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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47CC2A it is the complementary color #B833D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47CC2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47CC2A shade: #4CCC25, #5DDE38, #6EF04B, #7FFF5E and #90FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47CC2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47CC2A shade: #47CC2A, #36BA17, #25A804, #149600 and #038400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47CC2A shade: #47CB2A, #72CB2A, #9ECB2A, #C9CB2A and #CBA22A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47CC2A shade: #47CB2A, #2ACB38, #2ACB64, #2ACB8F and #2ACBBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47CC2A shade matches the following richer shades: #47CB2A, #3ADF16 and #2DF302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47CC2A shade: #47CB2A, #53B73D, #60A451, #6D9065 and #797C79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47CC2A shade: #9DCB2A, #72CB2A, #47CB2A, #2ACB37 and #2ACB62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47CC2A shade: #2F871C, #3BA923, #47CB2A, #60D945 and #7DE067

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47CC2A shade: #47CC2A, #2AC8CB and #CB2A88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47CC2A shade: #47CC2A, #2A47CB and #CB2A47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47CC2A shade: #47CC2A, #2AC8CB, #AE2ACB and #CB2C2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47CC2A shade: #47CC2A, #2A98CB, #AE2ACB and #CB5D2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 79 / 20

HEX #47CC2A

RGB 71 204 42

HSL 109.26, 0.66%, 0.48%

LAB 72.69, -63.6, 64.14

 

Complementary color

CMYK 14 / 76 / 0 / 16

HEX #B833D5

RGB 184 51 213

HSL 289.26, 0.66%, 0.52%

LAB 48.71, 72.35, -56.45

 

CMYK 63 / 0 / 82 / 20

HEX #4CCC25

RGB 76 204 37

HSL 105.99, 0.69%, 0.47%

LAB 72.8, -62.78, 65.67

 

CMYK 58 / 0 / 75 / 13

HEX #5DDE38

RGB 93 222 56

HSL 106.63, 0.72%, 0.55%

LAB 78.96, -63.84, 66.06

 

CMYK 54 / 0 / 69 / 6

HEX #6EF04B

RGB 110 240 75

HSL 107.27, 0.85%, 0.62%

LAB 85.07, -64.54, 65.78

 

CMYK 50 / 0 / 63 / 0

HEX #7FFF5E

RGB 127 255 94

HSL 107.7, 1%, 0.68%

LAB 90.25, -63.89, 64.13

 

CMYK 44 / 0 / 56 / 0

HEX #90FF71

RGB 144 255 113

HSL 106.9, 1%, 0.72%

LAB 91.07, -57.24, 57.19

 

CMYK 65 / 0 / 79 / 20

HEX #47CC2A

RGB 71 204 42

HSL 109.26, 0.66%, 0.48%

LAB 72.69, -63.6, 64.14

 

CMYK 71 / 0 / 88 / 27

HEX #36BA17

RGB 54 186 23

HSL 108.59, 0.78%, 0.41%

LAB 66.49, -62.02, 63.12

 

CMYK 78 / 0 / 98 / 34

HEX #25A804

RGB 37 168 4

HSL 107.93, 0.95%, 0.34%

LAB 60.25, -59.77, 60.73

 

CMYK 87 / 0 / 100 / 41

HEX #149600

RGB 20 150 0

HSL 112, 1%, 0.29%

LAB 53.99, -56.57, 56.18

 

CMYK 98 / 0 / 100 / 48

HEX #038400

RGB 3 132 0

HSL 118.64, 1%, 0.26%

LAB 47.65, -52.63, 51.05

 

CMYK 65 / 0 / 79 / 20

HEX #47CB2A

RGB 71 203 42

HSL 109.19, 0.66%, 0.48%

LAB 72.37, -63.27, 63.85

 

CMYK 44 / 0 / 79 / 20

HEX #72CB2A

RGB 114 203 42

HSL 93.17, 0.66%, 0.48%

LAB 73.84, -51.75, 65.75

 

