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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4782BF it is the complementary color #B87D40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4782BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4782BF shade: #4C82BA, #5D94CD, #6EA6E0, #7FB8F3 and #90CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4782BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4782BF shade: #4782BF, #3670AC, #255E99, #144C86 and #033A73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4782BF shade: #4681BE, #4661BE, #4C46BE, #6C46BE and #8C46BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4782BF shade: #4681BE, #4661BE and #4646BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4782BF shade matches the following richer shades: #4681BE, #3281D2, #1E80E6 and #0980FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4782BF shade: #4681BE, #5A81AA, #6F8296, #838281 and #97826D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4782BF shade: #46BEBA, #46A2BE, #4682BE, #4662BE and #4A46BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4782BF shade: #2E5883, #396DA2, #4681BE, #6596C9 and #83ABD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4782BF shade: #4782BF, #9A46BE and #B2BE46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4782BF shade: #4782BF, #BE4682 and #82BE46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4782BF shade: #4782BF, #9A46BE, #BE8246 and #6ABE46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4782BF shade: #4782BF, #BE46BE, #BE8246 and #46BE46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 32 / 0 / 25

HEX #4782BF

RGB 71 130 191

HSL 210.5, 0.48%, 0.51%

LAB 53.02, -0.19, -37.63

 

Complementary color

CMYK 0 / 32 / 65 / 28

HEX #B87D40

RGB 184 125 64

HSL 30.5, 0.48%, 0.49%

LAB 57.3, 16.86, 41.77

 

CMYK 59 / 30 / 0 / 27

HEX #4C82BA

RGB 76 130 186

HSL 210.55, 0.44%, 0.51%

LAB 53, -0.89, -34.79

 

CMYK 55 / 28 / 0 / 20

HEX #5D94CD

RGB 93 148 205

HSL 210.54, 0.53%, 0.58%

LAB 59.81, -1.69, -34.85

 

CMYK 51 / 26 / 0 / 12

HEX #6EA6E0

RGB 110 166 224

HSL 210.53, 0.65%, 0.65%

LAB 66.5, -2.33, -34.94

 

CMYK 48 / 24 / 0 / 5

HEX #7FB8F3

RGB 127 184 243

HSL 210.52, 0.83%, 0.73%

LAB 73.07, -2.85, -35.04

 

CMYK 44 / 21 / 0 / 0

HEX #90CAFF

RGB 144 202 255

HSL 208.65, 1%, 0.78%

LAB 79.27, -5.2, -31.84

 

CMYK 63 / 32 / 0 / 25

HEX #4782BF

RGB 71 130 191

HSL 210.5, 0.48%, 0.51%

LAB 53.02, -0.19, -37.63

 

CMYK 69 / 35 / 0 / 33

HEX #3670AC

RGB 54 112 172

HSL 210.51, 0.52%, 0.44%

LAB 46.11, 1.04, -37.59

 

CMYK 76 / 39 / 0 / 40

HEX #255E99

RGB 37 94 153

HSL 210.52, 0.61%, 0.37%

LAB 39.07, 2.67, -37.54

 

CMYK 85 / 43 / 0 / 47

HEX #144C86

RGB 20 76 134

HSL 210.53, 0.74%, 0.3%

LAB 31.9, 4.88, -37.45

 

CMYK 97 / 50 / 0 / 55

HEX #033A73

RGB 3 58 115

HSL 210.54, 0.95%, 0.23%

LAB 24.59, 7.86, -37.3

 

CMYK 63 / 32 / 0 / 25

HEX #4681BE

RGB 70 129 190

HSL 210.5, 0.48%, 0.51%

LAB 52.64, -0.12, -37.66

 

CMYK 63 / 49 / 0 / 25

HEX #4661BE

RGB 70 97 190

HSL 226.5, 0.48%, 0.51%

LAB 43.61, 19.69, -52.03

 

CMYK 60 / 63 / 0 / 25

HEX #4C46BE

RGB 76 70 190

HSL 243, 0.48%, 0.51%

LAB 37.18, 37.73, -62.42

 

CMYK 43 / 63 / 0 / 25

HEX #6C46BE

RGB 108 70 190

HSL 259, 0.48%, 0.51%

LAB 40.06, 43.73, -57.61

 

CMYK 26 / 63 / 0 / 25

HEX #8C46BE

RGB 140 70 190

HSL 275, 0.48%, 0.51%

LAB 43.76, 50.79, -51.45

 

CMYK 63 / 32 / 0 / 25

HEX #4681BE

RGB 70 129 190

HSL 210.5, 0.48%, 0.51%

LAB 52.64, -0.12, -37.66

 

CMYK 63 / 49 / 0 / 25

HEX #4661BE

RGB 70 97 190

HSL 226.5, 0.48%, 0.51%

LAB 43.61, 19.69, -52.03

 

CMYK 63 / 63 / 0 / 25

HEX #4646BE

RGB 70 70 190

HSL 240, 0.48%, 0.51%

LAB 36.74, 36.78, -63.15

 

CMYK 63 / 32 / 0 / 25

HEX #4681BE

RGB 70 129 190

HSL 210.5, 0.48%, 0.51%

LAB 52.64, -0.12, -37.66

 

CMYK 76 / 39 / 0 / 18

HEX #3281D2

RGB 50 129 210

HSL 210.38, 0.64%, 0.51%

LAB 52.98, 3.96, -48.54

 

CMYK 87 / 44 / 0 / 10

HEX #1E80E6

RGB 30 128 230

HSL 210.6, 0.8%, 0.51%

LAB 53.41, 10.28, -59.13

 

CMYK 96 / 49 / 0 / 2

HEX #0980FB

RGB 9 128 251

HSL 210.5, 0.97%, 0.51%

LAB 54.51, 17.46, -69.05

 

