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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47620C it is the complementary color #B89DF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47620C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47620C shade: #4C6207, #5D741A, #6E862D, #7F9840 and #90AA53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47620C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47620C shade: #47620C, #365000, #253E00, #142C00 and #031A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47620C shade: #48640C, #60640C, #64500C, #64390C and #64210C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47620C shade: #48640C, #31640C, #19640C, #0C6417 and #0C642F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47620C shade matches the following richer shades: #48640C and #4C6D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47620C shade: #48640C, #455B15, #42521E, #3E4928 and #3B4031

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47620C shade: #644F0C, #61640C, #4A640C, #32640C and #1B640C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47620C shade: #131A03, #2E3F08, #48640C, #638911 and #7EAD15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47620C shade: #47620C, #0C6438 and #5B0C64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47620C shade: #47620C, #0C4A64 and #640C4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47620C shade: #47620C, #0C6438, #270C64 and #640C38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47620C shade: #47620C, #0C6452, #270C64 and #640C1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 88 / 62

HEX #47620C

RGB 71 98 12

HSL 78.84, 0.78%, 0.22%

LAB 38.02, -22.95, 41.03

 

Complementary color

CMYK 24 / 35 / 0 / 5

HEX #B89DF3

RGB 184 157 243

HSL 258.84, 0.78%, 0.78%

LAB 70.02, 27.41, -39.48

 

CMYK 22 / 0 / 93 / 62

HEX #4C6207

RGB 76 98 7

HSL 74.51, 0.87%, 0.21%

LAB 38.35, -20.91, 42.79

 

CMYK 20 / 0 / 78 / 55

HEX #5D741A

RGB 93 116 26

HSL 75.33, 0.63%, 0.28%

LAB 45.49, -21.77, 43.81

 

CMYK 18 / 0 / 66 / 47

HEX #6E862D

RGB 110 134 45

HSL 76.18, 0.5%, 0.35%

LAB 52.46, -22.33, 43.49

 

CMYK 16 / 0 / 58 / 40

HEX #7F9840

RGB 127 152 64

HSL 77.05, 0.41%, 0.42%

LAB 59.29, -22.69, 42.6

 

CMYK 15 / 0 / 51 / 33

HEX #90AA53

RGB 144 170 83

HSL 77.93, 0.34%, 0.5%

LAB 65.98, -22.93, 41.5

 

CMYK 28 / 0 / 88 / 62

HEX #47620C

RGB 71 98 12

HSL 78.84, 0.78%, 0.22%

LAB 38.02, -22.95, 41.03

 

CMYK 33 / 0 / 100 / 69

HEX #365000

RGB 54 80 0

HSL 79.5, 1%, 0.16%

LAB 30.69, -21.86, 38.24

 

CMYK 40 / 0 / 100 / 76

HEX #253E00

RGB 37 62 0

HSL 84.19, 1%, 0.12%

LAB 23.13, -20.25, 31.16

 

CMYK 55 / 0 / 100 / 83

HEX #142C00

RGB 20 44 0

HSL 92.73, 1%, 0.09%

LAB 15.22, -18.51, 21.76

 

CMYK 88 / 0 / 100 / 90

HEX #031A00

RGB 3 26 0

HSL 113.08, 1%, 0.05%

LAB 6.85, -12.85, 10.02

 

CMYK 28 / 0 / 88 / 61

HEX #48640C

RGB 72 100 12

HSL 79.09, 0.79%, 0.22%

LAB 38.76, -23.53, 41.7

 

CMYK 4 / 0 / 88 / 61

HEX #60640C

RGB 96 100 12

HSL 62.73, 0.79%, 0.22%

LAB 40.62, -12.43, 44.03

 

CMYK 0 / 20 / 88 / 61

HEX #64500C

RGB 100 80 12

HSL 46.36, 0.79%, 0.22%

LAB 34.95, 1.24, 39.36

 

CMYK 0 / 43 / 88 / 61

HEX #64390C

RGB 100 57 12

HSL 30.68, 0.79%, 0.22%

LAB 28.54, 15.42, 33.79

 

CMYK 0 / 67 / 88 / 61

HEX #64210C

RGB 100 33 12

HSL 14.32, 0.79%, 0.22%

LAB 23.08, 29.14, 28.68

 

CMYK 28 / 0 / 88 / 61

HEX #48640C

RGB 72 100 12

HSL 79.09, 0.79%, 0.22%

LAB 38.76, -23.53, 41.7

 

CMYK 51 / 0 / 88 / 61

HEX #31640C

RGB 49 100 12

HSL 94.77, 0.79%, 0.22%

LAB 37.47, -32.61, 40.06

 

CMYK 75 / 0 / 88 / 61

HEX #19640C

RGB 25 100 12

HSL 111.14, 0.79%, 0.22%

LAB 36.65, -39.27, 39.01

 

CMYK 88 / 0 / 77 / 61

HEX #0C6417

RGB 12 100 23

HSL 127.5, 0.79%, 0.22%

LAB 36.47, -40.54, 34.86

 

CMYK 88 / 0 / 53 / 61

HEX #0C642F

RGB 12 100 47

HSL 143.86, 0.79%, 0.22%

LAB 36.74, -37.25, 23.2

 

CMYK 28 / 0 / 88 / 61

HEX #48640C

RGB 72 100 12

HSL 79.09, 0.79%, 0.22%

LAB 38.76, -23.53, 41.7

 

CMYK 30 / 0 / 97 / 57

HEX #4C6D03

RGB 76 109 3

HSL 78.68, 0.95%, 0.22%

LAB 41.97, -26.58, 46.75

 

