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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #475B8D it is the complementary color #B8A472. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #475B8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #475B8D shade: #4C5B88, #5D6D9B, #6E7FAE, #7F91C1 and #90A3D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #475B8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #475B8D shade: #475B8D, #36497A, #253767, #142554 and #031341

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #475B8D shade: #485C8E, #48498E, #5A488E, #6D488E and #80488E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #475B8D shade: #485C8E, #48498E and #48488E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #475B8D shade matches the following richer shades: #485C8E, #3655A0, #254DB1, #1446C2 and #023ED4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #475B8D shade: #485C8E, #59637D, #6A6B6C, #7C725A and #8D7A49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #475B8D shade: #48838E, #48708E, #485D8E, #484A8E and #58488E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #475B8D shade: #2C3958, #3A4A73, #485C8E, #566EAA and #7185B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #475B8D shade: #475B8D, #87488E and #798E48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #475B8D shade: #475B8D, #8E485D and #5D8E48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #475B8D shade: #475B8D, #87488E, #8E7948 and #4F8E48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #475B8D shade: #475B8D, #8E4880, #8E7948 and #488E56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 35 / 0 / 45

HEX #475B8D

RGB 71 91 141

HSL 222.86, 0.33%, 0.42%

LAB 39.15, 7.04, -30.08

 

Complementary color

CMYK 0 / 11 / 38 / 28

HEX #B8A472

RGB 184 164 114

HSL 42.86, 0.33%, 0.58%

LAB 67.99, 0.01, 28.63

 

CMYK 44 / 33 / 0 / 47

HEX #4C5B88

RGB 76 91 136

HSL 225, 0.28%, 0.42%

LAB 39.24, 6.8, -26.89

 

CMYK 40 / 30 / 0 / 39

HEX #5D6D9B

RGB 93 109 155

HSL 224.52, 0.25%, 0.49%

LAB 46.49, 6.16, -26.86

 

CMYK 37 / 27 / 0 / 32

HEX #6E7FAE

RGB 110 127 174

HSL 224.06, 0.28%, 0.56%

LAB 53.55, 5.64, -26.9

 

CMYK 34 / 25 / 0 / 24

HEX #7F91C1

RGB 127 145 193

HSL 223.64, 0.35%, 0.63%

LAB 60.44, 5.2, -26.98

 

CMYK 32 / 23 / 0 / 17

HEX #90A3D4

RGB 144 163 212

HSL 223.24, 0.44%, 0.7%

LAB 67.18, 4.82, -27.1

 

CMYK 50 / 35 / 0 / 45

HEX #475B8D

RGB 71 91 141

HSL 222.86, 0.33%, 0.42%

LAB 39.15, 7.04, -30.08

 

CMYK 56 / 40 / 0 / 52

HEX #36497A

RGB 54 73 122

HSL 223.24, 0.39%, 0.35%

LAB 31.7, 8.05, -30.22

 

CMYK 64 / 47 / 0 / 60

HEX #253767

RGB 37 55 103

HSL 223.64, 0.47%, 0.27%

LAB 24.02, 9.43, -30.45

 

CMYK 76 / 56 / 0 / 67

HEX #142554

RGB 20 37 84

HSL 224.06, 0.62%, 0.2%

LAB 16.06, 11.48, -30.73

 

CMYK 95 / 71 / 0 / 75

HEX #031341

RGB 3 19 65

HSL 224.52, 0.91%, 0.13%

LAB 7.83, 14.5, -31.03

 

CMYK 49 / 35 / 0 / 44

HEX #485C8E

RGB 72 92 142

HSL 222.86, 0.33%, 0.42%

LAB 39.56, 6.99, -30.04

 

CMYK 49 / 49 / 0 / 44

HEX #48498E

RGB 72 73 142

HSL 239.14, 0.33%, 0.42%

LAB 34.18, 19.25, -38.55

 

