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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #474BC9CE it is the complementary color #B8B436CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #474BC9CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #474BC9CE shade: #4C4BC4CE, #5D5DD7CE, #6E6FEACE, #7F81FDCE and #9093FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #474BC9CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #474BC9CE shade: #474BC9CE, #3639B6CE, #2527A3CE, #141590CE and #03037DCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #474BC9CE shade: #4549C9, #6545C9, #8845C9, #AC45C9 and #C945C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #474BC9CE shade: #4549C9 and #4545C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #474BC9CE shade matches the following richer shades: #4549C9, #3237DC and #1E25F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #474BC9CE shade: #4549C9, #595BB6, #6C6EA2, #7F808F and #93927C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #474BC9CE shade: #4590C9, #456DC9, #454AC9, #6445C9 and #8745C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #474BC9CE shade: #2A2D92, #3437B2, #4549C9, #6569D2 and #8588DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #474BC9CE shade: #474BC9, #C945B3 and #7EC945

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #474BC9CE shade: #474BC9, #C9454A and #4AC945

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #474BC9CE shade: #474BC9, #C945B3, #C9C545 and #45C95B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #474BC9CE shade: #474BC9, #C9458C, #C9C545 and #45C983

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 51 / 0 / 17

HEX #474BC9CE

RGBA 71 75 201 0.81

HSLA 238.15, 0.55%, 0.53%, 0.81

LABA 38.88, 37.54, -66.08, 0.81

 

Complementary color

CMYK 0 / 2 / 57 / 23

HEX #B8B436CE

RGBA 184 180 54 0.81

HSLA 58.15, 0.55%, 0.47%, 0.81

LABA 71.62, -13.41, 61.22, 0.81

 

CMYK 50 / 50 / 0 / 19

HEX #4C4BC4CE

RGBA 76 75 196 0.81

HSLA 240.5, 0.51%, 0.53%, 0.81

LABA 38.82, 36.65, -63.25, 0.81

 

CMYK 46 / 46 / 0 / 13

HEX #5D5DD7CE

RGBA 93 93 215 0.81

HSLA 240, 0.6%, 0.6%, 0.81

LABA 45.72, 34.77, -62.94, 0.81

 

CMYK 43 / 43 / 0 / 7

HEX #6E6FEACE

RGBA 110 111 234 0.81

HSLA 239.52, 0.75%, 0.67%, 0.81

LABA 52.54, 33.13, -62.61, 0.81

 

CMYK 40 / 40 / 0 / 1

HEX #7F81FDCE

RGBA 127 129 253 0.81

HSLA 239.05, 0.97%, 0.75%, 0.81

LABA 59.26, 31.71, -62.29, 0.81

 

CMYK 35 / 34 / 0 / 0

HEX #9093FFCE

RGBA 144 147 255 0.81

HSLA 238.38, 1%, 0.78%, 0.81

LABA 64.98, 25.61, -54.19, 0.81

 

CMYK 52 / 51 / 0 / 17

HEX #474BC9CE

RGBA 71 75 201 0.81

HSLA 238.15, 0.55%, 0.53%, 0.81

LABA 38.88, 37.54, -66.08, 0.81

 

CMYK 57 / 56 / 0 / 23

HEX #3639B6CE

RGBA 54 57 182 0.81

HSLA 238.59, 0.54%, 0.46%, 0.81

LABA 32.01, 39.86, -66.23, 0.81

 

CMYK 63 / 62 / 0 / 29

HEX #2527A3CE

RGBA 37 39 163 0.81

HSLA 239.05, 0.63%, 0.39%, 0.81

LABA 25.23, 42.33, -66.04, 0.81

 

CMYK 70 / 69 / 0 / 35

HEX #141590CE

RGBA 20 21 144 0.81

HSLA 239.52, 0.76%, 0.32%, 0.81

LABA 18.79, 44.48, -65.06, 0.81

 

