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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47D27E it is the complementary color #B82D81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47D27E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47D27E shade: #4CD279, #5DE48C, #6EF69F, #7FFFB2 and #90FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47D27E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47D27E shade: #47D27E, #36C06B, #25AE58, #149C45 and #038A32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47D27E shade: #46D27E, #46D258, #5AD246, #80D246 and #A6D246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47D27E shade: #46D27E, #46D2A3, #46D2C9, #46B6D2 and #4690D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47D27E shade matches the following richer shades: #46D27E, #34E57A and #21F776

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47D27E shade: #46D27E, #59C082, #6BAD85, #7E9B89 and #91888D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47D27E shade: #5BD246, #46D257, #46D27C, #46D2A1 and #46D2C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47D27E shade: #279F56, #2FC168, #46D27E, #67DA95 and #89E2AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47D27E shade: #47D27E, #4681D2 and #D24649

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47D27E shade: #47D27E, #7C46D2 and #D27C46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47D27E shade: #47D27E, #4681D2, #D2469D and #D29846

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47D27E shade: #47D27E, #4657D2, #D2469D and #D2C246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 40 / 18

HEX #47D27E

RGB 71 210 126

HSL 143.74, 0.61%, 0.55%

LAB 75.41, -55.83, 30.98

 

Complementary color

CMYK 0 / 76 / 30 / 28

HEX #B82D81

RGB 184 45 129

HSL 323.74, 0.61%, 0.45%

LAB 43.73, 61.48, -14.56

 

CMYK 64 / 0 / 42 / 18

HEX #4CD279

RGB 76 210 121

HSL 140.15, 0.6%, 0.56%

LAB 75.46, -55.77, 33.61

 

CMYK 59 / 0 / 39 / 11

HEX #5DE48C

RGB 93 228 140

HSL 140.89, 0.71%, 0.63%

LAB 81.68, -55.98, 32.21

 

CMYK 55 / 0 / 35 / 4

HEX #6EF69F

RGB 110 246 159

HSL 141.62, 0.88%, 0.7%

LAB 87.84, -56.03, 30.9

 

CMYK 50 / 0 / 30 / 0

HEX #7FFFB2

RGB 127 255 178

HSL 143.91, 1%, 0.75%

LAB 91.35, -52.33, 26.14

 

CMYK 44 / 0 / 23 / 0

HEX #90FFC5

RGB 144 255 197

HSL 148.65, 1%, 0.78%

LAB 92.35, -44.52, 17.94

 

CMYK 66 / 0 / 40 / 18

HEX #47D27E

RGB 71 210 126

HSL 143.74, 0.61%, 0.55%

LAB 75.41, -55.83, 30.98

 

CMYK 72 / 0 / 44 / 25

HEX #36C06B

RGB 54 192 107

HSL 143.04, 0.56%, 0.48%

LAB 69.14, -55.31, 32.49

 

CMYK 79 / 0 / 49 / 32

HEX #25AE58

RGB 37 174 88

HSL 142.34, 0.65%, 0.41%

LAB 62.82, -54.42, 34.1

 

CMYK 87 / 0 / 56 / 39

HEX #149C45

RGB 20 156 69

HSL 141.62, 0.77%, 0.35%

LAB 56.44, -52.99, 35.78

 

CMYK 98 / 0 / 64 / 46

HEX #038A32

RGB 3 138 50

HSL 140.89, 0.96%, 0.28%

LAB 50.01, -50.85, 37.44

 

CMYK 67 / 0 / 40 / 18

HEX #46D27E

RGB 70 210 126

HSL 144, 0.61%, 0.55%

LAB 75.39, -56.01, 30.95

 

CMYK 67 / 0 / 58 / 18

HEX #46D258

RGB 70 210 88

HSL 127.71, 0.61%, 0.55%

LAB 74.89, -61.73, 48.85

 

