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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #473C29 it is the complementary color #B8C3D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #473C29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #473C29 shade: #4C3C24, #5D4E37, #6E604A, #7F725D and #908470

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #473C29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #473C29 shade: #473C29, #362A16, #251803, #140600 and #030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #473C29 shade: #473C29, #473429, #472C29 and #472929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #473C29 shade: #473C29, #474429, #424729, #3A4729 and #324729

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #473C29 shade matches the following richer shades: #473C29, #503F20, #594117, #62430E and #6C4605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #473C29 shade: #473C29, #3E3A32, #35373B, #2C3544 and #23324D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #473C29 shade: #472C29, #473429, #473C29, #474429 and #424729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #473C29 shade: #13100B, #2D261A, #473C29, #615238 and #7C6847

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #473C29 shade: #473C29, #2E4729 and #302947

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #473C29 shade: #473C29, #29473C and #3C2947

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #473C29 shade: #473C29, #2E4729, #293447 and #422947

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #473C29 shade: #473C29, #29472D, #293447 and #472943

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 42 / 72

HEX #473C29

RGB 71 60 41

HSL 38, 0.27%, 0.22%

LAB 25.96, 1.56, 13.53

 

Complementary color

CMYK 14 / 9 / 0 / 16

HEX #B8C3D6

RGB 184 195 214

HSL 218, 0.27%, 0.78%

LAB 78.51, 0.06, -10.77

 

CMYK 0 / 21 / 53 / 70

HEX #4C3C24

RGB 76 60 36

HSL 36, 0.36%, 0.22%

LAB 26.44, 3.37, 17.44

 

CMYK 0 / 16 / 41 / 64

HEX #5D4E37

RGB 93 78 55

HSL 36.32, 0.26%, 0.29%

LAB 34.09, 2.56, 15.95

 

CMYK 0 / 13 / 33 / 57

HEX #6E604A

RGB 110 96 74

HSL 36.67, 0.2%, 0.36%

LAB 41.49, 1.96, 14.65

 

CMYK 0 / 10 / 27 / 50

HEX #7F725D

RGB 127 114 93

HSL 37.06, 0.15%, 0.43%

LAB 48.68, 1.5, 13.5

 

CMYK 0 / 8 / 22 / 44

HEX #908470

RGB 144 132 112

HSL 37.5, 0.13%, 0.5%

LAB 55.69, 1.12, 12.45

 

CMYK 0 / 15 / 42 / 72

HEX #473C29

RGB 71 60 41

HSL 38, 0.27%, 0.22%

LAB 25.96, 1.56, 13.53

 

CMYK 0 / 22 / 59 / 79

HEX #362A16

RGB 54 42 22

HSL 37.5, 0.42%, 0.15%

LAB 17.91, 2.42, 15.1

 

CMYK 0 / 35 / 92 / 85

HEX #251803

RGB 37 24 3

HSL 37.06, 0.85%, 0.08%

LAB 9.43, 3.71, 12.95

 

CMYK 0 / 70 / 100 / 92

HEX #140600

RGB 20 6 0

HSL 18, 1%, 0.04%

LAB 2.52, 3.62, 3.84

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 15 / 42 / 72

HEX #473C29

RGB 71 60 41

HSL 38, 0.27%, 0.22%

LAB 25.96, 1.56, 13.53

 

CMYK 0 / 27 / 42 / 72

HEX #473429

RGB 71 52 41

HSL 22, 0.27%, 0.22%

LAB 23.52, 6.78, 10.27

 

CMYK 0 / 38 / 42 / 72

HEX #472C29

RGB 71 44 41

HSL 6, 0.27%, 0.22%

LAB 21.21, 12.05, 7.09

 

CMYK 0 / 42 / 42 / 72

HEX #472929

RGB 71 41 41

HSL 0, 0.27%, 0.22%

LAB 20.38, 14.02, 5.93

 

CMYK 0 / 15 / 42 / 72

HEX #473C29

RGB 71 60 41

HSL 38, 0.27%, 0.22%

LAB 25.96, 1.56, 13.53

 

CMYK 0 / 4 / 42 / 72

HEX #474429

RGB 71 68 41

HSL 54, 0.27%, 0.22%

LAB 28.47, -3.51, 16.82

 

CMYK 7 / 0 / 42 / 72

HEX #424729

RGB 66 71 41

HSL 70, 0.27%, 0.22%

LAB 28.97, -7.73, 17.36

 

CMYK 18 / 0 / 42 / 72

HEX #3A4729

RGB 58 71 41

HSL 86, 0.27%, 0.22%

LAB 28.29, -11.4, 16.36

 

CMYK 30 / 0 / 42 / 72

HEX #324729

RGB 50 71 41

HSL 102, 0.27%, 0.22%

LAB 27.7, -14.88, 15.47

 

CMYK 0 / 15 / 42 / 72

HEX #473C29

RGB 71 60 41

HSL 38, 0.27%, 0.22%

LAB 25.96, 1.56, 13.53

 

CMYK 0 / 21 / 60 / 69

HEX #503F20

RGB 80 63 32

HSL 38.75, 0.43%, 0.22%

LAB 27.75, 3, 21.62

 

CMYK 0 / 27 / 74 / 65

HEX #594117

RGB 89 65 23

HSL 38.18, 0.59%, 0.22%

LAB 29.33, 5.52, 28.79

 

CMYK 0 / 32 / 86 / 62

HEX #62430E

RGB 98 67 14

HSL 37.86, 0.75%, 0.22%

LAB 30.98, 8.31, 35.03

 

CMYK 0 / 35 / 95 / 58

HEX #6C4605

RGB 108 70 5

HSL 37.86, 0.91%, 0.22%

LAB 33.09, 11.13, 40.59

 

