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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4770AF it is the complementary color #B88F50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4770AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4770AF shade: #4C70AA, #5D82BD, #6E94D0, #7FA6E3 and #90B8F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4770AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4770AF shade: #4770AF, #365E9C, #254C89, #143A76 and #032863

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4770AF shade: #4770AE, #4754AE, #5647AE, #7247AE and #8D47AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4770AF shade: #4770AE, #4754AE and #4747AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4770AF shade matches the following richer shades: #4770AE, #336BC2, #1F67D5 and #0C63E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4770AF shade: #4770AE, #5B749A, #6F7886, #827C72 and #96805F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4770AF shade: #47A7AE, #478CAE, #4770AE, #4755AE and #5547AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4770AF shade: #2F4A73, #3B5D91, #4770AE, #6085BE and #7D9CCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4770AF shade: #4770AF, #9947AE and #99AE47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4770AF shade: #4770AF, #AE4770 and #70AE47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4770AF shade: #4770AF, #9947AE, #AE8547 and #5CAE47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4770AF shade: #4770AF, #AE47A4, #AE8547 and #47AE51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 36 / 0 / 31

HEX #4770AF

RGB 71 112 175

HSL 216.35, 0.42%, 0.48%

LAB 47, 5.25, -37.88

 

Complementary color

CMYK 0 / 22 / 57 / 28

HEX #B88F50

RGB 184 143 80

HSL 36.35, 0.42%, 0.52%

LAB 62.01, 8.06, 39.08

 

CMYK 55 / 34 / 0 / 33

HEX #4C70AA

RGB 76 112 170

HSL 217.02, 0.38%, 0.48%

LAB 47.01, 4.66, -34.93

 

CMYK 51 / 31 / 0 / 26

HEX #5D82BD

RGB 93 130 189

HSL 216.88, 0.42%, 0.55%

LAB 53.99, 3.82, -34.89

 

CMYK 47 / 29 / 0 / 18

HEX #6E94D0

RGB 110 148 208

HSL 216.73, 0.51%, 0.62%

LAB 60.82, 3.15, -34.89

 

CMYK 44 / 27 / 0 / 11

HEX #7FA6E3

RGB 127 166 227

HSL 216.6, 0.64%, 0.69%

LAB 67.52, 2.59, -34.92

 

CMYK 41 / 25 / 0 / 4

HEX #90B8F6

RGB 144 184 246

HSL 216.47, 0.85%, 0.76%

LAB 74.1, 2.12, -34.99

 

CMYK 59 / 36 / 0 / 31

HEX #4770AF

RGB 71 112 175

HSL 216.35, 0.42%, 0.48%

LAB 47, 5.25, -37.88

 

CMYK 65 / 40 / 0 / 39

HEX #365E9C

RGB 54 94 156

HSL 216.47, 0.49%, 0.41%

LAB 39.9, 6.53, -37.97

 

CMYK 73 / 45 / 0 / 46

HEX #254C89

RGB 37 76 137

HSL 216.6, 0.57%, 0.34%

LAB 32.63, 8.25, -38.09

 

CMYK 83 / 51 / 0 / 54

HEX #143A76

RGB 20 58 118

HSL 216.73, 0.71%, 0.27%

LAB 25.21, 10.62, -38.18

 

CMYK 97 / 60 / 0 / 61

HEX #032863

RGB 3 40 99

HSL 216.88, 0.94%, 0.2%

LAB 17.63, 13.88, -38.2

 

CMYK 59 / 36 / 0 / 32

HEX #4770AE

RGB 71 112 174

HSL 216.12, 0.42%, 0.48%

LAB 46.95, 4.91, -37.38

 

CMYK 59 / 52 / 0 / 32

HEX #4754AE

RGB 71 84 174

HSL 232.43, 0.42%, 0.48%

LAB 39.13, 22.65, -49.85

 