CMYK 22 / 0 / 79 / 20

HEX #9ECB2A

RGB 158 203 42

HSL 76.77, 0.66%, 0.48%

LAB 76.16, -35.9, 68.72

 

CMYK 1 / 0 / 79 / 20

HEX #C9CB2A

RGB 201 203 42

HSL 60.75, 0.66%, 0.48%

LAB 79.21, -18.23, 72.6

 

CMYK 0 / 20 / 79 / 20

HEX #CBA22A

RGB 203 162 42

HSL 44.72, 0.66%, 0.48%

LAB 68.54, 3.85, 63.19

 

CMYK 65 / 0 / 79 / 20

HEX #47CB2A

RGB 71 203 42

HSL 109.19, 0.66%, 0.48%

LAB 72.37, -63.27, 63.85

 

CMYK 79 / 0 / 72 / 20

HEX #2ACB38

RGB 42 203 56

HSL 125.22, 0.66%, 0.48%

LAB 71.89, -67.13, 58.6

 

CMYK 79 / 0 / 51 / 20

HEX #2ACB64

RGB 42 203 100

HSL 141.61, 0.66%, 0.48%

LAB 72.31, -61.96, 39.96

 

CMYK 79 / 0 / 30 / 20

HEX #2ACB8F

RGB 42 203 143

HSL 157.64, 0.66%, 0.48%

LAB 73.02, -53.91, 18.76

 

CMYK 79 / 0 / 8 / 20

HEX #2ACBBB

RGB 42 203 187

HSL 174.04, 0.66%, 0.48%

LAB 74.06, -42.97, -3.43

 

CMYK 65 / 0 / 79 / 20

HEX #47CB2A

RGB 71 203 42

HSL 109.19, 0.66%, 0.48%

LAB 72.37, -63.27, 63.85

 

CMYK 74 / 0 / 90 / 13

HEX #3ADF16

RGB 58 223 22

HSL 109.25, 0.82%, 0.48%

LAB 78.31, -72.7, 73.46

 

CMYK 81 / 0 / 99 / 5

HEX #2DF302

RGB 45 243 2

HSL 109.29, 0.98%, 0.48%

LAB 84.31, -80.44, 80.39

 

CMYK 65 / 0 / 79 / 20

HEX #47CB2A

RGB 71 203 42

HSL 109.19, 0.66%, 0.48%

LAB 72.37, -63.27, 63.85

 

CMYK 55 / 0 / 67 / 28

HEX #53B73D

RGB 83 183 61

HSL 109.18, 0.5%, 0.48%

LAB 66.55, -51.92, 51.36

 

CMYK 41 / 0 / 51 / 36

HEX #60A451

RGB 96 164 81

HSL 109.16, 0.34%, 0.48%

LAB 61.34, -38.02, 36.21

 

CMYK 24 / 0 / 30 / 44

HEX #6D9065

RGB 109 144 101

HSL 108.84, 0.18%, 0.48%

LAB 56.23, -20.88, 19.01

 

CMYK 2 / 0 / 2 / 51

HEX #797C79

RGB 121 124 121

HSL 120, 0.01%, 0.48%

LAB 51.68, -1.73, 1.24

 

CMYK 23 / 0 / 79 / 20

HEX #9DCB2A

RGB 157 203 42

HSL 77.14, 0.66%, 0.48%

LAB 76.1, -36.29, 68.64

 

CMYK 44 / 0 / 79 / 20

HEX #72CB2A

RGB 114 203 42

HSL 93.17, 0.66%, 0.48%

LAB 73.84, -51.75, 65.75

 

CMYK 65 / 0 / 79 / 20

HEX #47CB2A

RGB 71 203 42

HSL 109.19, 0.66%, 0.48%

LAB 72.37, -63.27, 63.85

 

CMYK 79 / 0 / 73 / 20

HEX #2ACB37

RGB 42 203 55

HSL 124.84, 0.66%, 0.48%

LAB 71.88, -67.21, 58.95

 

CMYK 79 / 0 / 52 / 20

HEX #2ACB62

RGB 42 203 98

HSL 140.87, 0.66%, 0.48%

LAB 72.29, -62.27, 40.9

 

