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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #474C70 it is the complementary color #B8B38F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #474C70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #474C70 shade: #4C4C6B, #5D5E7E, #6E7091, #7F82A4 and #9094B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #474C70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #474C70 shade: #474C70, #363A5D, #25284A, #141637 and #030424

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #474C70 shade: #484D70, #4E4870, #584870, #634870 and #6E4870

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #474C70 shade: #484D70 and #484870

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #474C70 shade matches the following richer shades: #484D70, #39417F, #2A368E, #1B2B9D and #0C20AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #474C70 shade: #484D70, #565861, #656352, #746E43 and #837935

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #474C70 shade: #486370, #485870, #484D70, #4D4870 and #584870

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #474C70 shade: #272A3E, #383B57, #484D70, #585E89 and #6A71A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #474C70 shade: #474C70, #70486D and #5D7048

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #474C70 shade: #474C70, #70484D and #4D7048

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #474C70 shade: #474C70, #70486D, #706B48 and #48704A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #474C70 shade: #474C70, #704861, #706B48 and #487056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 32 / 0 / 56

HEX #474C70

RGB 71 76 112

HSL 232.68, 0.22%, 0.36%

LAB 33.3, 7.58, -21.37

 

Complementary color

CMYK 0 / 3 / 22 / 28

HEX #B8B38F

RGB 184 179 143

HSL 52.68, 0.22%, 0.64%

LAB 72.5, -4.17, 19.06

 

CMYK 29 / 29 / 0 / 58

HEX #4C4C6B

RGB 76 76 107

HSL 240, 0.17%, 0.36%

LAB 33.49, 7.77, -17.91

 

CMYK 26 / 25 / 0 / 51

HEX #5D5E7E

RGB 93 94 126

HSL 238.18, 0.15%, 0.43%

LAB 40.96, 7.28, -18.03

 

CMYK 24 / 23 / 0 / 43

HEX #6E7091

RGB 110 112 145

HSL 236.57, 0.14%, 0.5%

LAB 48.19, 6.86, -18.22

 

CMYK 23 / 21 / 0 / 36

HEX #7F82A4

RGB 127 130 164

HSL 235.14, 0.17%, 0.57%

LAB 55.23, 6.49, -18.43

 

CMYK 21 / 19 / 0 / 28

HEX #9094B7

RGB 144 148 183

HSL 233.85, 0.21%, 0.64%

LAB 62.11, 6.16, -18.68

 

CMYK 37 / 32 / 0 / 56

HEX #474C70

RGB 71 76 112

HSL 232.68, 0.22%, 0.36%

LAB 33.3, 7.58, -21.37

 

CMYK 42 / 38 / 0 / 64

HEX #363A5D

RGB 54 58 93

HSL 233.85, 0.27%, 0.29%

LAB 25.57, 8.31, -21.43

 

CMYK 50 / 46 / 0 / 71

HEX #25284A

RGB 37 40 74

HSL 235.14, 0.33%, 0.22%

LAB 17.48, 9.31, -21.61

 

CMYK 64 / 60 / 0 / 78

HEX #141637

RGB 20 22 55

HSL 236.57, 0.47%, 0.15%

LAB 8.98, 10.83, -21.95

 

CMYK 92 / 89 / 0 / 86

HEX #030424

RGB 3 4 36

HSL 238.18, 0.85%, 0.08%

LAB 2.11, 7.27, -18.7

 

CMYK 36 / 31 / 0 / 56

HEX #484D70

RGB 72 77 112

HSL 232.5, 0.22%, 0.36%

LAB 33.68, 7.25, -20.78

 

CMYK 30 / 36 / 0 / 56

HEX #4E4870

RGB 78 72 112

HSL 249, 0.22%, 0.36%

LAB 32.75, 12.43, -22.18

 

CMYK 21 / 36 / 0 / 56

HEX #584870

RGB 88 72 112

HSL 264, 0.22%, 0.36%

LAB 33.73, 15.77, -20.59

 

CMYK 12 / 36 / 0 / 56

HEX #634870

RGB 99 72 112

HSL 280.5, 0.22%, 0.36%

LAB 34.92, 19.58, -18.65

 

CMYK 2 / 36 / 0 / 56

HEX #6E4870

RGB 110 72 112

HSL 297, 0.22%, 0.36%

LAB 36.21, 23.47, -16.55

 

CMYK 36 / 31 / 0 / 56

HEX #484D70

RGB 72 77 112

HSL 232.5, 0.22%, 0.36%

LAB 33.68, 7.25, -20.78

 

CMYK 36 / 36 / 0 / 56

HEX #484870

RGB 72 72 112

HSL 240, 0.22%, 0.36%

LAB 32.22, 10.5, -23.06

 

CMYK 36 / 31 / 0 / 56

HEX #484D70

RGB 72 77 112

HSL 232.5, 0.22%, 0.36%

LAB 33.68, 7.25, -20.78

 

CMYK 55 / 49 / 0 / 50

HEX #39417F

RGB 57 65 127

HSL 233.14, 0.38%, 0.36%

LAB 29.87, 15.87, -36.25

 

CMYK 70 / 62 / 0 / 44

HEX #2A368E

RGB 42 54 142

HSL 232.8, 0.54%, 0.36%

LAB 26.97, 25.91, -50.3

 

CMYK 83 / 73 / 0 / 38

HEX #1B2B9D

RGB 27 43 157

HSL 232.62, 0.71%, 0.36%

LAB 24.94, 37.07, -62.88

 

CMYK 93 / 81 / 0 / 33

HEX #0C20AB

RGB 12 32 171

HSL 232.45, 0.87%, 0.36%

LAB 23.84, 47.57, -73.21

 

