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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4760C0 it is the complementary color #B89F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4760C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4760C0 shade: #4C60BB, #5D72CE, #6E84E1, #7F96F4 and #90A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4760C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4760C0 shade: #4760C0, #364EAD, #253C9A, #142A87 and #031874

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4760C0 shade: #4961C1, #5049C1, #7149C1, #9149C1 and #B149C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4760C0 shade: #4961C1 and #4949C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4760C0 shade matches the following richer shades: #4961C1, #3556D4, #214AE8 and #0D3FFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4760C0 shade: #4961C1, #5C6DAD, #707999, #848485 and #989071

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4760C0 shade: #49A3C1, #4983C1, #4963C1, #4F49C1 and #6F49C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4760C0 shade: #2F4188, #3950A7, #4961C1, #677CCB and #8697D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4760C0 shade: #4760C0, #BF49C1 and #93C149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4760C0 shade: #4760C0, #C14963 and #63C149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4760C0 shade: #4760C0, #BF49C1, #C1A749 and #4BC149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4760C0 shade: #4760C0, #C1499F, #C1A749 and #49C16B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 50 / 0 / 25

HEX #4760C0

RGB 71 96 192

HSL 227.6, 0.49%, 0.52%

LAB 43.52, 21.2, -53.32

 

Complementary color

CMYK 0 / 14 / 66 / 28

HEX #B89F3F

RGB 184 159 63

HSL 47.6, 0.49%, 0.48%

LAB 66.02, -1.88, 51.83

 

CMYK 59 / 49 / 0 / 27

HEX #4C60BB

RGB 76 96 187

HSL 229.19, 0.45%, 0.52%

LAB 43.49, 20.41, -50.45

 

CMYK 55 / 45 / 0 / 19

HEX #5D72CE

RGB 93 114 206

HSL 228.85, 0.54%, 0.59%

LAB 50.47, 18.94, -50.16

 

CMYK 51 / 41 / 0 / 12

HEX #6E84E1

RGB 110 132 225

HSL 228.52, 0.66%, 0.66%

LAB 57.32, 17.73, -49.91

 

CMYK 48 / 39 / 0 / 4

HEX #7F96F4

RGB 127 150 244

HSL 228.21, 0.84%, 0.73%

LAB 64.04, 16.7, -49.71

 

CMYK 44 / 34 / 0 / 0

HEX #90A8FF

RGB 144 168 255

HSL 227.03, 1%, 0.78%

LAB 70.28, 13.56, -45.81

 

CMYK 63 / 50 / 0 / 25

HEX #4760C0

RGB 71 96 192

HSL 227.6, 0.49%, 0.52%

LAB 43.52, 21.2, -53.32

 

CMYK 69 / 55 / 0 / 32

HEX #364EAD

RGB 54 78 173

HSL 227.9, 0.52%, 0.45%

LAB 36.46, 23.22, -53.62

 

CMYK 76 / 61 / 0 / 40

HEX #253C9A

RGB 37 60 154

HSL 228.21, 0.61%, 0.37%

LAB 29.31, 25.75, -53.87

 

CMYK 85 / 69 / 0 / 47

HEX #142A87

RGB 20 42 135

HSL 228.52, 0.74%, 0.3%

LAB 22.14, 28.88, -53.9

 

CMYK 97 / 79 / 0 / 55

HEX #031874

RGB 3 24 116

HSL 228.85, 0.95%, 0.23%

LAB 15.13, 32.41, -53.4

 

CMYK 62 / 50 / 0 / 24

HEX #4961C1

RGB 73 97 193

HSL 228, 0.49%, 0.52%

LAB 43.97, 21.27, -53.18

 

CMYK 59 / 62 / 0 / 24

HEX #5049C1

RGB 80 73 193

HSL 243.5, 0.49%, 0.52%

LAB 38.41, 37.55, -62.15

 

CMYK 41 / 62 / 0 / 24

HEX #7149C1

RGB 113 73 193

HSL 260, 0.49%, 0.52%

LAB 41.42, 43.94, -57.14

 

CMYK 25 / 62 / 0 / 24

HEX #9149C1

RGB 145 73 193

HSL 276, 0.49%, 0.52%

LAB 45.13, 51.15, -50.96

 

CMYK 8 / 62 / 0 / 24

HEX #B149C1

RGB 177 73 193

HSL 292, 0.49%, 0.52%

LAB 49.45, 58.85, -43.82

 

CMYK 62 / 50 / 0 / 24

HEX #4961C1

RGB 73 97 193

HSL 228, 0.49%, 0.52%

LAB 43.97, 21.27, -53.18

 

CMYK 62 / 62 / 0 / 24

HEX #4949C1

RGB 73 73 193

HSL 240, 0.49%, 0.52%

LAB 37.9, 36.4, -63.01

 

CMYK 62 / 50 / 0 / 24

HEX #4961C1

RGB 73 97 193

HSL 228, 0.49%, 0.52%

LAB 43.97, 21.27, -53.18

 

CMYK 75 / 59 / 0 / 17

HEX #3556D4

RGB 53 86 212

HSL 227.55, 0.65%, 0.52%

LAB 41.48, 32.18, -68.22

 

CMYK 86 / 68 / 0 / 9

HEX #214AE8

RGB 33 74 232

HSL 227.64, 0.81%, 0.52%

LAB 39.66, 45.3, -82.64

 

CMYK 95 / 75 / 0 / 1

HEX #0D3FFC

RGB 13 63 252

HSL 227.45, 0.98%, 0.52%

LAB 39.02, 57.82, -94.99

 

