HSL 183.31, 0.63%, 0.55%

LAB 75.88, -33.53, -14.72

 

CMYK 66 / 0 / 68 / 16

HEX #48D544

RGB 72 213 68

HSL 118.34, 0.63%, 0.55%

LAB 75.69, -64.47, 58.23

 

CMYK 77 / 0 / 79 / 9

HEX #36E731

RGB 54 231 49

HSL 118.35, 0.79%, 0.55%

LAB 80.83, -74.48, 69.7

 

CMYK 85 / 0 / 88 / 2

HEX #25FA1F

RGB 37 250 31

HSL 118.36, 0.96%, 0.55%

LAB 86.44, -82.49, 78.81

 

CMYK 66 / 0 / 68 / 16

HEX #48D544

RGB 72 213 68

HSL 118.34, 0.63%, 0.55%

LAB 75.69, -64.47, 58.23

 

CMYK 54 / 0 / 55 / 24

HEX #59C257

RGB 89 194 87

HSL 118.88, 0.47%, 0.55%

LAB 70.45, -51.72, 44.22

 

CMYK 39 / 0 / 40 / 31

HEX #6BAF69

RGB 107 175 105

HSL 118.29, 0.3%, 0.55%

LAB 65.6, -35.93, 29.27

 

CMYK 20 / 0 / 21 / 38

HEX #7D9D7C

RGB 125 157 124

HSL 118.18, 0.14%, 0.55%

LAB 61.59, -17.76, 13.69

 

CMYK 0 / 3 / 0 / 44

HEX #8E8A8E

RGB 142 138 142

HSL 300, 0.02%, 0.55%

LAB 57.92, 2.26, -1.61

 

CMYK 30 / 0 / 68 / 16

HEX #96D544

RGB 150 213 68

HSL 86.07, 0.63%, 0.55%

LAB 78.75, -41.95, 62.38

 

CMYK 48 / 0 / 68 / 16

HEX #6FD544

RGB 111 213 68

HSL 102.21, 0.63%, 0.55%

LAB 76.91, -54.86, 59.89

 

CMYK 66 / 0 / 68 / 16

HEX #49D544

RGB 73 213 68

HSL 117.93, 0.63%, 0.55%

LAB 75.71, -64.27, 58.26

 

CMYK 68 / 0 / 52 / 16

HEX #44D566

RGB 68 213 102

HSL 134.07, 0.63%, 0.55%

LAB 75.93, -61.3, 43.55

 

CMYK 68 / 0 / 34 / 16

HEX #44D58C

RGB 68 213 140

HSL 149.79, 0.63%, 0.55%

LAB 76.5, -54.88, 25.19

 

CMYK 75 / 0 / 77 / 37

HEX #28A125

RGB 40 161 37

HSL 118.55, 0.63%, 0.39%

LAB 58.11, -55.66, 51.46

 

CMYK 75 / 0 / 77 / 24

HEX #30C32C

RGB 48 195 44

HSL 118.41, 0.63%, 0.47%

LAB 69.36, -64.74, 60.19

 

CMYK 66 / 0 / 68 / 16

HEX #48D544

RGB 72 213 68

HSL 118.34, 0.63%, 0.55%

LAB 75.69, -64.47, 58.23

 

CMYK 52 / 0 / 54 / 14

HEX #69DC66

RGB 105 220 102

HSL 118.47, 0.63%, 0.63%

LAB 79.13, -55.73, 47.67

 

CMYK 39 / 0 / 41 / 11

HEX #8AE487

RGB 138 228 135

HSL 118.06, 0.63%, 0.71%

LAB 83.25, -45.18, 37.1

 

CMYK 67 / 0 / 69 / 16

HEX #47D543

RGB 71 213 67

HSL 118.36, 0.63%, 0.55%

LAB 75.66, -64.76, 58.58

 

CMYK 68 / 12 / 0 / 16

HEX #44BCD5

RGB 68 188 213

HSL 190.34, 0.63%, 0.55%

LAB 70.87, -25.24, -22.3

 

CMYK 0 / 68 / 38 / 16

HEX #D54483

RGB 213 68 131

HSL 333.93, 0.63%, 0.55%

LAB 51.75, 61.55, -3.24

 

CMYK 67 / 0 / 69 / 16

HEX #47D543

RGB 71 213 67

HSL 118.36, 0.63%, 0.55%

LAB 75.66, -64.76, 58.58

 

CMYK 68 / 66 / 0 / 16

HEX #4449D5

RGB 68 73 213

HSL 237.93, 0.63%, 0.55%

LAB 39.24, 42.38, -72.43

 

CMYK 0 / 68 / 66 / 16

HEX #D54449

RGB 213 68 73

HSL 357.93, 0.63%, 0.55%

LAB 50.41, 56.86, 29.67

 

CMYK 67 / 0 / 69 / 16

HEX #47D543

RGB 71 213 67

HSL 118.36, 0.63%, 0.55%

LAB 75.66, -64.76, 58.58

 

CMYK 68 / 12 / 0 / 16

HEX #44BCD5

RGB 68 188 213

HSL 190.34, 0.63%, 0.55%

LAB 70.87, -25.24, -22.3

 

CMYK 2 / 68 / 0 / 16

HEX #D044D5

RGB 208 68 213

HSL 297.93, 0.63%, 0.55%

LAB 54.39, 71.55, -47.16

 

CMYK 0 / 57 / 68 / 16

HEX #D55C44

RGB 213 92 68

HSL 9.93, 0.63%, 0.55%

LAB 54.26, 46.13, 37.18

 

CMYK 67 / 0 / 69 / 16

HEX #47D543

RGB 71 213 67

HSL 118.36, 0.63%, 0.55%

LAB 75.66, -64.76, 58.58

 

CMYK 68 / 32 / 0 / 16

HEX #4491D5

RGB 68 145 213

HSL 208.14, 0.63%, 0.55%

LAB 58.31, -1.99, -41.77

 

CMYK 2 / 68 / 0 / 16

HEX #D044D5

RGB 208 68 213

HSL 297.93, 0.63%, 0.55%

LAB 54.39, 71.55, -47.16

 

CMYK 0 / 37 / 68 / 16

HEX #D58744

RGB 213 135 68

HSL 27.72, 0.63%, 0.55%

LAB 63.25, 23.96, 47.42

 

Description

Color code: HEX #47D543 | qconv.com Color code: HEX #47D543 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 213 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 213 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 69 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 69% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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