CMYK 37 / 49 / 0 / 44

HEX #5A488E

RGB 90 72 142

HSL 255.43, 0.33%, 0.42%

LAB 35.52, 24.63, -36.32

 

CMYK 23 / 49 / 0 / 44

HEX #6D488E

RGB 109 72 142

HSL 271.71, 0.33%, 0.42%

LAB 37.55, 30.09, -32.98

 

CMYK 10 / 49 / 0 / 44

HEX #80488E

RGB 128 72 142

HSL 288, 0.33%, 0.42%

LAB 39.88, 35.81, -29.16

 

CMYK 49 / 35 / 0 / 44

HEX #485C8E

RGB 72 92 142

HSL 222.86, 0.33%, 0.42%

LAB 39.56, 6.99, -30.04

 

CMYK 49 / 49 / 0 / 44

HEX #48498E

RGB 72 73 142

HSL 239.14, 0.33%, 0.42%

LAB 34.18, 19.25, -38.55

 

CMYK 49 / 49 / 0 / 44

HEX #48488E

RGB 72 72 142

HSL 240, 0.33%, 0.42%

LAB 33.91, 19.9, -38.99

 

CMYK 49 / 35 / 0 / 44

HEX #485C8E

RGB 72 92 142

HSL 222.86, 0.33%, 0.42%

LAB 39.56, 6.99, -30.04

 

CMYK 66 / 47 / 0 / 37

HEX #3655A0

RGB 54 85 160

HSL 222.45, 0.5%, 0.42%

LAB 37.52, 13.83, -44.17

 

CMYK 79 / 56 / 0 / 31

HEX #254DB1

RGB 37 77 177

HSL 222.86, 0.65%, 0.42%

LAB 35.74, 23.21, -57.19

 

CMYK 90 / 64 / 0 / 24

HEX #1446C2

RGB 20 70 194

HSL 222.76, 0.81%, 0.42%

LAB 34.85, 33.15, -68.68

 

CMYK 99 / 71 / 0 / 17

HEX #023ED4

RGB 2 62 212

HSL 222.86, 0.98%, 0.42%

LAB 34.42, 44.39, -79.86

 

CMYK 49 / 35 / 0 / 44

HEX #485C8E

RGB 72 92 142

HSL 222.86, 0.33%, 0.42%

LAB 39.56, 6.99, -30.04

 

CMYK 29 / 21 / 0 / 51

HEX #59637D

RGB 89 99 125

HSL 223.33, 0.17%, 0.42%

LAB 42.04, 2.6, -15.79

 

CMYK 2 / 1 / 0 / 58

HEX #6A6B6C

RGB 106 107 108

HSL 210, 0.01%, 0.42%

LAB 45.17, -0.17, -0.7

 

CMYK 0 / 8 / 27 / 51

HEX #7C725A

RGB 124 114 90

HSL 42.35, 0.16%, 0.42%

LAB 48.33, -0.22, 14.73

 

CMYK 0 / 13 / 48 / 45

HEX #8D7A49

RGB 141 122 73

HSL 43.24, 0.32%, 0.42%

LAB 51.91, 0.4, 29.43

 

CMYK 49 / 8 / 0 / 44

HEX #48838E

RGB 72 131 142

HSL 189.43, 0.33%, 0.42%

LAB 51.34, -16.08, -11.89

 

CMYK 49 / 21 / 0 / 44

HEX #48708E

RGB 72 112 142

HSL 205.71, 0.33%, 0.42%

LAB 45.52, -5.28, -20.76

 

CMYK 49 / 35 / 0 / 44

HEX #485D8E

RGB 72 93 142

HSL 222, 0.33%, 0.42%

LAB 39.85, 6.36, -29.58

 

CMYK 49 / 48 / 0 / 44

HEX #484A8E

RGB 72 74 142

HSL 238.29, 0.33%, 0.42%

LAB 34.45, 18.6, -38.12

 

