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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #471DE7 it is the complementary color #B8E218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #471DE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #471DE7 shade: #4C1DE2, #5D2FF5, #6E41FF, #7F53FF and #9065FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #471DE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #471DE7 shade: #471DE7, #360BD4, #2500C1, #1400AE and #03009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #471DE7 shade: #471DE7, #7E1DE7, #B41DE7, #E71DE4 and #E71DAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #471DE7 shade: #471DE7 and #1D1DE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #471DE7 shade matches the following richer shades: #471DE7 and #3B09FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #471DE7 shade: #471DE7, #5331D3, #5F45BF, #6A59AB and #766E96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #471DE7 shade: #1D60E7, #1D2AE7, #451DE7, #7B1DE7 and #B11DE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #471DE7 shade: #2F11A1, #3A15C6, #471DE7, #6542EB and #8468EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #471DE7 shade: #471DE7, #E71D96 and #45E71D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #471DE7 shade: #471DE7, #E7451D and #1DE745

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #471DE7 shade: #471DE7, #E71D96, #BFE71D and #1DE76E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #471DE7 shade: #471DE7, #E71D5A, #BFE71D and #1DE7AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 87 / 0 / 9

HEX #471DE7

RGB 71 29 231

HSL 252.48, 0.81%, 0.51%

LAB 33.96, 68.91, -91.45

 

Complementary color

CMYK 19 / 0 / 89 / 11

HEX #B8E218

RGB 184 226 24

HSL 72.48, 0.81%, 0.49%

LAB 84.3, -36.59, 80.19

 

CMYK 66 / 87 / 0 / 11

HEX #4C1DE2

RGB 76 29 226

HSL 254.31, 0.77%, 0.5%

LAB 33.79, 67.93, -88.86

 

CMYK 62 / 81 / 0 / 4

HEX #5D2FF5

RGB 93 47 245

HSL 253.94, 0.91%, 0.57%

LAB 39.5, 67.82, -90.14

 

CMYK 57 / 75 / 0 / 0

HEX #6E41FF

RGB 110 65 255

HSL 254.21, 1%, 0.63%

LAB 44.68, 64.55, -87.14

 

CMYK 50 / 67 / 0 / 0

HEX #7F53FF

RGB 127 83 255

HSL 255.35, 1%, 0.66%

LAB 49.4, 58.15, -79.35

 

CMYK 44 / 60 / 0 / 0

HEX #9065FF

RGB 144 101 255

HSL 256.75, 1%, 0.7%

LAB 54.51, 51.73, -70.97

 

CMYK 69 / 87 / 0 / 9

HEX #471DE7

RGB 71 29 231

HSL 252.48, 0.81%, 0.51%

LAB 33.96, 68.91, -91.45

 

CMYK 75 / 95 / 0 / 17

HEX #360BD4

RGB 54 11 212

HSL 252.84, 0.9%, 0.44%

LAB 28.84, 67.75, -89.07

 

CMYK 81 / 100 / 0 / 24

HEX #2500C1

RGB 37 0 193

HSL 251.5, 1%, 0.38%

LAB 24.46, 64.66, -85.28

 

CMYK 89 / 100 / 0 / 32

HEX #1400AE

RGB 20 0 174

HSL 246.9, 1%, 0.34%

LAB 20.85, 59.65, -80

 

CMYK 98 / 100 / 0 / 39

HEX #03009B

RGB 3 0 155

HSL 241.16, 1%, 0.3%

LAB 17.39, 54.63, -74.22

 

CMYK 69 / 87 / 0 / 9

HEX #471DE7

RGB 71 29 231

HSL 252.48, 0.81%, 0.51%

LAB 33.96, 68.91, -91.45

 

CMYK 45 / 87 / 0 / 9

HEX #7E1DE7

RGB 126 29 231

HSL 268.81, 0.81%, 0.51%

LAB 39.72, 73.5, -81.73

 

CMYK 22 / 87 / 0 / 9

HEX #B41DE7

RGB 180 29 231

HSL 284.85, 0.81%, 0.51%

LAB 47.43, 80.42, -68.81

 

CMYK 0 / 87 / 1 / 9

HEX #E71DE4

RGB 231 29 228

HSL 300.89, 0.81%, 0.51%

LAB 55.55, 88.09, -53.6

 

CMYK 0 / 87 / 25 / 9

HEX #E71DAD

RGB 231 29 173

HSL 317.23, 0.81%, 0.51%

LAB 52.82, 80.95, -26.24

 

CMYK 69 / 87 / 0 / 9

HEX #471DE7

RGB 71 29 231

HSL 252.48, 0.81%, 0.51%

LAB 33.96, 68.91, -91.45

 

CMYK 87 / 87 / 0 / 9

HEX #1D1DE7

RGB 29 29 231

HSL 240, 0.81%, 0.51%

LAB 31.6, 67.23, -95.44

 

CMYK 69 / 87 / 0 / 9

HEX #471DE7

RGB 71 29 231

HSL 252.48, 0.81%, 0.51%

LAB 33.96, 68.91, -91.45

 

CMYK 76 / 96 / 0 / 2

HEX #3B09FB

RGB 59 9 251

HSL 252.4, 0.97%, 0.51%

LAB 34.17, 77.7, -102.45

 

CMYK 69 / 87 / 0 / 9

HEX #471DE7

RGB 71 29 231

HSL 252.48, 0.81%, 0.51%

LAB 33.96, 68.91, -91.45

 

