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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4785E7 it is the complementary color #B87A18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4785E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4785E7 shade: #4C85E2, #5D97F5, #6EA9FF, #7FBBFF and #90CDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4785E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4785E7 shade: #4785E7, #3673D4, #2561C1, #144FAE and #033D9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4785E7 shade: #4684E7, #4659E7, #5E46E7, #8A46E7 and #B546E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4785E7 shade: #4684E7, #4659E7 and #4646E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4785E7 shade matches the following richer shades: #4684E7 and #3581F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4785E7 shade: #4684E7, #5788D6, #688CC5, #7990B4 and #8A94A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4785E7 shade: #46DCE7, #46B1E7, #4686E7, #465BE7 and #5B46E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4785E7 shade: #195AC1, #216CE2, #4684E7, #6A9DEC and #8FB5F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4785E7 shade: #4785E7, #C746E7 and #C7E746

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4785E7 shade: #4785E7, #E74686 and #86E746

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4785E7 shade: #4785E7, #C746E7, #E7A746 and #66E746

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4785E7 shade: #4785E7, #E746D7, #E7A746 and #46E756

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 42 / 0 / 9

HEX #4785E7

RGB 71 133 231

HSL 216.75, 0.77%, 0.59%

LAB 55.97, 11.88, -55.53

 

Complementary color

CMYK 0 / 34 / 87 / 28

HEX #B87A18

RGB 184 122 24

HSL 36.75, 0.77%, 0.41%

LAB 56.26, 16.77, 57.48

 

CMYK 66 / 41 / 0 / 11

HEX #4C85E2

RGB 76 133 226

HSL 217.2, 0.72%, 0.59%

LAB 55.89, 10.9, -52.86

 

CMYK 62 / 38 / 0 / 4

HEX #5D97F5

RGB 93 151 245

HSL 217.11, 0.88%, 0.66%

LAB 62.55, 9.47, -52.74

 

CMYK 57 / 34 / 0 / 0

HEX #6EA9FF

RGB 110 169 255

HSL 215.59, 1%, 0.72%

LAB 68.69, 5.46, -48.45

 

CMYK 50 / 27 / 0 / 0

HEX #7FBBFF

RGB 127 187 255

HSL 211.88, 1%, 0.75%

LAB 74.36, -1.04, -39.5

 

CMYK 44 / 20 / 0 / 0

HEX #90CDFF

RGB 144 205 255

HSL 207.03, 1%, 0.78%

LAB 80.07, -6.8, -30.6

 

CMYK 69 / 42 / 0 / 9

HEX #4785E7

RGB 71 133 231

HSL 216.75, 0.77%, 0.59%

LAB 55.97, 11.88, -55.53

 

CMYK 75 / 46 / 0 / 17

HEX #3673D4

RGB 54 115 212

HSL 216.84, 0.65%, 0.52%

LAB 49.25, 13.82, -55.63

 

CMYK 81 / 50 / 0 / 24

HEX #2561C1

RGB 37 97 193

HSL 216.92, 0.68%, 0.45%

LAB 42.45, 16.23, -55.7

 

CMYK 89 / 55 / 0 / 32

HEX #144FAE

RGB 20 79 174

HSL 217.01, 0.79%, 0.38%

LAB 35.59, 19.24, -55.68

 

CMYK 98 / 61 / 0 / 39

HEX #033D9B

RGB 3 61 155

HSL 217.11, 0.96%, 0.31%

LAB 28.7, 22.93, -55.5

 

CMYK 70 / 43 / 0 / 9

HEX #4684E7

RGB 70 132 231

HSL 216.89, 0.77%, 0.59%

LAB 55.66, 12.34, -56.03

 

CMYK 70 / 61 / 0 / 9

HEX #4659E7

RGB 70 89 231

HSL 232.92, 0.77%, 0.59%

LAB 44.54, 39, -74.01

 

CMYK 59 / 70 / 0 / 9

HEX #5E46E7

RGB 94 70 231

HSL 248.94, 0.77%, 0.59%

LAB 42.05, 53.17, -78.03

 

CMYK 40 / 70 / 0 / 9

HEX #8A46E7

RGB 138 70 231

HSL 265.34, 0.77%, 0.59%

LAB 46.38, 60.18, -70.76

 

CMYK 22 / 70 / 0 / 9

HEX #B546E7

RGB 181 70 231

HSL 281.37, 0.77%, 0.59%

LAB 51.81, 68.38, -61.72

 

CMYK 70 / 43 / 0 / 9

HEX #4684E7

RGB 70 132 231

HSL 216.89, 0.77%, 0.59%

LAB 55.66, 12.34, -56.03

 

CMYK 70 / 61 / 0 / 9

HEX #4659E7

RGB 70 89 231

HSL 232.92, 0.77%, 0.59%

LAB 44.54, 39, -74.01

 

CMYK 70 / 70 / 0 / 9

HEX #4646E7

RGB 70 70 231

HSL 240, 0.77%, 0.59%

LAB 40.33, 50.26, -80.91

 

CMYK 70 / 43 / 0 / 9

HEX #4684E7

RGB 70 132 231

HSL 216.89, 0.77%, 0.59%

LAB 55.66, 12.34, -56.03

 

CMYK 79 / 48 / 0 / 3

HEX #3581F8

RGB 53 129 248

HSL 216.62, 0.93%, 0.59%

LAB 55.31, 18.28, -66.06

 

CMYK 70 / 43 / 0 / 9

HEX #4684E7

RGB 70 132 231

HSL 216.89, 0.77%, 0.59%

LAB 55.66, 12.34, -56.03

 