CMYK 0 / 15 / 42 / 72

HEX #473C29

RGB 71 60 41

HSL 38, 0.27%, 0.22%

LAB 25.96, 1.56, 13.53

 

CMYK 0 / 6 / 19 / 76

HEX #3E3A32

RGB 62 58 50

HSL 40, 0.11%, 0.22%

LAB 24.58, 0.1, 5.6

 

CMYK 10 / 7 / 0 / 77

HEX #35373B

RGB 53 55 59

HSL 220, 0.05%, 0.22%

LAB 23.02, 0.11, -2.79

 

CMYK 35 / 22 / 0 / 73

HEX #2C3544

RGB 44 53 68

HSL 217.5, 0.21%, 0.22%

LAB 21.94, 0.48, -10.55

 

CMYK 55 / 35 / 0 / 70

HEX #23324D

RGB 35 50 77

HSL 218.57, 0.38%, 0.22%

LAB 20.73, 2.69, -18.54

 

CMYK 0 / 38 / 42 / 72

HEX #472C29

RGB 71 44 41

HSL 6, 0.27%, 0.22%

LAB 21.21, 12.05, 7.09

 

CMYK 0 / 27 / 42 / 72

HEX #473429

RGB 71 52 41

HSL 22, 0.27%, 0.22%

LAB 23.52, 6.78, 10.27

 

CMYK 0 / 15 / 42 / 72

HEX #473C29

RGB 71 60 41

HSL 38, 0.27%, 0.22%

LAB 25.96, 1.56, 13.53

 

CMYK 0 / 4 / 42 / 72

HEX #474429

RGB 71 68 41

HSL 54, 0.27%, 0.22%

LAB 28.47, -3.51, 16.82

 

CMYK 7 / 0 / 42 / 72

HEX #424729

RGB 66 71 41

HSL 70, 0.27%, 0.22%

LAB 28.97, -7.73, 17.36

 

CMYK 0 / 16 / 42 / 93

HEX #13100B

RGB 19 16 11

HSL 37.5, 0.27%, 0.06%

LAB 4.82, 0.31, 2.69

 

CMYK 0 / 16 / 42 / 82

HEX #2D261A

RGB 45 38 26

HSL 37.89, 0.27%, 0.14%

LAB 15.59, 1.01, 9.18

 

CMYK 0 / 15 / 42 / 72

HEX #473C29

RGB 71 60 41

HSL 38, 0.27%, 0.22%

LAB 25.96, 1.56, 13.53

 

CMYK 0 / 15 / 42 / 62

HEX #615238

RGB 97 82 56

HSL 38.05, 0.27%, 0.3%

LAB 35.72, 2.08, 17.57

 

CMYK 0 / 16 / 43 / 51

HEX #7C6847

RGB 124 104 71

HSL 37.36, 0.27%, 0.38%

LAB 45.14, 3.02, 21.54

 

CMYK 0 / 15 / 42 / 72

HEX #473C29

RGB 71 60 41

HSL 38, 0.27%, 0.22%

LAB 25.96, 1.56, 13.53

 

CMYK 35 / 0 / 42 / 72

HEX #2E4729

RGB 46 71 41

HSL 110, 0.27%, 0.22%

LAB 27.43, -16.52, 15.07

 

CMYK 32 / 42 / 0 / 72

HEX #302947

RGB 48 41 71

HSL 254, 0.27%, 0.22%

LAB 18.67, 11.16, -17.63

 

CMYK 0 / 15 / 42 / 72

HEX #473C29

RGB 71 60 41

HSL 38, 0.27%, 0.22%

LAB 25.96, 1.56, 13.53

 

CMYK 42 / 0 / 15 / 72

HEX #29473C

RGB 41 71 60

HSL 158, 0.27%, 0.22%

LAB 27.58, -14.19, 3.1

 

CMYK 15 / 42 / 0 / 72

HEX #3C2947

RGB 60 41 71

HSL 278, 0.27%, 0.22%

LAB 20.05, 15.49, -15.37

 

CMYK 0 / 15 / 42 / 72

HEX #473C29

RGB 71 60 41

HSL 38, 0.27%, 0.22%

LAB 25.96, 1.56, 13.53

 

CMYK 35 / 0 / 42 / 72

HEX #2E4729

RGB 46 71 41

HSL 110, 0.27%, 0.22%

LAB 27.43, -16.52, 15.07

 

CMYK 42 / 27 / 0 / 72

HEX #293447

RGB 41 52 71

HSL 218, 0.27%, 0.22%

LAB 21.51, 1.08, -13.25

 

CMYK 7 / 42 / 0 / 72

HEX #422947

RGB 66 41 71

HSL 290, 0.27%, 0.22%

LAB 20.82, 17.72, -14.1

 

CMYK 0 / 15 / 42 / 72

HEX #473C29

RGB 71 60 41

HSL 38, 0.27%, 0.22%

LAB 25.96, 1.56, 13.53

 

CMYK 42 / 0 / 37 / 72

HEX #29472D

RGB 41 71 45

HSL 128, 0.27%, 0.22%

LAB 27.21, -17.68, 12.21

 

CMYK 42 / 27 / 0 / 72

HEX #293447

RGB 41 52 71

HSL 218, 0.27%, 0.22%

LAB 21.51, 1.08, -13.25

 

CMYK 0 / 42 / 6 / 72

HEX #472943

RGB 71 41 67

HSL 308, 0.27%, 0.22%

LAB 21.32, 18.72, -10.56

 

Description

Color code: HEX #473C29 | qconv.com Color code: HEX #473C29 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 60 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 60 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 42 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 42% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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