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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #478828 it is the complementary color #B877D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #478828. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #478828 shade: #4C8823, #5D9A36, #6EAC49, #7FBE5C and #90D06F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #478828. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #478828 shade: #478828, #367615, #256402, #145200 and #034000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #478828 shade: #488A28, #628A28, #7D8A28, #8A7D28 and #8A6328

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #478828 shade: #488A28, #2D8A28, #288A3D, #288A58 and #288A72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #478828 shade matches the following richer shades: #488A28, #43991A and #3EA70B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #478828 shade: #488A28, #4D7C37, #526D45, #575F53 and #5C5162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #478828 shade: #7D8A28, #638A28, #498A28, #2F8A28 and #288A3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #478828 shade: #274A16, #376A1F, #488A28, #58AA31 and #6AC73E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #478828 shade: #478828, #288A7D and #8A2870

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #478828 shade: #478828, #28498A and #8A2849

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #478828 shade: #478828, #288A7D, #6A288A and #8A2835

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #478828 shade: #478828, #287A8A, #6A288A and #8A3928

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 71 / 47

HEX #478828

RGB 71 136 40

HSL 100.63, 0.55%, 0.35%

LAB 50.81, -38.62, 43.21

 

Complementary color

CMYK 14 / 45 / 0 / 16

HEX #B877D7

RGB 184 119 215

HSL 280.63, 0.55%, 0.65%

LAB 60.15, 42.13, -39.42

 

CMYK 44 / 0 / 74 / 47

HEX #4C8823

RGB 76 136 35

HSL 95.64, 0.59%, 0.34%

LAB 51, -37.34, 45.5

 

CMYK 40 / 0 / 65 / 40

HEX #5D9A36

RGB 93 154 54

HSL 96.6, 0.48%, 0.41%

LAB 57.76, -37.67, 44.93

 

CMYK 36 / 0 / 58 / 33

HEX #6EAC49

RGB 110 172 73

HSL 97.58, 0.4%, 0.48%

LAB 64.4, -37.79, 43.95

 

CMYK 33 / 0 / 52 / 25

HEX #7FBE5C

RGB 127 190 92

HSL 98.57, 0.43%, 0.55%

LAB 70.95, -37.79, 42.81

 

CMYK 31 / 0 / 47 / 18

HEX #90D06F

RGB 144 208 111

HSL 99.59, 0.51%, 0.63%

LAB 77.39, -37.72, 41.63

 

CMYK 48 / 0 / 71 / 47

HEX #478828

RGB 71 136 40

HSL 100.63, 0.55%, 0.35%

LAB 50.81, -38.62, 43.21

 

CMYK 54 / 0 / 82 / 54

HEX #367615

RGB 54 118 21

HSL 99.59, 0.7%, 0.27%

LAB 43.94, -38, 43.32

 

CMYK 63 / 0 / 98 / 61

HEX #256402

RGB 37 100 2

HSL 98.57, 0.96%, 0.2%

LAB 36.95, -36.85, 42.18

 

CMYK 76 / 0 / 100 / 68

HEX #145200

RGB 20 82 0

HSL 105.37, 1%, 0.16%

LAB 29.87, -34.51, 36.94

 

CMYK 95 / 0 / 100 / 75

HEX #034000

RGB 3 64 0

HSL 117.19, 1%, 0.13%

LAB 22.61, -31.4, 30.21

 

CMYK 48 / 0 / 71 / 46

HEX #488A28

RGB 72 138 40

HSL 100.41, 0.55%, 0.35%

LAB 51.51, -39.14, 43.96

 

CMYK 29 / 0 / 71 / 46

HEX #628A28

RGB 98 138 40

HSL 84.49, 0.55%, 0.35%

LAB 52.87, -29.63, 45.8

 

CMYK 9 / 0 / 71 / 46

HEX #7D8A28

RGB 125 138 40

HSL 67.96, 0.55%, 0.35%

LAB 54.75, -18.21, 48.31

 