CMYK 57 / 0 / 67 / 18

HEX #5AD246

RGB 90 210 70

HSL 111.43, 0.61%, 0.55%

LAB 75.27, -59.26, 57.14

 

CMYK 39 / 0 / 67 / 18

HEX #80D246

RGB 128 210 70

HSL 95.14, 0.61%, 0.55%

LAB 76.75, -48.19, 59.17

 

CMYK 21 / 0 / 67 / 18

HEX #A6D246

RGB 166 210 70

HSL 78.86, 0.61%, 0.55%

LAB 78.83, -34.46, 61.99

 

CMYK 67 / 0 / 40 / 18

HEX #46D27E

RGB 70 210 126

HSL 144, 0.61%, 0.55%

LAB 75.39, -56.01, 30.95

 

CMYK 67 / 0 / 22 / 18

HEX #46D2A3

RGB 70 210 163

HSL 159.86, 0.61%, 0.55%

LAB 76.09, -48.46, 12.49

 

CMYK 67 / 0 / 4 / 18

HEX #46D2C9

RGB 70 210 201

HSL 176.14, 0.61%, 0.55%

LAB 77.05, -38.92, -6.51

 

CMYK 67 / 13 / 0 / 18

HEX #46B6D2

RGB 70 182 210

HSL 192, 0.61%, 0.55%

LAB 69.05, -22.83, -23.44

 

CMYK 67 / 31 / 0 / 18

HEX #4690D2

RGB 70 144 210

HSL 208.29, 0.61%, 0.55%

LAB 57.94, -2.12, -40.65

 

CMYK 67 / 0 / 40 / 18

HEX #46D27E

RGB 70 210 126

HSL 144, 0.61%, 0.55%

LAB 75.39, -56.01, 30.95

 

CMYK 77 / 0 / 47 / 10

HEX #34E57A

RGB 52 229 122

HSL 143.73, 0.77%, 0.55%

LAB 80.84, -66.16, 39.92

 

CMYK 87 / 0 / 52 / 3

HEX #21F776

RGB 33 247 118

HSL 143.83, 0.93%, 0.55%

LAB 86.08, -74.41, 48.32

 

CMYK 67 / 0 / 40 / 18

HEX #46D27E

RGB 70 210 126

HSL 144, 0.61%, 0.55%

LAB 75.39, -56.01, 30.95

 

CMYK 54 / 0 / 32 / 25

HEX #59C082

RGB 89 192 130

HSL 143.88, 0.45%, 0.55%

LAB 70.48, -44.08, 22.38

 

CMYK 38 / 0 / 23 / 32

HEX #6BAD85

RGB 107 173 133

HSL 143.64, 0.29%, 0.55%

LAB 65.52, -29.99, 14.04

 

CMYK 19 / 0 / 12 / 39

HEX #7E9B89

RGB 126 155 137

HSL 142.76, 0.13%, 0.55%

LAB 61.38, -13.86, 6.1

 

CMYK 0 / 6 / 3 / 43

HEX #91888D

RGB 145 136 141

HSL 326.67, 0.04%, 0.55%

LAB 57.61, 4.31, -1.47

 

CMYK 57 / 0 / 67 / 18

HEX #5BD246

RGB 91 210 70

HSL 111, 0.61%, 0.55%

LAB 75.3, -59.01, 57.18

 

CMYK 67 / 0 / 59 / 18

HEX #46D257

RGB 70 210 87

HSL 127.29, 0.61%, 0.55%

LAB 74.88, -61.85, 49.29

 

CMYK 67 / 0 / 41 / 18

HEX #46D27C

RGB 70 210 124

HSL 143.14, 0.61%, 0.55%

LAB 75.36, -56.37, 31.93

 

CMYK 67 / 0 / 23 / 18

HEX #46D2A1

RGB 70 210 161

HSL 159, 0.61%, 0.55%

LAB 76.05, -48.91, 13.49

 

CMYK 67 / 0 / 5 / 18

HEX #46D2C7

RGB 70 210 199

HSL 175.29, 0.61%, 0.55%

LAB 76.99, -39.46, -5.52

 

