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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #472477 it is the complementary color #B8DB88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #472477. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #472477 shade: #4C2472, #5D3685, #6E4898, #7F5AAB and #906CBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #472477. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #472477 shade: #472477, #361264, #250051, #14003E and #03002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #472477 shade: #462376, #5C2376, #732376, #762363 and #76234C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #472477 shade: #462376, #302376 and #232376

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #472477 shade matches the following richer shades: #462376, #441782 and #420A8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #472477 shade: #462376, #483069, #4A3C5D, #4C4851 and #4E5544

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #472477 shade: #232D76, #302376, #462376, #5C2376 and #722376

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #472477 shade: #201036, #331A56, #462376, #592D96 and #6C36B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #472477 shade: #472477, #762343 and #237625

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #472477 shade: #472477, #764623 and #237646

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #472477 shade: #472477, #762343, #537623 and #237656

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #472477 shade: #472477, #76232A, #537623 and #23766F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 70 / 0 / 53

HEX #472477

RGB 71 36 119

HSL 265.3, 0.54%, 0.3%

LAB 23.45, 35.05, -41.48

 

Complementary color

CMYK 16 / 0 / 38 / 14

HEX #B8DB88

RGB 184 219 136

HSL 85.3, 0.54%, 0.7%

LAB 83.25, -25.4, 37.09

 

CMYK 33 / 68 / 0 / 55

HEX #4C2472

RGB 76 36 114

HSL 270.77, 0.52%, 0.29%

LAB 23.71, 34.83, -37.82

 

CMYK 30 / 59 / 0 / 48

HEX #5D3685

RGB 93 54 133

HSL 269.62, 0.42%, 0.37%

LAB 31.02, 33.91, -37.95

 

CMYK 28 / 53 / 0 / 40

HEX #6E4898

RGB 110 72 152

HSL 268.5, 0.36%, 0.44%

LAB 38.23, 32.9, -37.96

 

CMYK 26 / 47 / 0 / 33

HEX #7F5AAB

RGB 127 90 171

HSL 267.41, 0.33%, 0.51%

LAB 45.31, 31.93, -37.93

 

CMYK 24 / 43 / 0 / 25

HEX #906CBE

RGB 144 108 190

HSL 266.34, 0.39%, 0.58%

LAB 52.26, 31.03, -37.91

 

CMYK 40 / 70 / 0 / 53

HEX #472477

RGB 71 36 119

HSL 265.3, 0.54%, 0.3%

LAB 23.45, 35.05, -41.48

 

CMYK 46 / 82 / 0 / 61

HEX #361264

RGB 54 18 100

HSL 266.34, 0.69%, 0.23%

LAB 16.19, 35.71, -41.07

 

CMYK 54 / 100 / 0 / 68

HEX #250051

RGB 37 0 81

HSL 267.41, 1%, 0.16%

LAB 8.89, 36.26, -40.36

 

CMYK 68 / 100 / 0 / 76

HEX #14003E

RGB 20 0 62

HSL 259.35, 1%, 0.12%

LAB 4.49, 26.75, -34.3

 

CMYK 93 / 100 / 0 / 83

HEX #03002B

RGB 3 0 43

HSL 244.19, 1%, 0.08%

LAB 1.75, 11.86, -24.67

 

CMYK 41 / 70 / 0 / 54

HEX #462376

RGB 70 35 118

HSL 265.3, 0.54%, 0.3%

LAB 23.04, 35.1, -41.51

 

CMYK 22 / 70 / 0 / 54

HEX #5C2376

RGB 92 35 118

HSL 281.2, 0.54%, 0.3%

LAB 26.11, 40.16, -36.39

 

CMYK 3 / 70 / 0 / 54

HEX #732376

RGB 115 35 118

HSL 297.83, 0.54%, 0.3%

LAB 29.8, 45.81, -30.29

 

CMYK 0 / 70 / 16 / 54

HEX #762363

RGB 118 35 99

HSL 313.73, 0.54%, 0.3%

LAB 29.3, 43.32, -18.87

 

CMYK 0 / 70 / 36 / 54

HEX #76234C

RGB 118 35 76

HSL 330.36, 0.54%, 0.3%

LAB 28.31, 40.02, -5.28

 

CMYK 41 / 70 / 0 / 54

HEX #462376

RGB 70 35 118

HSL 265.3, 0.54%, 0.3%

LAB 23.04, 35.1, -41.51

 

CMYK 59 / 70 / 0 / 54

HEX #302376

RGB 48 35 118

HSL 249.4, 0.54%, 0.3%

LAB 20.59, 30.75, -45.61

 

CMYK 70 / 70 / 0 / 54

HEX #232376

RGB 35 35 118

HSL 240, 0.54%, 0.3%

LAB 19.5, 28.7, -47.43

 

CMYK 41 / 70 / 0 / 54

HEX #462376

RGB 70 35 118

HSL 265.3, 0.54%, 0.3%

LAB 23.04, 35.1, -41.51

 

CMYK 48 / 82 / 0 / 49

HEX #441782

RGB 68 23 130

HSL 265.23, 0.7%, 0.3%

LAB 21.78, 43.92, -51.21

 

CMYK 54 / 93 / 0 / 44

HEX #420A8F

RGB 66 10 143

HSL 265.26, 0.87%, 0.3%

LAB 21.43, 51.34, -59.95

 

CMYK 41 / 70 / 0 / 54

HEX #462376

RGB 70 35 118

HSL 265.3, 0.54%, 0.3%

LAB 23.04, 35.1, -41.51

 