CMYK 28 / 0 / 88 / 61

HEX #48640C

RGB 72 100 12

HSL 79.09, 0.79%, 0.22%

LAB 38.76, -23.53, 41.7

 

CMYK 24 / 0 / 77 / 64

HEX #455B15

RGB 69 91 21

HSL 78.86, 0.63%, 0.22%

LAB 35.6, -19.73, 35.55

 

CMYK 20 / 0 / 63 / 68

HEX #42521E

RGB 66 82 30

HSL 78.46, 0.46%, 0.22%

LAB 32.45, -15.46, 27.89

 

CMYK 15 / 0 / 45 / 71

HEX #3E4928

RGB 62 73 40

HSL 80, 0.29%, 0.22%

LAB 29.27, -10.92, 18.29

 

CMYK 8 / 0 / 23 / 75

HEX #3B4031

RGB 59 64 49

HSL 80, 0.13%, 0.22%

LAB 26.21, -5.29, 8.5

 

CMYK 0 / 21 / 88 / 61

HEX #644F0C

RGB 100 79 12

HSL 45.68, 0.79%, 0.22%

LAB 34.66, 1.85, 39.1

 

CMYK 3 / 0 / 88 / 61

HEX #61640C

RGB 97 100 12

HSL 62.05, 0.79%, 0.22%

LAB 40.71, -11.95, 44.14

 

CMYK 26 / 0 / 88 / 61

HEX #4A640C

RGB 74 100 12

HSL 77.73, 0.79%, 0.22%

LAB 38.89, -22.65, 41.87

 

CMYK 50 / 0 / 88 / 61

HEX #32640C

RGB 50 100 12

HSL 94.09, 0.79%, 0.22%

LAB 37.52, -32.26, 40.12

 

CMYK 73 / 0 / 88 / 61

HEX #1B640C

RGB 27 100 12

HSL 109.77, 0.79%, 0.22%

LAB 36.69, -38.85, 39.07

 

CMYK 27 / 0 / 88 / 90

HEX #131A03

RGB 19 26 3

HSL 78.26, 0.79%, 0.06%

LAB 7.98, -7.6, 10.59

 

CMYK 27 / 0 / 87 / 75

HEX #2E3F08

RGB 46 63 8

HSL 78.55, 0.77%, 0.14%

LAB 24.17, -16.06, 29.15

 

CMYK 28 / 0 / 88 / 61

HEX #48640C

RGB 72 100 12

HSL 79.09, 0.79%, 0.22%

LAB 38.76, -23.53, 41.7

 

CMYK 28 / 0 / 88 / 46

HEX #638911

RGB 99 137 17

HSL 79, 0.78%, 0.3%

LAB 52.49, -29.96, 52.99

 

CMYK 27 / 0 / 88 / 32

HEX #7EAD15

RGB 126 173 21

HSL 78.55, 0.78%, 0.38%

LAB 65.26, -35.63, 63.59

 

CMYK 28 / 0 / 88 / 62

HEX #47620C

RGB 71 98 12

HSL 78.84, 0.78%, 0.22%

LAB 38.02, -22.95, 41.03

 

CMYK 88 / 0 / 44 / 61

HEX #0C6438

RGB 12 100 56

HSL 150, 0.79%, 0.22%

LAB 36.89, -35.49, 18.23

 

CMYK 9 / 88 / 0 / 61

HEX #5B0C64

RGB 91 12 100

HSL 293.86, 0.79%, 0.22%

LAB 21.61, 44.92, -32

 

CMYK 28 / 0 / 88 / 62

HEX #47620C

RGB 71 98 12

HSL 78.84, 0.78%, 0.22%

LAB 38.02, -22.95, 41.03

 

CMYK 88 / 26 / 0 / 61

HEX #0C4A64

RGB 12 74 100

HSL 197.73, 0.79%, 0.22%

LAB 29.15, -8.51, -20.48

 

CMYK 0 / 88 / 26 / 61

HEX #640C4A

RGB 100 12 74

HSL 317.73, 0.79%, 0.22%

LAB 21.82, 42.72, -14.13

 

CMYK 28 / 0 / 88 / 62

HEX #47620C

RGB 71 98 12

HSL 78.84, 0.78%, 0.22%

LAB 38.02, -22.95, 41.03

 

CMYK 88 / 0 / 44 / 61

HEX #0C6438

RGB 12 100 56

HSL 150, 0.79%, 0.22%

LAB 36.89, -35.49, 18.23

 

CMYK 61 / 88 / 0 / 61

HEX #270C64

RGB 39 12 100

HSL 258.41, 0.79%, 0.22%

LAB 13.32, 36.23, -45.86

 

CMYK 0 / 88 / 44 / 61

HEX #640C38

RGB 100 12 56

HSL 330, 0.79%, 0.22%

LAB 21.05, 40.5, -2.88

 

CMYK 28 / 0 / 88 / 62

HEX #47620C

RGB 71 98 12

HSL 78.84, 0.78%, 0.22%

LAB 38.02, -22.95, 41.03

 

CMYK 88 / 0 / 18 / 61

HEX #0C6452

RGB 12 100 82

HSL 167.73, 0.79%, 0.22%

LAB 37.48, -28.92, 3.37

 

CMYK 61 / 88 / 0 / 61

HEX #270C64

RGB 39 12 100

HSL 258.41, 0.79%, 0.22%

LAB 13.32, 36.23, -45.86

 

CMYK 0 / 88 / 70 / 61

HEX #640C1E

RGB 100 12 30

HSL 347.73, 0.79%, 0.22%

LAB 20.31, 38.31, 14.4

 

Description

Color code: HEX #47620C | qconv.com Color code: HEX #47620C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 98 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 98 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 88 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 88% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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