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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #474CF0CE it is the complementary color #B8B30FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #474CF0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #474CF0CE shade: #4C4CEBCE, #5D5EFECE, #6E70FFCE, #7F82FFCE and #9094FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #474CF0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #474CF0CE shade: #474CF0CE, #363ADDCE, #2528CACE, #1416B7CE and #0304A4CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #474CF0CE shade: #474CF0, #7047F0, #9D47F0, #CB47F0 and #F047E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #474CF0CE shade: #474CF0 and #4747F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #474CF0CE shade matches the following richer shades: #474CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #474CF0CE shade: #474CF0, #575BE0, #676AD0, #7779C0 and #8789B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #474CF0CE shade: #47A7F0, #477AF0, #474DF0, #6E47F0 and #9C47F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #474CF0CE shade: #1117D3, #2127ED, #474CF0, #6D71F3 and #9396F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #474CF0CE shade: #474CF0, #F047D4 and #90F047

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #474CF0CE shade: #474CF0, #F0474D and #4DF047

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #474CF0CE shade: #474CF0, #F047D4, #F0EA47 and #47F063

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #474CF0CE shade: #474CF0, #F047A1, #F0EA47 and #47F096

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 55 / 0 / 5

HEX #474CF0CE

RGBA 71 76 240 0.81

HSLA 238.22, 0.85%, 0.61%, 0.81

LABA 42.46, 49.86, -82.5, 0.81

 

Complementary color

CMYK 0 / 2 / 74 / 23

HEX #B8B30FCE

RGBA 184 179 15 0.81

HSLA 58.22, 0.85%, 0.39%, 0.81

LABA 71.19, -14.15, 71.16, 0.81

 

CMYK 55 / 55 / 0 / 6

HEX #4C4CEBCE

RGBA 76 76 235 0.81

HSLA 240, 0.8%, 0.61%, 0.81

LABA 42.31, 48.8, -79.9, 0.81

 

CMYK 51 / 51 / 0 / 0

HEX #5D5EFECE

RGBA 93 94 254 0.81

HSLA 239.63, 0.99%, 0.68%, 0.81

LABA 48.87, 46.65, -79.77, 0.81

 

CMYK 46 / 45 / 0 / 0

HEX #6E70FFCE

RGBA 110 112 255 0.81

HSLA 239.17, 1%, 0.72%, 0.81

LABA 54.16, 39.06, -71.67, 0.81

 

CMYK 41 / 40 / 0 / 0

HEX #7F82FFCE

RGBA 127 130 255 0.81

HSLA 238.59, 1%, 0.75%, 0.81

LABA 59.61, 31.72, -62.81, 0.81

 

CMYK 35 / 34 / 0 / 0

HEX #9094FFCE

RGBA 144 148 255 0.81

HSLA 237.84, 1%, 0.78%, 0.81

LABA 65.22, 25.04, -53.79, 0.81

 

CMYK 57 / 55 / 0 / 5

HEX #474CF0CE

RGBA 71 76 240 0.81

HSLA 238.22, 0.85%, 0.61%, 0.81

LABA 42.46, 49.86, -82.5, 0.81

 

CMYK 61 / 60 / 0 / 11

HEX #363ADDCE

RGBA 54 58 221 0.81

HSLA 238.56, 0.71%, 0.54%, 0.81

LABA 36.04, 52.24, -82.31, 0.81

 

CMYK 66 / 65 / 0 / 17

HEX #2528CACE

RGBA 37 40 202 0.81

HSLA 238.91, 0.69%, 0.47%, 0.81

LABA 29.85, 54.47, -81.59, 0.81

 

CMYK 72 / 71 / 0 / 23

HEX #1416B7CE

RGBA 20 22 183 0.81

HSLA 239.26, 0.8%, 0.4%, 0.81

LABA 24.13, 55.94, -79.91, 0.81

 

CMYK 80 / 79 / 0 / 29

HEX #0304A4CE

RGBA 3 4 164 0.81

HSLA 239.63, 0.96%, 0.33%, 0.81

LABA 19.17, 55.8, -76.76, 0.81

 

CMYK 70 / 68 / 0 / 6

HEX #474CF0

RGB 71 76 240

HSL 238.22, 0.85%, 0.61%

LAB 42.46, 49.86, -82.5

 

CMYK 53 / 70 / 0 / 6

HEX #7047F0

RGB 112 71 240

HSL 254.56, 0.85%, 0.61%

LAB 44.58, 57.8, -78.9

 

CMYK 35 / 70 / 0 / 6

HEX #9D47F0

RGB 157 71 240

HSL 270.53, 0.85%, 0.61%

LAB 49.45, 65.29, -70.74

 

CMYK 15 / 70 / 0 / 6

HEX #CB47F0

RGB 203 71 240

HSL 286.86, 0.85%, 0.61%

LAB 55.58, 74.15, -60.55

 

CMYK 0 / 70 / 3 / 6

HEX #F047E8

RGB 240 71 232

HSL 302.84, 0.85%, 0.61%

LAB 60.66, 80.49, -47.65

 

CMYK 70 / 68 / 0 / 6

HEX #474CF0

RGB 71 76 240

HSL 238.22, 0.85%, 0.61%

LAB 42.46, 49.86, -82.5

 

CMYK 70 / 70 / 0 / 6

HEX #4747F0

RGB 71 71 240

HSL 240, 0.85%, 0.61%

LAB 41.43, 52.68, -84.18

 

CMYK 70 / 68 / 0 / 6

HEX #474CF0

RGB 71 76 240

HSL 238.22, 0.85%, 0.61%

LAB 42.46, 49.86, -82.5

 