CMYK 31 / 54 / 0 / 59

HEX #483069

RGB 72 48 105

HSL 265.26, 0.37%, 0.3%

LAB 25.3, 24.13, -29.52

 

CMYK 20 / 35 / 0 / 64

HEX #4A3C5D

RGB 74 60 93

HSL 265.45, 0.22%, 0.3%

LAB 28.06, 13.69, -17.4

 

CMYK 6 / 11 / 0 / 68

HEX #4C4851

RGB 76 72 81

HSL 266.67, 0.06%, 0.3%

LAB 31.27, 3.66, -4.76

 

CMYK 8 / 0 / 20 / 67

HEX #4E5544

RGB 78 85 68

HSL 84.71, 0.11%, 0.3%

LAB 35.07, -6.31, 9

 

CMYK 70 / 62 / 0 / 54

HEX #232D76

RGB 35 45 118

HSL 232.77, 0.54%, 0.3%

LAB 22.1, 21.9, -43.19

 

CMYK 59 / 70 / 0 / 54

HEX #302376

RGB 48 35 118

HSL 249.4, 0.54%, 0.3%

LAB 20.59, 30.75, -45.61

 

CMYK 41 / 70 / 0 / 54

HEX #462376

RGB 70 35 118

HSL 265.3, 0.54%, 0.3%

LAB 23.04, 35.1, -41.51

 

CMYK 22 / 70 / 0 / 54

HEX #5C2376

RGB 92 35 118

HSL 281.2, 0.54%, 0.3%

LAB 26.11, 40.16, -36.39

 

CMYK 3 / 70 / 0 / 54

HEX #722376

RGB 114 35 118

HSL 297.11, 0.54%, 0.3%

LAB 29.63, 45.56, -30.57

 

CMYK 41 / 70 / 0 / 79

HEX #201036

RGB 32 16 54

HSL 265.26, 0.54%, 0.14%

LAB 8.52, 18.24, -21.9

 

CMYK 41 / 70 / 0 / 66

HEX #331A56

RGB 51 26 86

HSL 265, 0.54%, 0.22%

LAB 16.08, 26.72, -31.92

 

CMYK 41 / 70 / 0 / 54

HEX #462376

RGB 70 35 118

HSL 265.3, 0.54%, 0.3%

LAB 23.04, 35.1, -41.51

 

CMYK 41 / 70 / 0 / 41

HEX #592D96

RGB 89 45 150

HSL 265.14, 0.54%, 0.38%

LAB 29.92, 42.47, -50.24

 

CMYK 40 / 70 / 0 / 29

HEX #6C36B5

RGB 108 54 181

HSL 265.51, 0.54%, 0.46%

LAB 36.3, 49.76, -58.42

 

CMYK 40 / 70 / 0 / 53

HEX #472477

RGB 71 36 119

HSL 265.3, 0.54%, 0.3%

LAB 23.45, 35.05, -41.48

 

CMYK 0 / 70 / 43 / 54

HEX #762343

RGB 118 35 67

HSL 336.87, 0.54%, 0.3%

LAB 28, 38.94, 0.25

 

CMYK 70 / 0 / 69 / 54

HEX #237625

RGB 35 118 37

HSL 121.45, 0.54%, 0.3%

LAB 43.43, -41.65, 36.26

 

CMYK 40 / 70 / 0 / 53

HEX #472477

RGB 71 36 119

HSL 265.3, 0.54%, 0.3%

LAB 23.45, 35.05, -41.48

 

CMYK 0 / 41 / 70 / 54

HEX #764623

RGB 118 70 35

HSL 25.3, 0.54%, 0.3%

LAB 34.71, 17.2, 29.27

 

CMYK 70 / 0 / 41 / 54

HEX #237646

RGB 35 118 70

HSL 145.3, 0.54%, 0.3%

LAB 43.88, -36.49, 19.43

 

CMYK 40 / 70 / 0 / 53

HEX #472477

RGB 71 36 119

HSL 265.3, 0.54%, 0.3%

LAB 23.45, 35.05, -41.48

 

CMYK 0 / 70 / 43 / 54

HEX #762343

RGB 118 35 67

HSL 336.87, 0.54%, 0.3%

LAB 28, 38.94, 0.25

 

CMYK 30 / 0 / 70 / 54

HEX #537623

RGB 83 118 35

HSL 85.3, 0.54%, 0.3%

LAB 45.52, -26.42, 40.01

 

CMYK 70 / 0 / 27 / 54

HEX #237656

RGB 35 118 86

HSL 156.87, 0.54%, 0.3%

LAB 44.21, -32.9, 10.56

 

CMYK 40 / 70 / 0 / 53

HEX #472477

RGB 71 36 119

HSL 265.3, 0.54%, 0.3%

LAB 23.45, 35.05, -41.48

 

CMYK 0 / 70 / 64 / 54

HEX #76232A

RGB 118 35 42

HSL 354.94, 0.54%, 0.3%

LAB 27.35, 36.64, 16.06

 

CMYK 30 / 0 / 70 / 54

HEX #537623

RGB 83 118 35

HSL 85.3, 0.54%, 0.3%

LAB 45.52, -26.42, 40.01

 

CMYK 70 / 0 / 6 / 54

HEX #23766F

RGB 35 118 111

HSL 174.94, 0.54%, 0.3%

LAB 44.89, -26.09, -3.35

 

Description

Color code: HEX #472477 | qconv.com Color code: HEX #472477 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 36 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 36 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 70 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 70% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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