CMYK 0 / 9 / 71 / 46

HEX #8A7D28

RGB 138 125 40

HSL 52.04, 0.55%, 0.35%

LAB 52.09, -5.31, 46.01

 

CMYK 0 / 28 / 71 / 46

HEX #8A6328

RGB 138 99 40

HSL 36.12, 0.55%, 0.35%

LAB 44.91, 9.59, 38.57

 

CMYK 48 / 0 / 71 / 46

HEX #488A28

RGB 72 138 40

HSL 100.41, 0.55%, 0.35%

LAB 51.51, -39.14, 43.96

 

CMYK 67 / 0 / 71 / 46

HEX #2D8A28

RGB 45 138 40

HSL 116.94, 0.55%, 0.35%

LAB 50.56, -46.56, 42.67

 

CMYK 71 / 0 / 56 / 46

HEX #288A3D

RGB 40 138 61

HSL 132.86, 0.55%, 0.35%

LAB 50.65, -45.05, 32.9

 

CMYK 71 / 0 / 36 / 46

HEX #288A58

RGB 40 138 88

HSL 149.39, 0.55%, 0.35%

LAB 51.07, -40.21, 18.84

 

CMYK 71 / 0 / 17 / 46

HEX #288A72

RGB 40 138 114

HSL 165.31, 0.55%, 0.35%

LAB 51.66, -34.01, 4.77

 

CMYK 48 / 0 / 71 / 46

HEX #488A28

RGB 72 138 40

HSL 100.41, 0.55%, 0.35%

LAB 51.51, -39.14, 43.96

 

CMYK 56 / 0 / 83 / 40

HEX #43991A

RGB 67 153 26

HSL 100.63, 0.71%, 0.35%

LAB 56.14, -47.56, 53.3

 

CMYK 63 / 0 / 93 / 35

HEX #3EA70B

RGB 62 167 11

HSL 100.38, 0.88%, 0.35%

LAB 60.5, -54.45, 60.2

 

CMYK 48 / 0 / 71 / 46

HEX #488A28

RGB 72 138 40

HSL 100.41, 0.55%, 0.35%

LAB 51.51, -39.14, 43.96

 

CMYK 38 / 0 / 56 / 51

HEX #4D7C37

RGB 77 124 55

HSL 100.87, 0.39%, 0.35%

LAB 47.33, -29.6, 32.33

 

CMYK 25 / 0 / 37 / 57

HEX #526D45

RGB 82 109 69

HSL 100.5, 0.22%, 0.35%

LAB 43, -18.11, 19.23

 

CMYK 8 / 0 / 13 / 63

HEX #575F53

RGB 87 95 83

HSL 100, 0.07%, 0.35%

LAB 39.3, -5.65, 5.81

 

CMYK 6 / 17 / 0 / 62

HEX #5C5162

RGB 92 81 98

HSL 278.82, 0.09%, 0.35%

LAB 36.07, 8.12, -8.2

 

CMYK 9 / 0 / 71 / 46

HEX #7D8A28

RGB 125 138 40

HSL 67.96, 0.55%, 0.35%

LAB 54.75, -18.21, 48.31

 

CMYK 28 / 0 / 71 / 46

HEX #638A28

RGB 99 138 40

HSL 83.88, 0.55%, 0.35%

LAB 52.93, -29.23, 45.88

 

CMYK 47 / 0 / 71 / 46

HEX #498A28

RGB 73 138 40

HSL 99.8, 0.55%, 0.35%

LAB 51.55, -38.81, 44.02

 

CMYK 66 / 0 / 71 / 46

HEX #2F8A28

RGB 47 138 40

HSL 115.71, 0.55%, 0.35%

LAB 50.61, -46.11, 42.75

 

CMYK 71 / 0 / 57 / 46

HEX #288A3C

RGB 40 138 60

HSL 132.24, 0.55%, 0.35%

LAB 50.63, -45.19, 33.39

 