CMYK 51 / 59 / 0 / 32

HEX #5647AE

RGB 86 71 174

HSL 248.74, 0.42%, 0.48%

LAB 37.01, 33.88, -53.22

 

CMYK 34 / 59 / 0 / 32

HEX #7247AE

RGB 114 71 174

HSL 265.05, 0.42%, 0.48%

LAB 39.82, 40.2, -48.55

 

CMYK 19 / 59 / 0 / 32

HEX #8D47AE

RGB 141 71 174

HSL 280.78, 0.42%, 0.48%

LAB 43.1, 46.94, -43.11

 

CMYK 59 / 36 / 0 / 32

HEX #4770AE

RGB 71 112 174

HSL 216.12, 0.42%, 0.48%

LAB 46.95, 4.91, -37.38

 

CMYK 59 / 52 / 0 / 32

HEX #4754AE

RGB 71 84 174

HSL 232.43, 0.42%, 0.48%

LAB 39.13, 22.65, -49.85

 

CMYK 59 / 59 / 0 / 32

HEX #4747AE

RGB 71 71 174

HSL 240, 0.42%, 0.48%

LAB 35.8, 30.96, -55.24

 

CMYK 59 / 36 / 0 / 32

HEX #4770AE

RGB 71 112 174

HSL 216.12, 0.42%, 0.48%

LAB 46.95, 4.91, -37.38

 

CMYK 74 / 45 / 0 / 24

HEX #336BC2

RGB 51 107 194

HSL 216.5, 0.58%, 0.48%

LAB 45.79, 11.8, -50.88

 

CMYK 85 / 52 / 0 / 16

HEX #1F67D5

RGB 31 103 213

HSL 216.26, 0.75%, 0.48%

LAB 45.35, 19.59, -62.52

 

CMYK 95 / 58 / 0 / 9

HEX #0C63E9

RGB 12 99 233

HSL 216.38, 0.9%, 0.48%

LAB 45.48, 29.01, -73.68

 

CMYK 59 / 36 / 0 / 32

HEX #4770AE

RGB 71 112 174

HSL 216.12, 0.42%, 0.48%

LAB 46.95, 4.91, -37.38

 

CMYK 41 / 25 / 0 / 40

HEX #5B749A

RGB 91 116 154

HSL 216.19, 0.26%, 0.48%

LAB 48.32, 1.07, -23.44

 

CMYK 17 / 10 / 0 / 47

HEX #6F7886

RGB 111 120 134

HSL 216.52, 0.09%, 0.48%

LAB 50.14, -0.22, -8.77

 

CMYK 0 / 5 / 12 / 49

HEX #827C72

RGB 130 124 114

HSL 37.5, 0.07%, 0.48%

LAB 52.26, 0.42, 6.27

 

CMYK 0 / 15 / 37 / 41

HEX #96805F

RGB 150 128 95

HSL 36, 0.22%, 0.48%

LAB 54.81, 3.45, 21.05

 

CMYK 59 / 4 / 0 / 32

HEX #47A7AE

RGB 71 167 174

HSL 184.08, 0.42%, 0.48%

LAB 63.37, -25.83, -12.09

 

CMYK 59 / 20 / 0 / 32

HEX #478CAE

RGB 71 140 174

HSL 199.81, 0.42%, 0.48%

LAB 55.23, -11.54, -24.47

 

CMYK 59 / 36 / 0 / 32

HEX #4770AE

RGB 71 112 174

HSL 216.12, 0.42%, 0.48%

LAB 46.95, 4.91, -37.38

 

CMYK 59 / 51 / 0 / 32

HEX #4755AE

RGB 71 85 174

HSL 231.84, 0.42%, 0.48%

LAB 39.4, 22, -49.42

 

CMYK 51 / 59 / 0 / 32

HEX #5547AE

RGB 85 71 174

HSL 248.16, 0.42%, 0.48%

LAB 36.92, 33.68, -53.37

 

