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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #472E5E it is the complementary color #B8D1A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #472E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #472E5E shade: #4C2E59, #5D406C, #6E527F, #7F6492 and #9076A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #472E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #472E5E shade: #472E5E, #361C4B, #250A38, #140025 and #030012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #472E5E shade: #462D5C, #522D5C, #5C2D59, #5C2D4D and #5C2D40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #472E5E shade: #462D5C, #392D5C and #2D2D5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #472E5E shade matches the following richer shades: #462D5C, #462267, #471773, #470C7E and #480189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #472E5E shade: #462D5C, #453951, #454446, #444F3B and #445A30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #472E5E shade: #2D2E5C, #392D5C, #462D5C, #522D5C and #5C2D5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #472E5E shade: #1C1225, #312041, #462D5C, #5B3B78 and #704994

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #472E5E shade: #472E5E, #5C2D3B and #2D5C33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #472E5E shade: #472E5E, #5C462D and #2D5C46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #472E5E shade: #472E5E, #5C2D3B, #445C2D and #2D5C4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #472E5E shade: #472E5E, #5C2E2D, #445C2D and #2D5B5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 51 / 0 / 63

HEX #472E5E

RGB 71 46 94

HSL 271.25, 0.34%, 0.27%

LAB 24, 22.08, -24.42

 

Complementary color

CMYK 12 / 0 / 23 / 18

HEX #B8D1A1

RGB 184 209 161

HSL 91.25, 0.34%, 0.73%

LAB 80.94, -16.93, 21.09

 

CMYK 15 / 48 / 0 / 65

HEX #4C2E59

RGB 76 46 89

HSL 281.86, 0.32%, 0.26%

LAB 24.36, 22.44, -20.53

 

CMYK 14 / 41 / 0 / 58

HEX #5D406C

RGB 93 64 108

HSL 279.55, 0.26%, 0.34%

LAB 31.98, 21.54, -20.74

 

CMYK 13 / 35 / 0 / 50

HEX #6E527F

RGB 110 82 127

HSL 277.33, 0.22%, 0.41%

LAB 39.38, 20.73, -20.94

 

CMYK 13 / 32 / 0 / 43

HEX #7F6492

RGB 127 100 146

HSL 275.22, 0.19%, 0.48%

LAB 46.58, 20.01, -21.15

 

CMYK 13 / 28 / 0 / 35

HEX #9076A5

RGB 144 118 165

HSL 273.19, 0.21%, 0.55%

LAB 53.6, 19.37, -21.37

 

CMYK 24 / 51 / 0 / 63

HEX #472E5E

RGB 71 46 94

HSL 271.25, 0.34%, 0.27%

LAB 24, 22.08, -24.42

 

CMYK 28 / 63 / 0 / 71

HEX #361C4B

RGB 54 28 75

HSL 273.19, 0.46%, 0.2%

LAB 16.12, 23.12, -24.35

 

CMYK 34 / 82 / 0 / 78

HEX #250A38

RGB 37 10 56

HSL 275.22, 0.7%, 0.13%

LAB 8.09, 23.9, -24

 

CMYK 46 / 100 / 0 / 85

HEX #140025

RGB 20 0 37

HSL 272.43, 1%, 0.07%

LAB 2.55, 14.51, -18.7

 

CMYK 83 / 100 / 0 / 93

HEX #030012

RGB 3 0 18

HSL 250, 1%, 0.04%

LAB 0.57, 3.56, -7.27

 

CMYK 24 / 51 / 0 / 64

HEX #462D5C

RGB 70 45 92

HSL 271.91, 0.34%, 0.27%

LAB 23.51, 21.86, -23.89

 

CMYK 11 / 51 / 0 / 64

HEX #522D5C

RGB 82 45 92

HSL 287.23, 0.34%, 0.27%

LAB 25.09, 25.79, -21.31

 