CMYK 47 / 0 / 70 / 71

HEX #274A16

RGB 39 74 22

HSL 100.38, 0.54%, 0.19%

LAB 27.81, -23.6, 26.36

 

CMYK 48 / 0 / 71 / 58

HEX #376A1F

RGB 55 106 31

HSL 100.8, 0.55%, 0.27%

LAB 39.95, -31.8, 35.43

 

CMYK 48 / 0 / 71 / 46

HEX #488A28

RGB 72 138 40

HSL 100.41, 0.55%, 0.35%

LAB 51.51, -39.14, 43.96

 

CMYK 48 / 0 / 71 / 33

HEX #58AA31

RGB 88 170 49

HSL 100.66, 0.55%, 0.43%

LAB 62.55, -46.45, 52.01

 

CMYK 47 / 0 / 69 / 22

HEX #6AC73E

RGB 106 199 62

HSL 100.73, 0.55%, 0.51%

LAB 72.4, -51.4, 57.43

 

CMYK 48 / 0 / 71 / 47

HEX #478828

RGB 71 136 40

HSL 100.63, 0.55%, 0.35%

LAB 50.81, -38.62, 43.21

 

CMYK 71 / 0 / 9 / 46

HEX #288A7D

RGB 40 138 125

HSL 172.04, 0.55%, 0.35%

LAB 51.96, -30.99, -1.18

 

CMYK 0 / 71 / 19 / 46

HEX #8A2870

RGB 138 40 112

HSL 315.92, 0.55%, 0.35%

LAB 34.17, 48.83, -19.35

 

CMYK 48 / 0 / 71 / 47

HEX #478828

RGB 71 136 40

HSL 100.63, 0.55%, 0.35%

LAB 50.81, -38.62, 43.21

 

CMYK 71 / 47 / 0 / 46

HEX #28498A

RGB 40 73 138

HSL 219.8, 0.55%, 0.35%

LAB 31.92, 11.13, -39.83

 

CMYK 0 / 71 / 47 / 46

HEX #8A2849

RGB 138 40 73

HSL 339.8, 0.55%, 0.35%

LAB 32.7, 43.94, 3.56

 

CMYK 48 / 0 / 71 / 47

HEX #478828

RGB 71 136 40

HSL 100.63, 0.55%, 0.35%

LAB 50.81, -38.62, 43.21

 

CMYK 71 / 0 / 9 / 46

HEX #288A7D

RGB 40 138 125

HSL 172.04, 0.55%, 0.35%

LAB 51.96, -30.99, -1.18

 

CMYK 23 / 71 / 0 / 46

HEX #6A288A

RGB 106 40 138

HSL 280.41, 0.55%, 0.35%

LAB 30.44, 45.61, -41.89

 

CMYK 0 / 71 / 62 / 46

HEX #8A2835

RGB 138 40 53

HSL 352.04, 0.55%, 0.35%

LAB 32.21, 42.22, 15.93

 

CMYK 48 / 0 / 71 / 47

HEX #478828

RGB 71 136 40

HSL 100.63, 0.55%, 0.35%

LAB 50.81, -38.62, 43.21

 

CMYK 71 / 12 / 0 / 46

HEX #287A8A

RGB 40 122 138

HSL 189.8, 0.55%, 0.35%

LAB 47.24, -18.86, -15.86

 

CMYK 23 / 71 / 0 / 46

HEX #6A288A

RGB 106 40 138

HSL 280.41, 0.55%, 0.35%

LAB 30.44, 45.61, -41.89

 

CMYK 0 / 59 / 71 / 46

HEX #8A3928

RGB 138 57 40

HSL 10.41, 0.55%, 0.35%

LAB 34.97, 33.4, 27.5

 

Description

Color code: HEX #478828 | qconv.com Color code: HEX #478828 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 136 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 136 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 71 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 71% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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