CMYK 62 / 50 / 0 / 24

HEX #4961C1

RGB 73 97 193

HSL 228, 0.49%, 0.52%

LAB 43.97, 21.27, -53.18

 

CMYK 47 / 37 / 0 / 32

HEX #5C6DAD

RGB 92 109 173

HSL 227.41, 0.33%, 0.52%

LAB 47.27, 11.31, -36.2

 

CMYK 27 / 21 / 0 / 40

HEX #707999

RGB 112 121 153

HSL 226.83, 0.17%, 0.52%

LAB 51.17, 4.18, -18.35

 

CMYK 1 / 1 / 0 / 48

HEX #848485

RGB 132 132 133

HSL 240, 0%, 0.52%

LAB 55.18, 0.2, -0.54

 

CMYK 0 / 5 / 26 / 40

HEX #989071

RGB 152 144 113

HSL 47.69, 0.16%, 0.52%

LAB 59.72, -2.21, 17.58

 

CMYK 62 / 16 / 0 / 24

HEX #49A3C1

RGB 73 163 193

HSL 195, 0.49%, 0.52%

LAB 62.89, -17.71, -23.43

 

CMYK 62 / 32 / 0 / 24

HEX #4983C1

RGB 73 131 193

HSL 211, 0.49%, 0.52%

LAB 53.49, 0.27, -38.03

 

CMYK 62 / 49 / 0 / 24

HEX #4963C1

RGB 73 99 193

HSL 227, 0.49%, 0.52%

LAB 44.5, 20, -52.32

 

CMYK 59 / 62 / 0 / 24

HEX #4F49C1

RGB 79 73 193

HSL 243, 0.49%, 0.52%

LAB 38.34, 37.38, -62.28

 

CMYK 42 / 62 / 0 / 24

HEX #6F49C1

RGB 111 73 193

HSL 259, 0.49%, 0.52%

LAB 41.21, 43.51, -57.48

 

CMYK 65 / 52 / 0 / 47

HEX #2F4188

RGB 47 65 136

HSL 227.87, 0.49%, 0.36%

LAB 29.82, 17.03, -41.96

 

CMYK 66 / 52 / 0 / 35

HEX #3950A7

RGB 57 80 167

HSL 227.45, 0.49%, 0.44%

LAB 36.74, 20.2, -49.59

 

CMYK 62 / 50 / 0 / 24

HEX #4961C1

RGB 73 97 193

HSL 228, 0.49%, 0.52%

LAB 43.97, 21.27, -53.18

 

CMYK 49 / 39 / 0 / 20

HEX #677CCB

RGB 103 124 203

HSL 227.4, 0.49%, 0.6%

LAB 53.61, 14.13, -43.43

 

CMYK 37 / 29 / 0 / 16

HEX #8697D6

RGB 134 151 214

HSL 227.25, 0.49%, 0.68%

LAB 63.39, 9.35, -34.13

 

CMYK 63 / 50 / 0 / 25

HEX #4760C0

RGB 71 96 192

HSL 227.6, 0.49%, 0.52%

LAB 43.52, 21.2, -53.32

 

CMYK 1 / 62 / 0 / 24

HEX #BF49C1

RGB 191 73 193

HSL 299, 0.49%, 0.52%

LAB 51.49, 62.28, -40.46

 

CMYK 24 / 0 / 62 / 24

HEX #93C149

RGB 147 193 73

HSL 83, 0.49%, 0.52%

LAB 72.78, -33.72, 53.95

 

CMYK 63 / 50 / 0 / 25

HEX #4760C0

RGB 71 96 192

HSL 227.6, 0.49%, 0.52%

LAB 43.52, 21.2, -53.32

 

CMYK 0 / 62 / 49 / 24

HEX #C14963

RGB 193 73 99

HSL 347, 0.49%, 0.52%

LAB 48.26, 50.16, 10.62

 

CMYK 49 / 0 / 62 / 24

HEX #63C149

RGB 99 193 73

HSL 107, 0.49%, 0.52%

LAB 70.37, -50.14, 50.6

 

CMYK 63 / 50 / 0 / 25

HEX #4760C0

RGB 71 96 192

HSL 227.6, 0.49%, 0.52%

LAB 43.52, 21.2, -53.32

 

CMYK 1 / 62 / 0 / 24

HEX #BF49C1

RGB 191 73 193

HSL 299, 0.49%, 0.52%

LAB 51.49, 62.28, -40.46

 

CMYK 0 / 13 / 62 / 24

HEX #C1A749

RGB 193 167 73

HSL 47, 0.49%, 0.52%

LAB 69.08, -1.6, 50.89

 

CMYK 61 / 0 / 62 / 24

HEX #4BC149

RGB 75 193 73

HSL 119, 0.49%, 0.52%

LAB 69.55, -56.4, 49.47

 

CMYK 63 / 50 / 0 / 25

HEX #4760C0

RGB 71 96 192

HSL 227.6, 0.49%, 0.52%

LAB 43.52, 21.2, -53.32

 

CMYK 0 / 62 / 18 / 24

HEX #C1499F

RGB 193 73 159

HSL 317, 0.49%, 0.52%

LAB 50.22, 57.37, -22.54

 

CMYK 0 / 13 / 62 / 24

HEX #C1A749

RGB 193 167 73

HSL 47, 0.49%, 0.52%

LAB 69.08, -1.6, 50.89

 

CMYK 62 / 0 / 45 / 24

HEX #49C16B

RGB 73 193 107

HSL 137, 0.49%, 0.52%

LAB 69.91, -52.21, 33.56

 

Description

Color code: HEX #4760C0 | qconv.com Color code: HEX #4760C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 96 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 96 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 50 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 50% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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