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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47B93A it is the complementary color #B846C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47B93A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47B93A shade: #4CB935, #5DCB48, #6EDD5B, #7FEF6E and #90FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47B93A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47B93A shade: #47B93A, #36A727, #259514, #148301 and #037100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47B93A shade: #48BA3B, #6ABA3B, #8CBA3B, #AFBA3B and #BAA33B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47B93A shade: #48BA3B, #3BBA50, #3BBA72, #3BBA95 and #3BBAB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47B93A shade matches the following richer shades: #48BA3B, #38CE27 and #28E213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47B93A shade: #48BA3B, #58A64F, #679262, #777F76 and #876B8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47B93A shade: #8DBA3B, #6CBA3B, #4ABA3B, #3BBA4E and #3BBA70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47B93A shade: #307B27, #3C9B31, #48BA3B, #61C955 and #7ED374

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47B93A shade: #47B93A, #3BAFBA and #BA3B7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47B93A shade: #47B93A, #3B4ABA and #BA3B4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47B93A shade: #47B93A, #3BAFBA, #AB3BBA and #BA453B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47B93A shade: #47B93A, #3B89BA, #AB3BBA and #BA6C3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 69 / 27

HEX #47B93A

RGB 71 185 58

HSL 113.86, 0.52%, 0.48%

LAB 66.78, -55.94, 52.71

 

Complementary color

CMYK 7 / 64 / 0 / 23

HEX #B846C5

RGB 184 70 197

HSL 293.86, 0.52%, 0.52%

LAB 50.22, 62.54, -44.85

 

CMYK 59 / 0 / 71 / 27

HEX #4CB935

RGB 76 185 53

HSL 109.55, 0.55%, 0.47%

LAB 66.89, -55.16, 54.82

 

CMYK 54 / 0 / 65 / 20

HEX #5DCB48

RGB 93 203 72

HSL 110.38, 0.56%, 0.54%

LAB 73.22, -55.74, 54.13

 

CMYK 50 / 0 / 59 / 13

HEX #6EDD5B

RGB 110 221 91

HSL 111.23, 0.66%, 0.61%

LAB 79.49, -56.05, 53.14

 

CMYK 47 / 0 / 54 / 6

HEX #7FEF6E

RGB 127 239 110

HSL 112.09, 0.8%, 0.68%

LAB 85.69, -56.18, 52.02

 

CMYK 44 / 0 / 49 / 0

HEX #90FF81

RGB 144 255 129

HSL 112.86, 1%, 0.75%

LAB 91.25, -55.39, 50.13

 

CMYK 62 / 0 / 69 / 27

HEX #47B93A

RGB 71 185 58

HSL 113.86, 0.52%, 0.48%

LAB 66.78, -55.94, 52.71

 

CMYK 68 / 0 / 77 / 35

HEX #36A727

RGB 54 167 39

HSL 112.97, 0.62%, 0.4%

LAB 60.4, -54.93, 53.13

 

CMYK 75 / 0 / 87 / 42

HEX #259514

RGB 37 149 20

HSL 112.09, 0.76%, 0.33%

LAB 53.96, -53.28, 52.61

 

CMYK 85 / 0 / 99 / 49

HEX #148301

RGB 20 131 1

HSL 111.23, 0.98%, 0.26%

LAB 47.47, -50.79, 50.77

 

CMYK 97 / 0 / 100 / 56

HEX #037100

RGB 3 113 0

HSL 118.41, 1%, 0.22%

LAB 40.94, -47, 45.67

 

CMYK 61 / 0 / 68 / 27

HEX #48BA3B

RGB 72 186 59

HSL 113.86, 0.52%, 0.48%

LAB 67.14, -55.97, 52.7

 

CMYK 43 / 0 / 68 / 27

HEX #6ABA3B

RGB 106 186 59

HSL 97.8, 0.52%, 0.48%

LAB 68.39, -46.43, 54.4

 

