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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47B907 it is the complementary color #B846F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47B907. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47B907 shade: #4CB902, #5DCB15, #6EDD28, #7FEF3B and #90FF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47B907. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47B907 shade: #47B907, #36A700, #259500, #148300 and #037100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47B907 shade: #48BB07, #78BB07, #A9BB07, #BB9D07 and #BB6C07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47B907 shade: #48BB07, #17BB07, #07BB27, #07BB58 and #07BB88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47B907 shade matches the following richer shades: #48BB07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47B907 shade: #48BB07, #4CAB16, #509C26, #558C36 and #597C45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47B907 shade: #A9BB07, #79BB07, #49BB07, #19BB07 and #07BB25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47B907 shade: #296B04, #389305, #48BB07, #57E308 and #6CF71D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47B907 shade: #47B907, #07BB9D and #BB0791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47B907 shade: #47B907, #0749BB and #BB0749

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47B907 shade: #47B907, #07BB9D, #7907BB and #BB0725

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47B907 shade: #47B907, #07A3BB, #7907BB and #BB1F07

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 96 / 27

HEX #47B907

RGB 71 185 7

HSL 98.43, 0.93%, 0.38%

LAB 66.56, -58.54, 65.79

 

Complementary color

CMYK 26 / 72 / 0 / 3

HEX #B846F8

RGB 184 70 248

HSL 278.43, 0.93%, 0.62%

LAB 53.33, 72.4, -68.77

 

CMYK 59 / 0 / 99 / 27

HEX #4CB902

RGB 76 185 2

HSL 95.74, 0.98%, 0.37%

LAB 66.7, -57.4, 66.57

 

CMYK 54 / 0 / 90 / 20

HEX #5DCB15

RGB 93 203 21

HSL 96.26, 0.81%, 0.44%

LAB 72.95, -58.82, 69.45

 

CMYK 50 / 0 / 82 / 13

HEX #6EDD28

RGB 110 221 40

HSL 96.8, 0.73%, 0.51%

LAB 79.15, -59.86, 71.08

 

CMYK 47 / 0 / 75 / 6

HEX #7FEF3B

RGB 127 239 59

HSL 97.33, 0.85%, 0.58%

LAB 85.28, -60.59, 71.66

 

CMYK 44 / 0 / 69 / 0

HEX #90FF4E

RGB 144 255 78

HSL 97.63, 1%, 0.65%

LAB 90.78, -60.33, 70.99

 

CMYK 62 / 0 / 96 / 27

HEX #47B907

RGB 71 185 7

HSL 98.43, 0.93%, 0.38%

LAB 66.56, -58.54, 65.79

 

CMYK 68 / 0 / 100 / 35

HEX #36A700

RGB 54 167 0

HSL 100.6, 1%, 0.33%

LAB 60.27, -56.51, 61.45

 

CMYK 75 / 0 / 100 / 42

HEX #259500

RGB 37 149 0

HSL 105.1, 1%, 0.29%

LAB 53.91, -53.95, 56.23

 

CMYK 85 / 0 / 100 / 49

HEX #148300

RGB 20 131 0

HSL 110.84, 1%, 0.26%

LAB 47.47, -50.82, 50.97

 

CMYK 97 / 0 / 100 / 56

HEX #037100

RGB 3 113 0

HSL 118.41, 1%, 0.22%

LAB 40.94, -47, 45.67

 

CMYK 61 / 0 / 96 / 27

HEX #48BB07

RGB 72 187 7

HSL 98.33, 0.93%, 0.38%

LAB 67.23, -58.98, 66.34

 

CMYK 36 / 0 / 96 / 27

HEX #78BB07

RGB 120 187 7

HSL 82.33, 0.93%, 0.38%

LAB 69.15, -44.3, 68.69

 

CMYK 10 / 0 / 96 / 27

HEX #A9BB07

RGB 169 187 7

HSL 66, 0.93%, 0.38%

LAB 72.22, -24.74, 72.4

 

CMYK 0 / 16 / 96 / 27

HEX #BB9D07

RGB 187 157 7

HSL 50, 0.93%, 0.38%

LAB 65.51, -1.38, 68.06

 

CMYK 0 / 42 / 96 / 27

HEX #BB6C07

RGB 187 108 7

HSL 33.67, 0.93%, 0.38%

LAB 53.28, 25.51, 59.39

 

CMYK 61 / 0 / 96 / 27

HEX #48BB07

RGB 72 187 7

HSL 98.33, 0.93%, 0.38%

LAB 67.23, -58.98, 66.34

 

CMYK 88 / 0 / 96 / 27

HEX #17BB07

RGB 23 187 7

HSL 114.67, 0.93%, 0.38%

LAB 66.32, -66.83, 65.23

 

CMYK 96 / 0 / 79 / 27

HEX #07BB27

RGB 7 187 39

HSL 130.67, 0.93%, 0.38%

LAB 66.31, -66.49, 58.66

 

CMYK 96 / 0 / 53 / 27

HEX #07BB58

RGB 7 187 88

HSL 147, 0.93%, 0.38%

LAB 66.74, -61.15, 38.9

 

CMYK 96 / 0 / 27 / 27

HEX #07BB88

RGB 7 187 136

HSL 163, 0.93%, 0.38%

LAB 67.55, -51.73, 14.89

 

CMYK 61 / 0 / 96 / 27

HEX #48BB07

RGB 72 187 7

HSL 98.33, 0.93%, 0.38%

LAB 67.23, -58.98, 66.34

 

CMYK 61 / 0 / 96 / 27

HEX #48BB07

RGB 72 187 7

HSL 98.33, 0.93%, 0.38%

LAB 67.23, -58.98, 66.34

 

