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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #474CD0 it is the complementary color #B8B32F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #474CD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #474CD0 shade: #4C4CCB, #5D5EDE, #6E70F1, #7F82FF and #9094FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #474CD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #474CD0 shade: #474CD0, #363ABD, #2528AA, #141697 and #030484

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #474CD0 shade: #494DD0, #6849D0, #8D49D0, #B149D0 and #D049CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #474CD0 shade: #494DD0 and #4949D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #474CD0 shade matches the following richer shades: #494DD0, #363CE3 and #232BF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #474CD0 shade: #494DD0, #5B5FBD, #6E70AB, #808198 and #939286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #474CD0 shade: #4998D0, #4973D0, #494FD0, #6649D0 and #8A49D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #474CD0 shade: #292D9D, #3136BE, #494DD0, #696DD8 and #8A8DE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #474CD0 shade: #474CD0, #D049BC and #85D049

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #474CD0 shade: #474CD0, #D0494F and #4FD049

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #474CD0 shade: #474CD0, #D049BC, #D0C949 and #49D05D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #474CD0 shade: #474CD0, #D04993, #D0C949 and #49D085

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 63 / 0 / 18

HEX #474CD0

RGB 71 76 208

HSL 237.81, 0.59%, 0.55%

LAB 39.69, 39.28, -68.81

 

Complementary color

CMYK 0 / 3 / 74 / 28

HEX #B8B32F

RGB 184 179 47

HSL 57.81, 0.59%, 0.45%

LAB 71.31, -13.22, 63.41

 

CMYK 63 / 63 / 0 / 20

HEX #4C4CCB

RGB 76 76 203

HSL 240, 0.55%, 0.55%

LAB 39.61, 38.35, -66.03

 

CMYK 58 / 58 / 0 / 13

HEX #5D5EDE

RGB 93 94 222

HSL 239.53, 0.66%, 0.62%

LAB 46.45, 36.4, -65.73

 

CMYK 54 / 54 / 0 / 5

HEX #6E70F1

RGB 110 112 241

HSL 239.08, 0.82%, 0.69%

LAB 53.23, 34.7, -65.4

 

CMYK 50 / 49 / 0 / 0

HEX #7F82FF

RGB 127 130 255

HSL 238.59, 1%, 0.75%

LAB 59.61, 31.72, -62.81

 

CMYK 44 / 42 / 0 / 0

HEX #9094FF

RGB 144 148 255

HSL 237.84, 1%, 0.78%

LAB 65.22, 25.04, -53.79

 

CMYK 66 / 63 / 0 / 18

HEX #474CD0

RGB 71 76 208

HSL 237.81, 0.59%, 0.55%

LAB 39.69, 39.28, -68.81

 

CMYK 71 / 69 / 0 / 26

HEX #363ABD

RGB 54 58 189

HSL 238.22, 0.56%, 0.48%

LAB 32.89, 41.64, -68.92

 

CMYK 78 / 76 / 0 / 33

HEX #2528AA

RGB 37 40 170

HSL 238.65, 0.64%, 0.41%

LAB 26.2, 44.12, -68.67

 

CMYK 87 / 85 / 0 / 41

HEX #141697

RGB 20 22 151

HSL 239.08, 0.77%, 0.34%

LAB 19.87, 46.24, -67.6

 

CMYK 98 / 97 / 0 / 48

HEX #030484

RGB 3 4 132

HSL 239.53, 0.96%, 0.26%

LAB 14.24, 47.05, -65.12

 

CMYK 65 / 63 / 0 / 18

HEX #494DD0

RGB 73 77 208

HSL 238.22, 0.59%, 0.55%

LAB 40.05, 38.96, -68.21

 

CMYK 50 / 65 / 0 / 18

HEX #6849D0

RGB 104 73 208

HSL 253.78, 0.59%, 0.55%

LAB 41.63, 46.37, -65.53

 

CMYK 32 / 65 / 0 / 18

HEX #8D49D0

RGB 141 73 208

HSL 270.22, 0.59%, 0.55%

LAB 45.61, 53.74, -58.89

 

CMYK 15 / 65 / 0 / 18

HEX #B149D0

RGB 177 73 208

HSL 286.22, 0.59%, 0.55%

LAB 50.29, 61.72, -51.11

 

CMYK 0 / 65 / 3 / 18

HEX #D049CA

RGB 208 73 202

HSL 302.67, 0.59%, 0.55%

LAB 54.49, 67.89, -40.73

 

CMYK 65 / 63 / 0 / 18

HEX #494DD0

RGB 73 77 208

HSL 238.22, 0.59%, 0.55%

LAB 40.05, 38.96, -68.21

 

CMYK 65 / 65 / 0 / 18

HEX #4949D0

RGB 73 73 208

HSL 240, 0.59%, 0.55%

LAB 39.13, 41.37, -69.71

 

CMYK 65 / 63 / 0 / 18

HEX #494DD0

RGB 73 77 208

HSL 238.22, 0.59%, 0.55%

LAB 40.05, 38.96, -68.21

 

CMYK 76 / 74 / 0 / 11

HEX #363CE3

RGB 54 60 227

HSL 237.92, 0.76%, 0.55%

LAB 37.04, 53.09, -84.09

 

CMYK 86 / 82 / 0 / 4

HEX #232BF5

RGB 35 43 245

HSL 237.71, 0.91%, 0.55%

LAB 35.36, 65.97, -97.12

 

CMYK 65 / 63 / 0 / 18

HEX #494DD0

RGB 73 77 208

HSL 238.22, 0.59%, 0.55%

LAB 40.05, 38.96, -68.21

 

