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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #475AA14C it is the complementary color #B8A55E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #475AA14C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #475AA14C shade: #4C5A9C4C, #5D6CAF4C, #6E7EC24C, #7F90D54C and #90A2E84C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #475AA14C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #475AA14C shade: #475AA14C, #36488E4C, #25367B4C, #1424684C and #0312554C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #475AA14C shade: #4659A0, #4B46A0, #6346A0, #7C46A0 and #9446A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #475AA14C shade: #4659A0 and #4646A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #475AA14C shade matches the following richer shades: #4659A0, #334EB2, #2143C5 and #0E39D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #475AA14C shade: #4659A0, #59648D, #6B6E7A, #7E7968 and #908455

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #475AA14C shade: #4689A0, #4671A0, #4659A0, #4A46A0 and #6246A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #475AA14C shade: #2D3966, #394983, #4659A0, #596CB6 and #7586C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #475AA14C shade: #475AA1, #9E46A0 and #7DA046

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #475AA14C shade: #475AA1, #A04659 and #59A046

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #475AA14C shade: #475AA1, #9E46A0, #A08C46 and #47A046

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #475AA14C shade: #475AA1, #A04686, #A08C46 and #46A05F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 13 / 0 / 11

HEX #475AA14C

RGBA 71 90 161 0.3

HSLA 227.33, 0.39%, 0.45%, 0.3

LABA 39.96, 14.34, -40.81, 0.3

 

Complementary color

CMYK 0 / 3 / 15 / 8

HEX #B8A55E4C

RGBA 184 165 94 0.3

HSLA 47.33, 0.39%, 0.55%, 0.3

LABA 67.95, -2.66, 39.1, 0.3

 

CMYK 15 / 13 / 0 / 12

HEX #4C5A9C4C

RGBA 76 90 156 0.3

HSLA 229.5, 0.34%, 0.45%, 0.3

LABA 40, 13.83, -37.74, 0.3

 

CMYK 14 / 11 / 0 / 9

HEX #5D6CAF4C

RGBA 93 108 175 0.3

HSLA 229.02, 0.34%, 0.53%, 0.3

LABA 47.17, 12.8, -37.54, 0.3

 

CMYK 13 / 11 / 0 / 7

HEX #6E7EC24C

RGBA 110 126 194 0.3

HSLA 228.57, 0.41%, 0.6%, 0.3

LABA 54.17, 11.95, -37.4, 0.3

 

CMYK 12 / 10 / 0 / 5

HEX #7F90D54C

RGBA 127 144 213 0.3

HSLA 228.14, 0.51%, 0.67%, 0.3

LABA 61.01, 11.24, -37.31, 0.3

 

CMYK 11 / 9 / 0 / 3

HEX #90A2E84C

RGBA 144 162 232 0.3

HSLA 227.73, 0.66%, 0.74%, 0.3

LABA 67.72, 10.64, -37.28, 0.3

 

CMYK 17 / 13 / 0 / 11

HEX #475AA14C

RGBA 71 90 161 0.3

HSLA 227.33, 0.39%, 0.45%, 0.3

LABA 39.96, 14.34, -40.81, 0.3

 

CMYK 19 / 15 / 0 / 13

HEX #36488E4C

RGBA 54 72 142 0.3

HSLA 227.73, 0.45%, 0.38%, 0.3

LABA 32.64, 15.87, -41.09, 0.3

 

CMYK 21 / 17 / 0 / 16

HEX #25367B4C

RGBA 37 54 123 0.3

HSLA 228.14, 0.54%, 0.31%, 0.3

LABA 25.14, 17.88, -41.42, 0.3

 

CMYK 24 / 20 / 0 / 18

HEX #1424684C

RGBA 20 36 104 0.3

HSLA 228.57, 0.68%, 0.24%, 0.3

LABA 17.51, 20.61, -41.67, 0.3

 

CMYK 29 / 24 / 0 / 20

HEX #0312554C

RGBA 3 18 85 0.3

HSLA 229.02, 0.93%, 0.17%, 0.3

LABA 9.86, 24.08, -41.58, 0.3

 