CMYK 70 / 68 / 0 / 6

HEX #474CF0

RGB 71 76 240

HSL 238.22, 0.85%, 0.61%

LAB 42.46, 49.86, -82.5

 

CMYK 61 / 59 / 0 / 12

HEX #575BE0

RGB 87 91 224

HSL 238.25, 0.69%, 0.61%

LAB 45.48, 37.86, -68.46

 

CMYK 50 / 49 / 0 / 18

HEX #676AD0

RGB 103 106 208

HSL 238.29, 0.53%, 0.61%

LAB 49.19, 26.64, -53.32

 

CMYK 38 / 37 / 0 / 25

HEX #7779C0

RGB 119 121 192

HSL 238.36, 0.37%, 0.61%

LAB 53.39, 16.77, -37.43

 

CMYK 23 / 22 / 0 / 31

HEX #8789B0

RGB 135 137 176

HSL 237.07, 0.21%, 0.61%

LAB 58.2, 7.92, -20.72

 

CMYK 70 / 30 / 0 / 6

HEX #47A7F0

RGB 71 167 240

HSL 205.92, 0.85%, 0.61%

LAB 65.96, -4.9, -44.67

 

CMYK 70 / 49 / 0 / 6

HEX #477AF0

RGB 71 122 240

HSL 221.89, 0.85%, 0.61%

LAB 53.55, 21.81, -64.44

 

CMYK 70 / 68 / 0 / 6

HEX #474DF0

RGB 71 77 240

HSL 237.87, 0.85%, 0.61%

LAB 42.67, 49.29, -82.15

 

CMYK 54 / 70 / 0 / 6

HEX #6E47F0

RGB 110 71 240

HSL 253.85, 0.85%, 0.61%

LAB 44.39, 57.51, -79.21

 

CMYK 35 / 70 / 0 / 6

HEX #9C47F0

RGB 156 71 240

HSL 270.18, 0.85%, 0.61%

LAB 49.33, 65.11, -70.94

 

CMYK 92 / 89 / 0 / 17

HEX #1117D3

RGB 17 23 211

HSL 238.14, 0.85%, 0.45%

LAB 27.94, 63.48, -90.04

 

CMYK 86 / 84 / 0 / 7

HEX #2127ED

RGB 33 39 237

HSL 238.24, 0.85%, 0.53%

LAB 33.75, 65.26, -95.27

 

CMYK 70 / 68 / 0 / 6

HEX #474CF0

RGB 71 76 240

HSL 238.22, 0.85%, 0.61%

LAB 42.46, 49.86, -82.5

 

CMYK 55 / 53 / 0 / 5

HEX #6D71F3

RGB 109 113 243

HSL 238.21, 0.85%, 0.69%

LAB 53.53, 34.54, -66.04

 

CMYK 40 / 39 / 0 / 4

HEX #9396F6

RGB 147 150 246

HSL 238.18, 0.85%, 0.77%

LAB 65.49, 22.11, -48.44

 

CMYK 70 / 68 / 0 / 6

HEX #474CF0

RGB 71 76 240

HSL 238.22, 0.85%, 0.61%

LAB 42.46, 49.86, -82.5

 

CMYK 0 / 70 / 12 / 6

HEX #F047D4

RGB 240 71 212

HSL 309.94, 0.85%, 0.61%

LAB 59.69, 77.55, -37.9

 

CMYK 40 / 0 / 70 / 6

HEX #90F047

RGB 144 240 71

HSL 94.08, 0.85%, 0.61%

LAB 86.36, -55, 68.97

 

CMYK 70 / 68 / 0 / 6

HEX #474CF0

RGB 71 76 240

HSL 238.22, 0.85%, 0.61%

LAB 42.46, 49.86, -82.5

 

CMYK 0 / 70 / 68 / 6

HEX #F0474D

RGB 240 71 77

HSL 357.87, 0.85%, 0.61%

LAB 55.65, 64.37, 34.87

 

CMYK 68 / 0 / 70 / 6

HEX #4DF047

RGB 77 240 71

HSL 117.87, 0.85%, 0.61%

LAB 84.15, -72.08, 66

 

CMYK 70 / 68 / 0 / 6

HEX #474CF0

RGB 71 76 240

HSL 238.22, 0.85%, 0.61%

LAB 42.46, 49.86, -82.5

 

CMYK 0 / 70 / 12 / 6

HEX #F047D4

RGB 240 71 212

HSL 309.94, 0.85%, 0.61%

LAB 59.69, 77.55, -37.9

 

CMYK 0 / 3 / 70 / 6

HEX #F0EA47

RGB 240 234 71

HSL 57.87, 0.85%, 0.61%

LAB 90.7, -16.05, 75.27

 

CMYK 70 / 0 / 59 / 6

HEX #47F063

RGB 71 240 99

HSL 129.94, 0.85%, 0.61%

LAB 84.26, -70.34, 54.85

 

CMYK 70 / 68 / 0 / 6

HEX #474CF0

RGB 71 76 240

HSL 238.22, 0.85%, 0.61%

LAB 42.46, 49.86, -82.5

 

CMYK 0 / 70 / 33 / 6

HEX #F047A1

RGB 240 71 161

HSL 328.05, 0.85%, 0.61%

LAB 57.66, 71.1, -11.69

 

CMYK 0 / 3 / 70 / 6

HEX #F0EA47

RGB 240 234 71

HSL 57.87, 0.85%, 0.61%

LAB 90.7, -16.05, 75.27

 

CMYK 70 / 0 / 38 / 6

HEX #47F096

RGB 71 240 150

HSL 148.05, 0.85%, 0.61%

LAB 84.93, -62.64, 31.37

 

Description

Color code: HEX #474CF0CE | qconv.com Color code: HEX #474CF0CE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 76 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 76 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 55 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 55% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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