CMYK 59 / 36 / 0 / 55

HEX #2F4A73

RGB 47 74 115

HSL 216.18, 0.42%, 0.32%

LAB 31.21, 3.23, -26.65

 

CMYK 59 / 36 / 0 / 43

HEX #3B5D91

RGB 59 93 145

HSL 216.28, 0.42%, 0.4%

LAB 39.25, 4.26, -32.39

 

CMYK 59 / 36 / 0 / 32

HEX #4770AE

RGB 71 112 174

HSL 216.12, 0.42%, 0.48%

LAB 46.95, 4.91, -37.38

 

CMYK 49 / 30 / 0 / 25

HEX #6085BE

RGB 96 133 190

HSL 216.38, 0.42%, 0.56%

LAB 55.05, 3.07, -33.79

 

CMYK 38 / 23 / 0 / 21

HEX #7D9CCA

RGB 125 156 202

HSL 215.84, 0.42%, 0.64%

LAB 63.67, 0.78, -27.05

 

CMYK 59 / 36 / 0 / 31

HEX #4770AF

RGB 71 112 175

HSL 216.35, 0.42%, 0.48%

LAB 47, 5.25, -37.88

 

CMYK 12 / 59 / 0 / 32

HEX #9947AE

RGB 153 71 174

HSL 287.77, 0.42%, 0.48%

LAB 44.71, 50.04, -40.45

 

CMYK 12 / 0 / 59 / 32

HEX #99AE47

RGB 153 174 71

HSL 72.23, 0.42%, 0.48%

LAB 67.65, -22.37, 49.28

 

CMYK 59 / 36 / 0 / 31

HEX #4770AF

RGB 71 112 175

HSL 216.35, 0.42%, 0.48%

LAB 47, 5.25, -37.88

 

CMYK 0 / 59 / 36 / 32

HEX #AE4770

RGB 174 71 112

HSL 336.12, 0.42%, 0.48%

LAB 45.19, 46.18, -2.14

 

CMYK 36 / 0 / 59 / 32

HEX #70AE47

RGB 112 174 71

HSL 96.12, 0.42%, 0.48%

LAB 65.1, -38.19, 45.71

 

CMYK 59 / 36 / 0 / 31

HEX #4770AF

RGB 71 112 175

HSL 216.35, 0.42%, 0.48%

LAB 47, 5.25, -37.88

 

CMYK 12 / 59 / 0 / 32

HEX #9947AE

RGB 153 71 174

HSL 287.77, 0.42%, 0.48%

LAB 44.71, 50.04, -40.45

 

CMYK 0 / 24 / 59 / 32

HEX #AE8547

RGB 174 133 71

HSL 36.12, 0.42%, 0.48%

LAB 58.25, 8.55, 39

 

CMYK 47 / 0 / 59 / 32

HEX #5CAE47

RGB 92 174 71

HSL 107.77, 0.42%, 0.48%

LAB 64.16, -44.77, 44.39

 

CMYK 59 / 36 / 0 / 31

HEX #4770AF

RGB 71 112 175

HSL 216.35, 0.42%, 0.48%

LAB 47, 5.25, -37.88

 

CMYK 0 / 59 / 6 / 32

HEX #AE47A4

RGB 174 71 164

HSL 305.83, 0.42%, 0.48%

LAB 47.22, 53.78, -30.39

 

CMYK 0 / 24 / 59 / 32

HEX #AE8547

RGB 174 133 71

HSL 36.12, 0.42%, 0.48%

LAB 58.25, 8.55, 39

 

CMYK 59 / 0 / 53 / 32

HEX #47AE51

RGB 71 174 81

HSL 125.83, 0.42%, 0.48%

LAB 63.51, -49.25, 38.64

 

Description

Color code: HEX #4770AF | qconv.com Color code: HEX #4770AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 112 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 112 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 36 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 36% 0% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - University Alliance
Link: http://www.universityalliance.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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