CMYK 75 / 0 / 46 / 38

HEX #279F56

RGB 39 159 86

HSL 143.5, 0.61%, 0.39%

LAB 57.94, -49.03, 28.96

 

CMYK 76 / 0 / 46 / 24

HEX #2FC168

RGB 47 193 104

HSL 143.42, 0.61%, 0.47%

LAB 69.29, -57.21, 34.18

 

CMYK 67 / 0 / 40 / 18

HEX #46D27E

RGB 70 210 126

HSL 144, 0.61%, 0.55%

LAB 75.39, -56.01, 30.95

 

CMYK 53 / 0 / 32 / 15

HEX #67DA95

RGB 103 218 149

HSL 144, 0.61%, 0.63%

LAB 79.15, -48.08, 24.26

 

CMYK 39 / 0 / 24 / 11

HEX #89E2AC

RGB 137 226 172

HSL 143.6, 0.61%, 0.71%

LAB 83.28, -38.35, 18.16

 

CMYK 66 / 0 / 40 / 18

HEX #47D27E

RGB 71 210 126

HSL 143.74, 0.61%, 0.55%

LAB 75.41, -55.83, 30.98

 

CMYK 67 / 39 / 0 / 18

HEX #4681D2

RGB 70 129 210

HSL 214.71, 0.61%, 0.55%

LAB 53.66, 6.78, -47.42

 

CMYK 0 / 67 / 65 / 18

HEX #D24649

RGB 210 70 73

HSL 358.71, 0.61%, 0.55%

LAB 50.17, 55.1, 29.27

 

CMYK 66 / 0 / 40 / 18

HEX #47D27E

RGB 71 210 126

HSL 143.74, 0.61%, 0.55%

LAB 75.41, -55.83, 30.98

 

CMYK 41 / 67 / 0 / 18

HEX #7C46D2

RGB 124 70 210

HSL 263.14, 0.61%, 0.55%

LAB 43.24, 52.28, -63.97

 

CMYK 0 / 41 / 67 / 18

HEX #D27C46

RGB 210 124 70

HSL 23.14, 0.61%, 0.55%

LAB 60.39, 28.74, 43.1

 

CMYK 66 / 0 / 40 / 18

HEX #47D27E

RGB 71 210 126

HSL 143.74, 0.61%, 0.55%

LAB 75.41, -55.83, 30.98

 

CMYK 67 / 39 / 0 / 18

HEX #4681D2

RGB 70 129 210

HSL 214.71, 0.61%, 0.55%

LAB 53.66, 6.78, -47.42

 

CMYK 0 / 67 / 25 / 18

HEX #D2469D

RGB 210 70 157

HSL 322.71, 0.61%, 0.55%

LAB 52.42, 62.99, -17.76

 

CMYK 0 / 28 / 67 / 18

HEX #D29846

RGB 210 152 70

HSL 35.14, 0.61%, 0.55%

LAB 66.98, 13.61, 50.46

 

CMYK 66 / 0 / 40 / 18

HEX #47D27E

RGB 71 210 126

HSL 143.74, 0.61%, 0.55%

LAB 75.41, -55.83, 30.98

 

CMYK 67 / 59 / 0 / 18

HEX #4657D2

RGB 70 87 210

HSL 232.71, 0.61%, 0.55%

LAB 42.42, 33.01, -65.51

 

CMYK 0 / 67 / 25 / 18

HEX #D2469D

RGB 210 70 157

HSL 322.71, 0.61%, 0.55%

LAB 52.42, 62.99, -17.76

 

CMYK 0 / 8 / 67 / 18

HEX #D2C246

RGB 210 194 70

HSL 53.14, 0.61%, 0.55%

LAB 77.71, -8.62, 61.86

 

Description

Color code: HEX #47D27E | qconv.com Color code: HEX #47D27E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 210 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 210 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 40 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 40% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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