CMYK 0 / 51 / 3 / 64

HEX #5C2D59

RGB 92 45 89

HSL 303.83, 0.34%, 0.27%

LAB 26.37, 28.49, -17.23

 

CMYK 0 / 51 / 16 / 64

HEX #5C2D4D

RGB 92 45 77

HSL 319.15, 0.34%, 0.27%

LAB 25.83, 26.17, -10.14

 

CMYK 0 / 51 / 30 / 64

HEX #5C2D40

RGB 92 45 64

HSL 335.74, 0.34%, 0.27%

LAB 25.33, 23.97, -2.19

 

CMYK 24 / 51 / 0 / 64

HEX #462D5C

RGB 70 45 92

HSL 271.91, 0.34%, 0.27%

LAB 23.51, 21.86, -23.89

 

CMYK 38 / 51 / 0 / 64

HEX #392D5C

RGB 57 45 92

HSL 255.32, 0.34%, 0.27%

LAB 22.01, 17.79, -26.36

 

CMYK 51 / 51 / 0 / 64

HEX #2D2D5C

RGB 45 45 92

HSL 240, 0.34%, 0.27%

LAB 20.86, 14.36, -28.27

 

CMYK 24 / 51 / 0 / 64

HEX #462D5C

RGB 70 45 92

HSL 271.91, 0.34%, 0.27%

LAB 23.51, 21.86, -23.89

 

CMYK 32 / 67 / 0 / 60

HEX #462267

RGB 70 34 103

HSL 271.3, 0.5%, 0.27%

LAB 21.67, 31.55, -34.03

 

CMYK 38 / 80 / 0 / 55

HEX #471773

RGB 71 23 115

HSL 271.3, 0.67%, 0.27%

LAB 20.79, 40.5, -43.24

 

CMYK 44 / 90 / 0 / 51

HEX #470C7E

RGB 71 12 126

HSL 271.05, 0.83%, 0.27%

LAB 20.47, 47.21, -50.79

 

CMYK 47 / 99 / 0 / 46

HEX #480189

RGB 72 1 137

HSL 271.32, 0.99%, 0.27%

LAB 20.85, 52.72, -57.12

 

CMYK 24 / 51 / 0 / 64

HEX #462D5C

RGB 70 45 92

HSL 271.91, 0.34%, 0.27%

LAB 23.51, 21.86, -23.89

 

CMYK 15 / 30 / 0 / 68

HEX #453951

RGB 69 57 81

HSL 270, 0.17%, 0.27%

LAB 26.11, 10.72, -12.61

 

CMYK 1 / 3 / 0 / 73

HEX #454446

RGB 69 68 70

HSL 270, 0.01%, 0.27%

LAB 29.01, 0.86, -1.06

 

CMYK 14 / 0 / 25 / 69

HEX #444F3B

RGB 68 79 59

HSL 93, 0.14%, 0.27%

LAB 32.12, -8.65, 10.39

 

CMYK 24 / 0 / 47 / 65

HEX #445A30

RGB 68 90 48

HSL 91.43, 0.3%, 0.27%

LAB 35.51, -16.78, 21.56

 

CMYK 51 / 50 / 0 / 64

HEX #2D2E5C

RGB 45 46 92

HSL 238.72, 0.34%, 0.27%

LAB 21.15, 13.66, -27.81

 

CMYK 38 / 51 / 0 / 64

HEX #392D5C

RGB 57 45 92

HSL 255.32, 0.34%, 0.27%

LAB 22.01, 17.79, -26.36

 

CMYK 24 / 51 / 0 / 64

HEX #462D5C

RGB 70 45 92

HSL 271.91, 0.34%, 0.27%

LAB 23.51, 21.86, -23.89

 

CMYK 11 / 51 / 0 / 64

HEX #522D5C

RGB 82 45 92

HSL 287.23, 0.34%, 0.27%

LAB 25.09, 25.79, -21.31

 

CMYK 0 / 51 / 2 / 64

HEX #5C2D5A

RGB 92 45 90

HSL 302.55, 0.34%, 0.27%

LAB 26.42, 28.69, -17.81

 