CMYK 61 / 77 / 0 / 17

HEX #5331D3

RGB 83 49 211

HSL 252.59, 0.65%, 0.51%

LAB 35.48, 56.61, -77.42

 

CMYK 50 / 64 / 0 / 25

HEX #5F45BF

RGB 95 69 191

HSL 252.79, 0.49%, 0.51%

LAB 38.64, 42, -60.56

 

CMYK 38 / 48 / 0 / 33

HEX #6A59AB

RGB 106 89 171

HSL 252.44, 0.33%, 0.51%

LAB 42.99, 26.72, -41.75

 

CMYK 21 / 27 / 0 / 41

HEX #766E96

RGB 118 110 150

HSL 252, 0.16%, 0.51%

LAB 48.52, 11.94, -20.61

 

CMYK 87 / 58 / 0 / 9

HEX #1D60E7

RGB 29 96 231

HSL 220.1, 0.81%, 0.51%

LAB 44.8, 30.88, -73.65

 

CMYK 87 / 82 / 0 / 9

HEX #1D2AE7

RGB 29 42 231

HSL 236.14, 0.81%, 0.51%

LAB 33.32, 62.09, -92.57

 

CMYK 70 / 87 / 0 / 9

HEX #451DE7

RGB 69 29 231

HSL 251.88, 0.81%, 0.51%

LAB 33.8, 68.79, -91.71

 

CMYK 47 / 87 / 0 / 9

HEX #7B1DE7

RGB 123 29 231

HSL 267.92, 0.81%, 0.51%

LAB 39.34, 73.18, -82.37

 

CMYK 23 / 87 / 0 / 9

HEX #B11DE7

RGB 177 29 231

HSL 283.96, 0.81%, 0.51%

LAB 46.97, 79.99, -69.58

 

CMYK 71 / 89 / 0 / 37

HEX #2F11A1

RGB 47 17 161

HSL 252.5, 0.81%, 0.35%

LAB 22.23, 52.57, -69.78

 

CMYK 71 / 89 / 0 / 22

HEX #3A15C6

RGB 58 21 198

HSL 252.54, 0.81%, 0.43%

LAB 28.15, 61.96, -82.04

 

CMYK 69 / 87 / 0 / 9

HEX #471DE7

RGB 71 29 231

HSL 252.48, 0.81%, 0.51%

LAB 33.96, 68.91, -91.45

 

CMYK 57 / 72 / 0 / 8

HEX #6542EB

RGB 101 66 235

HSL 252.43, 0.81%, 0.59%

LAB 42.25, 57.36, -79.94

 

CMYK 45 / 56 / 0 / 6

HEX #8468EF

RGB 132 104 239

HSL 252.44, 0.81%, 0.67%

LAB 52.99, 43.23, -64.58

 

CMYK 69 / 87 / 0 / 9

HEX #471DE7

RGB 71 29 231

HSL 252.48, 0.81%, 0.51%

LAB 33.96, 68.91, -91.45

 

CMYK 0 / 87 / 35 / 9

HEX #E71D96

RGB 231 29 150

HSL 324.06, 0.81%, 0.51%

LAB 51.92, 78.48, -14.02

 

CMYK 70 / 0 / 87 / 9

HEX #45E71D

RGB 69 231 29

HSL 108.12, 0.81%, 0.51%

LAB 81.02, -73.08, 74.67

 

CMYK 69 / 87 / 0 / 9

HEX #471DE7

RGB 71 29 231

HSL 252.48, 0.81%, 0.51%

LAB 33.96, 68.91, -91.45

 

CMYK 0 / 70 / 87 / 9

HEX #E7451D

RGB 231 69 29

HSL 11.88, 0.81%, 0.51%

LAB 53.31, 60.66, 56.41

 

CMYK 87 / 0 / 70 / 9

HEX #1DE745

RGB 29 231 69

HSL 131.88, 0.81%, 0.51%

LAB 80.65, -75.58, 62.88

 

CMYK 69 / 87 / 0 / 9

HEX #471DE7

RGB 71 29 231

HSL 252.48, 0.81%, 0.51%

LAB 33.96, 68.91, -91.45

 

CMYK 0 / 87 / 35 / 9

HEX #E71D96

RGB 231 29 150

HSL 324.06, 0.81%, 0.51%

LAB 51.92, 78.48, -14.02

 

CMYK 17 / 0 / 87 / 9

HEX #BFE71D

RGB 191 231 29

HSL 71.88, 0.81%, 0.51%

LAB 86.16, -35.98, 81.07

 

CMYK 87 / 0 / 52 / 9

HEX #1DE76E

RGB 29 231 110

HSL 144.06, 0.81%, 0.51%

LAB 81.04, -70.8, 45.88

 

CMYK 69 / 87 / 0 / 9

HEX #471DE7

RGB 71 29 231

HSL 252.48, 0.81%, 0.51%

LAB 33.96, 68.91, -91.45

 

CMYK 0 / 87 / 61 / 9

HEX #E71D5A

RGB 231 29 90

HSL 341.88, 0.81%, 0.51%

LAB 50.22, 73.76, 19.89

 

CMYK 17 / 0 / 87 / 9

HEX #BFE71D

RGB 191 231 29

HSL 71.88, 0.81%, 0.51%

LAB 86.16, -35.98, 81.07

 

CMYK 87 / 0 / 26 / 9

HEX #1DE7AB

RGB 29 231 171

HSL 162.18, 0.81%, 0.51%

LAB 82.03, -59.33, 16.53

 

Description

Color code: HEX #471DE7 | qconv.com Color code: HEX #471DE7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 29 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 29 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 87 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 87% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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