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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4726B3 it is the complementary color #B8D94C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4726B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4726B3 shade: #4C26AE, #5D38C1, #6E4AD4, #7F5CE7 and #906EFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4726B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4726B3 shade: #4726B3, #3614A0, #25028D, #14007A and #030067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4726B3 shade: #4826B5, #6E26B5, #9526B5, #B526AF and #B52688

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4726B3 shade: #4826B5 and #2626B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4726B3 shade matches the following richer shades: #4826B5, #3E15C7 and #3503D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4726B3 shade: #4826B5, #5138A3, #5B4A91, #645C80 and #6D6D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4726B3 shade: #2651B5, #262BB5, #4826B5, #6E26B5 and #9426B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4726B3 shade: #2D1871, #3A1F93, #4826B5, #5731D3 and #7353DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4726B3 shade: #4726B3, #B52677 and #3EB526

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4726B3 shade: #4726B3, #B54826 and #26B548

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4726B3 shade: #4726B3, #B52677, #94B526 and #26B564

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4726B3 shade: #4726B3, #B5264C, #94B526 and #26B58F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 79 / 0 / 30

HEX #4726B3

RGB 71 38 179

HSL 254.04, 0.65%, 0.43%

LAB 29.36, 51.25, -68.75

 

Complementary color

CMYK 15 / 0 / 65 / 15

HEX #B8D94C

RGB 184 217 76

HSL 74.04, 0.65%, 0.57%

LAB 82.02, -30.27, 63.32

 

CMYK 56 / 78 / 0 / 32

HEX #4C26AE

RGB 76 38 174

HSL 256.76, 0.64%, 0.42%

LAB 29.36, 50.44, -65.75

 

CMYK 52 / 71 / 0 / 24

HEX #5D38C1

RGB 93 56 193

HSL 256.2, 0.55%, 0.49%

LAB 36, 49.37, -66.05

 

CMYK 48 / 65 / 0 / 17

HEX #6E4AD4

RGB 110 74 212

HSL 255.65, 0.62%, 0.56%

LAB 42.71, 48.06, -66.04

 

CMYK 45 / 60 / 0 / 9

HEX #7F5CE7

RGB 127 92 231

HSL 255.11, 0.74%, 0.63%

LAB 49.42, 46.72, -65.89

 

CMYK 42 / 56 / 0 / 2

HEX #906EFA

RGB 144 110 250

HSL 254.57, 0.93%, 0.71%

LAB 56.07, 45.44, -65.68

 

CMYK 60 / 79 / 0 / 30

HEX #4726B3

RGB 71 38 179

HSL 254.04, 0.65%, 0.43%

LAB 29.36, 51.25, -68.75

 

CMYK 66 / 88 / 0 / 37

HEX #3614A0

RGB 54 20 160

HSL 254.57, 0.78%, 0.35%

LAB 23.08, 51.75, -67.74

 

CMYK 74 / 99 / 0 / 45

HEX #25028D

RGB 37 2 141

HSL 255.11, 0.97%, 0.28%

LAB 17.27, 51.06, -65.69

 

CMYK 84 / 100 / 0 / 52

HEX #14007A

RGB 20 0 122

HSL 249.84, 1%, 0.24%

LAB 12.95, 46.22, -60.89

 

CMYK 97 / 100 / 0 / 60

HEX #030067

RGB 3 0 103

HSL 241.75, 1%, 0.2%

LAB 8.98, 40.74, -55.14

 

CMYK 60 / 79 / 0 / 29

HEX #4826B5

RGB 72 38 181

HSL 254.27, 0.65%, 0.43%

LAB 29.66, 51.94, -69.44

 

CMYK 39 / 79 / 0 / 29

HEX #6E26B5

RGB 110 38 181

HSL 270.21, 0.65%, 0.43%

LAB 34.06, 57.18, -62.06

 

CMYK 18 / 79 / 0 / 29

HEX #9526B5

RGB 149 38 181

HSL 286.57, 0.65%, 0.43%

LAB 39.77, 63.93, -52.53

 

CMYK 0 / 79 / 3 / 29

HEX #B526AF

RGB 181 38 175

HSL 302.52, 0.65%, 0.43%

LAB 44.67, 69.15, -40.84

 

CMYK 0 / 79 / 25 / 29

HEX #B52688

RGB 181 38 136

HSL 318.88, 0.65%, 0.43%

LAB 42.74, 63.67, -20.4

 

CMYK 60 / 79 / 0 / 29

HEX #4826B5

RGB 72 38 181

HSL 254.27, 0.65%, 0.43%

LAB 29.66, 51.94, -69.44

 

CMYK 79 / 79 / 0 / 29

HEX #2626B5

RGB 38 38 181

HSL 240, 0.65%, 0.43%

LAB 27.11, 48.88, -73.74

 

CMYK 60 / 79 / 0 / 29

HEX #4826B5

RGB 72 38 181

HSL 254.27, 0.65%, 0.43%

LAB 29.66, 51.94, -69.44

 

CMYK 69 / 89 / 0 / 22

HEX #3E15C7

RGB 62 21 199

HSL 253.82, 0.81%, 0.43%

LAB 28.6, 62.45, -81.87

 

CMYK 75 / 99 / 0 / 15

HEX #3503D8

RGB 53 3 216

HSL 254.08, 0.97%, 0.43%

LAB 28.85, 70.08, -91.38

 

CMYK 60 / 79 / 0 / 29

HEX #4826B5

RGB 72 38 181

HSL 254.27, 0.65%, 0.43%

LAB 29.66, 51.94, -69.44

 