CMYK 63 / 32 / 0 / 25

HEX #4681BE

RGB 70 129 190

HSL 210.5, 0.48%, 0.51%

LAB 52.64, -0.12, -37.66

 

CMYK 47 / 24 / 0 / 33

HEX #5A81AA

RGB 90 129 170

HSL 210.75, 0.32%, 0.51%

LAB 52.7, -2.14, -25.99

 

CMYK 26 / 13 / 0 / 41

HEX #6F8296

RGB 111 130 150

HSL 210.77, 0.16%, 0.51%

LAB 53.54, -2.14, -13.01

 

CMYK 0 / 1 / 2 / 49

HEX #838281

RGB 131 130 129

HSL 30, 0.01%, 0.51%

LAB 54.42, 0.18, 0.67

 

CMYK 0 / 14 / 28 / 41

HEX #97826D

RGB 151 130 109

HSL 30, 0.17%, 0.51%

LAB 55.73, 4.64, 14.33

 

CMYK 63 / 0 / 2 / 25

HEX #46BEBA

RGB 70 190 186

HSL 178, 0.48%, 0.51%

LAB 70.65, -33.79, -7.87

 

CMYK 63 / 15 / 0 / 25

HEX #46A2BE

RGB 70 162 190

HSL 194, 0.48%, 0.51%

LAB 62.39, -18.64, -22.54

 

CMYK 63 / 32 / 0 / 25

HEX #4682BE

RGB 70 130 190

HSL 210, 0.48%, 0.51%

LAB 52.93, -0.71, -37.2

 

CMYK 63 / 48 / 0 / 25

HEX #4662BE

RGB 70 98 190

HSL 226, 0.48%, 0.51%

LAB 43.88, 19.05, -51.59

 

CMYK 61 / 63 / 0 / 25

HEX #4A46BE

RGB 74 70 190

HSL 242, 0.48%, 0.51%

LAB 37.03, 37.41, -62.67

 

CMYK 65 / 33 / 0 / 49

HEX #2E5883

RGB 46 88 131

HSL 210.35, 0.48%, 0.35%

LAB 36.36, -0.26, -28.46

 

CMYK 65 / 33 / 0 / 36

HEX #396DA2

RGB 57 109 162

HSL 210.29, 0.48%, 0.43%

LAB 44.82, -0.15, -33.74

 

CMYK 63 / 32 / 0 / 25

HEX #4681BE

RGB 70 129 190

HSL 210.5, 0.48%, 0.51%

LAB 52.64, -0.12, -37.66

 

CMYK 50 / 25 / 0 / 21

HEX #6596C9

RGB 101 150 201

HSL 210.6, 0.48%, 0.59%

LAB 60.6, -2.24, -31.35

 

CMYK 38 / 19 / 0 / 17

HEX #83ABD3

RGB 131 171 211

HSL 210, 0.48%, 0.67%

LAB 68.5, -3.53, -24.6

 

CMYK 63 / 32 / 0 / 25

HEX #4782BF

RGB 71 130 191

HSL 210.5, 0.48%, 0.51%

LAB 53.02, -0.19, -37.63

 

CMYK 19 / 63 / 0 / 25

HEX #9A46BE

RGB 154 70 190

HSL 282, 0.48%, 0.51%

LAB 45.59, 54.07, -48.41

 

CMYK 6 / 0 / 63 / 25

HEX #B2BE46

RGB 178 190 70

HSL 66, 0.48%, 0.51%

LAB 74.02, -20.06, 57.18

 

CMYK 63 / 32 / 0 / 25

HEX #4782BF

RGB 71 130 191

HSL 210.5, 0.48%, 0.51%

LAB 53.02, -0.19, -37.63

 

CMYK 0 / 63 / 32 / 25

HEX #BE4682

RGB 190 70 130

HSL 330, 0.48%, 0.51%

LAB 48.18, 53.87, -8.35

 

CMYK 32 / 0 / 63 / 25

HEX #82BE46

RGB 130 190 70

HSL 90, 0.48%, 0.51%

LAB 70.88, -38.95, 52.88

 

CMYK 63 / 32 / 0 / 25

HEX #4782BF

RGB 71 130 191

HSL 210.5, 0.48%, 0.51%

LAB 53.02, -0.19, -37.63

 

CMYK 19 / 63 / 0 / 25

HEX #9A46BE

RGB 154 70 190

HSL 282, 0.48%, 0.51%

LAB 45.59, 54.07, -48.41

 

CMYK 0 / 32 / 63 / 25

HEX #BE8246

RGB 190 130 70

HSL 30, 0.48%, 0.51%

LAB 59.3, 17.08, 41.2

 

CMYK 44 / 0 / 63 / 25

HEX #6ABE46

RGB 106 190 70

HSL 102, 0.48%, 0.51%

LAB 69.71, -47.1, 51.25

 

CMYK 63 / 32 / 0 / 25

HEX #4782BF

RGB 71 130 191

HSL 210.5, 0.48%, 0.51%

LAB 53.02, -0.19, -37.63

 

CMYK 0 / 63 / 0 / 25

HEX #BE46BE

RGB 190 70 190

HSL 300, 0.48%, 0.51%

LAB 50.74, 62.75, -39.91

 

CMYK 0 / 32 / 63 / 25

HEX #BE8246

RGB 190 130 70

HSL 30, 0.48%, 0.51%

LAB 59.3, 17.08, 41.2

 

CMYK 63 / 0 / 63 / 25

HEX #46BE46

RGB 70 190 70

HSL 120, 0.48%, 0.51%

LAB 68.44, -56.76, 49.49

 

Description

Color code: HEX #4782BF | qconv.com Color code: HEX #4782BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 130 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 130 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 32 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 32% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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