CMYK 25 / 0 / 68 / 27

HEX #8CBA3B

RGB 140 186 59

HSL 81.73, 0.52%, 0.48%

LAB 70.18, -34.24, 56.83

 

CMYK 6 / 0 / 68 / 27

HEX #AFBA3B

RGB 175 186 59

HSL 65.2, 0.52%, 0.48%

LAB 72.59, -20.01, 60.06

 

CMYK 0 / 12 / 68 / 27

HEX #BAA33B

RGB 186 163 59

HSL 49.13, 0.52%, 0.48%

LAB 67.24, -3.38, 54.9

 

CMYK 61 / 0 / 68 / 27

HEX #48BA3B

RGB 72 186 59

HSL 113.86, 0.52%, 0.48%

LAB 67.14, -55.97, 52.7

 

CMYK 68 / 0 / 57 / 27

HEX #3BBA50

RGB 59 186 80

HSL 129.92, 0.52%, 0.48%

LAB 67, -56.38, 43.21

 

CMYK 68 / 0 / 39 / 27

HEX #3BBA72

RGB 59 186 114

HSL 145.98, 0.52%, 0.48%

LAB 67.47, -50.96, 26.68

 

CMYK 68 / 0 / 20 / 27

HEX #3BBA95

RGB 59 186 149

HSL 162.52, 0.52%, 0.48%

LAB 68.18, -43.4, 8.79

 

CMYK 68 / 0 / 2 / 27

HEX #3BBAB7

RGB 59 186 183

HSL 178.58, 0.52%, 0.48%

LAB 69.09, -34.42, -8.56

 

CMYK 61 / 0 / 68 / 27

HEX #48BA3B

RGB 72 186 59

HSL 113.86, 0.52%, 0.48%

LAB 67.14, -55.97, 52.7

 

CMYK 73 / 0 / 81 / 19

HEX #38CE27

RGB 56 206 39

HSL 113.89, 0.68%, 0.48%

LAB 72.98, -67.19, 65.14

 

CMYK 82 / 0 / 92 / 11

HEX #28E213

RGB 40 226 19

HSL 113.91, 0.84%, 0.48%

LAB 78.98, -75.95, 74.35

 

CMYK 61 / 0 / 68 / 27

HEX #48BA3B

RGB 72 186 59

HSL 113.86, 0.52%, 0.48%

LAB 67.14, -55.97, 52.7

 

CMYK 47 / 0 / 52 / 35

HEX #58A64F

RGB 88 166 79

HSL 113.79, 0.36%, 0.48%

LAB 61.58, -41.67, 37.43

 

CMYK 29 / 0 / 33 / 43

HEX #679262

RGB 103 146 98

HSL 113.75, 0.2%, 0.48%

LAB 56.41, -24.57, 20.87

 

CMYK 6 / 0 / 7 / 50

HEX #777F76

RGB 119 127 118

HSL 113.33, 0.04%, 0.48%

LAB 52.3, -4.79, 3.86

 

CMYK 2 / 22 / 0 / 46

HEX #876B8A

RGB 135 107 138

HSL 294.19, 0.13%, 0.48%

LAB 48.89, 16.91, -12.81

 

CMYK 24 / 0 / 68 / 27

HEX #8DBA3B

RGB 141 186 59

HSL 81.26, 0.52%, 0.48%

LAB 70.24, -33.85, 56.91

 

CMYK 42 / 0 / 68 / 27

HEX #6CBA3B

RGB 108 186 59

HSL 96.85, 0.52%, 0.48%

LAB 68.48, -45.77, 54.52

 

CMYK 60 / 0 / 68 / 27

HEX #4ABA3B

RGB 74 186 59

HSL 112.91, 0.52%, 0.48%

LAB 67.19, -55.5, 52.78

 

CMYK 68 / 0 / 58 / 27

HEX #3BBA4E

RGB 59 186 78

HSL 128.98, 0.52%, 0.48%

LAB 66.97, -56.64, 44.13

 

CMYK 68 / 0 / 40 / 27

HEX #3BBA70

RGB 59 186 112

HSL 145.04, 0.52%, 0.48%

LAB 67.44, -51.33, 27.69

 

