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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47C401 it is the complementary color #B83BFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47C401. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47C401 shade: #4CC400, #5DD60F, #6EE822, #7FFA35 and #90FF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47C401. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47C401 shade: #47C401, #36B200, #25A000, #148E00 and #037C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47C401 shade: #48C601, #7DC601, #B2C601, #C6A501 and #C67001

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47C401 shade: #48C601, #13C601, #01C625, #01C65A and #01C68F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47C401 shade matches the following richer shades: #48C601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47C401 shade: #48C601, #4CB611, #51A621, #559631 and #5A8641

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47C401 shade: #B2C601, #7EC601, #49C601, #15C601 and #01C622

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47C401 shade: #2A7401, #399D01, #48C601, #57EF01 and #6DFE1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47C401 shade: #47C401, #01C6A5 and #C60198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47C401 shade: #47C401, #0149C6 and #C60149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47C401 shade: #47C401, #01C6A5, #7E01C6 and #C60122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47C401 shade: #47C401, #01ACC6, #7E01C6 and #C61B01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 99 / 23

HEX #47C401

RGB 71 196 1

HSL 98.46, 0.99%, 0.39%

LAB 70.05, -62.32, 69.29

 

Complementary color

CMYK 28 / 77 / 0 / 0

HEX #B83BFE

RGB 184 59 254

HSL 278.46, 0.99%, 0.61%

LAB 52.37, 77.55, -73.67

 

CMYK 61 / 0 / 100 / 23

HEX #4CC400

RGB 76 196 0

HSL 96.73, 1%, 0.38%

LAB 70.19, -61.19, 69.56

 

CMYK 57 / 0 / 93 / 16

HEX #5DD60F

RGB 93 214 15

HSL 96.48, 0.87%, 0.45%

LAB 76.35, -62.81, 73.14

 

CMYK 53 / 0 / 85 / 9

HEX #6EE822

RGB 110 232 34

HSL 96.97, 0.81%, 0.52%

LAB 82.46, -64.04, 75.38

 

CMYK 49 / 0 / 79 / 2

HEX #7FFA35

RGB 127 250 53

HSL 97.46, 0.95%, 0.59%

LAB 88.51, -64.94, 76.47

 

CMYK 44 / 0 / 72 / 0

HEX #90FF48

RGB 144 255 72

HSL 96.39, 1%, 0.64%

LAB 90.74, -60.73, 73.03

 

CMYK 64 / 0 / 99 / 23

HEX #47C401

RGB 71 196 1

HSL 98.46, 0.99%, 0.39%

LAB 70.05, -62.32, 69.29

 

CMYK 70 / 0 / 100 / 30

HEX #36B200

RGB 54 178 0

HSL 101.8, 1%, 0.35%

LAB 63.86, -60.08, 64.3

 

CMYK 77 / 0 / 100 / 37

HEX #25A000

RGB 37 160 0

HSL 106.13, 1%, 0.31%

LAB 57.59, -57.41, 59.17

 

CMYK 86 / 0 / 100 / 44

HEX #148E00

RGB 20 142 0

HSL 111.55, 1%, 0.28%

LAB 51.26, -54.18, 54

 

CMYK 98 / 0 / 100 / 51

HEX #037C00

RGB 3 124 0

HSL 118.55, 1%, 0.24%

LAB 44.85, -50.28, 48.8

 

CMYK 64 / 0 / 99 / 22

HEX #48C601

RGB 72 198 1

HSL 98.38, 0.99%, 0.39%

LAB 70.71, -62.75, 69.82

 

CMYK 37 / 0 / 99 / 22

HEX #7DC601

RGB 125 198 1

HSL 82.23, 0.99%, 0.39%

LAB 72.73, -47.17, 72.27

 

CMYK 10 / 0 / 99 / 22

HEX #B2C601

RGB 178 198 1

HSL 66.09, 0.99%, 0.39%

LAB 75.98, -26.33, 76.17

 

CMYK 0 / 17 / 99 / 22

HEX #C6A501

RGB 198 165 1

HSL 49.95, 0.99%, 0.39%

LAB 68.69, -0.8, 71.63

 

CMYK 0 / 43 / 99 / 22

HEX #C67001

RGB 198 112 1

HSL 33.81, 0.99%, 0.39%

LAB 55.68, 27.98, 62.85

 

CMYK 64 / 0 / 99 / 22

HEX #48C601

RGB 72 198 1

HSL 98.38, 0.99%, 0.39%

LAB 70.71, -62.75, 69.82

 

CMYK 90 / 0 / 99 / 22

HEX #13C601

RGB 19 198 1

HSL 114.52, 0.99%, 0.39%

LAB 69.84, -70.32, 68.76

 

CMYK 99 / 0 / 81 / 22

HEX #01C625

RGB 1 198 37

HSL 130.96, 0.99%, 0.39%

LAB 69.84, -69.97, 62.56

 

CMYK 99 / 0 / 55 / 22

HEX #01C65A

RGB 1 198 90

HSL 147.11, 0.99%, 0.39%

LAB 70.27, -64.61, 42.22

 

CMYK 99 / 0 / 28 / 22

HEX #01C68F

RGB 1 198 143

HSL 163.25, 0.99%, 0.39%

LAB 71.13, -54.5, 16.1

 

CMYK 64 / 0 / 99 / 22

HEX #48C601

RGB 72 198 1

HSL 98.38, 0.99%, 0.39%

LAB 70.71, -62.75, 69.82

 

CMYK 64 / 0 / 99 / 22

HEX #48C601

RGB 72 198 1

HSL 98.38, 0.99%, 0.39%

LAB 70.71, -62.75, 69.82

 