CMYK 59 / 36 / 0 / 16

HEX #5788D6

RGB 87 136 214

HSL 216.85, 0.61%, 0.59%

LAB 56.57, 6.99, -45.01

 

CMYK 47 / 29 / 0 / 23

HEX #688CC5

RGB 104 140 197

HSL 216.77, 0.44%, 0.59%

LAB 57.78, 3.04, -33.47

 

CMYK 33 / 20 / 0 / 29

HEX #7990B4

RGB 121 144 180

HSL 216.61, 0.28%, 0.59%

LAB 59.26, 0.59, -21.48

 

CMYK 15 / 9 / 0 / 36

HEX #8A94A3

RGB 138 148 163

HSL 216, 0.12%, 0.59%

LAB 60.98, -0.39, -9.11

 

CMYK 70 / 5 / 0 / 9

HEX #46DCE7

RGB 70 220 231

HSL 184.1, 0.77%, 0.59%

LAB 80.88, -35.12, -16.83

 

CMYK 70 / 23 / 0 / 9

HEX #46B1E7

RGB 70 177 231

HSL 200.12, 0.77%, 0.59%

LAB 68.4, -13.54, -35.94

 

CMYK 70 / 42 / 0 / 9

HEX #4686E7

RGB 70 134 231

HSL 216.15, 0.77%, 0.59%

LAB 56.21, 11.13, -55.15

 

CMYK 70 / 61 / 0 / 9

HEX #465BE7

RGB 70 91 231

HSL 232.17, 0.77%, 0.59%

LAB 45.02, 37.78, -73.23

 

CMYK 61 / 70 / 0 / 9

HEX #5B46E7

RGB 91 70 231

HSL 247.83, 0.77%, 0.59%

LAB 41.8, 52.77, -78.44

 

CMYK 87 / 53 / 0 / 24

HEX #195AC1

RGB 25 90 193

HSL 216.79, 0.77%, 0.43%

LAB 40.2, 19.83, -59.37

 

CMYK 85 / 52 / 0 / 11

HEX #216CE2

RGB 33 108 226

HSL 216.68, 0.77%, 0.51%

LAB 47.67, 21.53, -66.14

 

CMYK 70 / 43 / 0 / 9

HEX #4684E7

RGB 70 132 231

HSL 216.89, 0.77%, 0.59%

LAB 55.66, 12.34, -56.03

 

CMYK 55 / 33 / 0 / 7

HEX #6A9DEC

RGB 106 157 236

HSL 216.46, 0.77%, 0.67%

LAB 64.35, 5.59, -44.91

 

CMYK 40 / 25 / 0 / 6

HEX #8FB5F0

RGB 143 181 240

HSL 216.49, 0.76%, 0.75%

LAB 73.01, 1.89, -33.44

 

CMYK 69 / 42 / 0 / 9

HEX #4785E7

RGB 71 133 231

HSL 216.75, 0.77%, 0.59%

LAB 55.97, 11.88, -55.53

 

CMYK 14 / 70 / 0 / 9

HEX #C746E7

RGB 199 70 231

HSL 288.07, 0.77%, 0.59%

LAB 54.34, 72.05, -57.52

 

CMYK 14 / 0 / 70 / 9

HEX #C7E746

RGB 199 231 70

HSL 71.93, 0.77%, 0.59%

LAB 86.87, -31.24, 70.84

 

CMYK 69 / 42 / 0 / 9

HEX #4785E7

RGB 71 133 231

HSL 216.75, 0.77%, 0.59%

LAB 55.97, 11.88, -55.53

 

CMYK 0 / 70 / 42 / 9

HEX #E74686

RGB 231 70 134

HSL 336.15, 0.77%, 0.59%

LAB 55.17, 66.22, 0.34

 

CMYK 42 / 0 / 70 / 9

HEX #86E746

RGB 134 231 70

HSL 96.15, 0.77%, 0.59%

LAB 83.26, -54.7, 66.03

 

CMYK 69 / 42 / 0 / 9

HEX #4785E7

RGB 71 133 231

HSL 216.75, 0.77%, 0.59%

LAB 55.97, 11.88, -55.53

 

CMYK 14 / 70 / 0 / 9

HEX #C746E7

RGB 199 70 231

HSL 288.07, 0.77%, 0.59%

LAB 54.34, 72.05, -57.52

 

CMYK 0 / 28 / 70 / 9

HEX #E7A746

RGB 231 167 70

HSL 36.15, 0.77%, 0.59%

LAB 72.94, 14.49, 57.53

 

CMYK 56 / 0 / 70 / 9

HEX #66E746

RGB 102 231 70

HSL 108.07, 0.77%, 0.59%

LAB 82.07, -63.76, 64.42

 

CMYK 69 / 42 / 0 / 9

HEX #4785E7

RGB 71 133 231

HSL 216.75, 0.77%, 0.59%

LAB 55.97, 11.88, -55.53

 

CMYK 0 / 70 / 7 / 9

HEX #E746D7

RGB 231 70 215

HSL 305.96, 0.77%, 0.59%

LAB 58.3, 76.29, -41.9

 

CMYK 0 / 28 / 70 / 9

HEX #E7A746

RGB 231 167 70

HSL 36.15, 0.77%, 0.59%

LAB 72.94, 14.49, 57.53

 

CMYK 70 / 0 / 63 / 9

HEX #46E756

RGB 70 231 86

HSL 125.96, 0.77%, 0.59%

LAB 81.36, -69.01, 57.11

 

Description

Color code: HEX #4785E7 | qconv.com Color code: HEX #4785E7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 133 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 133 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 42 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 42% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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