CMYK 79 / 79 / 0 / 41

HEX #03037DCE

RGBA 3 3 125 0.81

HSLA 240, 0.95%, 0.25%, 0.81

LABA 13.02, 45.47, -62.72, 0.81

 

CMYK 66 / 64 / 0 / 21

HEX #4549C9

RGB 69 73 201

HSL 238.18, 0.55%, 0.53%

LAB 38.28, 38.48, -67.05

 

CMYK 50 / 66 / 0 / 21

HEX #6545C9

RGB 101 69 201

HSL 254.55, 0.55%, 0.53%

LAB 39.98, 46.03, -64.17

 

CMYK 32 / 66 / 0 / 21

HEX #8845C9

RGB 136 69 201

HSL 270.45, 0.55%, 0.53%

LAB 43.81, 52.98, -57.79

 

CMYK 14 / 66 / 0 / 21

HEX #AC45C9

RGB 172 69 201

HSL 286.82, 0.55%, 0.53%

LAB 48.57, 60.93, -49.89

 

CMYK 0 / 66 / 3 / 21

HEX #C945C3

RGB 201 69 195

HSL 302.73, 0.55%, 0.53%

LAB 52.52, 66.62, -39.88

 

CMYK 66 / 64 / 0 / 21

HEX #4549C9

RGB 69 73 201

HSL 238.18, 0.55%, 0.53%

LAB 38.28, 38.48, -67.05

 

CMYK 66 / 66 / 0 / 21

HEX #4545C9

RGB 69 69 201

HSL 240, 0.55%, 0.53%

LAB 37.37, 40.91, -68.55

 

CMYK 66 / 64 / 0 / 21

HEX #4549C9

RGB 69 73 201

HSL 238.18, 0.55%, 0.53%

LAB 38.28, 38.48, -67.05

 

CMYK 77 / 75 / 0 / 14

HEX #3237DC

RGB 50 55 220

HSL 238.24, 0.71%, 0.53%

LAB 35.16, 53.25, -83.2

 

CMYK 88 / 85 / 0 / 6

HEX #1E25F0

RGB 30 37 240

HSL 238, 0.88%, 0.53%

LAB 33.75, 66.84, -96.97

 

CMYK 66 / 64 / 0 / 21

HEX #4549C9

RGB 69 73 201

HSL 238.18, 0.55%, 0.53%

LAB 38.28, 38.48, -67.05

 

CMYK 51 / 50 / 0 / 29

HEX #595BB6

RGB 89 91 182

HSL 238.71, 0.39%, 0.53%

LAB 42.74, 24.63, -48.69

 

CMYK 33 / 32 / 0 / 36

HEX #6C6EA2

RGB 108 110 162

HSL 237.78, 0.23%, 0.53%

LAB 48.2, 11.92, -28.24

 

CMYK 11 / 10 / 0 / 44

HEX #7F808F

RGB 127 128 143

HSL 236.25, 0.07%, 0.53%

LAB 53.96, 2.78, -8.2

 

CMYK 0 / 1 / 16 / 42

HEX #93927C

RGB 147 146 124

HSL 57.39, 0.1%, 0.53%

LAB 60.08, -3.58, 11.81

 

CMYK 66 / 28 / 0 / 21

HEX #4590C9

RGB 69 144 201

HSL 205.91, 0.55%, 0.53%

LAB 57.49, -5.33, -36.3

 

CMYK 66 / 46 / 0 / 21

HEX #456DC9

RGB 69 109 201

HSL 221.82, 0.55%, 0.53%

LAB 47.52, 15.79, -52.1

 

CMYK 66 / 63 / 0 / 21

HEX #454AC9

RGB 69 74 201

HSL 237.73, 0.55%, 0.53%

LAB 38.52, 37.87, -66.67

 

CMYK 50 / 66 / 0 / 21

HEX #6445C9

RGB 100 69 201

HSL 254.09, 0.55%, 0.53%

LAB 39.89, 45.85, -64.33

 