CMYK 24 / 51 / 0 / 85

HEX #1C1225

RGB 28 18 37

HSL 271.58, 0.35%, 0.11%

LAB 7.34, 9.99, -11.19

 

CMYK 25 / 51 / 0 / 75

HEX #312041

RGB 49 32 65

HSL 270.91, 0.34%, 0.19%

LAB 15.84, 16.03, -17.93

 

CMYK 24 / 51 / 0 / 64

HEX #462D5C

RGB 70 45 92

HSL 271.91, 0.34%, 0.27%

LAB 23.51, 21.86, -23.89

 

CMYK 24 / 51 / 0 / 53

HEX #5B3B78

RGB 91 59 120

HSL 271.48, 0.34%, 0.35%

LAB 31.13, 26.98, -29.66

 

CMYK 24 / 51 / 0 / 42

HEX #704994

RGB 112 73 148

HSL 271.2, 0.34%, 0.43%

LAB 38.46, 31.87, -35.16

 

CMYK 24 / 51 / 0 / 63

HEX #472E5E

RGB 71 46 94

HSL 271.25, 0.34%, 0.27%

LAB 24, 22.08, -24.42

 

CMYK 0 / 51 / 36 / 64

HEX #5C2D3B

RGB 92 45 59

HSL 342.13, 0.34%, 0.27%

LAB 25.16, 23.22, 0.93

 

CMYK 51 / 0 / 45 / 64

HEX #2D5C33

RGB 45 92 51

HSL 127.66, 0.34%, 0.27%

LAB 34.91, -25.94, 18.76

 

CMYK 24 / 51 / 0 / 63

HEX #472E5E

RGB 71 46 94

HSL 271.25, 0.34%, 0.27%

LAB 24, 22.08, -24.42

 

CMYK 0 / 24 / 51 / 64

HEX #5C462D

RGB 92 70 45

HSL 31.91, 0.34%, 0.27%

LAB 31.45, 5.82, 18.64

 

CMYK 51 / 0 / 24 / 64

HEX #2D5C46

RGB 45 92 70

HSL 151.91, 0.34%, 0.27%

LAB 35.31, -21.91, 7.79

 

CMYK 24 / 51 / 0 / 63

HEX #472E5E

RGB 71 46 94

HSL 271.25, 0.34%, 0.27%

LAB 24, 22.08, -24.42

 

CMYK 0 / 51 / 36 / 64

HEX #5C2D3B

RGB 92 45 59

HSL 342.13, 0.34%, 0.27%

LAB 25.16, 23.22, 0.93

 

CMYK 26 / 0 / 51 / 64

HEX #445C2D

RGB 68 92 45

HSL 90.64, 0.34%, 0.27%

LAB 36.12, -18.28, 24.05

 

CMYK 51 / 0 / 14 / 64

HEX #2D5C4F

RGB 45 92 79

HSL 163.4, 0.34%, 0.27%

LAB 35.55, -19.63, 2.55

 

CMYK 24 / 51 / 0 / 63

HEX #472E5E

RGB 71 46 94

HSL 271.25, 0.34%, 0.27%

LAB 24, 22.08, -24.42

 

CMYK 0 / 50 / 51 / 64

HEX #5C2E2D

RGB 92 46 45

HSL 1.28, 0.34%, 0.27%

LAB 25.01, 20.81, 10.12

 

CMYK 26 / 0 / 51 / 64

HEX #445C2D

RGB 68 92 45

HSL 90.64, 0.34%, 0.27%

LAB 36.12, -18.28, 24.05

 

CMYK 51 / 1 / 0 / 64

HEX #2D5B5C

RGB 45 91 92

HSL 181.28, 0.34%, 0.27%

LAB 35.62, -15.4, -5.45

 

Description

Color code: HEX #472E5E | qconv.com Color code: HEX #472E5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 46 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 46 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 51 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 51% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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