CMYK 50 / 66 / 0 / 36

HEX #5138A3

RGB 81 56 163

HSL 254.02, 0.49%, 0.43%

LAB 32.31, 38.49, -54.29

 

CMYK 37 / 49 / 0 / 43

HEX #5B4A91

RGB 91 74 145

HSL 254.37, 0.32%, 0.43%

LAB 36.3, 24.51, -36.9

 

CMYK 22 / 28 / 0 / 50

HEX #645C80

RGB 100 92 128

HSL 253.33, 0.16%, 0.43%

LAB 41.09, 11.39, -18.99

 

CMYK 1 / 1 / 0 / 57

HEX #6D6D6E

RGB 109 109 110

HSL 240, 0%, 0.43%

LAB 46.06, 0.21, -0.56

 

CMYK 79 / 55 / 0 / 29

HEX #2651B5

RGB 38 81 181

HSL 221.96, 0.65%, 0.43%

LAB 37.18, 22.2, -57.23

 

CMYK 79 / 76 / 0 / 29

HEX #262BB5

RGB 38 43 181

HSL 237.9, 0.65%, 0.43%

LAB 28.05, 46.2, -72.19

 

CMYK 60 / 79 / 0 / 29

HEX #4826B5

RGB 72 38 181

HSL 254.27, 0.65%, 0.43%

LAB 29.66, 51.94, -69.44

 

CMYK 39 / 79 / 0 / 29

HEX #6E26B5

RGB 110 38 181

HSL 270.21, 0.65%, 0.43%

LAB 34.06, 57.18, -62.06

 

CMYK 18 / 79 / 0 / 29

HEX #9426B5

RGB 148 38 181

HSL 286.15, 0.65%, 0.43%

LAB 39.61, 63.74, -52.79

 

CMYK 60 / 79 / 0 / 56

HEX #2D1871

RGB 45 24 113

HSL 254.16, 0.65%, 0.27%

LAB 17.48, 35.1, -47.5

 

CMYK 61 / 79 / 0 / 42

HEX #3A1F93

RGB 58 31 147

HSL 253.97, 0.65%, 0.35%

LAB 23.63, 43.67, -58.83

 

CMYK 60 / 79 / 0 / 29

HEX #4826B5

RGB 72 38 181

HSL 254.27, 0.65%, 0.43%

LAB 29.66, 51.94, -69.44

 

CMYK 59 / 77 / 0 / 17

HEX #5731D3

RGB 87 49 211

HSL 254.07, 0.65%, 0.51%

LAB 35.84, 57.08, -76.8

 

CMYK 47 / 62 / 0 / 14

HEX #7353DB

RGB 115 83 219

HSL 254.12, 0.65%, 0.59%

LAB 45.56, 46.01, -65.4

 

CMYK 60 / 79 / 0 / 30

HEX #4726B3

RGB 71 38 179

HSL 254.04, 0.65%, 0.43%

LAB 29.36, 51.25, -68.75

 

CMYK 0 / 79 / 34 / 29

HEX #B52677

RGB 181 38 119

HSL 326.01, 0.65%, 0.43%

LAB 42.06, 61.65, -10.97

 

CMYK 66 / 0 / 79 / 29

HEX #3EB526

RGB 62 181 38

HSL 109.93, 0.65%, 0.43%

LAB 65.13, -58.06, 58.1

 

CMYK 60 / 79 / 0 / 30

HEX #4726B3

RGB 71 38 179

HSL 254.04, 0.65%, 0.43%

LAB 29.36, 51.25, -68.75

 

CMYK 0 / 60 / 79 / 29

HEX #B54826

RGB 181 72 38

HSL 14.27, 0.65%, 0.43%

LAB 45.08, 42.43, 41.68

 

CMYK 79 / 0 / 60 / 29

HEX #26B548

RGB 38 181 72

HSL 134.27, 0.65%, 0.43%

LAB 64.91, -59, 44.39

 

CMYK 60 / 79 / 0 / 30

HEX #4726B3

RGB 71 38 179

HSL 254.04, 0.65%, 0.43%

LAB 29.36, 51.25, -68.75

 

CMYK 0 / 79 / 34 / 29

HEX #B52677

RGB 181 38 119

HSL 326.01, 0.65%, 0.43%

LAB 42.06, 61.65, -10.97

 

CMYK 18 / 0 / 79 / 29

HEX #94B526

RGB 148 181 38

HSL 73.85, 0.65%, 0.43%

LAB 69.1, -29.87, 63.23

 

CMYK 79 / 0 / 45 / 29

HEX #26B564

RGB 38 181 100

HSL 146.01, 0.65%, 0.43%

LAB 65.26, -54.75, 31.04

 

CMYK 60 / 79 / 0 / 30

HEX #4726B3

RGB 71 38 179

HSL 254.04, 0.65%, 0.43%

LAB 29.36, 51.25, -68.75

 

CMYK 0 / 79 / 58 / 29

HEX #B5264C

RGB 181 38 76

HSL 344.06, 0.65%, 0.43%

LAB 40.79, 57.76, 14.17

 

CMYK 18 / 0 / 79 / 29

HEX #94B526

RGB 148 181 38

HSL 73.85, 0.65%, 0.43%

LAB 69.1, -29.87, 63.23

 

CMYK 79 / 0 / 21 / 29

HEX #26B58F

RGB 38 181 143

HSL 164.06, 0.65%, 0.43%

LAB 66.09, -45.55, 9.05

 

Description

Color code: HEX #4726B3 | qconv.com Color code: HEX #4726B3 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 38 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 38 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 79 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 79% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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