CMYK 33 / 66 / 0 / 21

HEX #8745C9

RGB 135 69 201

HSL 270, 0.55%, 0.53%

LAB 43.69, 52.77, -57.99

 

CMYK 71 / 69 / 0 / 43

HEX #2A2D92

RGB 42 45 146

HSL 238.27, 0.55%, 0.37%

LAB 25.09, 33.29, -55.85

 

CMYK 71 / 69 / 0 / 30

HEX #3437B2

RGB 52 55 178

HSL 238.57, 0.55%, 0.45%

LAB 31.06, 39.47, -65.41

 

CMYK 66 / 64 / 0 / 21

HEX #4549C9

RGB 69 73 201

HSL 238.18, 0.55%, 0.53%

LAB 38.28, 38.48, -67.05

 

CMYK 52 / 50 / 0 / 18

HEX #6569D2

RGB 101 105 210

HSL 237.8, 0.55%, 0.61%

LAB 48.91, 27.44, -54.91

 

CMYK 40 / 38 / 0 / 14

HEX #8588DC

RGB 133 136 220

HSL 237.93, 0.55%, 0.69%

LAB 59.67, 19.45, -43.3

 

CMYK 65 / 63 / 0 / 21

HEX #474BC9

RGB 71 75 201

HSL 238.15, 0.55%, 0.53%

LAB 38.88, 37.54, -66.08

 

CMYK 0 / 66 / 11 / 21

HEX #C945B3

RGB 201 69 179

HSL 310, 0.55%, 0.53%

LAB 51.76, 64.1, -31.8

 

CMYK 37 / 0 / 66 / 21

HEX #7EC945

RGB 126 201 69

HSL 94.09, 0.55%, 0.53%

LAB 73.96, -45.19, 56.56

 

CMYK 65 / 63 / 0 / 21

HEX #474BC9

RGB 71 75 201

HSL 238.15, 0.55%, 0.53%

LAB 38.88, 37.54, -66.08

 

CMYK 0 / 66 / 63 / 21

HEX #C9454A

RGB 201 69 74

HSL 357.73, 0.55%, 0.53%

LAB 48.47, 52.61, 26.2

 

CMYK 63 / 0 / 66 / 21

HEX #4AC945

RGB 74 201 69

HSL 117.73, 0.55%, 0.53%

LAB 72, -59.87, 53.87

 

CMYK 65 / 63 / 0 / 21

HEX #474BC9

RGB 71 75 201

HSL 238.15, 0.55%, 0.53%

LAB 38.88, 37.54, -66.08

 

CMYK 0 / 66 / 11 / 21

HEX #C945B3

RGB 201 69 179

HSL 310, 0.55%, 0.53%

LAB 51.76, 64.1, -31.8

 

CMYK 0 / 2 / 66 / 21

HEX #C9C545

RGB 201 197 69

HSL 58.18, 0.55%, 0.53%

LAB 77.74, -14.01, 62.05

 

CMYK 66 / 0 / 55 / 21

HEX #45C95B

RGB 69 201 91

HSL 130, 0.55%, 0.53%

LAB 72.09, -58.37, 44.14

 

CMYK 65 / 63 / 0 / 21

HEX #474BC9

RGB 71 75 201

HSL 238.15, 0.55%, 0.53%

LAB 38.88, 37.54, -66.08

 

CMYK 0 / 66 / 30 / 21

HEX #C9458C

RGB 201 69 140

HSL 327.73, 0.55%, 0.53%

LAB 50.18, 58.74, -11.18

 

CMYK 0 / 2 / 66 / 21

HEX #C9C545

RGB 201 197 69

HSL 58.18, 0.55%, 0.53%

LAB 77.74, -14.01, 62.05

 

CMYK 66 / 0 / 35 / 21

HEX #45C983

RGB 69 201 131

HSL 148.18, 0.55%, 0.53%

LAB 72.68, -51.79, 24.73

 

Description

Color code: HEX #474BC9CE | qconv.com Color code: HEX #474BC9CE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 75 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 75 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 51 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 51% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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