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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #477715 it is the complementary color #B888EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #477715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #477715 shade: #4C7710, #5D8923, #6E9B36, #7FAD49 and #90BF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #477715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #477715 shade: #477715, #366502, #255300, #144100 and #032F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #477715 shade: #467515, #607515, #757015, #755615 and #753C15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #477715 shade: #467515, #2C7515, #157517, #157531 and #15754B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #477715 shade matches the following richer shades: #467515 and #46800A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #477715 shade: #467515, #466A20, #455F2B, #455436 and #454841

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #477715 shade: #757015, #607515, #467515, #2D7515 and #157516

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #477715 shade: #1C2F08, #31520E, #467515, #5B981B and #70BB21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #477715 shade: #477715, #157557 and #75156D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #477715 shade: #477715, #154675 and #751546

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #477715 shade: #477715, #157557, #431575 and #751533

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #477715 shade: #477715, #157573, #431575 and #751516

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 82 / 53

HEX #477715

RGB 71 119 21

HSL 89.39, 0.7%, 0.27%

LAB 45.06, -32.55, 44.65

 

Complementary color

CMYK 21 / 42 / 0 / 8

HEX #B888EA

RGB 184 136 234

HSL 269.39, 0.7%, 0.73%

LAB 64.76, 37.01, -42.78

 

CMYK 36 / 0 / 87 / 53

HEX #4C7710

RGB 76 119 16

HSL 85.05, 0.76%, 0.26%

LAB 45.31, -30.86, 46.46

 

CMYK 32 / 0 / 74 / 46

HEX #5D8923

RGB 93 137 35

HSL 85.88, 0.59%, 0.34%

LAB 52.22, -31.49, 47.01

 

CMYK 29 / 0 / 65 / 39

HEX #6E9B36

RGB 110 155 54

HSL 86.73, 0.48%, 0.41%

LAB 59, -31.85, 46.55

 

CMYK 27 / 0 / 58 / 32

HEX #7FAD49

RGB 127 173 73

HSL 87.6, 0.41%, 0.48%

LAB 65.66, -32.04, 45.64

 

CMYK 25 / 0 / 52 / 25

HEX #90BF5C

RGB 144 191 92

HSL 88.48, 0.44%, 0.55%

LAB 72.2, -32.12, 44.55

 

CMYK 40 / 0 / 82 / 53

HEX #477715

RGB 71 119 21

HSL 89.39, 0.7%, 0.27%

LAB 45.06, -32.55, 44.65

 

CMYK 47 / 0 / 98 / 60

HEX #366502

RGB 54 101 2

HSL 88.48, 0.96%, 0.2%

LAB 38.01, -31.7, 43.34

 

CMYK 55 / 0 / 100 / 67

HEX #255300

RGB 37 83 0

HSL 93.25, 1%, 0.16%

LAB 30.83, -30.05, 37.95

 

CMYK 69 / 0 / 100 / 75

HEX #144100

RGB 20 65 0

HSL 101.54, 1%, 0.13%

LAB 23.44, -27.95, 31.2

 

CMYK 94 / 0 / 100 / 82

HEX #032F00

RGB 3 47 0

HSL 116.17, 1%, 0.09%

LAB 15.76, -25.39, 22.3

 

CMYK 40 / 0 / 82 / 54

HEX #467515

RGB 70 117 21

HSL 89.38, 0.7%, 0.27%

LAB 44.35, -32.03, 43.97

 

CMYK 18 / 0 / 82 / 54

HEX #607515

RGB 96 117 21

HSL 73.13, 0.7%, 0.27%

LAB 45.99, -21.21, 46.08

 

CMYK 0 / 4 / 82 / 54

HEX #757015

RGB 117 112 21

HSL 56.88, 0.7%, 0.27%

LAB 46.21, -8.79, 46.94

 

CMYK 0 / 26 / 82 / 54

HEX #755615

RGB 117 86 21

HSL 40.63, 0.7%, 0.27%

LAB 38.71, 6.35, 40.14

 

CMYK 0 / 49 / 82 / 54

HEX #753C15

RGB 117 60 21

HSL 24.38, 0.7%, 0.27%

LAB 31.96, 21.9, 33.76

 

CMYK 40 / 0 / 82 / 54

HEX #467515

RGB 70 117 21

HSL 89.38, 0.7%, 0.27%

LAB 44.35, -32.03, 43.97

 

CMYK 62 / 0 / 82 / 54

HEX #2C7515

RGB 44 117 21

HSL 105.63, 0.7%, 0.27%

LAB 43.23, -40.51, 42.52

 

CMYK 82 / 0 / 80 / 54

HEX #157517

RGB 21 117 23

HSL 121.25, 0.7%, 0.27%

LAB 42.68, -45.1, 41.11

 

CMYK 82 / 0 / 58 / 54

HEX #157531

RGB 21 117 49

HSL 137.5, 0.7%, 0.27%

LAB 42.92, -42.16, 29.71

 

CMYK 82 / 0 / 36 / 54

HEX #15754B

RGB 21 117 75

HSL 153.75, 0.7%, 0.27%

LAB 43.35, -37.22, 15.77

 

CMYK 40 / 0 / 82 / 54

HEX #467515

RGB 70 117 21

HSL 89.38, 0.7%, 0.27%

LAB 44.35, -32.03, 43.97

 

CMYK 45 / 0 / 92 / 50

HEX #46800A

RGB 70 128 10

HSL 89.49, 0.86%, 0.27%

LAB 47.96, -37.31, 50

 