CMYK 58 / 0 / 91 / 29

HEX #4CB611

RGB 76 182 17

HSL 98.55, 0.83%, 0.39%

LAB 65.77, -56.03, 63.85

 

CMYK 51 / 0 / 80 / 35

HEX #51A621

RGB 81 166 33

HSL 98.35, 0.67%, 0.39%

LAB 60.9, -48.07, 55.85

 

CMYK 43 / 0 / 67 / 41

HEX #559631

RGB 85 150 49

HSL 98.61, 0.51%, 0.39%

LAB 56.05, -39.14, 45.15

 

CMYK 33 / 0 / 51 / 47

HEX #5A8641

RGB 90 134 65

HSL 98.26, 0.35%, 0.39%

LAB 51.39, -28.34, 32.2

 

CMYK 10 / 0 / 99 / 22

HEX #B2C601

RGB 178 198 1

HSL 66.09, 0.99%, 0.39%

LAB 75.98, -26.33, 76.17

 

CMYK 36 / 0 / 99 / 22

HEX #7EC601

RGB 126 198 1

HSL 81.93, 0.99%, 0.39%

LAB 72.78, -46.81, 72.33

 

CMYK 63 / 0 / 99 / 22

HEX #49C601

RGB 73 198 1

HSL 98.07, 0.99%, 0.39%

LAB 70.74, -62.53, 69.85

 

CMYK 89 / 0 / 99 / 22

HEX #15C601

RGB 21 198 1

HSL 113.91, 0.99%, 0.39%

LAB 69.86, -70.19, 68.78

 

CMYK 99 / 0 / 83 / 22

HEX #01C622

RGB 1 198 34

HSL 130.05, 0.99%, 0.39%

LAB 69.83, -70.13, 63.35

 

CMYK 64 / 0 / 99 / 55

HEX #2A7401

RGB 42 116 1

HSL 98.61, 0.98%, 0.23%

LAB 42.74, -41.58, 47.18

 

CMYK 64 / 0 / 99 / 38

HEX #399D01

RGB 57 157 1

HSL 98.46, 0.99%, 0.31%

LAB 57.06, -52.45, 58.79

 

CMYK 64 / 0 / 99 / 22

HEX #48C601

RGB 72 198 1

HSL 98.38, 0.99%, 0.39%

LAB 70.71, -62.75, 69.82

 

CMYK 64 / 0 / 100 / 6

HEX #57EF01

RGB 87 239 1

HSL 98.32, 0.99%, 0.47%

LAB 83.84, -72.64, 80.42

 

CMYK 57 / 0 / 89 / 0

HEX #6DFE1C

RGB 109 254 28

HSL 98.5, 0.99%, 0.55%

LAB 89.03, -71.99, 82.06

 

CMYK 64 / 0 / 99 / 23

HEX #47C401

RGB 71 196 1

HSL 98.46, 0.99%, 0.39%

LAB 70.05, -62.32, 69.29

 

CMYK 99 / 0 / 17 / 22

HEX #01C6A5

RGB 1 198 165

HSL 169.95, 0.99%, 0.39%

LAB 71.63, -49.04, 4.93

 

CMYK 0 / 99 / 23 / 22

HEX #C60198

RGB 198 1 152

HSL 314.01, 0.99%, 0.39%

LAB 44.65, 75.05, -26.91

 

CMYK 64 / 0 / 99 / 23

HEX #47C401

RGB 71 196 1

HSL 98.46, 0.99%, 0.39%

LAB 70.05, -62.32, 69.29

 

CMYK 99 / 63 / 0 / 22

HEX #0149C6

RGB 1 73 198

HSL 218.07, 0.99%, 0.39%

LAB 35.69, 32.06, -69.65

 

CMYK 0 / 99 / 63 / 22

HEX #C60149

RGB 198 1 73

HSL 338.07, 0.99%, 0.39%

LAB 42.01, 68.16, 18.31

 

CMYK 64 / 0 / 99 / 23

HEX #47C401

RGB 71 196 1

HSL 98.46, 0.99%, 0.39%

LAB 70.05, -62.32, 69.29

 

CMYK 99 / 0 / 17 / 22

HEX #01C6A5

RGB 1 198 165

HSL 169.95, 0.99%, 0.39%

LAB 71.63, -49.04, 4.93

 

CMYK 36 / 99 / 0 / 22

HEX #7E01C6

RGB 126 1 198

HSL 278.07, 0.99%, 0.39%

LAB 35.07, 71.23, -70.33

 

CMYK 0 / 99 / 83 / 22

HEX #C60122

RGB 198 1 34

HSL 349.95, 0.99%, 0.39%

LAB 41.44, 66.62, 41.34

 

CMYK 64 / 0 / 99 / 23

HEX #47C401

RGB 71 196 1

HSL 98.46, 0.99%, 0.39%

LAB 70.05, -62.32, 69.29

 

CMYK 99 / 13 / 0 / 22

HEX #01ACC6

RGB 1 172 198

HSL 187.92, 0.99%, 0.39%

LAB 64.63, -27.38, -23.65

 

CMYK 36 / 99 / 0 / 22

HEX #7E01C6

RGB 126 1 198

HSL 278.07, 0.99%, 0.39%

LAB 35.07, 71.23, -70.33

 

CMYK 0 / 86 / 99 / 22

HEX #C61B01

RGB 198 27 1

HSL 7.92, 0.99%, 0.39%

LAB 42.45, 62.72, 55.66

 

Description

Color code: HEX #47C401 | qconv.com Color code: HEX #47C401 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 196 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 196 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 99 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 99% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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