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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #474BFD3F it is the complementary color #B8B4023F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #474BFD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #474BFD3F shade: #4C4BF83F, #5D5DFF3F, #6E6FFF3F, #7F81FF3F and #9093FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #474BFD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #474BFD3F shade: #474BFD3F, #3639EA3F, #2527D73F, #1415C43F and #0303B13F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #474BFD3F shade: #494DFD, #7649FD, #A649FD, #D749FD and #FD49F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #474BFD3F shade: #494DFD and #4949FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #474BFD3F shade matches the following richer shades: #494DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #474BFD3F shade: #494DFD, #585BEE, #676ADF, #7678D1 and #8586C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #474BFD3F shade: #49AFFD, #497FFD, #494FFD, #7349FD and #A349FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #474BFD3F shade: #0208F1, #2025FD, #494DFD, #7275FE and #9B9DFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #474BFD3F shade: #474BFD, #FD49DF and #97FD49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #474BFD3F shade: #474BFD, #FD494F and #4FFD49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #474BFD3F shade: #474BFD, #FD49DF, #FDF749 and #49FD67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #474BFD3F shade: #474BFD, #FD49A9, #FDF749 and #49FD9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 18 / 0 / 0

HEX #474BFD3F

RGBA 71 75 253 0.25

HSLA 238.68, 0.98%, 0.64%, 0.25

LABA 43.45, 54.61, -88.15, 0.25

 

Complementary color

CMYK 0 / 1 / 25 / 7

HEX #B8B4023F

RGBA 184 180 2 0.25

HSLA 58.68, 0.98%, 0.36%, 0.25

LABA 71.44, -14.82, 72.91, 0.25

 

CMYK 17 / 17 / 0 / 1

HEX #4C4BF83F

RGBA 76 75 248 0.25

HSLA 240.35, 0.93%, 0.63%, 0.25

LABA 43.28, 53.51, -85.63, 0.25

 

CMYK 16 / 16 / 0 / 0

HEX #5D5DFF3F

RGBA 93 93 255 0.25

HSLA 240, 1%, 0.68%, 0.25

LABA 48.73, 47.54, -80.55, 0.25

 

CMYK 14 / 14 / 0 / 0

HEX #6E6FFF3F

RGBA 110 111 255 0.25

HSLA 239.59, 1%, 0.72%, 0.25

LABA 53.92, 39.65, -72.04, 0.25

 

CMYK 13 / 12 / 0 / 0

HEX #7F81FF3F

RGBA 127 129 255 0.25

HSLA 239.06, 1%, 0.75%, 0.25

LABA 59.37, 32.31, -63.2, 0.25

 

CMYK 11 / 11 / 0 / 0

HEX #9093FF3F

RGBA 144 147 255 0.25

HSLA 238.38, 1%, 0.78%, 0.25

LABA 64.98, 25.61, -54.19, 0.25

 

CMYK 18 / 18 / 0 / 0

HEX #474BFD3F

RGBA 71 75 253 0.25

HSLA 238.68, 0.98%, 0.64%, 0.25

LABA 43.45, 54.61, -88.15, 0.25

 

CMYK 19 / 19 / 0 / 2

HEX #3639EA3F

RGBA 54 57 234 0.25

HSLA 239, 0.81%, 0.56%, 0.25

LABA 37.21, 56.91, -87.8, 0.25

 

CMYK 21 / 20 / 0 / 4

HEX #2527D73F

RGBA 37 39 215 0.25

HSLA 239.33, 0.71%, 0.49%, 0.25

LABA 31.23, 58.92, -86.85, 0.25

 

CMYK 22 / 22 / 0 / 6

HEX #1415C43F

RGBA 20 21 196 0.25

HSLA 239.66, 0.81%, 0.42%, 0.25

LABA 25.77, 60, -84.88, 0.25

 

CMYK 25 / 25 / 0 / 8

HEX #0303B13F

RGBA 3 3 177 0.25

HSLA 240, 0.97%, 0.35%, 0.25

LABA 21.05, 59.47, -81.48, 0.25

 

CMYK 71 / 70 / 0 / 1

HEX #494DFD

RGB 73 77 253

HSL 238.67, 0.98%, 0.64%

LAB 43.97, 53.69, -87.3

 

CMYK 53 / 71 / 0 / 1

HEX #7649FD

RGB 118 73 253

HSL 255, 0.98%, 0.64%

LAB 46.59, 61.25, -82.87

 

CMYK 34 / 71 / 0 / 1

HEX #A649FD

RGB 166 73 253

HSL 271, 0.98%, 0.64%

LAB 51.8, 68.99, -74.15

 

CMYK 15 / 71 / 0 / 1

HEX #D749FD

RGB 215 73 253

HSL 287.33, 0.98%, 0.64%

LAB 58.32, 78.19, -63.28

 

CMYK 0 / 71 / 4 / 1

HEX #FD49F3

RGB 253 73 243

HSL 303.33, 0.98%, 0.64%

LAB 63.44, 84.27, -49.24

 

CMYK 71 / 70 / 0 / 1

HEX #494DFD

RGB 73 77 253

HSL 238.67, 0.98%, 0.64%

LAB 43.97, 53.69, -87.3

 

CMYK 71 / 71 / 0 / 1

HEX #4949FD

RGB 73 73 253

HSL 240, 0.98%, 0.64%

LAB 43.17, 55.89, -88.61

 

CMYK 71 / 70 / 0 / 1

HEX #494DFD

RGB 73 77 253

HSL 238.67, 0.98%, 0.64%

LAB 43.97, 53.69, -87.3

 