CMYK 52 / 50 / 0 / 26

HEX #5B5FBD

RGB 91 95 189

HSL 237.55, 0.43%, 0.55%

LAB 44.35, 24.81, -50.18

 

CMYK 36 / 35 / 0 / 33

HEX #6E70AB

RGB 110 112 171

HSL 238.03, 0.27%, 0.55%

LAB 49.31, 13.78, -31.76

 

CMYK 16 / 15 / 0 / 40

HEX #808198

RGB 128 129 152

HSL 237.5, 0.1%, 0.55%

LAB 54.61, 4.57, -12.43

 

CMYK 0 / 1 / 9 / 42

HEX #939286

RGB 147 146 134

HSL 55.38, 0.06%, 0.55%

LAB 60.32, -1.86, 6.49

 

CMYK 65 / 27 / 0 / 18

HEX #4998D0

RGB 73 152 208

HSL 204.89, 0.59%, 0.55%

LAB 60.27, -6.87, -35.88

 

CMYK 65 / 45 / 0 / 18

HEX #4973D0

RGB 73 115 208

HSL 221.33, 0.59%, 0.55%

LAB 49.78, 15.18, -52.47

 

CMYK 65 / 62 / 0 / 18

HEX #494FD0

RGB 73 79 208

HSL 237.33, 0.59%, 0.55%

LAB 40.51, 37.73, -67.45

 

CMYK 51 / 65 / 0 / 18

HEX #6649D0

RGB 102 73 208

HSL 252.89, 0.59%, 0.55%

LAB 41.44, 46.01, -65.84

 

CMYK 34 / 65 / 0 / 18

HEX #8A49D0

RGB 138 73 208

HSL 268.89, 0.59%, 0.55%

LAB 45.25, 53.1, -59.48

 

CMYK 74 / 71 / 0 / 38

HEX #292D9D

RGB 41 45 157

HSL 237.93, 0.59%, 0.39%

LAB 26.11, 37.07, -60.93

 

CMYK 74 / 72 / 0 / 25

HEX #3136BE

RGB 49 54 190

HSL 237.87, 0.59%, 0.47%

LAB 31.83, 43.84, -71.26

 

CMYK 65 / 63 / 0 / 18

HEX #494DD0

RGB 73 77 208

HSL 238.22, 0.59%, 0.55%

LAB 40.05, 38.96, -68.21

 

CMYK 51 / 50 / 0 / 15

HEX #696DD8

RGB 105 109 216

HSL 237.84, 0.59%, 0.63%

LAB 50.57, 27.73, -55.65

 

CMYK 39 / 37 / 0 / 12

HEX #8A8DE1

RGB 138 141 225

HSL 237.93, 0.59%, 0.71%

LAB 61.56, 19.22, -43.09

 

CMYK 66 / 63 / 0 / 18

HEX #474CD0

RGB 71 76 208

HSL 237.81, 0.59%, 0.55%

LAB 39.69, 39.28, -68.81

 

CMYK 0 / 65 / 10 / 18

HEX #D049BC

RGB 208 73 188

HSL 308.89, 0.59%, 0.55%

LAB 53.82, 65.68, -33.73

 

CMYK 36 / 0 / 65 / 18

HEX #85D049

RGB 133 208 73

HSL 93.33, 0.59%, 0.55%

LAB 76.42, -45.43, 57.68

 

CMYK 66 / 63 / 0 / 18

HEX #474CD0

RGB 71 76 208

HSL 237.81, 0.59%, 0.55%

LAB 39.69, 39.28, -68.81

 

CMYK 0 / 65 / 62 / 18

HEX #D0494F

RGB 208 73 79

HSL 357.33, 0.59%, 0.55%

LAB 50.38, 53.57, 25.92

 

CMYK 62 / 0 / 65 / 18

HEX #4FD049

RGB 79 208 73

HSL 117.33, 0.59%, 0.55%

LAB 74.35, -60.84, 54.83

 

CMYK 66 / 63 / 0 / 18

HEX #474CD0

RGB 71 76 208

HSL 237.81, 0.59%, 0.55%

LAB 39.69, 39.28, -68.81

 

CMYK 0 / 65 / 10 / 18

HEX #D049BC

RGB 208 73 188

HSL 308.89, 0.59%, 0.55%

LAB 53.82, 65.68, -33.73

 

CMYK 0 / 3 / 65 / 18

HEX #D0C949

RGB 208 201 73

HSL 56.89, 0.59%, 0.55%

LAB 79.42, -12.85, 62.36

 

CMYK 65 / 0 / 55 / 18

HEX #49D05D

RGB 73 208 93

HSL 128.89, 0.59%, 0.55%

LAB 74.39, -59.81, 45.98

 

CMYK 66 / 63 / 0 / 18

HEX #474CD0

RGB 71 76 208

HSL 237.81, 0.59%, 0.55%

LAB 39.69, 39.28, -68.81

 

CMYK 0 / 65 / 29 / 18

HEX #D04993

RGB 208 73 147

HSL 327.11, 0.59%, 0.55%

LAB 52.15, 59.99, -12.26

 

CMYK 0 / 3 / 65 / 18

HEX #D0C949

RGB 208 201 73

HSL 56.89, 0.59%, 0.55%

LAB 79.42, -12.85, 62.36

 

CMYK 65 / 0 / 36 / 18

HEX #49D085

RGB 73 208 133

HSL 146.67, 0.59%, 0.55%

LAB 74.96, -53.42, 26.78

 

Description

Color code: HEX #474CD0 | qconv.com Color code: HEX #474CD0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 76 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 76 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 63 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 63% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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