CMYK 61 / 0 / 68 / 52

HEX #307B27

RGB 48 123 39

HSL 113.57, 0.52%, 0.32%

LAB 45.55, -40.25, 37.77

 

CMYK 61 / 0 / 68 / 39

HEX #3C9B31

RGB 60 155 49

HSL 113.77, 0.52%, 0.4%

LAB 56.71, -48.47, 45.57

 

CMYK 61 / 0 / 68 / 27

HEX #48BA3B

RGB 72 186 59

HSL 113.86, 0.52%, 0.48%

LAB 67.14, -55.97, 52.7

 

CMYK 52 / 0 / 58 / 21

HEX #61C955

RGB 97 201 85

HSL 113.79, 0.52%, 0.56%

LAB 72.87, -52.55, 48.07

 

CMYK 40 / 0 / 45 / 17

HEX #7ED374

RGB 126 211 116

HSL 113.68, 0.52%, 0.64%

LAB 77.45, -44.25, 39.03

 

CMYK 62 / 0 / 69 / 27

HEX #47B93A

RGB 71 185 58

HSL 113.86, 0.52%, 0.48%

LAB 66.78, -55.94, 52.71

 

CMYK 68 / 6 / 0 / 27

HEX #3BAFBA

RGB 59 175 186

HSL 185.2, 0.52%, 0.48%

LAB 65.85, -28.26, -15.07

 

CMYK 0 / 68 / 33 / 27

HEX #BA3B7D

RGB 186 59 125

HSL 328.82, 0.52%, 0.48%

LAB 45.7, 56.6, -9.1

 

CMYK 62 / 0 / 69 / 27

HEX #47B93A

RGB 71 185 58

HSL 113.86, 0.52%, 0.48%

LAB 66.78, -55.94, 52.71

 

CMYK 68 / 60 / 0 / 27

HEX #3B4ABA

RGB 59 74 186

HSL 232.91, 0.52%, 0.48%

LAB 36.69, 31.25, -60.91

 

CMYK 0 / 68 / 60 / 27

HEX #BA3B4A

RGB 186 59 74

HSL 352.91, 0.52%, 0.48%

LAB 44.32, 51.8, 20.31

 

CMYK 62 / 0 / 69 / 27

HEX #47B93A

RGB 71 185 58

HSL 113.86, 0.52%, 0.48%

LAB 66.78, -55.94, 52.71

 

CMYK 68 / 6 / 0 / 27

HEX #3BAFBA

RGB 59 175 186

HSL 185.2, 0.52%, 0.48%

LAB 65.85, -28.26, -15.07

 

CMYK 8 / 68 / 0 / 27

HEX #AB3BBA

RGB 171 59 186

HSL 292.91, 0.52%, 0.48%

LAB 46.08, 61.98, -45.15

 

CMYK 0 / 63 / 68 / 27

HEX #BA453B

RGB 186 69 59

HSL 4.72, 0.52%, 0.48%

LAB 45.65, 46.6, 30.98

 

CMYK 62 / 0 / 69 / 27

HEX #47B93A

RGB 71 185 58

HSL 113.86, 0.52%, 0.48%

LAB 66.78, -55.94, 52.71

 

CMYK 68 / 26 / 0 / 27

HEX #3B89BA

RGB 59 137 186

HSL 203.15, 0.52%, 0.48%

LAB 54.41, -8.05, -32.63

 

CMYK 8 / 68 / 0 / 27

HEX #AB3BBA

RGB 171 59 186

HSL 292.91, 0.52%, 0.48%

LAB 46.08, 61.98, -45.15

 

CMYK 0 / 42 / 68 / 27

HEX #BA6C3B

RGB 186 108 59

HSL 23.15, 0.52%, 0.48%

LAB 53.47, 26.79, 40.07

 

Description

Color code: HEX #47B93A | qconv.com Color code: HEX #47B93A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 185 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 185 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 69 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 69% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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