CMYK 65 / 0 / 79 / 47

HEX #2F871C

RGB 47 135 28

HSL 109.35, 0.66%, 0.32%

LAB 49.52, -45.99, 46.21

 

CMYK 65 / 0 / 79 / 34

HEX #3BA923

RGB 59 169 35

HSL 109.25, 0.66%, 0.4%

LAB 61.16, -54.81, 55.22

 

CMYK 65 / 0 / 79 / 20

HEX #47CB2A

RGB 71 203 42

HSL 109.19, 0.66%, 0.48%

LAB 72.37, -63.27, 63.85

 

CMYK 56 / 0 / 68 / 15

HEX #60D945

RGB 96 217 69

HSL 109.05, 0.66%, 0.56%

LAB 77.6, -60.36, 60.07

 

CMYK 44 / 0 / 54 / 12

HEX #7DE067

RGB 125 224 103

HSL 109.09, 0.66%, 0.64%

LAB 81.1, -51.61, 49.75

 

CMYK 65 / 0 / 79 / 20

HEX #47CC2A

RGB 71 204 42

HSL 109.26, 0.66%, 0.48%

LAB 72.69, -63.6, 64.14

 

CMYK 79 / 1 / 0 / 20

HEX #2AC8CB

RGB 42 200 203

HSL 181.12, 0.66%, 0.48%

LAB 73.62, -37.05, -12.75

 

CMYK 0 / 79 / 33 / 20

HEX #CB2A88

RGB 203 42 136

HSL 324.97, 0.66%, 0.48%

LAB 47.14, 67.88, -13.32

 

CMYK 65 / 0 / 79 / 20

HEX #47CC2A

RGB 71 204 42

HSL 109.26, 0.66%, 0.48%

LAB 72.69, -63.6, 64.14

 

CMYK 79 / 65 / 0 / 20

HEX #2A47CB

RGB 42 71 203

HSL 229.19, 0.66%, 0.48%

LAB 36.58, 37.36, -71.07

 

CMYK 0 / 79 / 65 / 20

HEX #CB2A47

RGB 203 42 71

HSL 349.19, 0.66%, 0.48%

LAB 45.37, 62.51, 24.13

 

CMYK 65 / 0 / 79 / 20

HEX #47CC2A

RGB 71 204 42

HSL 109.26, 0.66%, 0.48%

LAB 72.69, -63.6, 64.14

 

CMYK 79 / 1 / 0 / 20

HEX #2AC8CB

RGB 42 200 203

HSL 181.12, 0.66%, 0.48%

LAB 73.62, -37.05, -12.75

 

CMYK 14 / 79 / 0 / 20

HEX #AE2ACB

RGB 174 42 203

HSL 289.19, 0.66%, 0.48%

LAB 45.59, 71.38, -55.81

 

CMYK 0 / 78 / 79 / 20

HEX #CB2C2A

RGB 203 44 42

HSL 0.75, 0.66%, 0.48%

LAB 45.17, 60.68, 40.96

 

CMYK 65 / 0 / 79 / 20

HEX #47CC2A

RGB 71 204 42

HSL 109.26, 0.66%, 0.48%

LAB 72.69, -63.6, 64.14

 

CMYK 79 / 25 / 0 / 20

HEX #2A98CB

RGB 42 152 203

HSL 199.01, 0.66%, 0.48%

LAB 59.21, -12.79, -34.79

 

CMYK 14 / 79 / 0 / 20

HEX #AE2ACB

RGB 174 42 203

HSL 289.19, 0.66%, 0.48%

LAB 45.59, 71.38, -55.81

 

CMYK 0 / 54 / 79 / 20

HEX #CB5D2A

RGB 203 93 42

HSL 19.01, 0.66%, 0.48%

LAB 52.61, 40.72, 48.35

 

Description

Color code: HEX #47CC2A | qconv.com Color code: HEX #47CC2A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 204 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 204 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 79 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 79% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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