CMYK 56 / 0 / 87 / 33

HEX #4CAB16

RGB 76 171 22

HSL 98.26, 0.77%, 0.38%

LAB 62.27, -51.91, 59.89

 

CMYK 49 / 0 / 76 / 39

HEX #509C26

RGB 80 156 38

HSL 98.64, 0.61%, 0.38%

LAB 57.68, -44.13, 51.09

 

CMYK 39 / 0 / 61 / 45

HEX #558C36

RGB 85 140 54

HSL 98.37, 0.44%, 0.38%

LAB 52.9, -34.25, 39.41

 

CMYK 28 / 0 / 44 / 51

HEX #597C45

RGB 89 124 69

HSL 98.18, 0.28%, 0.38%

LAB 48.22, -23.21, 26.09

 

CMYK 10 / 0 / 96 / 27

HEX #A9BB07

RGB 169 187 7

HSL 66, 0.93%, 0.38%

LAB 72.22, -24.74, 72.4

 

CMYK 35 / 0 / 96 / 27

HEX #79BB07

RGB 121 187 7

HSL 82, 0.93%, 0.38%

LAB 69.2, -43.94, 68.75

 

CMYK 61 / 0 / 96 / 27

HEX #49BB07

RGB 73 187 7

HSL 98, 0.93%, 0.38%

LAB 67.26, -58.74, 66.38

 

CMYK 87 / 0 / 96 / 27

HEX #19BB07

RGB 25 187 7

HSL 114, 0.93%, 0.38%

LAB 66.34, -66.66, 65.25

 

CMYK 96 / 0 / 80 / 27

HEX #07BB25

RGB 7 187 37

HSL 130, 0.93%, 0.38%

LAB 66.3, -66.61, 59.25

 

CMYK 62 / 0 / 96 / 58

HEX #296B04

RGB 41 107 4

HSL 98.45, 0.93%, 0.22%

LAB 39.57, -38.33, 43.84

 

CMYK 62 / 0 / 97 / 42

HEX #389305

RGB 56 147 5

HSL 98.45, 0.93%, 0.3%

LAB 53.73, -49.08, 55.45

 

CMYK 61 / 0 / 96 / 27

HEX #48BB07

RGB 72 187 7

HSL 98.33, 0.93%, 0.38%

LAB 67.23, -58.98, 66.34

 

CMYK 62 / 0 / 96 / 11

HEX #57E308

RGB 87 227 8

HSL 98.36, 0.93%, 0.46%

LAB 80.17, -68.72, 76.88

 

CMYK 56 / 0 / 88 / 3

HEX #6CF71D

RGB 108 247 29

HSL 98.26, 0.93%, 0.54%

LAB 86.9, -69.87, 80.09

 

CMYK 62 / 0 / 96 / 27

HEX #47B907

RGB 71 185 7

HSL 98.43, 0.93%, 0.38%

LAB 66.56, -58.54, 65.79

 

CMYK 96 / 0 / 16 / 27

HEX #07BB9D

RGB 7 187 157

HSL 170, 0.93%, 0.38%

LAB 68.04, -46.44, 4.11

 

CMYK 0 / 96 / 22 / 27

HEX #BB0791

RGB 187 7 145

HSL 314, 0.93%, 0.38%

LAB 42.4, 71.51, -26.34

 

CMYK 62 / 0 / 96 / 27

HEX #47B907

RGB 71 185 7

HSL 98.43, 0.93%, 0.38%

LAB 66.56, -58.54, 65.79

 

CMYK 96 / 61 / 0 / 27

HEX #0749BB

RGB 7 73 187

HSL 218, 0.93%, 0.38%

LAB 34.8, 27.91, -64.66

 

CMYK 0 / 96 / 61 / 27

HEX #BB0749

RGB 187 7 73

HSL 338, 0.93%, 0.38%

LAB 39.91, 64.93, 15.09

 

CMYK 62 / 0 / 96 / 27

HEX #47B907

RGB 71 185 7

HSL 98.43, 0.93%, 0.38%

LAB 66.56, -58.54, 65.79

 

CMYK 96 / 0 / 16 / 27

HEX #07BB9D

RGB 7 187 157

HSL 170, 0.93%, 0.38%

LAB 68.04, -46.44, 4.11

 

CMYK 35 / 96 / 0 / 27

HEX #7907BB

RGB 121 7 187

HSL 278, 0.93%, 0.38%

LAB 33.57, 67.65, -66.35

 

CMYK 0 / 96 / 80 / 27

HEX #BB0725

RGB 187 7 37

HSL 350, 0.93%, 0.38%

LAB 39.33, 63.33, 36.76

 

CMYK 62 / 0 / 96 / 27

HEX #47B907

RGB 71 185 7

HSL 98.43, 0.93%, 0.38%

LAB 66.56, -58.54, 65.79

 

CMYK 96 / 13 / 0 / 27

HEX #07A3BB

RGB 7 163 187

HSL 188, 0.93%, 0.38%

LAB 61.51, -26.36, -22.3

 

CMYK 35 / 96 / 0 / 27

HEX #7907BB

RGB 121 7 187

HSL 278, 0.93%, 0.38%

LAB 33.57, 67.65, -66.35

 

CMYK 0 / 83 / 96 / 27

HEX #BB1F07

RGB 187 31 7

HSL 8, 0.93%, 0.38%

LAB 40.51, 58.81, 51.43

 

Description

Color code: HEX #47B907 | qconv.com Color code: HEX #47B907 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 185 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 185 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 96 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 96% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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