CMYK 36 / 31 / 0 / 56

HEX #484D70

RGB 72 77 112

HSL 232.5, 0.22%, 0.36%

LAB 33.68, 7.25, -20.78

 

CMYK 11 / 9 / 0 / 62

HEX #565861

RGB 86 88 97

HSL 229.09, 0.06%, 0.36%

LAB 37.52, 1.23, -5.46

 

CMYK 0 / 2 / 19 / 60

HEX #656352

RGB 101 99 82

HSL 53.68, 0.1%, 0.36%

LAB 41.69, -2.43, 9.96

 

CMYK 0 / 5 / 42 / 55

HEX #746E43

RGB 116 110 67

HSL 52.65, 0.27%, 0.36%

LAB 46, -4.51, 24.8

 

CMYK 0 / 8 / 60 / 49

HEX #837935

RGB 131 121 53

HSL 52.31, 0.42%, 0.36%

LAB 50.4, -5.39, 37.95

 

CMYK 36 / 12 / 0 / 56

HEX #486370

RGB 72 99 112

HSL 199.5, 0.22%, 0.36%

LAB 40.36, -6.44, -10.54

 

CMYK 36 / 21 / 0 / 56

HEX #485870

RGB 72 88 112

HSL 216, 0.22%, 0.36%

LAB 36.98, 0.27, -15.69

 

CMYK 36 / 31 / 0 / 56

HEX #484D70

RGB 72 77 112

HSL 232.5, 0.22%, 0.36%

LAB 33.68, 7.25, -20.78

 

CMYK 31 / 36 / 0 / 56

HEX #4D4870

RGB 77 72 112

HSL 247.5, 0.22%, 0.36%

LAB 32.66, 12.1, -22.33

 

CMYK 21 / 36 / 0 / 56

HEX #584870

RGB 88 72 112

HSL 264, 0.22%, 0.36%

LAB 33.73, 15.77, -20.59

 

CMYK 37 / 32 / 0 / 76

HEX #272A3E

RGB 39 42 62

HSL 232.17, 0.23%, 0.2%

LAB 17.62, 4.45, -13.14

 

CMYK 36 / 32 / 0 / 66

HEX #383B57

RGB 56 59 87

HSL 234.19, 0.22%, 0.28%

LAB 25.73, 6.39, -17.24

 

CMYK 36 / 31 / 0 / 56

HEX #484D70

RGB 72 77 112

HSL 232.5, 0.22%, 0.36%

LAB 33.68, 7.25, -20.78

 

CMYK 36 / 31 / 0 / 46

HEX #585E89

RGB 88 94 137

HSL 232.65, 0.22%, 0.44%

LAB 41.03, 8.72, -24.62

 

CMYK 34 / 29 / 0 / 37

HEX #6A71A0

RGB 106 113 160

HSL 232.22, 0.22%, 0.52%

LAB 48.78, 8.96, -26.18

 

CMYK 37 / 32 / 0 / 56

HEX #474C70

RGB 71 76 112

HSL 232.68, 0.22%, 0.36%

LAB 33.3, 7.58, -21.37

 

CMYK 0 / 36 / 3 / 56

HEX #70486D

RGB 112 72 109

HSL 304.5, 0.22%, 0.36%

LAB 36.34, 23.56, -14.47

 

CMYK 17 / 0 / 36 / 56

HEX #5D7048

RGB 93 112 72

HSL 88.5, 0.22%, 0.36%

LAB 44.78, -14.83, 19.98

 

CMYK 37 / 32 / 0 / 56

HEX #474C70

RGB 71 76 112

HSL 232.68, 0.22%, 0.36%

LAB 33.3, 7.58, -21.37

 

CMYK 0 / 36 / 31 / 56

HEX #70484D

RGB 112 72 77

HSL 352.5, 0.22%, 0.36%

LAB 35.23, 17.85, 4.08

 

CMYK 31 / 0 / 36 / 56

HEX #4D7048

RGB 77 112 72

HSL 112.5, 0.22%, 0.36%

LAB 43.7, -21.11, 18.36

 

CMYK 37 / 32 / 0 / 56

HEX #474C70

RGB 71 76 112

HSL 232.68, 0.22%, 0.36%

LAB 33.3, 7.58, -21.37

 

CMYK 0 / 36 / 3 / 56

HEX #70486D

RGB 112 72 109

HSL 304.5, 0.22%, 0.36%

LAB 36.34, 23.56, -14.47

 

CMYK 0 / 4 / 36 / 56

HEX #706B48

RGB 112 107 72

HSL 52.5, 0.22%, 0.36%

LAB 44.84, -3.91, 20.35

 

CMYK 36 / 0 / 34 / 56

HEX #48704A

RGB 72 112 74

HSL 123, 0.22%, 0.36%

LAB 43.45, -22.57, 16.8

 

CMYK 37 / 32 / 0 / 56

HEX #474C70

RGB 71 76 112

HSL 232.68, 0.22%, 0.36%

LAB 33.3, 7.58, -21.37

 

CMYK 0 / 36 / 13 / 56

HEX #704861

RGB 112 72 97

HSL 322.5, 0.22%, 0.36%

LAB 35.87, 21.22, -7.63

 

CMYK 0 / 4 / 36 / 56

HEX #706B48

RGB 112 107 72

HSL 52.5, 0.22%, 0.36%

LAB 44.84, -3.91, 20.35

 

CMYK 36 / 0 / 23 / 56

HEX #487056

RGB 72 112 86

HSL 141, 0.22%, 0.36%

LAB 43.71, -20.18, 10.08

 

Description

Color code: HEX #474C70 | qconv.com Color code: HEX #474C70 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 76 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 76 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 32 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 32% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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