CMYK 71 / 70 / 0 / 1

HEX #494DFD

RGB 73 77 253

HSL 238.67, 0.98%, 0.64%

LAB 43.97, 53.69, -87.3

 

CMYK 63 / 62 / 0 / 7

HEX #585BEE

RGB 88 91 238

HSL 238.8, 0.82%, 0.64%

LAB 46.62, 42.56, -74.52

 

CMYK 54 / 52 / 0 / 13

HEX #676ADF

RGB 103 106 223

HSL 238.5, 0.65%, 0.64%

LAB 50.12, 31.32, -60.34

 

CMYK 44 / 43 / 0 / 18

HEX #7678D1

RGB 118 120 209

HSL 238.68, 0.5%, 0.64%

LAB 53.91, 21.98, -46.3

 

CMYK 31 / 31 / 0 / 24

HEX #8586C2

RGB 133 134 194

HSL 239.02, 0.33%, 0.64%

LAB 57.97, 13.59, -31.33

 

CMYK 71 / 31 / 0 / 1

HEX #49AFFD

RGB 73 175 253

HSL 206, 0.98%, 0.64%

LAB 68.87, -4.72, -47.16

 

CMYK 71 / 50 / 0 / 1

HEX #497FFD

RGB 73 127 253

HSL 222, 0.98%, 0.64%

LAB 55.77, 23.59, -68.05

 

CMYK 71 / 69 / 0 / 1

HEX #494FFD

RGB 73 79 253

HSL 238, 0.98%, 0.64%

LAB 44.38, 52.56, -86.63

 

CMYK 55 / 71 / 0 / 1

HEX #7349FD

RGB 115 73 253

HSL 254, 0.98%, 0.64%

LAB 46.31, 60.83, -83.33

 

CMYK 36 / 71 / 0 / 1

HEX #A349FD

RGB 163 73 253

HSL 270, 0.98%, 0.64%

LAB 51.43, 68.47, -74.76

 

CMYK 99 / 97 / 0 / 5

HEX #0208F1

RGB 2 8 241

HSL 238.49, 0.98%, 0.48%

LAB 30.73, 74.59, -102.6

 

CMYK 87 / 85 / 0 / 1

HEX #2025FD

RGB 32 37 253

HSL 238.64, 0.98%, 0.56%

LAB 35.44, 70.55, -101.48

 

CMYK 71 / 70 / 0 / 1

HEX #494DFD

RGB 73 77 253

HSL 238.67, 0.98%, 0.64%

LAB 43.97, 53.69, -87.3

 

CMYK 55 / 54 / 0 / 0

HEX #7275FE

RGB 114 117 254

HSL 238.71, 0.99%, 0.72%

LAB 55.54, 36.52, -68.87

 

CMYK 39 / 38 / 0 / 0

HEX #9B9DFE

RGB 155 157 254

HSL 238.79, 0.98%, 0.8%

LAB 68.2, 22.3, -48.5

 

CMYK 72 / 70 / 0 / 1

HEX #474BFD

RGB 71 75 253

HSL 238.68, 0.98%, 0.64%

LAB 43.45, 54.61, -88.15

 

CMYK 0 / 71 / 12 / 1

HEX #FD49DF

RGB 253 73 223

HSL 310, 0.98%, 0.64%

LAB 62.49, 81.38, -39.59

 

CMYK 40 / 0 / 71 / 1

HEX #97FD49

RGB 151 253 73

HSL 94, 0.98%, 0.64%

LAB 90.46, -57.73, 72.51

 

CMYK 72 / 70 / 0 / 1

HEX #474BFD

RGB 71 75 253

HSL 238.68, 0.98%, 0.64%

LAB 43.45, 54.61, -88.15

 

CMYK 0 / 71 / 69 / 1

HEX #FD494F

RGB 253 73 79

HSL 358, 0.98%, 0.64%

LAB 58.24, 67.68, 37.4

 

CMYK 69 / 0 / 71 / 1

HEX #4FFD49

RGB 79 253 73

HSL 118, 0.98%, 0.64%

LAB 88.16, -75.66, 69.43

 

CMYK 72 / 70 / 0 / 1

HEX #474BFD

RGB 71 75 253

HSL 238.68, 0.98%, 0.64%

LAB 43.45, 54.61, -88.15

 

CMYK 0 / 71 / 12 / 1

HEX #FD49DF

RGB 253 73 223

HSL 310, 0.98%, 0.64%

LAB 62.49, 81.38, -39.59

 

CMYK 0 / 2 / 71 / 1

HEX #FDF749

RGB 253 247 73

HSL 58, 0.98%, 0.64%

LAB 95.11, -16.95, 79.2

 

CMYK 71 / 0 / 59 / 1

HEX #49FD67

RGB 73 253 103

HSL 130, 0.98%, 0.64%

LAB 88.28, -73.78, 57.77

 

CMYK 72 / 70 / 0 / 1

HEX #474BFD

RGB 71 75 253

HSL 238.68, 0.98%, 0.64%

LAB 43.45, 54.61, -88.15

 

CMYK 0 / 71 / 33 / 1

HEX #FD49A9

RGB 253 73 169

HSL 328, 0.98%, 0.64%

LAB 60.35, 74.68, -12.08

 

CMYK 0 / 2 / 71 / 1

HEX #FDF749

RGB 253 247 73

HSL 58, 0.98%, 0.64%

LAB 95.11, -16.95, 79.2

 

CMYK 71 / 0 / 38 / 1

HEX #49FD9D

RGB 73 253 157

HSL 148, 0.98%, 0.64%

LAB 88.97, -65.79, 33.25

 

Description

Color code: HEX #474BFD3F | qconv.com Color code: HEX #474BFD3F | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 75 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 75 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 18 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 18% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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