CMYK 40 / 0 / 82 / 54

HEX #467515

RGB 70 117 21

HSL 89.38, 0.7%, 0.27%

LAB 44.35, -32.03, 43.97

 

CMYK 34 / 0 / 70 / 58

HEX #466A20

RGB 70 106 32

HSL 89.19, 0.54%, 0.27%

LAB 40.76, -26.07, 36.08

 

CMYK 27 / 0 / 55 / 63

HEX #455F2B

RGB 69 95 43

HSL 90, 0.38%, 0.27%

LAB 37.16, -19.73, 26.44

 

CMYK 18 / 0 / 36 / 67

HEX #455436

RGB 69 84 54

HSL 90, 0.22%, 0.27%

LAB 33.72, -12.04, 15.67

 

CMYK 4 / 0 / 10 / 72

HEX #454841

RGB 69 72 65

HSL 85.71, 0.05%, 0.27%

LAB 30.11, -2.75, 3.77

 

CMYK 0 / 4 / 82 / 54

HEX #757015

RGB 117 112 21

HSL 56.88, 0.7%, 0.27%

LAB 46.21, -8.79, 46.94

 

CMYK 18 / 0 / 82 / 54

HEX #607515

RGB 96 117 21

HSL 73.13, 0.7%, 0.27%

LAB 45.99, -21.21, 46.08

 

CMYK 40 / 0 / 82 / 54

HEX #467515

RGB 70 117 21

HSL 89.38, 0.7%, 0.27%

LAB 44.35, -32.03, 43.97

 

CMYK 62 / 0 / 82 / 54

HEX #2D7515

RGB 45 117 21

HSL 105, 0.7%, 0.27%

LAB 43.26, -40.24, 42.56

 

CMYK 82 / 0 / 81 / 54

HEX #157516

RGB 21 117 22

HSL 120.63, 0.7%, 0.27%

LAB 42.67, -45.18, 41.45

 

CMYK 40 / 0 / 83 / 82

HEX #1C2F08

RGB 28 47 8

HSL 89.23, 0.71%, 0.11%

LAB 16.98, -15.64, 20.8

 

CMYK 40 / 0 / 83 / 68

HEX #31520E

RGB 49 82 14

HSL 89.12, 0.71%, 0.19%

LAB 31.16, -24.24, 33.55

 

CMYK 40 / 0 / 82 / 54

HEX #467515

RGB 70 117 21

HSL 89.38, 0.7%, 0.27%

LAB 44.35, -32.03, 43.97

 

CMYK 40 / 0 / 82 / 40

HEX #5B981B

RGB 91 152 27

HSL 89.28, 0.7%, 0.35%

LAB 56.84, -39.39, 54.03

 

CMYK 40 / 0 / 82 / 27

HEX #70BB21

RGB 112 187 33

HSL 89.22, 0.7%, 0.43%

LAB 68.82, -46.42, 63.6

 

CMYK 40 / 0 / 82 / 53

HEX #477715

RGB 71 119 21

HSL 89.39, 0.7%, 0.27%

LAB 45.06, -32.55, 44.65

 

CMYK 82 / 0 / 26 / 54

HEX #157557

RGB 21 117 87

HSL 161.25, 0.7%, 0.27%

LAB 43.61, -34.31, 9.08

 

CMYK 0 / 82 / 7 / 54

HEX #75156D

RGB 117 21 109

HSL 305, 0.7%, 0.27%

LAB 27.91, 49.63, -27.52

 

CMYK 40 / 0 / 82 / 53

HEX #477715

RGB 71 119 21

HSL 89.39, 0.7%, 0.27%

LAB 45.06, -32.55, 44.65

 

CMYK 82 / 40 / 0 / 54

HEX #154675

RGB 21 70 117

HSL 209.38, 0.7%, 0.27%

LAB 28.96, 2.02, -31.53

 

CMYK 0 / 82 / 40 / 54

HEX #751546

RGB 117 21 70

HSL 329.38, 0.7%, 0.27%

LAB 26.04, 44.21, -4.68

 

CMYK 40 / 0 / 82 / 53

HEX #477715

RGB 71 119 21

HSL 89.39, 0.7%, 0.27%

LAB 45.06, -32.55, 44.65

 

CMYK 82 / 0 / 26 / 54

HEX #157557

RGB 21 117 87

HSL 161.25, 0.7%, 0.27%

LAB 43.61, -34.31, 9.08

 

CMYK 43 / 82 / 0 / 54

HEX #431575

RGB 67 21 117

HSL 268.75, 0.7%, 0.27%

LAB 20.1, 41.18, -45.68

 

CMYK 0 / 82 / 56 / 54

HEX #751533

RGB 117 21 51

HSL 341.25, 0.7%, 0.27%

LAB 25.43, 42.35, 7.37

 

CMYK 40 / 0 / 82 / 53

HEX #477715

RGB 71 119 21

HSL 89.39, 0.7%, 0.27%

LAB 45.06, -32.55, 44.65

 

CMYK 82 / 0 / 2 / 54

HEX #157573

RGB 21 117 115

HSL 178.75, 0.7%, 0.27%

LAB 44.4, -26.18, -6.49

 

CMYK 43 / 82 / 0 / 54

HEX #431575

RGB 67 21 117

HSL 268.75, 0.7%, 0.27%

LAB 20.1, 41.18, -45.68

 

CMYK 0 / 82 / 81 / 54

HEX #751516

RGB 117 21 22

HSL 359.38, 0.7%, 0.27%

LAB 24.88, 40.61, 26.03

 

Description

Color code: HEX #477715 | qconv.com Color code: HEX #477715 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 119 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 119 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 82 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 82% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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