CMYK 38 / 49 / 0 / 44

HEX #58488E

RGB 88 72 142

HSL 253.71, 0.33%, 0.42%

LAB 35.33, 24.07, -36.65

 

CMYK 50 / 35 / 0 / 65

HEX #2C3958

RGB 44 57 88

HSL 222.27, 0.33%, 0.26%

LAB 24.21, 4.32, -20.33

 

CMYK 50 / 36 / 0 / 55

HEX #3A4A73

RGB 58 74 115

HSL 223.16, 0.33%, 0.34%

LAB 31.89, 6.01, -25.54

 

CMYK 49 / 35 / 0 / 44

HEX #485C8E

RGB 72 92 142

HSL 222.86, 0.33%, 0.42%

LAB 39.56, 6.99, -30.04

 

CMYK 49 / 35 / 0 / 33

HEX #566EAA

RGB 86 110 170

HSL 222.86, 0.33%, 0.5%

LAB 47.02, 8.25, -34.88

 

CMYK 39 / 28 / 0 / 28

HEX #7185B8

RGB 113 133 184

HSL 223.1, 0.33%, 0.58%

LAB 55.83, 5.74, -29.07

 

CMYK 50 / 35 / 0 / 45

HEX #475B8D

RGB 71 91 141

HSL 222.86, 0.33%, 0.42%

LAB 39.15, 7.04, -30.08

 

CMYK 5 / 49 / 0 / 44

HEX #87488E

RGB 135 72 142

HSL 294, 0.33%, 0.42%

LAB 40.8, 37.95, -27.65

 

CMYK 15 / 0 / 49 / 44

HEX #798E48

RGB 121 142 72

HSL 78, 0.33%, 0.42%

LAB 55.97, -19.25, 34.59

 

CMYK 50 / 35 / 0 / 45

HEX #475B8D

RGB 71 91 141

HSL 222.86, 0.33%, 0.42%

LAB 39.15, 7.04, -30.08

 

CMYK 0 / 49 / 35 / 44

HEX #8E485D

RGB 142 72 93

HSL 342, 0.33%, 0.42%

LAB 39.88, 32.03, 1.26

 

CMYK 35 / 0 / 49 / 44

HEX #5D8E48

RGB 93 142 72

HSL 102, 0.33%, 0.42%

LAB 54.18, -30.16, 31.99

 

CMYK 50 / 35 / 0 / 45

HEX #475B8D

RGB 71 91 141

HSL 222.86, 0.33%, 0.42%

LAB 39.15, 7.04, -30.08

 

CMYK 5 / 49 / 0 / 44

HEX #87488E

RGB 135 72 142

HSL 294, 0.33%, 0.42%

LAB 40.8, 37.95, -27.65

 

CMYK 0 / 15 / 49 / 44

HEX #8E7948

RGB 142 121 72

HSL 42, 0.33%, 0.42%

LAB 51.72, 1.3, 29.76

 

CMYK 44 / 0 / 49 / 44

HEX #4F8E48

RGB 79 142 72

HSL 114, 0.33%, 0.42%

LAB 53.47, -34.95, 30.96

 

CMYK 50 / 35 / 0 / 45

HEX #475B8D

RGB 71 91 141

HSL 222.86, 0.33%, 0.42%

LAB 39.15, 7.04, -30.08

 

CMYK 0 / 49 / 10 / 44

HEX #8E4880

RGB 142 72 128

HSL 312, 0.33%, 0.42%

LAB 41.13, 37.5, -18.53

 

CMYK 0 / 15 / 49 / 44

HEX #8E7948

RGB 142 121 72

HSL 42, 0.33%, 0.42%

LAB 51.72, 1.3, 29.76

 

CMYK 49 / 0 / 39 / 44

HEX #488E56

RGB 72 142 86

HSL 132, 0.33%, 0.42%

LAB 53.38, -34.83, 23.22

 

Description

Color code: HEX #475B8D | qconv.com Color code: HEX #475B8D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 91 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 91 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 35 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 35% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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