CMYK 56 / 44 / 0 / 37

HEX #4659A0

RGB 70 89 160

HSL 227.33, 0.39%, 0.45%

LAB 39.56, 14.42, -40.86

 

CMYK 53 / 56 / 0 / 37

HEX #4B46A0

RGB 75 70 160

HSL 243.33, 0.39%, 0.45%

LAB 34.83, 27.75, -48.42

 

CMYK 38 / 56 / 0 / 37

HEX #6346A0

RGB 99 70 160

HSL 259.33, 0.39%, 0.45%

LAB 37.06, 33.32, -44.71

 

CMYK 23 / 56 / 0 / 37

HEX #7C46A0

RGB 124 70 160

HSL 276, 0.39%, 0.45%

LAB 39.92, 39.83, -39.98

 

CMYK 7 / 56 / 0 / 37

HEX #9446A0

RGB 148 70 160

HSL 292, 0.39%, 0.45%

LAB 43.08, 46.38, -34.76

 

CMYK 56 / 44 / 0 / 37

HEX #4659A0

RGB 70 89 160

HSL 227.33, 0.39%, 0.45%

LAB 39.56, 14.42, -40.86

 

CMYK 56 / 56 / 0 / 37

HEX #4646A0

RGB 70 70 160

HSL 240, 0.39%, 0.45%

LAB 34.44, 26.71, -49.07

 

CMYK 56 / 44 / 0 / 37

HEX #4659A0

RGB 70 89 160

HSL 227.33, 0.39%, 0.45%

LAB 39.56, 14.42, -40.86

 

CMYK 71 / 56 / 0 / 30

HEX #334EB2

RGB 51 78 178

HSL 227.24, 0.55%, 0.45%

LAB 36.68, 24.63, -56.23

 

CMYK 83 / 66 / 0 / 23

HEX #2143C5

RGB 33 67 197

HSL 227.56, 0.71%, 0.45%

LAB 34.74, 37, -70.6

 

CMYK 93 / 73 / 0 / 16

HEX #0E39D7

RGB 14 57 215

HSL 227.16, 0.88%, 0.45%

LAB 33.83, 48.71, -82.57

 

CMYK 56 / 44 / 0 / 37

HEX #4659A0

RGB 70 89 160

HSL 227.33, 0.39%, 0.45%

LAB 39.56, 14.42, -40.86

 

CMYK 37 / 29 / 0 / 45

HEX #59648D

RGB 89 100 141

HSL 227.31, 0.23%, 0.45%

LAB 43.01, 6.45, -23.96

 

CMYK 12 / 10 / 0 / 52

HEX #6B6E7A

RGB 107 110 122

HSL 228, 0.07%, 0.45%

LAB 46.56, 1.48, -7.04

 

CMYK 0 / 4 / 17 / 51

HEX #7E7968

RGB 126 121 104

HSL 46.36, 0.1%, 0.45%

LAB 50.82, -1.18, 10.01

 

CMYK 0 / 8 / 41 / 44

HEX #908455

RGB 144 132 85

HSL 47.8, 0.26%, 0.45%

LAB 55.16, -2.59, 27.01

 

CMYK 56 / 14 / 0 / 37

HEX #4689A0

RGB 70 137 160

HSL 195.33, 0.39%, 0.45%

LAB 53.74, -14.45, -18.71

 

CMYK 56 / 29 / 0 / 37

HEX #4671A0

RGB 70 113 160

HSL 211.33, 0.39%, 0.45%

LAB 46.51, -0.6, -29.87

 

CMYK 56 / 44 / 0 / 37

HEX #4659A0

RGB 70 89 160

HSL 227.33, 0.39%, 0.45%

LAB 39.56, 14.42, -40.86

 

CMYK 54 / 56 / 0 / 37

HEX #4A46A0

RGB 74 70 160

HSL 242.67, 0.39%, 0.45%

LAB 34.75, 27.54, -48.55

 

CMYK 39 / 56 / 0 / 37

HEX #6246A0

RGB 98 70 160

HSL 258.67, 0.39%, 0.45%

LAB 36.96, 33.08, -44.88

 

CMYK 56 / 44 / 0 / 60

HEX #2D3966

RGB 45 57 102

HSL 227.37, 0.39%, 0.29%

LAB 25.09, 9.54, -28.06

 

CMYK 56 / 44 / 0 / 49

HEX #394983

RGB 57 73 131

HSL 227.03, 0.39%, 0.37%

LAB 32.42, 11.92, -34.66

 

CMYK 56 / 44 / 0 / 37

HEX #4659A0

RGB 70 89 160

HSL 227.33, 0.39%, 0.45%

LAB 39.56, 14.42, -40.86

 

CMYK 51 / 41 / 0 / 29

HEX #596CB6

RGB 89 108 182

HSL 227.74, 0.39%, 0.53%

LAB 47.27, 14.02, -41.46

 

CMYK 40 / 31 / 0 / 24

HEX #7586C3

RGB 117 134 195

HSL 226.92, 0.39%, 0.61%

LAB 56.85, 9.35, -33.73

 

CMYK 56 / 44 / 0 / 37

HEX #475AA1

RGB 71 90 161

HSL 227.33, 0.39%, 0.45%

LAB 39.96, 14.34, -40.81

 

CMYK 1 / 56 / 0 / 37

HEX #9E46A0

RGB 158 70 160

HSL 298.67, 0.39%, 0.45%

LAB 44.5, 49.15, -32.44

 

CMYK 22 / 0 / 56 / 37

HEX #7DA046

RGB 125 160 70

HSL 83.33, 0.39%, 0.45%

LAB 61.61, -26.89, 42.36

 

CMYK 56 / 44 / 0 / 37

HEX #475AA1

RGB 71 90 161

HSL 227.33, 0.39%, 0.45%

LAB 39.96, 14.34, -40.81

 

CMYK 0 / 56 / 44 / 37

HEX #A04659

RGB 160 70 89

HSL 347.33, 0.39%, 0.45%

LAB 42.12, 39.22, 7.32

 

CMYK 44 / 0 / 56 / 37

HEX #59A046

RGB 89 160 70

HSL 107.33, 0.39%, 0.45%

LAB 59.62, -39.92, 39.54

 

CMYK 56 / 44 / 0 / 37

HEX #475AA1

RGB 71 90 161

HSL 227.33, 0.39%, 0.45%

LAB 39.96, 14.34, -40.81

 

CMYK 1 / 56 / 0 / 37

HEX #9E46A0

RGB 158 70 160

HSL 298.67, 0.39%, 0.45%

LAB 44.5, 49.15, -32.44

 

CMYK 0 / 13 / 56 / 37

HEX #A08C46

RGB 160 140 70

HSL 46.67, 0.39%, 0.45%

LAB 58.67, -1.57, 39.64

 

CMYK 56 / 0 / 56 / 37

HEX #47A046

RGB 71 160 70

HSL 119.33, 0.39%, 0.45%

LAB 58.9, -45.21, 38.51

 

CMYK 56 / 44 / 0 / 37

HEX #475AA1

RGB 71 90 161

HSL 227.33, 0.39%, 0.45%

LAB 39.96, 14.34, -40.81

 

CMYK 0 / 56 / 16 / 37

HEX #A04686

RGB 160 70 134

HSL 317.33, 0.39%, 0.45%

LAB 43.62, 45.25, -18.14

 

CMYK 0 / 13 / 56 / 37

HEX #A08C46

RGB 160 140 70

HSL 46.67, 0.39%, 0.45%

LAB 58.67, -1.57, 39.64

 

CMYK 56 / 0 / 41 / 37

HEX #46A05F

RGB 70 160 95

HSL 136.67, 0.39%, 0.45%

LAB 59.22, -41.63, 25.98

 

Description

Color code: HEX #475AA14C | qconv.com Color code: HEX #475AA14C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 90 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 90 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 13 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 13% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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